tag:blogger.com,1999:blog-10064534395843797492024-03-26T08:15:31.525-07:00Brazilian Pop 1934-1964the Brazilian music-scene, politics, sports and 'current affairs' from 1934 to 1964.Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.comBlogger82125tag:blogger.com,1999:blog-1006453439584379749.post-42190987243824907772022-09-08T11:44:00.137-07:002023-11-07T01:36:57.862-08:00TV PAULISTA - comedy & humour <p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUsREdhG4nRUliWGkgPLyajlvzUtxIOmPwy9fuCd5hcqaK9IKw8-5r2iqFBMsaKFkxWGqgk2IY-3AK33RbR8NxzininWf-HubLvSzGuFWhRCrkr2Ug9S6ECmmQeg-0L7AjkLgo9cKBet_QjzkCGBEb9_y35wqe2K6dEdRKN6DaBXIPvuDGubwK5_GOrk0/s739/paulista.1960.O.Cruzeiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="573" data-original-width="739" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUsREdhG4nRUliWGkgPLyajlvzUtxIOmPwy9fuCd5hcqaK9IKw8-5r2iqFBMsaKFkxWGqgk2IY-3AK33RbR8NxzininWf-HubLvSzGuFWhRCrkr2Ug9S6ECmmQeg-0L7AjkLgo9cKBet_QjzkCGBEb9_y35wqe2K6dEdRKN6DaBXIPvuDGubwK5_GOrk0/w640-h496/paulista.1960.O.Cruzeiro.jpg" width="640" /></a></div><span style="font-family: arial;">Ronald Golias, Monoel de Nóbrega & Carlos Alberto de Nóbrega at 'O Cruzeiro', </span><b style="font-family: arial;"><span style="color: #ffa400;">1960</span></b><span style="font-family: arial;">.</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihWSUfw8iULNjZtyNV-RfTfIxS_Y0nT318FgG3eAlv0ECOnf1aGzVraEk4XvOZpokBAPPWyEfkMttPWjePgZHKV0PAbKYSmxJhaRayTQ9mhim9CVxKxw9P-bvwxP_iWW7qM49Bvxs8qrczHlQ4GYKyZdwVugRtReczqG3Y6zRaQ0ZVZbIPvoLzb71K/s2048/Paulista.Prog.Manoel.da.Nobrega.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1448" data-original-width="2048" height="453" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihWSUfw8iULNjZtyNV-RfTfIxS_Y0nT318FgG3eAlv0ECOnf1aGzVraEk4XvOZpokBAPPWyEfkMttPWjePgZHKV0PAbKYSmxJhaRayTQ9mhim9CVxKxw9P-bvwxP_iWW7qM49Bvxs8qrczHlQ4GYKyZdwVugRtReczqG3Y6zRaQ0ZVZbIPvoLzb71K/w640-h453/Paulista.Prog.Manoel.da.Nobrega.jpg" width="640" /></a><p></p><span style="font-family: arial;"><div style="text-align: justify;">'<b>Programa Manoel da Nóbrega</b>' at Radio Nacional Paulista in <b><span style="color: #ffa400;">1960</span></b>; from left to right: Daniel Guimarães, <b>Ronald Golias</b> (wearing a cap), Carlos Alberto da Nóbrega, José Sampaio, Maximira Figueiredo, Tilde Serato (back) <b>Canarinho</b> and <b>Silvio Santos</b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkMlFZfjgvEJPw4o-NnNsGGd1417JeGXfVoq9UCgKKjn0y3XzOfnl_ILaZ1bia25XCoE24BWLi0vCMjGA-eUHJa1wK8_UD_pWV14-u868Xs1Rya9UM4_FxtbpAsMeGVpFTDtTS6FtP0u5rwTVisaT5Tm8HKv9tENDXE-hmBalpHS-TANv7keU7Cea/s720/paulista.silvio.nobrega%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="720" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkMlFZfjgvEJPw4o-NnNsGGd1417JeGXfVoq9UCgKKjn0y3XzOfnl_ILaZ1bia25XCoE24BWLi0vCMjGA-eUHJa1wK8_UD_pWV14-u868Xs1Rya9UM4_FxtbpAsMeGVpFTDtTS6FtP0u5rwTVisaT5Tm8HKv9tENDXE-hmBalpHS-TANv7keU7Cea/w640-h257/paulista.silvio.nobrega%20(2).PNG" width="640" /></a></div><div style="text-align: justify;">Silvio Santos, Carlos Alberto, Manoel de Nóbrega, Farid Riskallah, Ronald Golias, Tilde Serato & Manoel Inocêncio.</div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRc_O7NK0wNDUK0FClN5CMzJsXi59CuCSINO2kgK0D5AgLt6Ocj4R0gX-LL_afiteZkRp1btwT64u_mtIH5o6s0ghIkIxB7vwTPnJhBfpLPDzTYK4poVmePKfKucrOVY5wM_emCq03SP-9CW6fpBEHhGdBkMRqEwHQVm5QpHKmrvF8RnKQJJ3qJF6o/s640/Inkedpaulista.pra%C3%A7a.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRc_O7NK0wNDUK0FClN5CMzJsXi59CuCSINO2kgK0D5AgLt6Ocj4R0gX-LL_afiteZkRp1btwT64u_mtIH5o6s0ghIkIxB7vwTPnJhBfpLPDzTYK4poVmePKfKucrOVY5wM_emCq03SP-9CW6fpBEHhGdBkMRqEwHQVm5QpHKmrvF8RnKQJJ3qJF6o/s16000/Inkedpaulista.pra%C3%A7a.1957.jpg" /></a></div><span style="text-align: center;">Manoel da Nóbrega & Ronald Golias at the proverbial bench at '</span><b style="text-align: center;">Praça da Alegria</b><span style="text-align: center;">', in </span><b style="text-align: center;"><span style="color: #ffa400;">1957</span></b><span style="text-align: center;">.</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizYHIErltD0tBFAf-OLvx6tHxN4a_VkTbgtFHpa0J02AFHyc5o421w3hp5_PmWYSJqqZ4Zy_GIXP-LZUSxM7to0AVPbbBbWSHwr1PsF4VTdfD9A_c5cOw8yV8sLHjQmrBlI2ay15FrwatFK-N6s6ZVrJDyfNfqQci0OMy9q1-ktfWZ5fnrWUu_tj4B/s735/Raquel.M.Vida.Alves.Lima.D.Laura.Card.Golias.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="554" data-original-width="735" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizYHIErltD0tBFAf-OLvx6tHxN4a_VkTbgtFHpa0J02AFHyc5o421w3hp5_PmWYSJqqZ4Zy_GIXP-LZUSxM7to0AVPbbBbWSHwr1PsF4VTdfD9A_c5cOw8yV8sLHjQmrBlI2ay15FrwatFK-N6s6ZVrJDyfNfqQci0OMy9q1-ktfWZ5fnrWUu_tj4B/w640-h482/Raquel.M.Vida.Alves.Lima.D.Laura.Card.Golias.jpg" width="640" /></a></div><div style="text-align: justify;">Everyone dressed to the nines at São Paulo's Theatro Municipal for the <b><span style="color: #ffa400;">1958 Tupiniquim</span></b>'s Gala in which the best radio & TV performers were awarded trophies by TV Tupi. <b>Raquel Martins</b> (wearing a pearl necklace) in the back row; in the middle row from left to right: Sylas Robery, <b>Vida</b> <b>Alves</b>, Lima Duarte, Laura Cardoso & <b>Ronald Golias</b>.</div></span><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEA8TC8mR7NnJKSb9q3c_jBYY345Hjg41S6hsaTkTLLWVJ6ifYCp60TFa_mfHgNJUNRUjB49eHLrEJXLPt1D_RkTcQOcvH-W2q0HCGL-YmrqHdx8GOwtOj5lSoFNiEkdZ2AqCjoEN7vjvX6KHcH7jhmuyQCO29ZWMZT27PyJgVhCpGO5-lvCI6Iyry/s503/paulista.nobrega.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="483" data-original-width="503" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEA8TC8mR7NnJKSb9q3c_jBYY345Hjg41S6hsaTkTLLWVJ6ifYCp60TFa_mfHgNJUNRUjB49eHLrEJXLPt1D_RkTcQOcvH-W2q0HCGL-YmrqHdx8GOwtOj5lSoFNiEkdZ2AqCjoEN7vjvX6KHcH7jhmuyQCO29ZWMZT27PyJgVhCpGO5-lvCI6Iyry/w400-h384/paulista.nobrega.jpg" width="400" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><b><span style="color: #ffa400;">Manoel de Nóbrega</span></b> (born on 18 February 1913, in Niteroy-RJ) with wife and <b><span style="color: #ffa400;">Carlos Alberto</span></b>, their only son (born on 12 March 1936). Manoel started at Radio Mayrink Veiga in 1931. He moved to São Paulo in 1944, and worked at Radio Cultura, Tupi, Piratininga moving then to Radio Nacional and TV Paulista, where he started '<b><span style="color: #ffa400;">Praça da Alegria</span></b>' in <b><span style="color: #ffa400;">1957</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnW3GsOvONUW1bJt65wybVtWru8a3YxlC6aDu4l68wgGQzlF_LsdQzSuzA0KAdveSPpjEkelWIFxXtcZiPlg5_DJR8N6Xlrf0SE7Ca_ZuTzx47-kJrXec8r9V1KfMSnjEkYZRRXvgWXD7Nr7MhkYv4vtF0sH9I6lQzOKKClWA5imDm2pSH2MqeiB145Vw/s564/paulista.renato.corte.real.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="522" data-original-width="564" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnW3GsOvONUW1bJt65wybVtWru8a3YxlC6aDu4l68wgGQzlF_LsdQzSuzA0KAdveSPpjEkelWIFxXtcZiPlg5_DJR8N6Xlrf0SE7Ca_ZuTzx47-kJrXec8r9V1KfMSnjEkYZRRXvgWXD7Nr7MhkYv4vtF0sH9I6lQzOKKClWA5imDm2pSH2MqeiB145Vw/w400-h370/paulista.renato.corte.real.1954.jpg" width="400" /></a></div><b>Renato Côrte-Real</b> plays Neco to Augusto Machado de Campos' Lilico Swing at TV Paulista in <b><span style="color: #ffa400;">1954</span></b> (Radiolândia).<div style="text-align: justify;"><p style="font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZUHEPpXSseXI2YHoRyGN0l6DnOgwHnMGdOc-bpVKzBH40tMMVbArdDFX_q2-vSsy5m43hbUoJgASyDE8OtIp8UvYNHe4qle3ryg2_5c-W12bWzGr4o7AUejpEzXPGMA5a510Mra8_riPRSYJnDcilEe0dNZL9D-ewWUW2m_YD6SusUW0Q9w5BBDb/s956/paulista.veronica.uno.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="956" data-original-width="519" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZUHEPpXSseXI2YHoRyGN0l6DnOgwHnMGdOc-bpVKzBH40tMMVbArdDFX_q2-vSsy5m43hbUoJgASyDE8OtIp8UvYNHe4qle3ryg2_5c-W12bWzGr4o7AUejpEzXPGMA5a510Mra8_riPRSYJnDcilEe0dNZL9D-ewWUW2m_YD6SusUW0Q9w5BBDb/w347-h640/paulista.veronica.uno.jpg" width="347" /></a></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;">Carmen Veronica played the major role at '<b>Miss Campeonato</b>' at TV Paulista. Gazeta Esportiva, <b><span style="color: #ffa400;">8 November 1957</span></b>. </span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both;">'<b>Miss Campeonato</b>' (<b><span style="color: #ffa400;">Miss Championship</span></b>) created by author-cum-journalist <b>Sergio Porto</b> aka <b>Stanislau Ponte Preta</b> went to air at <b>Radio Mayrink Veiga</b> in early <b>1957</b>. Stanislau wrote a farce in which Rio de Janeiro's Football League teams were each represented as a male denizen of a boarding house in which there lived a single female young lady who was wooed by all. </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">Show girl <b>Carmen Verônica</b>, one of Brazil's most curvaceous ladies got the part of this beauty queen who lived with her mother (played by Raquel Martins) in such a boarding house. Missy would get a date with the winner of the week's rounds. At the end of the season <b>Miss Championship </b>would marry the bloke whose team won the year's championship. </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">The radio show became an instant hit in Rio and migrated to São Paulo less than 6 months later, opening at TV Paulista every <b>Wednesday</b> night. Comedians <b><span style="color: #ffa400;">Borges de Barros</span></b> as <b>Corinthians F.C.</b>; <b><span style="color: #ffa400;">Ronaldo Golias</span></b> as <b>São Paulo F.C.</b>; <b>Chocolate</b> as ... ; Daniel Guimarães as ... ; <b>Farid Riskallah</b>, <b>Homem de Melo</b>; Percival Ferreira; Manoel Inocêncio, Luís Pini, Walter Ribeiro dos Santos; Clayton Silva; <b>Roberto Barreiros</b> and Claudio Moreno among others who eventually came and went. Osmano Cardoso plays 'Seo' Falcolino the janitor. </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">'Miss Campeonato' ran for seven years until <b><span style="color: #ffa400;">1964</span></b>, one year before TV Paulista would be sold out. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdPxllIO2Ui4lb0t97J4xII6eV1cVFCUaN8sPWsXe1epgPMQAdVxURUEYbbzAhCtb4c_1qY30DQHWNSUcXube5hHa4NzH14BJnpmqKnk3oCwSxLHDm5qypHM2Sxc4BOVJFkQzg3O_GQBLCxcDdlegEYausz7YPPvAE_SXNbSdOdBcKEclMTPhBItGM/s537/paulista.ver%C3%B4nica.dez.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="537" data-original-width="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdPxllIO2Ui4lb0t97J4xII6eV1cVFCUaN8sPWsXe1epgPMQAdVxURUEYbbzAhCtb4c_1qY30DQHWNSUcXube5hHa4NzH14BJnpmqKnk3oCwSxLHDm5qypHM2Sxc4BOVJFkQzg3O_GQBLCxcDdlegEYausz7YPPvAE_SXNbSdOdBcKEclMTPhBItGM/s16000/paulista.ver%C3%B4nica.dez.1959.jpg" /></a></div><div style="text-align: center;">Carmen Verônica on the cover of 'Manchete', <b><span style="color: #ffa400;">December 1959</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTN4f5KdsObdLKM2hjlxOGNYezhWD_p1_rQuV9pIvy3JPhwcMViP_jma2IoPQt6mfC_cx9MCNTLbaelA8G4-clpH04g4BpPYZi0qdSC89yvBCdWY0bR8HMfaq2Q2wxy95tjJX7SCqSNU4QTBI_-877wryN9IJlmct63E3EZhwK2vINqCbA_Kr-HoZ_/s646/Paulista.Stanislau%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="646" data-original-width="618" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTN4f5KdsObdLKM2hjlxOGNYezhWD_p1_rQuV9pIvy3JPhwcMViP_jma2IoPQt6mfC_cx9MCNTLbaelA8G4-clpH04g4BpPYZi0qdSC89yvBCdWY0bR8HMfaq2Q2wxy95tjJX7SCqSNU4QTBI_-877wryN9IJlmct63E3EZhwK2vINqCbA_Kr-HoZ_/w306-h320/Paulista.Stanislau%20(2).jpg" width="306" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0juYTecpvpSPYOaKEU_6eXfuSS6wsteKwfnc6Iyn3qCoNNVt3s_vqXXTOAkdkNptCweRiH87yOUWRrHB57akFsdcELxdv5hq-yPkARIQzHi7G6Up9zxIuc5YW4CMuU2FMxhryekhn4NdL5z2-jSxO3drsqUyMUvAQIDMuDDPjnea2IQaR3iw_bsi-eo/s770/paulista.Miss.campeonato.27.Sept.1957.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="770" data-original-width="405" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji0juYTecpvpSPYOaKEU_6eXfuSS6wsteKwfnc6Iyn3qCoNNVt3s_vqXXTOAkdkNptCweRiH87yOUWRrHB57akFsdcELxdv5hq-yPkARIQzHi7G6Up9zxIuc5YW4CMuU2FMxhryekhn4NdL5z2-jSxO3drsqUyMUvAQIDMuDDPjnea2IQaR3iw_bsi-eo/w210-h400/paulista.Miss.campeonato.27.Sept.1957.PNG" width="210" /></a></div></div><div style="text-align: justify;"><b>Stanislau Ponte Preta</b> aka Sergio Porto presents his <b>Miss Campeonato</b> at TV Paulista; revista Fon-Fon, <b><span style="color: #ffa400;">1957</span></b>; the very first '<b>Miss Campeonato</b>' with Carmen Verônica as the desired lady would begin on the first days of <b><span style="color: #ffa400;">October 1957</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QQJi94NM3NsBxY5j-OzpGaWnhLy7g8yeKj5TEzHgQMzoqVeQQStbHQL89U4RskRJoM5S0ARq0nF_bpMA4mCvLV-XoOINHJ2_ZOA_x2m70DPqz-RNW-_sPfnrw91zy3TP8Yz-ckyK_RkPuPm0Sp0Krv1_HNzleqAYn5CYs2J_Fl-DJ_UDNIkuatc4/s803/paulista.miss.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="783" data-original-width="803" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QQJi94NM3NsBxY5j-OzpGaWnhLy7g8yeKj5TEzHgQMzoqVeQQStbHQL89U4RskRJoM5S0ARq0nF_bpMA4mCvLV-XoOINHJ2_ZOA_x2m70DPqz-RNW-_sPfnrw91zy3TP8Yz-ckyK_RkPuPm0Sp0Krv1_HNzleqAYn5CYs2J_Fl-DJ_UDNIkuatc4/w320-h312/paulista.miss.1957.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;">'Revista do Radio' no. 417, likes 'Miss Campeonato' <b><span style="color: #ffa400;">1957</span></b>. </div></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQTBMb2AbZaEfaWnrunFoEj-X27eVyOhAVxAoHiwIAKliMNLJ9w6BBB8soI5NmhymDNvgI93evkZ0dRnDRVxBIP4_sJx1HKBzl6ifTNKi7-YblMoBTroXjM3iBNuaGQGZLmdEYPoQH1l-L2IJGm5v3LjDFJLMJ_kK0MQrwtYV6N_lApXUo-jihOMt/s1576/paulista.miss.campeonato.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1576" data-original-width="1104" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQTBMb2AbZaEfaWnrunFoEj-X27eVyOhAVxAoHiwIAKliMNLJ9w6BBB8soI5NmhymDNvgI93evkZ0dRnDRVxBIP4_sJx1HKBzl6ifTNKi7-YblMoBTroXjM3iBNuaGQGZLmdEYPoQH1l-L2IJGm5v3LjDFJLMJ_kK0MQrwtYV6N_lApXUo-jihOMt/w448-h640/paulista.miss.campeonato.1957.jpg" width="448" /></a></div><b>Carmen Verônica</b> stars as '<b><span style="color: #ffa400;">Miss Campeonato</span></b> every <b>Wednesday</b> at <b>8:30 pm</b>; here she's flanked by <b>Borges de Barros</b> who impersonates Corinthians Football Club and <b>Ronald Golias</b> as São Paulo F.C. Foto by Radiolandia, 1957.</div><div class="separator" style="clear: both; text-align: justify;"> <span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;">Carmen Verônica talks to Radiolandia: "Confesso-me encantada com a TV. Não é esta minha primeira experiência diante das câmeras. Fiz 2 programas tipo revista no Canal 3 (TV Tupi) susubstituindo Virgínia Lane, e tomei parte aqui mesmo na TV Paulista, em 'Sua Excelência em 26 Poses' ao lado de Silveira Sampaio. Mas considero esta minha estréia. Apesar de não eestar bem entrosada nos primeiros programas (é tão completamente diferente do meu gênero) agora já estou dentro da coisa..." </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;">Tendo família em São Paulo, a bela 'vedette' de 'Miss Campeonato', aproveita suas viagens semanais para visitar os entes queridos. Adorando a vida do lar, Carmen Verônica havia desistido quase completamente da vida artística, quando foi chamada por Luis Vassalo, idealizador do 'Miss Campeonato' para fazer o papel aqui em São Paulo. "Aceitei porque gostei muito da ideia do Vassalo e do script de José Roberto Silveira".</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-5ej4dG40jpzFoi4QdNwoxEmujmA9Qk3prAnQSmC9nAvxW9Y-iZu67inqOQpkpCr0I4yzJZBT6a4KZShQXSOGMe4_wlJDcM2vmaCxi-9GwRSp0OiSLjiwiojTU2vJlhaO65rWNYldUjcKkSAGQ-VUBLfGS3i-HfprOyBQopWZe1niT-JXWilA79LU/s767/Anilza.Leoni.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="598" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-5ej4dG40jpzFoi4QdNwoxEmujmA9Qk3prAnQSmC9nAvxW9Y-iZu67inqOQpkpCr0I4yzJZBT6a4KZShQXSOGMe4_wlJDcM2vmaCxi-9GwRSp0OiSLjiwiojTU2vJlhaO65rWNYldUjcKkSAGQ-VUBLfGS3i-HfprOyBQopWZe1niT-JXWilA79LU/w312-h400/Anilza.Leoni.1958.jpg" width="312" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">Anilza Leoni</span></b>, a Rio de Janeiro show-girl, moves to São Paulo to be the new Miss Campeonato - 'A Gazeta Esportiva', <b><span style="color: #ffa400;">15 April 1958</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWHmsY6r1OxkHI92vkTcRN9TXVYdQCuBCW18A3ByDHaVfiWtOuWGZk-T21RoeuBSYy8-5RYhveiPC6iMdEmeiGEo-5cwbxGV6DYjq7j6TlE6-NMY_fG5qcaWlF4GXQlhJrqaRW0XesgCb5PAFqXjdDUHe7Rc466gy83I1FYrgAwqiAnSxDTJnDOGc/s713/paulista.borges.barros.radiolandia.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="713" data-original-width="595" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWHmsY6r1OxkHI92vkTcRN9TXVYdQCuBCW18A3ByDHaVfiWtOuWGZk-T21RoeuBSYy8-5RYhveiPC6iMdEmeiGEo-5cwbxGV6DYjq7j6TlE6-NMY_fG5qcaWlF4GXQlhJrqaRW0XesgCb5PAFqXjdDUHe7Rc466gy83I1FYrgAwqiAnSxDTJnDOGc/w534-h640/paulista.borges.barros.radiolandia.1957.jpg" width="534" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs2aJ4xEqfVslvBKEMHHEDy3Wl4MeHeWkFFpuINVjdK9lkxMfosqrTBM7NLwwbd87QDIAZFCVFHHpFP_DLHhLYsdt1wik24jj_8X-zo_Wm5OQS3YMB1bXvhsZL6ZCuswlgPipOwuyXvCwzGKlFrR9zXrHVH36hEk9QBZ_NOdcFL-yFuYy3lK3MtB4h/s1724/Paulista.Borges.de.Barros.Radiolandia.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1724" data-original-width="1266" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs2aJ4xEqfVslvBKEMHHEDy3Wl4MeHeWkFFpuINVjdK9lkxMfosqrTBM7NLwwbd87QDIAZFCVFHHpFP_DLHhLYsdt1wik24jj_8X-zo_Wm5OQS3YMB1bXvhsZL6ZCuswlgPipOwuyXvCwzGKlFrR9zXrHVH36hEk9QBZ_NOdcFL-yFuYy3lK3MtB4h/w470-h640/Paulista.Borges.de.Barros.Radiolandia.1957.jpg" width="470" /></a></div><div style="text-align: justify;">'<b>Radiolandia</b>' of early 1957 reveals <b><span style="color: #ffa400;">Borges de Barros</span></b> as the great <b><span style="color: #ffa400;">1956</span></b> hope as a comedian. Having played the 'poor cousin' role for some time, Borges claims he's not from the Northeast as many thought but was born in <b>Campo Grande-MT</b>, the same hometown of Janio Quadros, São Paulo's governor and future President (1961). </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Borges was both an actor and comedian having taken part in many 'Teledrama' plays: In <b><span style="color: #ffa400;">1955</span></b>, he appeared in 'O corcunda', 'O final do conto', 'O casaco de peles', 'O pássaro na gaiola', 'O negrinho do pastoreio' and Domngos Olímpio's '<b>Luzia-homem</b>'; in <b><span style="color: #ffa400;">1956</span></b> he was in 'Por quem os sinos dobram?' (<b>For whom the bell tolls?</b>), 'O falcão maltês' (<b>Maltese falcon</b>), 'Rua 21, Estação 37', 'Os proscritos de Poker Flav', Armando Fontes' '<b>Os Corumbas</b>', Jorge Amado's '<b>Terras do sem fim</b>', Lima Barreto's '<b>Clara dos Anjos</b>' and 'O tempo de sua vida'. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In <b><span style="color: #ffa400;">1957</span></b>, as his career as a comedian took off he appeared only in Goethe's '<b>Fausto</b>'; in <b><span style="color: #ffa400;">1958</span></b>, Borges was in 'O malandro', José Mauro de Vasconcelos' '<b>Arara vermelha</b>' and Ranulfo Prata's '<b>Navios iluminados</b>'; in <b><span style="color: #ffa400;">1959</span></b>, Borges appeared in 'Lampião' and Aracy Rivera de Rezende's '<b>Semente amarga</b>'. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Later on in the <b>1960s</b>, having found he couldn't get as many acting parts as before Borges de Barros worked as a dubbing actor, having put Brazilian Portuguese in the lips of nefarious Dr. <b>Zachary Smith</b> of '<b>Lost in Space</b>'.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBngYO8ORLKYcffgR2ixLtBUlCOwUNicyFUyO67K-YK-k3fpHvjNRc3b55s4_CSnLb6y0NGtF2Q3AafD7Nz1Z8oR3yA344AYjzyODjadmruTKGYOWk_0-Pb7qnU8LVwBOwGf2zcVciAIR3ftMQ-2S5oE8OADBSM83rSJWf_2mNX36K83ap0nByJXj9/s682/paulista.golias.1957%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBngYO8ORLKYcffgR2ixLtBUlCOwUNicyFUyO67K-YK-k3fpHvjNRc3b55s4_CSnLb6y0NGtF2Q3AafD7Nz1Z8oR3yA344AYjzyODjadmruTKGYOWk_0-Pb7qnU8LVwBOwGf2zcVciAIR3ftMQ-2S5oE8OADBSM83rSJWf_2mNX36K83ap0nByJXj9/s16000/paulista.golias.1957%20(2).jpg" /></a></div>Ronald Golias drawn by <b>Miécio Caffé</b> at 'A Gazeta' on <b><span style="color: #ffa400;">30 August 1957</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzgMYeQTzuq5ZKyOx1nuF8D0FoP8MCDfj1LMrUO_TFRH8rRzC-G3B5oYS5E_zGJ1amu6ITk5r7uGe1cKXQjg8fYuGF950Q4gQKSC_I9Gg9Xf8mAoK_x3RtQGYC6lg75R2McLWbRmJlmRPMhz-EzMKKS6CuRwd-kM1VdqIIWzI0uFbS91g3-Ng08ztyuK0/s785/paulista.golias.te.guento.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="785" data-original-width="511" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzgMYeQTzuq5ZKyOx1nuF8D0FoP8MCDfj1LMrUO_TFRH8rRzC-G3B5oYS5E_zGJ1amu6ITk5r7uGe1cKXQjg8fYuGF950Q4gQKSC_I9Gg9Xf8mAoK_x3RtQGYC6lg75R2McLWbRmJlmRPMhz-EzMKKS6CuRwd-kM1VdqIIWzI0uFbS91g3-Ng08ztyuK0/w260-h400/paulista.golias.te.guento.1959.jpg" width="260" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-SPrmTESZBEC5cHNppNy1aakYmgY4DsM2nUsjcJq43oLtrBHVbTvrEcTHi4udzwir0PemIZAEzsLwDuVd0t09QRG2tTnBiQFu9SqOvB6PSAhCgCbwLToZCtpSjfQpLgmyRfkUOXqlWSIH3UYy54oVv2m82nGQdnz_sKW7FMVDqu1q0aVCM9PL55gO/s674/paulista.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="674" data-original-width="445" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-SPrmTESZBEC5cHNppNy1aakYmgY4DsM2nUsjcJq43oLtrBHVbTvrEcTHi4udzwir0PemIZAEzsLwDuVd0t09QRG2tTnBiQFu9SqOvB6PSAhCgCbwLToZCtpSjfQpLgmyRfkUOXqlWSIH3UYy54oVv2m82nGQdnz_sKW7FMVDqu1q0aVCM9PL55gO/w264-h400/paulista.1959.jpg" width="264" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><b><span style="color: #ffa400;">9 January 1959</span></b> (Última Hora): '<b>São Paulo, num te guento</b>' on Fridays at 9:00 pm with Ronald Golias, <b>Canarinho</b>, Chocolate, Raquel Martins, Farid Riskalah, Manuel Inocêncio & Joana Duarte; </span><b style="text-align: left;"><span style="color: #ffa400;">24 February 1959</span></b><span style="text-align: left;"> - '</span><b style="text-align: left;">Lotação-Ponto Cinco</b><span style="text-align: left;">' in which </span><b style="text-align: left;"><span style="color: #ffa400;">Ronald Golias</span></b><span style="text-align: left;"> played a zany taxi-driver on Wednesdays at 9:30 pm.</span></div></div></span><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipGxKJtp1KDxEyMrYh16ySh2Pj6L6pQK8u0fUsq_jXrkHzZbSoOFOWFqsOyf14_dSicz2pzfL_x9xSOFm__2FFopYR5Db_CBpHhpoRcQyx7tL52pbYG3YteaNhT9YZ-UsOrvVsii8I53ocIMkFeBjdGC_Psev7foFhfjCFMkaXRIdI-ob1a7hzyP4a/s763/paulista.golias.raquel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="763" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipGxKJtp1KDxEyMrYh16ySh2Pj6L6pQK8u0fUsq_jXrkHzZbSoOFOWFqsOyf14_dSicz2pzfL_x9xSOFm__2FFopYR5Db_CBpHhpoRcQyx7tL52pbYG3YteaNhT9YZ-UsOrvVsii8I53ocIMkFeBjdGC_Psev7foFhfjCFMkaXRIdI-ob1a7hzyP4a/w400-h374/paulista.golias.raquel.jpg" width="400" /></a></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvINsCAQKeRc3xy_ahwaFHY6cW6JfsIEQAOePphjT_rTbkiefhplGIzStDcku965zNA_K9ltoYHU2nA6vIjxCHlAbYEduzEP8IYZKsXBrhLhY3-ZqxX26fL6cL-hhc1mtXuPTtilWKVn0rskReTZy-NpeDA8_99_5NhHHQ0QXTM5wI7n7rcGCpegnQ/s538/paulista.riskala.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="505" data-original-width="538" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvINsCAQKeRc3xy_ahwaFHY6cW6JfsIEQAOePphjT_rTbkiefhplGIzStDcku965zNA_K9ltoYHU2nA6vIjxCHlAbYEduzEP8IYZKsXBrhLhY3-ZqxX26fL6cL-hhc1mtXuPTtilWKVn0rskReTZy-NpeDA8_99_5NhHHQ0QXTM5wI7n7rcGCpegnQ/w320-h301/paulista.riskala.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjm_71bcNJ0VTpkK_As7o7RMAuwCMUkrvgQ34mzvedcHxChaPinXxmMOJio0_jUDJ9K56i5oN3UwJcks1LCdvbAESgdues7LxA5YHJ6N-kcpTowkTxPtHxvXiYf5_tGiA0u-GqJXCilTvanO88hSCyFC2LNXaENCTwamjtP5xptZpRauwuVB4DNJeM/s384/paulista.manoel.nobrega.1956.radiolandia.sarita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="384" data-original-width="368" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjm_71bcNJ0VTpkK_As7o7RMAuwCMUkrvgQ34mzvedcHxChaPinXxmMOJio0_jUDJ9K56i5oN3UwJcks1LCdvbAESgdues7LxA5YHJ6N-kcpTowkTxPtHxvXiYf5_tGiA0u-GqJXCilTvanO88hSCyFC2LNXaENCTwamjtP5xptZpRauwuVB4DNJeM/w307-h320/paulista.manoel.nobrega.1956.radiolandia.sarita.jpg" width="307" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlsZQkTgIXxG4DcmvHa09CLNa7xjduxtjWBNpYHSXGieiL_sg85Rno7Z686KiD__CfISsAw2cWtKDbWDIt6bf8fj999ongrlmZyUnNybsilancXGMaTgnjnHXF974E0IIG9vZkj3z87E6eC4P7ApOdPZFpbi8G1vwDlj5S1wcRCxgAlfTdF6dFqP8W3y0/s838/paulista.manoel.da.nobrega.3rd.June.1958.Golias.Canarinho.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="838" data-original-width="559" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlsZQkTgIXxG4DcmvHa09CLNa7xjduxtjWBNpYHSXGieiL_sg85Rno7Z686KiD__CfISsAw2cWtKDbWDIt6bf8fj999ongrlmZyUnNybsilancXGMaTgnjnHXF974E0IIG9vZkj3z87E6eC4P7ApOdPZFpbi8G1vwDlj5S1wcRCxgAlfTdF6dFqP8W3y0/w267-h400/paulista.manoel.da.nobrega.3rd.June.1958.Golias.Canarinho.jpg" width="267" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">on the left <b>Manoel da Nóbrega</b> and <b>Sarita Campos</b> at his 'Vale a pena ser pesado'; Radiolândia, <b><span style="color: #ffa400;">1956</span></b>; on the right <b>Manoel de Nóbrega</b> plays the puppet-master with puppets representing Ronald Golias and Canarinho; 'A Gazeta Esportiva', <b><span style="color: #ffa400;">3rd June 1958</span></b>. </div></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW8zz4dPhEIPzXlfjJcxJJi-P2bPupu5nnp7euMW3sFPrqN1_VeLCbM7j-iwmfljisZSQaTec2dmOgNNlHOjyy4o1W3nLTsvBUjwdWcmOQEj3Kp36OTvCZ3DE5k4lIN34S4MtLZsrHUawf9KSRE3JNKQ0ifCe_VGtbPDPWBNtwjvwvGfEfjupmTXDy/s922/paulista.pra%C3%A7a.1962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW8zz4dPhEIPzXlfjJcxJJi-P2bPupu5nnp7euMW3sFPrqN1_VeLCbM7j-iwmfljisZSQaTec2dmOgNNlHOjyy4o1W3nLTsvBUjwdWcmOQEj3Kp36OTvCZ3DE5k4lIN34S4MtLZsrHUawf9KSRE3JNKQ0ifCe_VGtbPDPWBNtwjvwvGfEfjupmTXDy/w347-h640/paulista.pra%C3%A7a.1962.jpg" width="347" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">'<b><span style="color: #ffa400;">Praça da Alegria</span></b>' (Joy Plaza) every Monday at 8:00 pm, a comedy-hour devised by <b><span style="color: #ffa400;">Manoel da Nóbrega</span></b> in which he sat at a city square bench and had various 'visitors' who asked his permission to sit beside him and talk about their lives. It started at TV Paulista and it became the longest living TV show ever. This particular ad was printed at Manchete no.513, in <b><span style="color: #ffa400;">1962</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_k-mvKcdzvEiwtACu0o4gNxgAYFxzeo7ChJLgKpEsXYDQimH8KQeyHe0knKo5Uosgsp_kSAuZ210VXhlgAfXPECgCYlk9bybu6JDC2DvbTgBXzc4txDAlULCeIN-gEQfaYgRisX4kqRjXAHAQD7dRgpMXbFVDRvb2k4GEVWO0MKaO7iePN3Ijxup3/s678/paulista.o.riso.das.cinco.maximira.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="424" data-original-width="678" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_k-mvKcdzvEiwtACu0o4gNxgAYFxzeo7ChJLgKpEsXYDQimH8KQeyHe0knKo5Uosgsp_kSAuZ210VXhlgAfXPECgCYlk9bybu6JDC2DvbTgBXzc4txDAlULCeIN-gEQfaYgRisX4kqRjXAHAQD7dRgpMXbFVDRvb2k4GEVWO0MKaO7iePN3Ijxup3/w400-h250/paulista.o.riso.das.cinco.maximira.1960.jpg" width="400" /></a></div>Daniel Guimarães, Ronald Golias, Maximira Figueiredo, Antonio Carlos & Eloísa Mafalda at '<b>Riso dos Cinco</b>', a humour hour shown in <b><span style="color: #ffa400;">1960</span></b>. <div style="text-align: justify;"><div class="separator" style="clear: both; font-family: "Times New Roman";"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIeY7kklMi63e-e2R4dfbFj8fgt1k5bJpDkOMzQq3rTzPgGsmC5hR16a0N1a3uOxAHSL0jvtL_zwiL-lr57eIlDowzpTZzawl4no1nPEZjAMyI6CeMGSUPIkkbv81jadU8cv1h48xR6MT_3C55O2IOKs6tkx_I0iSL0hqoohq9yXkCernP5xcg1ZV/s332/Paulista.3a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="332" data-original-width="296" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIeY7kklMi63e-e2R4dfbFj8fgt1k5bJpDkOMzQq3rTzPgGsmC5hR16a0N1a3uOxAHSL0jvtL_zwiL-lr57eIlDowzpTZzawl4no1nPEZjAMyI6CeMGSUPIkkbv81jadU8cv1h48xR6MT_3C55O2IOKs6tkx_I0iSL0hqoohq9yXkCernP5xcg1ZV/w179-h200/Paulista.3a.jpg" width="179" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglggT_WHWC40-tLfeNN37l7wm68ghFFiqPc_SBxDs-FqQJ1m_5gs-_ST0UKujUckLoNnfU2R3AvU-I4LY8EqcWAacpwk7vH2reY0jc2Swaw0HX0vghBbembv3ZFNBGdQSlO5JkWljQGcVhs6CSlHNV39AK26lhUVN3qGYw5jMYD-RYKMGcF4e61LlO/s672/paulista.2a.3a.em.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="599" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglggT_WHWC40-tLfeNN37l7wm68ghFFiqPc_SBxDs-FqQJ1m_5gs-_ST0UKujUckLoNnfU2R3AvU-I4LY8EqcWAacpwk7vH2reY0jc2Swaw0HX0vghBbembv3ZFNBGdQSlO5JkWljQGcVhs6CSlHNV39AK26lhUVN3qGYw5jMYD-RYKMGcF4e61LlO/w285-h320/paulista.2a.3a.em.jpg" width="285" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial;"><span style="color: #ffa400;">2nd February 1959</span> - </b><span style="font-family: arial;">'Radiolândia' prints TV Paulista's </span><b style="font-family: arial;"><span style="color: #ffa400;">Monday</span></b><span style="font-family: arial;">'s and </span><b style="font-family: arial;"><span style="color: #ffa400;">Tuesday</span></b><span style="font-family: arial;">'s grid. '</span><b style="font-family: arial;">Praça da</b><span style="font-family: arial;"> </span><b style="font-family: arial;">Alegria</b><span style="font-family: arial;">' commanded by </span><b style="font-family: arial;">Manoel de Nóbrega</b><span style="font-family: arial;"> was a fixture on Mondays. Priest </span><b style="font-family: arial;">Olavo</b><span style="font-family: arial;"> </span><b style="font-family: arial;">Pezzotti</b><span style="font-family: arial;">, who lived in a house on </span><b style="font-family: arial;">Rua Aspicuelta</b><span style="font-family: arial;">, 3 blocks away from where I lived in Vila Madalena had a 10-minute talk with his flock every evening at 6 o'clock; 'Radiolândia' 1st fortnight of <b><span style="color: #ffa400;">April 1961</span></b>. '<b>Folias do Golias</b>' was top on <b>Tuesdays night</b> at 8:35 pm</span></div></div></div><div class="separator" style="clear: both; font-family: "Times New Roman";"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRkpJI7JVHlDVObEEzlYthekz69XIT68bYTlvNGEo9aslOPBMEhc5hQAwg5haE9FpmMaskYyxldtCEs9S7hqKkDCazERDPppShv9n6hYp2fzFH2kTLtpWA_v9adIodXDpuVOpVwxaP76KDWNojxOrfQiM-wtgcRJZFJMyzu3rtRJ4Y3fqJ5iZ2pGDL/s524/paulista.4a..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="524" data-original-width="337" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRkpJI7JVHlDVObEEzlYthekz69XIT68bYTlvNGEo9aslOPBMEhc5hQAwg5haE9FpmMaskYyxldtCEs9S7hqKkDCazERDPppShv9n6hYp2fzFH2kTLtpWA_v9adIodXDpuVOpVwxaP76KDWNojxOrfQiM-wtgcRJZFJMyzu3rtRJ4Y3fqJ5iZ2pGDL/w257-h400/paulista.4a..jpg" width="257" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5BwMhKADIgEn1uD2GpeiiooaSZcdoBd4LATPpjzsQymmWZWvgL91SEJ0HQlkYnSalaUVG4FnG6aoNJcr48t55BvFtBW7VNlc0gq9Sky6tT8toFlNZX8Zm-O29_TOAzvuD2kDTtrXrTHkhpB3XndK20-_0mCPDPgJ9SL7BSbyLne6qBYKf7abXPYNW/s638/Paulista.Canarinho.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="638" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5BwMhKADIgEn1uD2GpeiiooaSZcdoBd4LATPpjzsQymmWZWvgL91SEJ0HQlkYnSalaUVG4FnG6aoNJcr48t55BvFtBW7VNlc0gq9Sky6tT8toFlNZX8Zm-O29_TOAzvuD2kDTtrXrTHkhpB3XndK20-_0mCPDPgJ9SL7BSbyLne6qBYKf7abXPYNW/w314-h400/Paulista.Canarinho.1957.jpg" width="314" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial;"><span style="color: #ffa400;">20 June 1957</span></b><span style="font-family: arial;"> - 'A Gazeta Esportiva' prints TV Paulista's </span><b style="font-family: arial;">Thursday</b><span style="font-family: arial;">'s grid; <b>Carlos Alberto de</b> <b>Nóbrega</b> has a hair cut while <b>Canarinho</b> shows him something at a newspaper. RR, <b><span style="color: #ffa400;">1957</span></b>.</span></div></div><div class="separator" style="clear: both; font-family: "Times New Roman";"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiQmLfaKCyRhVWKMhoKzbycEkM_0RANomzVAKQ8OnJOg76igTlEUINyO3lL20cDzB51gMKIuvwajdkwQ68aCCPf957IpuhA8LI9YT9xSc_uTOnuE0OXEL1EljkK30HduwKj7gy02m6UiMUn5PStw5fSyFvxBtXin5XEWSGg1U8XrowBv5doxYviACG/s687/paulista.sabado%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="687" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiQmLfaKCyRhVWKMhoKzbycEkM_0RANomzVAKQ8OnJOg76igTlEUINyO3lL20cDzB51gMKIuvwajdkwQ68aCCPf957IpuhA8LI9YT9xSc_uTOnuE0OXEL1EljkK30HduwKj7gy02m6UiMUn5PStw5fSyFvxBtXin5XEWSGg1U8XrowBv5doxYviACG/w400-h347/paulista.sabado%20(2).jpg" width="400" /></a></div><span style="font-family: arial;"><b><span style="color: #ffa400;">30 March 1957</span></b> - Saturday & Sunday; see <b>Wilma Bentivegna</b> in 'Sempre no meu coração' on Saturday and Ângela Maria with '<b>Audições Gessy</b>' on Sunday night. </span></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbB3np2AqJfvhYG3zSbuwY5rxKHswAXwcfSh602otS8Hh5cv9hOhX9-E1KcCBvpBex3EKTv5wkw5hdQzliyNLSRia9zG-AAsKQqaKZYAIUk4UXnkz5mOVy4sDYatYUxBiDxBq-Hq_L_XmHZpTM2j6PqWzRfolpvGYgjltWQCZNKuPeOe-8uSQeTeYi/s672/Jos%C3%A9.Castellar.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="672" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbB3np2AqJfvhYG3zSbuwY5rxKHswAXwcfSh602otS8Hh5cv9hOhX9-E1KcCBvpBex3EKTv5wkw5hdQzliyNLSRia9zG-AAsKQqaKZYAIUk4UXnkz5mOVy4sDYatYUxBiDxBq-Hq_L_XmHZpTM2j6PqWzRfolpvGYgjltWQCZNKuPeOe-8uSQeTeYi/w400-h309/Jos%C3%A9.Castellar.1958.jpg" width="400" /></a></div>Drama producer <b>José Castellar</b> (here in <b><span style="color: #ffa400;">1958</span></b>) was 'poached' from TV Tupi in 1956; he was instrumental in developing TV Paulista's drama department. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbPA6AK6uR2VCLqPlVplCGcMX8sjkIbHn6N4kmiLM_NuypT4ZFm0ZWQMugq0koPBMMt9bkeWS41p91qNx4Z08qEwi-u3V1odRqu9srpcziA9wx2KLfGoKCIOR1hf2SqfLdId2FiyVyxpPq68Srnf-U7Q6gMOwl2wZrmW7LMOV5A7mJUamd9MEw13x/s1058/Elio.Tozzi,David.Conde.Jos%C3%A9.Castelar.'Caf%C3%A9.Concerto'.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1058" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbPA6AK6uR2VCLqPlVplCGcMX8sjkIbHn6N4kmiLM_NuypT4ZFm0ZWQMugq0koPBMMt9bkeWS41p91qNx4Z08qEwi-u3V1odRqu9srpcziA9wx2KLfGoKCIOR1hf2SqfLdId2FiyVyxpPq68Srnf-U7Q6gMOwl2wZrmW7LMOV5A7mJUamd9MEw13x/w273-h400/Elio.Tozzi,David.Conde.Jos%C3%A9.Castelar.'Caf%C3%A9.Concerto'.1957.jpg" width="273" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: justify;">Elio Tozzi, David Conde & José Castellar work at 'Café Concerto' in <b><span style="color: #ffa400;">1957</span></b>. </span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiinbN3aVnrqD6mkebS-FzrQpBjxa6-ldXMF2TtpzyhlxkqDDqVirU49h9jg2XbGGWUJeTuTRrIKTImuAFgWeK5B65KgkwkXz13kTpl7LWJQ9n-43I4zOS_2jJHYZHoTR1fesmnogI48rZYe_0HNIuxn5ONE-k_UO7cJW-c9vuo7_X83_CvH52d1oJu/s720/paulista.p%C3%A7a.alegria.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="511" data-original-width="720" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiinbN3aVnrqD6mkebS-FzrQpBjxa6-ldXMF2TtpzyhlxkqDDqVirU49h9jg2XbGGWUJeTuTRrIKTImuAFgWeK5B65KgkwkXz13kTpl7LWJQ9n-43I4zOS_2jJHYZHoTR1fesmnogI48rZYe_0HNIuxn5ONE-k_UO7cJW-c9vuo7_X83_CvH52d1oJu/w640-h454/paulista.p%C3%A7a.alegria.jpg" width="640" /></a></div><div style="text-align: justify;">'<b>Praça da Alegria</b>' regular staff circa <b><span style="color: #ffa400;">1962</span></b>: standing from left to right: ?, Borges de Barros, Zilda Cardoso, Carlos Alberto de Nóbrega, Manoel de Nóbrega, Marlene Morel, Ronald Golias, <b>Consuelo Leandro</b> and <b>Jo Soares</b>; crouching from left to right: Astrogildo Filho, <b>Simplício</b>, Viana Junior, Roni Rios and <b>Chocolate</b>.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjln4hSRt0E9Z624A0i10hKJGv99e1tf4VXSE1F7PdZwiE4tzr-Cbm-TxRry2BbqC_hL_D56MF6Bz5178ipsuOTeXItvh6UtLGv61WZWdC1YiUsQztGpqmur5NFUmJTg8FYKqHdk5gL6zHoCDl7YF5xaaCsW93nTb241hmtN4ojp6Ix12gl4EC6pGME/s972/Hebe.Clayton.Silva.t%C3%B4.de.%C3%B4io.no.senh%C3%B4.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="761" data-original-width="972" height="501" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjln4hSRt0E9Z624A0i10hKJGv99e1tf4VXSE1F7PdZwiE4tzr-Cbm-TxRry2BbqC_hL_D56MF6Bz5178ipsuOTeXItvh6UtLGv61WZWdC1YiUsQztGpqmur5NFUmJTg8FYKqHdk5gL6zHoCDl7YF5xaaCsW93nTb241hmtN4ojp6Ix12gl4EC6pGME/w640-h501/Hebe.Clayton.Silva.t%C3%B4.de.%C3%B4io.no.senh%C3%B4.1960.jpg" width="640" /></a></div><div style="text-align: justify;"><b>Hebe Camargo</b> plays the part usually done by <b>Manoel de Nóbrega</b> at '<b>Praça da Alegria</b>' in <b><span style="color: #ffa400;">1960</span></b>. Mr Nobrega usually sat down on the bench and were 'visited' by various characters who held small talk with him; in this case it's <b>Clayton Silva</b>'s turn to say his catch-phrase: 'Eu tô di ôio no sinhô!'</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFKaB7tsN6zu8YMJgIPb6vxbtbfvKYzAC14qmK_SHcAvX8GhU7tvX8YF6x6_UTda74k-AttuILLVb_npko1XakBt0366BlyI-OFRZwX69Q606DOdgHZkrGItydfKDtvAYNRuuoIQvrKqnjUZFe-1aAgasFxUqjyiXS383IlJ-VCHZDrasKoCaZ_-aN/s800/paulista.hebe.borges.July.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="712" data-original-width="800" height="570" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFKaB7tsN6zu8YMJgIPb6vxbtbfvKYzAC14qmK_SHcAvX8GhU7tvX8YF6x6_UTda74k-AttuILLVb_npko1XakBt0366BlyI-OFRZwX69Q606DOdgHZkrGItydfKDtvAYNRuuoIQvrKqnjUZFe-1aAgasFxUqjyiXS383IlJ-VCHZDrasKoCaZ_-aN/w640-h570/paulista.hebe.borges.July.1960.jpg" width="640" /></a></div>Hebe Camargo & Borges de Barros (meu caro colega) at 'Praça da Alegria' on the same night. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJffzbQNCLRqQHd2uTkjxbhS3BpXsJJMWzf7JSDCkUYwxmnS74S3FoC1i1esXWWDHKLExe_Rnc8HaiEGLvJMgLgKk_a7-NDQzDsuNSQQin5kjrMZXGcRHfxq_A98cHhftR--5GljX88Zm6953JX1xZKEEdkmyBMhp5EYz0Jj7JkXC1RRSU53peag7d/s507/paulista.hebe.zilda.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJffzbQNCLRqQHd2uTkjxbhS3BpXsJJMWzf7JSDCkUYwxmnS74S3FoC1i1esXWWDHKLExe_Rnc8HaiEGLvJMgLgKk_a7-NDQzDsuNSQQin5kjrMZXGcRHfxq_A98cHhftR--5GljX88Zm6953JX1xZKEEdkmyBMhp5EYz0Jj7JkXC1RRSU53peag7d/s16000/paulista.hebe.zilda.jpg" /></a></div><div style="text-align: justify;">'<b><span style="color: #ffa400;">Comsorte, Hebe e Você</span></b>' on Mondays at 9:00 pm; '<b>Cynar faz o Show</b>' with <b><span style="color: #ffa400;">Zilda Cardoso</span></b>, on Wednesday at 8:00 pm. Manchete no.558, in <b><span style="color: #ffa400;">1962</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp0N9msD_V_4Pi6BMkF4uOzwQpLEB1WNeyuVXnbpxRW8wYNDGVdUmYh-GRfk_hW0wd_7-gXeCxzJYYt2G1EJBdpBGzUB0EUwjwrx13aI6tNXFKKLaV-cdNHYSFt3A5e9gjkzOGHCMjKdWE0zHNXxhaifLX10sdsQjH1erXbzB48Mt6unKTokLQ5R6_/s731/paulista.escolinha.de.grupo.1962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="703" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp0N9msD_V_4Pi6BMkF4uOzwQpLEB1WNeyuVXnbpxRW8wYNDGVdUmYh-GRfk_hW0wd_7-gXeCxzJYYt2G1EJBdpBGzUB0EUwjwrx13aI6tNXFKKLaV-cdNHYSFt3A5e9gjkzOGHCMjKdWE0zHNXxhaifLX10sdsQjH1erXbzB48Mt6unKTokLQ5R6_/w616-h640/paulista.escolinha.de.grupo.1962.jpg" width="616" /></a></div><div style="text-align: justify;">'<b>Escola de grupo</b>', devised by <b>Manoel da Nóbrega</b> was shown every Thursdays at 8:00 pm in <b><span style="color: #ffa400;">1962</span></b>. From left to right: <b>Gilberto Garcia</b> (Tuím); <b>Borges de Barros</b> (the teacher); <b>Roberto Barreiro</b> (Secundino from Northeastern Brazil); <b>Isaura Marques</b> (Lili, who knows the answer to all questions); <b>Clayton Silva</b> (wearing a sailor suite written 'É eu!'); <b>Luiz Pini</b> as Pepino, the Italian & <b>Daniel Guimarães</b> (Manoel, from Portugal). </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUayx4sQF1Lavb2oqiQYEGdKIn_I35CSJsDR9tGrtxjI-RqhYBg4k3-qMFt1vAK-r3Z-YOJAUPl-_OFrhHkqGjA_DM7YJmDhRUNXBVNllCdpJ10uwO2coZ0CDqTxMJ4whzyuETXhU9ownh4CpESLI6mDvC0Ugfxy2atCPNqACsUArjH5aGC1GHV6fc/s747/paulista.1962.PRK-30..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="747" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUayx4sQF1Lavb2oqiQYEGdKIn_I35CSJsDR9tGrtxjI-RqhYBg4k3-qMFt1vAK-r3Z-YOJAUPl-_OFrhHkqGjA_DM7YJmDhRUNXBVNllCdpJ10uwO2coZ0CDqTxMJ4whzyuETXhU9ownh4CpESLI6mDvC0Ugfxy2atCPNqACsUArjH5aGC1GHV6fc/w457-h640/paulista.1962.PRK-30..jpg" width="457" /></a></div><div style="text-align: justify;"><b>Lauro Borges</b> (on the right) & <b>Daniel Guimarães</b> star in <b><span style="color: #ffa400;">PRK-30</span></b> on Thrusdays (8:00 pm) Fridays (9:00 pm) and Sundays (12:30 am). Manchete, <b><span style="color: #ffa400;">1962</span></b>.</div><div style="text-align: justify;"><br /></div></span><p></p></div></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-91279384635706479662022-09-06T06:22:00.504-07:002024-03-18T11:08:20.993-07:00TV PAULISTA drama <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpytm50bmf8-T_YWvUgSfFqEOj3og8GVvgpnSlCBTNZiZEgwMzzhRzqNeekrV6YKjxP0qrtaJwF1JlDmaWyRv2gxBBlGRnBblWYsYcGqJ57aD5ofuM-Ds78GFSPyLZgqBVruXueK9NtWq1PILkWZlz_xa2sPsW53KyLoNs_sAJVGpcskIQT9li9zdniFw/s612/paulista.Vera.Goulart.Helena.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="457" data-original-width="612" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpytm50bmf8-T_YWvUgSfFqEOj3og8GVvgpnSlCBTNZiZEgwMzzhRzqNeekrV6YKjxP0qrtaJwF1JlDmaWyRv2gxBBlGRnBblWYsYcGqJ57aD5ofuM-Ds78GFSPyLZgqBVruXueK9NtWq1PILkWZlz_xa2sPsW53KyLoNs_sAJVGpcskIQT9li9zdniFw/s16000/paulista.Vera.Goulart.Helena.1952.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b>Vera Nunes</b> & <b>Paulo Goulart</b> with cameraman Haroldo Moreno.</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI6BoeA8y2HnoqcUna2S9DA8yRboedjosl686WXXwGmAorE4WgIST0L3m7TMG117qzcokTUyxipHUdkto1x5ZhIoviTInJo7rFh0LGnoXmzmHsV8PKbHkYtnak7y8buL4Edo2RKMqHzhLkmV9HXkOQXAUlA75CkH4FoAKXaNJ21HfhLdcncRumRI8k/s1501/paulista.Helena.revista.monitor.de.radio.e.tv.april.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1501" data-original-width="932" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI6BoeA8y2HnoqcUna2S9DA8yRboedjosl686WXXwGmAorE4WgIST0L3m7TMG117qzcokTUyxipHUdkto1x5ZhIoviTInJo7rFh0LGnoXmzmHsV8PKbHkYtnak7y8buL4Edo2RKMqHzhLkmV9HXkOQXAUlA75CkH4FoAKXaNJ21HfhLdcncRumRI8k/w397-h640/paulista.Helena.revista.monitor.de.radio.e.tv.april.1952.jpg" width="397" /></a></div><span style="font-family: arial;"><div style="text-align: justify;">'<b><span style="color: #ffa400;">Revista Monitor de Rádio e Televisão</span></b>' hails the advent of <b>TV Paulista</b>, São Paulo's second TV station which started broadcasting <b><span style="color: #ffa400;">on 14 March 1952</span></b>, a Friday, with the beaming of the first chapter of '<b><span style="color: #ffa400;">Helena</span></b>', a tele-novela adapted from a <b>1876</b> novel by <b>Machado de Assis</b>, starring <b>Vera Nunes</b> and <b>Paulo Goulart</b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDg91atHmtboMBpx6uU1iEm6NqG2h_xc5xSXJxWGcKdx_SXEEsmsxbLf46HUyimUyITX6sAoHa6bhPwuovKbHOuocG_AiDJ-U4sQZKOmX-lHJ5hvHTfb2t6Adx_zJNPxuVRWgjk28ALoPBG7kxKBhXw3RcuLz4a-CvLVTBP-pYu321lKZf5pgXAry/s820/paulista.ruggero.1953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="820" data-original-width="794" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDg91atHmtboMBpx6uU1iEm6NqG2h_xc5xSXJxWGcKdx_SXEEsmsxbLf46HUyimUyITX6sAoHa6bhPwuovKbHOuocG_AiDJ-U4sQZKOmX-lHJ5hvHTfb2t6Adx_zJNPxuVRWgjk28ALoPBG7kxKBhXw3RcuLz4a-CvLVTBP-pYu321lKZf5pgXAry/w387-h400/paulista.ruggero.1953.jpg" width="387" /></a></div><div style="text-align: justify;"><b>Sergio Brito</b>, Italian director <b>Ruggero Jacobbi</b>, artistic-director of TV Paulista in its inception, <b>Tônia Carrero</b>, Mrs. Jacobbi and <b>Adolfo Celi</b> (who would play an arch-vilain to James Bond in 1965's 'Thunderball') in Rio de Janeiro in <b><span style="color: #ffa400;">1953</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8YWh4dSotMCkWHmTaQeQv34UW4MCDLAcSc2k_146h3HtqO7Wdmol4WtZdij_SI0kiGhypV9ESqM_KxqjW9WnGS2y5EW_rdPksRtQjPFNrjexCC46EWNBeHspJM57ckeBK2jE268KwgrK87JpEPuOvvR864978HnzSR05gPLrQu3x7sH5uW0SBI1PA/s1038/Ruggero.Jacobbi.Venezia.1920.cine.direct.critico.teatro.cenografo..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1038" data-original-width="709" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8YWh4dSotMCkWHmTaQeQv34UW4MCDLAcSc2k_146h3HtqO7Wdmol4WtZdij_SI0kiGhypV9ESqM_KxqjW9WnGS2y5EW_rdPksRtQjPFNrjexCC46EWNBeHspJM57ckeBK2jE268KwgrK87JpEPuOvvR864978HnzSR05gPLrQu3x7sH5uW0SBI1PA/w219-h320/Ruggero.Jacobbi.Venezia.1920.cine.direct.critico.teatro.cenografo..jpg" width="219" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsZfcEbsE9_vtJP25kXWHXvnlFPf3gCYAL9QCMtL8W2tlAmcO7DRKcnb5HoFc8xQyqSJaq8gEPNhA88xk1rSOa9q6e64WlbccQoNdO2XODZI89Zin2fev4PnCi7QJ3Mo5Gc3lHtPw4BsuVxhKUH38iCvx5vzMegCqzwALxeHeQ0Vdm5Wcxnh-BozYH/s816/paulista.alvaro.ilustrador.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="816" data-original-width="518" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsZfcEbsE9_vtJP25kXWHXvnlFPf3gCYAL9QCMtL8W2tlAmcO7DRKcnb5HoFc8xQyqSJaq8gEPNhA88xk1rSOa9q6e64WlbccQoNdO2XODZI89Zin2fev4PnCi7QJ3Mo5Gc3lHtPw4BsuVxhKUH38iCvx5vzMegCqzwALxeHeQ0Vdm5Wcxnh-BozYH/w203-h320/paulista.alvaro.ilustrador.jpg" width="203" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b style="text-align: left;"><span style="color: #ffa400;">Ruggero Jacobbi</span></b><span style="text-align: left;">, a theatre man born in Venezia, in 1920, was TV Paulista's first artistic director; on the right: drama producer </span><b><span style="color: #ffa400;">Álvaro Moya</span></b> would follow in <b>Jacobbi's footsteps</b> ... then he was 'poached' by TV Excelsior. The note at Radiolândia (<b><span style="color: #ffa400;">1957</span></b>) says Moya was invited by the US Department of State for a TV course in the USA but could not accept due to his being busy at Channel 5. </div></div></span><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2-0HWBNXbx48pHAqb6tS53mV7HYAAjFa0W3cdZUN2I2gTACzz2RPO_x9ZXq6J7XuVSzTTYdpMp0Ixq33nlzXAQFPuTZ00u_facJmgxG0osa9TGc5u507ABPfF-WeRXx3GXal9hWnPaOYbtSPOzkPF65L0ZNUqFBELYJvBwn1GarkrnLQhqBztUgLB/s630/paulista.walter.avancini.1959.radiolandia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="330" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2-0HWBNXbx48pHAqb6tS53mV7HYAAjFa0W3cdZUN2I2gTACzz2RPO_x9ZXq6J7XuVSzTTYdpMp0Ixq33nlzXAQFPuTZ00u_facJmgxG0osa9TGc5u507ABPfF-WeRXx3GXal9hWnPaOYbtSPOzkPF65L0ZNUqFBELYJvBwn1GarkrnLQhqBztUgLB/w167-h320/paulista.walter.avancini.1959.radiolandia.jpg" width="167" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJVmzuAfmqYGlUY1RQm6L8koO6nnyrXCo-nOg7Qukfnl6ybe-wiH9_q6OdylQio8v4gZfVXgyPgpe3I54DsgeldW6oPn1VHyBpfR93XdxFLUjiSyGBWQ_9HeRUHIYyAt3cUGHKieSkZQyE5KOFDKXv0dMM-RIy83iZFOvHet55RNF32dabIL9v-q8b/s584/paulista.rog%C3%A9rio.macico.radiolandia.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="584" data-original-width="453" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJVmzuAfmqYGlUY1RQm6L8koO6nnyrXCo-nOg7Qukfnl6ybe-wiH9_q6OdylQio8v4gZfVXgyPgpe3I54DsgeldW6oPn1VHyBpfR93XdxFLUjiSyGBWQ_9HeRUHIYyAt3cUGHKieSkZQyE5KOFDKXv0dMM-RIy83iZFOvHet55RNF32dabIL9v-q8b/s320/paulista.rog%C3%A9rio.macico.radiolandia.1959.jpg" width="248" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Former child-actor </span><span style="font-family: arial;"><b><span style="color: #ffa400;">Walter Avancini</span></b></span><span style="font-family: arial;">, in <b><span style="color: #ffa400;">1959</span></b>. He would become the doyen of Brazilian TV <b>drama</b> in the 60s, 70s and 80s. </span><b style="font-family: arial;"><span style="color: #ffa400;">Rogério Marcico</span></b><span style="font-family: arial;"> started at TV Paulista through Enia Petri who had been signed to produce and direct the drama department. In </span><b style="font-family: arial;"><span style="color: #ffa400;">1955</span></b><span style="font-family: arial;">, Marcico starred in '</span><b style="font-family: arial;">Horas desesperadas</b><span style="font-family: arial;">', 'O corcunda', 'O final do conto' and 'Casaco de peles' all plays presented at '</span><b style="font-family: arial;"><span style="color: #ffa400;">Teledrama</span></b><span style="font-family: arial;">'. </span></div></div></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;">For some unknown reason Rogério stayed away from TV Paulista but returned with a vengeance in <b><span style="color: #ffa400;">1958</span></b> starring in no less than twelve plays: '<b>Arara vermelha</b>', '<b>Vôo 614</b>', 'Horas desesperadas' (for the 2nd time), 'Máscara traiçoeira', 'Viagem a um pequeno planeta', 'Um jovem da boemia', 'A megera domada' (<b>The taming of the shrew</b>), 'Loucuras de um milionário', 'Sindicato dos ladrões' (<b>On the waterfront</b>), 'Gilda', 'O dia em que o tempo parou' and 'Réquiem para um peso-pesado'.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxOHYQr5J2tDGioApJQaYfzNKvOnsZNojd-3HCFHxpoa36ySQN3Nv0T9Wp_4Xd222pPyJlWV6tNwV-gMFxkkse6fDullPviZrCUzGqAqnuzJ89m-PDvqhBS84YvjBMfLYrnF8dU7BGtvW1ggLbuxpy7lhZHR-40EVdb5LIEIlwy28D4C_tCUWiMCjh/s993/paulista.maximira.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="993" data-original-width="628" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxOHYQr5J2tDGioApJQaYfzNKvOnsZNojd-3HCFHxpoa36ySQN3Nv0T9Wp_4Xd222pPyJlWV6tNwV-gMFxkkse6fDullPviZrCUzGqAqnuzJ89m-PDvqhBS84YvjBMfLYrnF8dU7BGtvW1ggLbuxpy7lhZHR-40EVdb5LIEIlwy28D4C_tCUWiMCjh/w253-h400/paulista.maximira.1956.jpg" width="253" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Maximira Figueiredo</b> won '<b>A procura de uma estrêla</b>', a TV Paulista talent-scout competion in <b><span style="color: #ffa400;">1956</span></b> and soon after played an important role at novela '<b>Neli</b>' on Tuesdays & Fridays at 8:00 pm. </div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #ffa400;">TELENOVELAS & SERIES </span></b></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1952</span></b>: </div><div class="separator" style="clear: both; text-align: justify;">- Machado de Assis' '<b>Helena</b>' with Vera Nunes, Paulo Goulart, Jane Batista; </div><div class="separator" style="clear: both; text-align: justify;">- João Paulo Cardoso Silva's '<b>Sinhá das Dôres</b>', a country-flavoured novela shown on Weds & Sats. </div><div class="separator" style="clear: both; text-align: justify;">- 'Senhora', 'Diva'; </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1953</span></b>: '<b>O morro dos ventos uivantes</b>' ('Wuthering Heights' with Maurício Shermann as Heathcliffe)</div><div class="separator" style="clear: both; text-align: justify;">- Aloísio de Azevedo's '<b>Casa de pensão</b>' with Jane Batista & Lino Monteiro. </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1954</span></b>: 'Peter Pan'</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1956</span></b>: </div><div class="separator" style="clear: both; text-align: justify;">- '<b>Neli</b>', novela shown on Tuesdays & Fridays at 8:00 pm with Odayr Marzano, Walter Avancini & Maximira Figueiredo playing the title-role. </div><div class="separator" style="clear: both; text-align: justify;">- Lloyd C. Douglas' '<b>Luz da esperança</b>' (Green light) adapted by José Castellar with Helio Souto, Wilma Bentivegna, Maximira Figueiredo, Percival Ferreira;</div><div class="separator" style="clear: both; text-align: justify;">- '<b>Meu filho, meu orgulho</b>'; </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1957</span></b>: 'Na noite do passado', </div><div class="separator" style="clear: both; text-align: justify;">- '<b>Minha pequena lady</b>' (Dionísio Azevedo as Prof. Higgins); </div><div class="separator" style="clear: both; text-align: justify;">- 'Eu matei Rasputin' as played by David Conde;</div><div class="separator" style="clear: both; text-align: justify;">- '<b>Marido magro, mulher chata</b>' with Nicette Bruno, Paulo Goulart & Aurimar Rocha, produced by Augusto Boal in instalments; <b><span style="color: #ffa400;">19 November 1957</span></b>;</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1958</span></b>: </div><div class="separator" style="clear: both; text-align: justify;">- 'A grande mentira', '<b>Presença de Anita</b>' </div><div class="separator" style="clear: both; text-align: justify;">- Charles Dickens' '<b>David Copperfield</b>' with Marcio Trunkel playing the title-role, Suzi Arruda & Raimundo Duprat; Thursdays at 7:30 pm;</div><div class="separator" style="clear: both; text-align: justify;">- José Castellar's '<b>Direto ao coração</b>' with Lucy Meirelles on Teledrama 3 Leões; </div><div class="separator" style="clear: both; text-align: justify;">- '<b>A alma das coisas</b>' a different drama every Tuesday, produced & presented by Mario Brasini; on <b><span style="color: #ffa400;">30 December 1958</span></b>, a story with Lucy Meirelles, Rogério Marcico, Lucy Rangel, Moacyr Franco etc. </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1959</span></b>: </div><div class="separator" style="clear: both; text-align: justify;">- Charles Dickens' '<b>Os Irmãos Dombey</b>' (Dombey and son) with Ivete Jayme, Marcelo Gastaldi, Diana Morel, Líbero Miguel, Leonor Pacheco, Marcia Cardeal as of <b><span style="color: #ffa400;">6 January 1959</span></b>, every Tue and Thurs at 7:30 pm on Telenovela Mesbla;<br /></div><div class="separator" style="clear: both; text-align: justify;">- '<b>Grande Hotel Philips</b>' Brazilian Hollywood star Raul Roulien plays a waiter at such hotel every Tue, with Lucy Meirelles. Produced by Heloísa Castellar; <b><span style="color: #ffa400;">22nd February 1959</span></b>.</div><div class="separator" style="clear: both; text-align: justify;">- '<b>A princezinha</b>' with Izamar Rizzo as the little princess, Ivete Jayme as Miss Minchin, Márcia Cardeal, Maria Regina & Adélia Vitória;</div><div class="separator" style="clear: both; text-align: justify;">- '<b>Minha devoção</b>' on Tuesdays & Fridays at 1:55 pm; </div><div class="separator" style="clear: both; text-align: justify;">- '<b>Hino ao amor</b>'; 'O Guarani'.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1960</span></b>: '<b>Oliver Twist</b>', directed by Libero Miguel; 'Helena'; 'Laura'; '<b>História de um avô</b>' produced by Libero Miguel & Enia Petri. </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1961</span></b>: 'Mateus Falcone', produced by Libero Miguel; 'A Herdeira de Ferleac' (Enia Petri's); '<b>As</b> <b>grandes esperanças</b>' (Dickens' '<b>Great expectations</b>'), 'O ébrio', 'Francisca', 'A fugitiva'; </div><div class="separator" style="clear: both; text-align: justify;">- Daphne du Maurier's '<b>A estalagem maldita</b>' (<b>Jamaica Inn</b>) staged by Grande Teatro O.V.C. with Ricardo Nóvoa, Waldir Guedes & Lucy Meirelles.</div><div class="separator" style="clear: both; text-align: justify;">- Clímaco Cesar's '<b>Justiceiro Invencível</b>' with Walter Avancini on Tue, Thu & Sat. (1961) <br /></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1962</span></b>: 'Zogbi' & 'O usuário', both produced by Libero Miguel; </div><div class="separator" style="clear: both; text-align: justify;">- 'A encruzilhada', '<b>Colégio de brotos</b>'</div><div class="separator" style="clear: both; text-align: justify;">- Enia Petria's '<b>A pequena lady</b>' with Ernesta Maria Marchi, a child actress who won a competition with 347 other hopefuls to portray the title-role; directed by Liberto Miguel on Tues & Thus at 7:55 pm.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1963</span></b>:</div><div class="separator" style="clear: both; text-align: justify;">- Charles Dickens's 'A Christmas Carol' ('<b>O velho Scrooge</b>'); </div><div class="separator" style="clear: both; text-align: justify;">- Charles Dickens' 'A loja de antiguidades' ('<b>The old curiosity shop</b>'); </div><div class="separator" style="clear: both; text-align: justify;">- José de Alencar's '<b>O tronco do ipê</b>' with Osmar Prado, Marcelo Gastaldi & Marcia Cardeal;</div><div class="separator" style="clear: both; text-align: justify;">- 'Branca-de-Neve e os sete anões' e 'As quatro Irmãs'.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1964</span></b>: 'Romance de Bernadete'; 'O conde de Suffolk'; 'Tortura d'Alma'</div><div class="separator" style="clear: both; text-align: justify;">- Enia Petri's '<b>Eu amo esse homem</b>' with Nydia Lícia, Emiliano Queiróz & Mirtes Grisoli; produced by <b>Líbero Miguel</b>; </div><div class="separator" style="clear: both; text-align: justify;">- 'Um ramo de rosas'.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #fcff01;">1965</span></b>: 'A sombra do passado', 'Chamas que não se apagam' & 'Cadeia de cristal'.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpjvAlE6ggM3SniqKgTZKXioYfKKRLw4xmMsv2Dc3RVX_ggCXpzT-i7sKkMRbQYY5Z-bgwu6dBos_D5L7VSzMuRiabIlrlOSnaXd3TTWMYsE2GUMltxb7omN9NpMa6CkB3Oz6B6pB0QrhtiI_fdfDZ_Y_xE7doSGPoEml0-gwT4f5lXI64aUzj0Wz/s1212/Paulista.Uma.ressurrei%C3%A7%C3%A3o.8.Oct.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1212" data-original-width="744" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpjvAlE6ggM3SniqKgTZKXioYfKKRLw4xmMsv2Dc3RVX_ggCXpzT-i7sKkMRbQYY5Z-bgwu6dBos_D5L7VSzMuRiabIlrlOSnaXd3TTWMYsE2GUMltxb7omN9NpMa6CkB3Oz6B6pB0QrhtiI_fdfDZ_Y_xE7doSGPoEml0-gwT4f5lXI64aUzj0Wz/w246-h400/Paulista.Uma.ressurrei%C3%A7%C3%A3o.8.Oct.1955.jpg" width="246" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjBlm6F-JtCQ_FLSiZm7fcD99fUavdQW8Dle-r-Vyk1WoVLYckEMnnBUUT7gUGPY07DgT4qDSmGosRVkFFW8gmOPdj38lqk3f3QUuOkRfTZo8PFlRXUGCcrtJCmB3DOvJa2-sd9DJQsDsSuCMxGzXAypHYqCmb80TZJCooMo2QqoBDfHz895xmECDR/s702/paulista.Dombey.irm%C3%A3os.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="702" data-original-width="465" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjBlm6F-JtCQ_FLSiZm7fcD99fUavdQW8Dle-r-Vyk1WoVLYckEMnnBUUT7gUGPY07DgT4qDSmGosRVkFFW8gmOPdj38lqk3f3QUuOkRfTZo8PFlRXUGCcrtJCmB3DOvJa2-sd9DJQsDsSuCMxGzXAypHYqCmb80TZJCooMo2QqoBDfHz895xmECDR/w265-h400/paulista.Dombey.irm%C3%A3os.1959.jpg" width="265" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">8 October 1955</span></b> (Saturday) - José Castellar's '<b>Uma ressurreição</b>' broadcast on <b><span style="color: #ffa400;">6 January 1959</span></b> (Ultima Hora) - Charles Dickens '<b>Dombey & Son</b>' becomes a <b>telenovela</b> 'Os irmãos Dombey' on Tuesdays & Thursdays at 7:30 pm. "Ultima Hora', <b><span style="color: #ffa400;">6 January 1959</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikGV-HwaEa77dq6Melfxr7IS_JeUu22c1j6eH1-bg05bd8lA_uEGS6rZt9kVexHXACi9dMDaGja05nNgbd3Kw8sTu10w8RW1ZlpQRhgIhVUy4Dsx3TqMTzdW_g4DQz1sPYqFa591_OukNVnOPjLvJ9LZJAK0icy6LWwWe6_ZqDNbrvHJRqR8_tfbcR/s851/Paulista.Helio.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="851" data-original-width="591" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikGV-HwaEa77dq6Melfxr7IS_JeUu22c1j6eH1-bg05bd8lA_uEGS6rZt9kVexHXACi9dMDaGja05nNgbd3Kw8sTu10w8RW1ZlpQRhgIhVUy4Dsx3TqMTzdW_g4DQz1sPYqFa591_OukNVnOPjLvJ9LZJAK0icy6LWwWe6_ZqDNbrvHJRqR8_tfbcR/w278-h400/Paulista.Helio.1956.jpg" width="278" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinDneCYFtCqced_9Tq8hxAVC5Z2jQLmPgp6WlY-sEFVDp4vpBh6WxuXHBCoRQeIC9LE7gcyumAhs7HA7mQEeWPHkFDVPJqywvRHvvOnim-DK0986oJtEtFs6vyrIjkRbBh2_bT6pH5ksaXiqIfJflS6Z5Opy6YEw98SCy7JKmr1yu413HvXxdRFBuc/s890/paulista.princezinha.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="890" data-original-width="543" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinDneCYFtCqced_9Tq8hxAVC5Z2jQLmPgp6WlY-sEFVDp4vpBh6WxuXHBCoRQeIC9LE7gcyumAhs7HA7mQEeWPHkFDVPJqywvRHvvOnim-DK0986oJtEtFs6vyrIjkRbBh2_bT6pH5ksaXiqIfJflS6Z5Opy6YEw98SCy7JKmr1yu413HvXxdRFBuc/w244-h400/paulista.princezinha.1959.jpg" width="244" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;">Helio Souto & José Castelar; Radiolândia, </span><b style="text-align: center;"><span style="color: #ffa400;">1956</span></b><span style="text-align: center;">; telenovela '<b>A princezinha</b>' with Izamar Rizzo, Maria Regina & Márcia Cardela shown in <b><span style="color: #ffa400;">1959</span></b>. </span></div></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqDupfXhv3dtZJxTjBhX4mqARPziOViCDti883ogTtg-UOHTi51jZNm3tx66I5PEa_0YD7U8_u_ZR4RRMoG1OWQQvFPQvtSZtjwEkOLqc65z7jqgPY1GIyCxVy-xVFtEmIqzoX-CbbMG4l89MJfCM2jbHuuM8Zz4lFRRqUSmGs9oU2kefvlhJbFBpv/s940/paulista.Marzano.Eny.Autran's.Ensaiando.Romeu.e.Julieta.Janete.Gayer.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="940" data-original-width="667" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqDupfXhv3dtZJxTjBhX4mqARPziOViCDti883ogTtg-UOHTi51jZNm3tx66I5PEa_0YD7U8_u_ZR4RRMoG1OWQQvFPQvtSZtjwEkOLqc65z7jqgPY1GIyCxVy-xVFtEmIqzoX-CbbMG4l89MJfCM2jbHuuM8Zz4lFRRqUSmGs9oU2kefvlhJbFBpv/w227-h320/paulista.Marzano.Eny.Autran's.Ensaiando.Romeu.e.Julieta.Janete.Gayer.1956.jpg" width="227" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTbVCUXuXUJfYM32QIuAHw1q6LFj0XNx7h6Y_MupSY5WbiimUPSjt-kQSQr8Z9qeq10M6rcInxmHlEgJeE4tPv2Rzf1iUdA4czL8KvnR_vd-ez_5YH7fiQXPw9MEjTwdxQo0vEX5EUaTmyvPXTSeFHRuiCjFmSiDh7XN7FGEjhCczc7mLQw_4SXRJE/s1011/paulista.Eny.Autran.autora.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1011" data-original-width="661" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTbVCUXuXUJfYM32QIuAHw1q6LFj0XNx7h6Y_MupSY5WbiimUPSjt-kQSQr8Z9qeq10M6rcInxmHlEgJeE4tPv2Rzf1iUdA4czL8KvnR_vd-ez_5YH7fiQXPw9MEjTwdxQo0vEX5EUaTmyvPXTSeFHRuiCjFmSiDh7XN7FGEjhCczc7mLQw_4SXRJE/w209-h320/paulista.Eny.Autran.autora.1956.jpg" width="209" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b>Janete Gayer</b> & Marzano in Eny Autran's '<b>Ensaiando Romeu & Julieta</b>' at TV Paulista in <b><span style="color: #ffa400;">1956</span></b>; playwright <b>Eny Autran</b> who was paramount as a playwright at TV Paulista.</span></div><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJYNS2ue78-QS9Bjh-HGGUTUn8CDBjYuKyYnUeG8gwOuUXXKz889eOUbOx4jkkaQtsjsS5WmeATxYX2GTFcp0s196HaLS0iBXF0bUtPqf0Uv7e_jZzcz_65XskS3WgYY9X10YyAF_dwzFP6ufzeaB_1NvHy_8Os2n3z1vWjAZkRtVuAV_Pxo-SmWpn/s1169/paulista.odayr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1169" data-original-width="871" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJYNS2ue78-QS9Bjh-HGGUTUn8CDBjYuKyYnUeG8gwOuUXXKz889eOUbOx4jkkaQtsjsS5WmeATxYX2GTFcp0s196HaLS0iBXF0bUtPqf0Uv7e_jZzcz_65XskS3WgYY9X10YyAF_dwzFP6ufzeaB_1NvHy_8Os2n3z1vWjAZkRtVuAV_Pxo-SmWpn/w238-h320/paulista.odayr.jpg" width="238" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8-qAGi8YoUkAsajiKMS-RRgnKwY1NEdWqdtrrtvNHZQ_z2eE8I0m0QfRiHvK9P4vsUK2OY1ShVfnE-QWMg3yzqf20-6B7-67ApEzr15rcUtHrH32D23T_TvjSNrASUBnrJoeSb6AIgfnj_DjfrLcCrTTohZgwMo63TGJRnqQwKhZ6zgdK2APZpDd-/s835/paulista.'minha.devo%C3%A7%C3%A3o'.Odayr.1959%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="835" data-original-width="559" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8-qAGi8YoUkAsajiKMS-RRgnKwY1NEdWqdtrrtvNHZQ_z2eE8I0m0QfRiHvK9P4vsUK2OY1ShVfnE-QWMg3yzqf20-6B7-67ApEzr15rcUtHrH32D23T_TvjSNrASUBnrJoeSb6AIgfnj_DjfrLcCrTTohZgwMo63TGJRnqQwKhZ6zgdK2APZpDd-/w214-h320/paulista.'minha.devo%C3%A7%C3%A3o'.Odayr.1959%20(2).jpg" width="214" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Leading man <b>Odayr Marzano</b> and Samuel Bastos at a chapter of José Castelar's series '<b>Minha Devoção</b>' (My devotion) broadcast on Tuesdays & Fridays at 1:55 pm. Revista do Radio n.496, <b><span style="color: #ffa400;">1959</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6eKuhbzB0O5n2bWQaVpyozbXmJFpPyQcOLU4UJn6S4_yazkyqRLRoLby1u1dwJ3jp7n7sFnAlit86Rcs3720iDsj3NxcUf3ESqZSHsg3vCefBbkQiS-v3VI7OVWFb5x0Wgc0e2dTkAMQJmMNA7Mbe5UKqt9L4rHjw4n4o5vnUWrwY4Bq0tmJ5dQFj/s712/paulista.hino.ao.amor.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="712" data-original-width="382" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6eKuhbzB0O5n2bWQaVpyozbXmJFpPyQcOLU4UJn6S4_yazkyqRLRoLby1u1dwJ3jp7n7sFnAlit86Rcs3720iDsj3NxcUf3ESqZSHsg3vCefBbkQiS-v3VI7OVWFb5x0Wgc0e2dTkAMQJmMNA7Mbe5UKqt9L4rHjw4n4o5vnUWrwY4Bq0tmJ5dQFj/w214-h400/paulista.hino.ao.amor.jpg" width="214" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIX_aShkf8f_0xmmogLMBmzMJza15Aqlkl0iiaUkSGIaLI3SCgCApciTql62YUsa7Ygz90ZngUwdyifyN7ThOCbSI35pmChXjX_CuZdijwTktC9MJGO7-SvAjbses71_IDqrGc5Cj8jmKJ2r4H7FhzBOpbfPg4MhmtJMUWWZXy10ujBGZ4FSuQ5md3/s1075/paulista.Edson.Fran%C3%A7a.10.Sept.1958.Gazeta.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1075" data-original-width="545" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIX_aShkf8f_0xmmogLMBmzMJza15Aqlkl0iiaUkSGIaLI3SCgCApciTql62YUsa7Ygz90ZngUwdyifyN7ThOCbSI35pmChXjX_CuZdijwTktC9MJGO7-SvAjbses71_IDqrGc5Cj8jmKJ2r4H7FhzBOpbfPg4MhmtJMUWWZXy10ujBGZ4FSuQ5md3/w203-h400/paulista.Edson.Fran%C3%A7a.10.Sept.1958.Gazeta.jpg" width="203" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Mini-series (here called 'novelinha') '<b>Hino ao amor'</b> was written by <b>Odayr Marzano</b> based on the French song '<b><span style="color: #ffa400;">Hymne à</span></b> <b><span style="color: #ffa400;">l'amour</span></b>' whose lyrics were written by <b>Édith Piaf</b> to the music of <b>Marguerite Monnot</b>. Piaf wrote it to her lover, the French boxer, Marcel Cerdan. On <b><span style="color: #ffa400;">28</span></b> <b><span style="color: #ffa400;">October 1949</span></b>, Cerdan was killed in the crash of Air France Flight 009 on his way from Paris to New York to come to see her. She recorded the song on <b><span style="color: #ffa400;">2nd May 1950</span></b>. Marzano wrote both the series and the Portuguese words for the song which shot to number one as soon as it was released by Odeon. <b>Edson França</b> plays the role of a hardened gangster in an adaptation of William Wyler's '<b>The desperate hours</b>' (Horas de desespero) released in the USA on 5 October 1955 (A Gazeta, <b><span style="color: #ffa400;">10 September 1958</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgDA3kAOKjZqEHuhJg7P8WJMwkPdavrxOIAkYr1lVI7rc7cpsH-6dZJkgdbTlAFBIMpAFafB_JMUhYw8PyMwARU0XS9LRZa3LxWUQ5N05l3NdwTmtLle5CuZJcfAN5zBKjduSJ1ctcuiIX0-ty28xDIjYqQ7Q2l7Edh8EFXipGtFfIc0SZclCr3B7/s672/paulista.Edson.Fran%C3%A7a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="485" data-original-width="672" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgDA3kAOKjZqEHuhJg7P8WJMwkPdavrxOIAkYr1lVI7rc7cpsH-6dZJkgdbTlAFBIMpAFafB_JMUhYw8PyMwARU0XS9LRZa3LxWUQ5N05l3NdwTmtLle5CuZJcfAN5zBKjduSJ1ctcuiIX0-ty28xDIjYqQ7Q2l7Edh8EFXipGtFfIc0SZclCr3B7/w320-h230/paulista.Edson.Fran%C3%A7a.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6nVJR80DpyXbnWOdAHsZ2ldIkS6gkxEi_vcMMcCtIn4W4XHTjki6dZixrIu9Qeh7wK-yN6xESkP7fC3VKx3m0EHhYDetQWU9spWm-HQ4bdOAtJYR09HnG3Zh6TXOVEXAxjhHpFt1QkiRla2FtEgy4hJFeqMBOQhN_pbhUBuni0IS8WI-Uv4ccd4q1/s849/paulista.Marido.magro.mulher.chata.Gazeta.19.Nov.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="849" data-original-width="563" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6nVJR80DpyXbnWOdAHsZ2ldIkS6gkxEi_vcMMcCtIn4W4XHTjki6dZixrIu9Qeh7wK-yN6xESkP7fC3VKx3m0EHhYDetQWU9spWm-HQ4bdOAtJYR09HnG3Zh6TXOVEXAxjhHpFt1QkiRla2FtEgy4hJFeqMBOQhN_pbhUBuni0IS8WI-Uv4ccd4q1/w265-h400/paulista.Marido.magro.mulher.chata.Gazeta.19.Nov.1957.jpg" width="265" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSyROHu5LcXEWa49naCoK6MtCYNpyFRTyw1xjK_Yr_vi4igNg2Nl_YL7IneeKgtma98Xe4XAyfqgRCBgAlwI_S5EWeMxOQj39Njuefmamvh34bRctlHVI9mJpnRvtMr4ilvkYhwZsTm8gYLtFU14rMunRVKPN0vCHt9h44b93bc3CcMO_IpxO9YO0X/s866/paulista.David.Copperfield.Marcio.Trunkel.Suzi.Arruda.Raimundo.Duprat.R.lan.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="866" data-original-width="576" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSyROHu5LcXEWa49naCoK6MtCYNpyFRTyw1xjK_Yr_vi4igNg2Nl_YL7IneeKgtma98Xe4XAyfqgRCBgAlwI_S5EWeMxOQj39Njuefmamvh34bRctlHVI9mJpnRvtMr4ilvkYhwZsTm8gYLtFU14rMunRVKPN0vCHt9h44b93bc3CcMO_IpxO9YO0X/w266-h400/paulista.David.Copperfield.Marcio.Trunkel.Suzi.Arruda.Raimundo.Duprat.R.lan.1958.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">19 November 1957</span></b> (Gazeta Esportiva) - <b>Nicete Bruno</b> & husband <b>Paulo Goulart</b> in '<b>Marido</b> <b>magro, mulher chata</b>' shown in instalments starting the first days of <b>October 1957</b>; Marcio Trunkel plays Charles Dickens' '<b>David Copperfield</b>' with Suzi Arruda & Raimundo Duprat (Radiolândia 244, <b><span style="color: #ffa400;">1958</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhToFKuWb5zdHW0FZ1LIkvwCi0nYvhd-AHH-3sDJyWrNsU9pHain48bENHOhxC32ZZXH6P36fq9TJj4WqwzEpBIvJgjtwjl7wQr6bcK7OeWV5V02puIkcIJ_tjqRSWavHKvvrnpuu71yLLNkQ63gnRH1j6HCnMoKre9sEKmIZpXwF6xQhk8sZuvVwUl/s958/vera.nunes.rubens.de.falco.debbie.reynolds.John.herbert.1953.Vera.Cruz.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhToFKuWb5zdHW0FZ1LIkvwCi0nYvhd-AHH-3sDJyWrNsU9pHain48bENHOhxC32ZZXH6P36fq9TJj4WqwzEpBIvJgjtwjl7wQr6bcK7OeWV5V02puIkcIJ_tjqRSWavHKvvrnpuu71yLLNkQ63gnRH1j6HCnMoKre9sEKmIZpXwF6xQhk8sZuvVwUl/w301-h400/vera.nunes.rubens.de.falco.debbie.reynolds.John.herbert.1953.Vera.Cruz.jpg" width="301" /></a></div><div style="text-align: justify;"><b>Vera Nunes</b> (*12 August 1928 +2nd February 2021), <b>Rubens de Falco</b> (*19 October 1931 +22nd February 2008), <b>Debbie Reynolds</b> *1st April 1928 +28 December 2016) & <b>John</b> <b>Herbert</b> (17 May 1929 +26 January 2011) at the studios of Vera Cruz in São Bernardo do Campo when Miss Reynolds visited Brazil in <b><span style="color: #ffa400;">1953</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4h7LvryH9N_iPBM9NFtMCHioy8H0Kzpyeawa0Bxq3hWCIwiXKYpmrgW6J3LHYL_y-ctqESTniuuhdZMxvVdv_lzysp15GCNog2D3bmVP-LVLL1oiF8G6wMpBM_TSNWWhOeWa9l2vRt7zbz_2SIoOGjw5-iJ8XAIwvVRfM8pPj0fk9gY-fkJTEJiek5MY/s514/paulista.pequena.lady.1962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="514" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4h7LvryH9N_iPBM9NFtMCHioy8H0Kzpyeawa0Bxq3hWCIwiXKYpmrgW6J3LHYL_y-ctqESTniuuhdZMxvVdv_lzysp15GCNog2D3bmVP-LVLL1oiF8G6wMpBM_TSNWWhOeWa9l2vRt7zbz_2SIoOGjw5-iJ8XAIwvVRfM8pPj0fk9gY-fkJTEJiek5MY/w320-h285/paulista.pequena.lady.1962.jpg" width="320" /></a></div>'Radiolândia' <b><span style="color: #ffa400;">1962</span></b>. <br /><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><b><span style="color: #ffa400;">PLAYS</span></b></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1952</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Noël Coward's '<b>Desencanto</b>' (1945's 'Still Life) with Madalena Nicol & Graça Melo who also directed the play. </div><div style="text-align: justify;">- 'Teatro de Graça Melo' presents '<b>Julius</b>' based on Chekov's 'Canto do Cisne' (1952);</div><div style="text-align: justify;">- Menotti Del Picchia's '<b>Um drama</b>' with Felipe Wagner (Cia.Nicete Bruno) directed by Gaetano Ghirardi; Monday, <b><span style="color: #ffa400;">5 May 1952</span></b>. </div><div style="text-align: justify;">- Gaetano Ghirardi's '<b>Os outros</b>' originally directed by Antunes Filho, with Valdomiro Baroni, Ricardo Landi, Lea Prado & Nelson Vilaça; <b><span style="color: #ffa400;">11 May 1952</span></b> (Correio Paulistano) </div><div style="text-align: justify;">- Vicente Sesso's '<b>O menino dos ramos</b>' starring 12 year-old Walter Baroni, produced by Graça Melo on <b><span style="color: #ffa400;">25 December 1952</span></b>.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1953</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Aloísio Azevedo's '<b>Casa de pensão</b>' (1884) with Jane Batista & Lino Monteiro (revista Carioca, 1953);</div><div style="text-align: justify;">- '<b>Crime no teatro</b>' produced by Pericles Leal broadcast live from Teatro Odeon's Sala Azul at 5:00 pm on Saturday, <b><span style="color: #ffa400;">28 March 1953</span></b>, first anniversary of TV Paulista. </div><div style="text-align: justify;">- Pericles Leal's '<b>Paixão criminosa</b>' with David Conde, Vitoria de Almeida, Gilberto Chagas, Lino Monteiro, Fernanda Conde, Joana Duarte & Luiz Dias; at 8:00 pm on <b><span style="color: #ffa400;">28 March 1953</span></b>.</div><div style="text-align: justify;">- great T.B.C. actress <b>Cacilda Becker</b> debuts at TV Paulista with '<b>Relações internacionais</b>' ('Design for living') a one-act-comedy by Noël Coward on <b><span style="color: #ffa400;">28 November 1953</span></b>;</div><div style="text-align: justify;">- Cacilda Becker closes 1953 with '<b>O Telefonema</b>' (The phone call) beamed on Thursday, <b><span style="color: #ffa400;">31st December</span></b> <b><span style="color: #ffa400;">1953</span></b>.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1954</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Victorien Sardou's '<b>Divórcio para três</b>' (Divorçons!) adapted by Renato Alvim, with Cacilda Becker, Ziembinsky, Jardel Filho, Fred Kleeman & Luiz Calderaro. <b><span style="color: #ffa400;">14 January 1954</span></b>;</div><div style="text-align: justify;">- Abílio Pereira de Almeida's '<b>A mulher do próximo</b>' with Cacilda Becker & Jardel Filho, directed by Ruggero Jacobbi at 'Teatro Cacilda Becker' at 9:00 pm on Thursday, <b><span style="color: #ffa400;">21st</span></b> <b><span style="color: #ffa400;">January 1954</span></b>;</div><div style="text-align: justify;">- Clô Prado's '<b>Diálogo de surdos</b>' with Cacilda Becker, Jardel Filho & Cleyde Yaconis; directed by Ruggero Jacobbi on <b><span style="color: #ffa400;">4 February 1954</span></b>; </div><div style="text-align: justify;">- Alexandre Dumas fils' '<b>A dama das camélias</b>' (La dame aux camélias') at Teatro Cacilda Becker was broadcast on Monday, <b><span style="color: #ffa400;">15 March 1954</span></b>, at 9:00 pm; </div><div style="text-align: justify;">- Jules Renard's '<b>Pega Fogo</b>' in which Cacilda Becker plays an urchin living in a slum was first set at Teatro Brasileiro de Comédia in 1950; it was beamed by TV Paulista at 9:00 on <b><span style="color: #ffa400;">3rd May 1954</span></b>, with Fredi Kleemann and Ziembinski;</div><div style="text-align: justify;">- '<b>Cidinha, meu amor</b>' with Cacilda Becker & Jardel Filho, directed by Luciano Salce on <b><span style="color: #ffa400;">13</span> <span style="color: #ffa400;">May 1954</span></b> (OESP); </div><div style="text-align: justify;">- Loris Rangel's '<b>O vorazes</b>' with Dinah Mezzomo, Sérgio Brito, Wanda Kosmo, Loris Rangel;</div><div style="text-align: justify;">- Loris Rangel's '<b>O crime do Palacete Isabel</b>' with Dinah Mezzono, Sérgio Brito, Augusto Machado de Campos, Fabio Sabag; directed by Sérgio Brito on Sunday, <b><span style="color: #ffa400;">4 July 1954</span></b>.</div><div style="text-align: justify;">- Pierre Barillet & Jean Pierre Grédy's '<b>Inimigos íntimos</b>' (Ami-ami) with Cacilda Becker;</div><div style="text-align: justify;">- Luiz Watson's '<b>Tormenta</b>' with Madalena Nicol & Carlos Cotrin (<b><span style="color: #ffa400;">1954</span></b>);</div><div style="text-align: justify;">- Nino Oxilia & Sandro Camasio's '<b>Adeus, mocidade</b>', play with 3 acts with Sergio Brito, Celia Helena, Amandio Silva Filho, Fabio Sabag; directed by Antunes Filho; produced by Antonino Seabra at 'Teatro da Semana', on Wednesday at 9:00 pm (<b><span style="color: #ffa400;">1954</span></b>).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1955</span></b>:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- '<b>O final do conto</b>', based on Jack London's 1911's short story '<b>The end of the story</b>'; </div><div style="text-align: justify;">- Ugo Betti's 1946's '<b>A ilha das cabras</b>' (Delitto all'isola delle capre) adapted by Alvaro Moya; with Cacilda Lanuza, Francisco Negrão, Ruth Schelske, Helena Samara & Manoel Inocêncio (some time in <b>1955</b>) </div><div style="text-align: justify;">- José Castelar's '<b>O corcunda</b>' played by Walter Avancini, with Francisco Negrão, Cacilda Lanuza, Odayr Marzano, Yara Lins etc. <b><span style="color: #ffa400;">11 August 1955</span></b>; </div><div style="text-align: justify;">- Aldo Benedetti's '<b>Um ramo de rosas</b>', adapted for TV by Eni Autran; with Eloísa Mafalda, Ronald Golias on <b><span style="color: #ffa400;">20 August</span></b> <b><span style="color: #ffa400;">1955</span></b>;</div><div style="text-align: justify;">- Marcos Reis' '<b>Xéque a Rainha</b>' with Mariza Martins, Francisco Negrão, Yara Lins on <b><span style="color: #ffa400;">3rd</span></b> <b><span style="color: #ffa400;">September 1955</span></b>;</div><div style="text-align: justify;">- Emily Brontë's '<b>Wuthering Heights</b>' adapted by Alvaro Moya as '<b>O morro dos ventos uivantes</b>' with Francisco Negrão, Eloísa Mafalda, Odayr Marzano on <b><span style="color: #ffa400;">24 September 1955</span></b>. </div><div style="text-align: justify;">- José Castelar's '<b>Uma ressureição</b>' at Teledrama - <b><span style="color: #ffa400;">8 October 1955</span></b>;</div><div style="text-align: justify;">- Marcos Rey's '<b>Ter ou não ter</b>' with Lourdes Rocha, Odayr Marzano, Edson França, Walter Avancini, Eloísa Mafalda - <b><span style="color: #ffa400;">15 October 1955</span></b>;</div><div style="text-align: justify;">- Ugo Betti's 1946's '<b>Delito</b>' (Delitto all'isola delle capre) with Francisco Negrão, Ruth Schelske & Cacilda Lanuza, produced by Alvaro Moya broadcast on <b><span style="color: #ffa400;">22nd October 1955</span></b>;</div><div style="text-align: justify;">- '<b>A hora de Don Juan</b>', with Francisco Negrão, Yara Lins, Isaura Marques on <b><span style="color: #ffa400;">29 October 1955</span></b>;</div><div style="text-align: justify;">- Michel Monti's '<b>Um anjo caiu</b>' with Francisco Negrão, Yara Lins on <b><span style="color: #ffa400;">12 November 1955</span></b>;</div><div style="text-align: justify;">- José Castellar's '<b>À procura de Silvia</b>' with Odayr Marzano & Yara Lins <b><span style="color: #ffa400;">1st December 1955</span></b>;</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1956</span></b>:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Nelson Rodrigues' '<b>Vestido de Noiva</b>' (Wedding gown) with Lourdes Rocha, Gervásio Marques & Ruth Schelske;</div><div style="text-align: justify;">- José Castellar's '<b>Doidinha</b>' with Murilo Amorim Corrêa, Luiz Pini & Eloisa Mafalda;</div><div style="text-align: justify;">- Armando Fontes' '<b>Os corumbas</b>', adapted for TV by Leonardo de Castro, starring Cacilda Lanuza, Murilo de Amorim Corrêa, Ruth Schelske & Waldyr Guedes (1956);</div><div style="text-align: justify;">- '<b>Tragédia no circo</b>' with Waldyr Wey, Regis Cardoso & David Conde at Teledrama 3 Leões;</div><div style="text-align: justify;">- '<b>Tristão e Isolda</b>' with Wilma Bentivegna (playing Isolda) and Judy Teixeira (1956);<br /></div><div style="text-align: justify;">- Eny Autran's '<b>Giovanni</b>' with Walter Avancini and Judy Teixeira (1956);</div><div style="text-align: justify;">- Eny Autran's '<b>Uma dama solitária</b>' with Eloísa Mafalda & Francisco Negrão (1956);</div><div style="text-align: justify;">- Eny Autran's '<b>Ensaiando Romeu e Julieta</b>' with Janete Gayer & Odayr Marzano (1956);</div><div style="text-align: justify;">- '<b>Sempre no meu coração</b>' with Wilma Bentivegna, Walter Avancini, Cacilda Lanuza on <b><span style="color: #ffa400;">30</span></b> <b><span style="color: #ffa400;">March 1956</span></b>. </div><div style="text-align: justify;"><div>- '<b>Farrapo humano</b>' (The lost weekend) based on Charles Reginald Jackson's <b>1944</b> novel made into a Hollywood movie directed by Billy Wilder; Francisco Negrão plays writer Don Birnam, who's about to splurge on an alcoholic binge; Ruth Schelske plays Helen, the writer's bride-to-be; Percival Ferreira plays Nat; produced by Leonardo de Castro; directed by Clodoaldo Seabra & Helio Quaresma; <b><span style="color: #ffa400;">3rd May 1956</span></b>.</div></div><div style="text-align: justify;"><div>- Garcia Lorca's '<b>Bodas de sangre</b>' adapted & produced by Alvaro Moya with Edson França, Cacilda Lanuza, Lucy Meirelles, Lourdes Rocha, Homem de Melo on 'Teledrama' at 9:30 on <b><span style="color: #ffa400;">9</span></b> <b><span style="color: #ffa400;">June 1956</span></b>. </div><div>- '<b>Pássaro na gaiola</b>' produced by Marcos Rey with Odayr Marzano & Eloísa Mafalda (1956);</div><div>- William Wilkie Collins' 1859's '<b>The woman in white</b>' adapted by Renan Alves as '<b>A mulher de branco</b>' with Yara Lins broadcast on <b><span style="color: #ffa400;">1st September 1956</span></b>. </div><div>- Jorge Amado's '<b>Terras do sem fim</b>' adapted for TV by Davi Conde with himself as Coronel Horácio, Walter Ribeiro dos Santos, Yara Lins, Edson França, Borges de Barros, Manuel Inocêncio, Cacilda Lanuza, Percival Ferreira, Valdyr Guedes, Regina Macedo, Alda Machado, Luiz Guimarães, Roberto Rosas, Lucy Meirelles; directed by Elio Tozzi supervised by Alvaro Moya; shown on Saturday, <b><span style="color: #ffa400;">13 October 1956</span></b>. </div><div>- Lima Barreto's '<b>Clara dos Anjos</b>', adapted by Alvaro Moya with Lourdes Rocha, Odayr Marzan, Murilo Amorim Correa. <b><span style="color: #ffa400;">27 October 1956</span></b>;</div><div>- Marcos Rey's '<b>Mundo violento</b>' with Cacilda Lanuza, Walter Avancini, Gervásio Marques, Edson França on <b><span style="color: #ffa400;">29 December 1956</span></b>.</div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1957</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Leonardo de Castro's '<b>Sempre no meu coração</b>' with Wilma Bentivegna, Waldyr Guedes, Walter Avancini, Luiz Pini, Cacilda Lanuza, Leda Forbes. Beamed on Sat. <b><span style="color: #ffa400;">30 March 1957</span></b>; </div><div style="text-align: justify;">- Joyce Anstruther's '<b>Mrs Miniver</b>' with Cacilda Lanuza & Murilo Amorim Corrêa playing the roles made famous in Hollywood by Greer Garson & Walter Pigeon in 1942; <b><span style="color: #ffa400;">1st June 1957</span></b>; </div><div style="text-align: justify;">- Patrick Hamilton's '<b>Festim diabólico</b>' (Rope) based on a 1929 play; adapted by David Conde, with Odayr Marzano, Edson França, Waldyr Guedes; <b><span style="color: #ffa400;">8 June 1957</span></b>;</div><div style="text-align: justify;">- '<b>A tragédia de Mayerling</b>' (Mayerling Incident) produced by José Castellar, based on the murder-suicide of Prince Rudolf of Austria who shot his 17 year-old mistress and then shot himself a little later; Odayr Marzano plays the Prince and Ruth Schelske plays Mary von Vetsera, plus Roberto Maya, Lucy Meirelles, Gervásio Marques on Saturday; <b><span style="color: #ffa400;">22nd June 1957</span></b>. </div><div style="text-align: justify;">- '<b>Eu matei Rasputin</b>' with Edson França; beamed on <b><span style="color: #ffa400;">9 August 1957</span></b>; </div><div style="text-align: justify;">- Marcos Reys' '<b>Mundo violento</b>' with Cacilda Lanuza, Walter Avancini, Ivete Jayme & Gervásio Marques (1957). </div><div style="text-align: justify;">- '<b>Vitoria</b>' with Yara Lins & <b>Francisco Negrão</b> adapted by Alvaro Moya for 'Teledrama' (1957);</div><div style="text-align: justify;">- '<b>Correntes ocultas</b>' based on 1946 movie 'Undercurrent' in which Walter Forster plays the part done by Robert Mitchum & Barbara Fazio plays Katherine Hepburn's original role (1957);</div><div style="text-align: justify;">- '<b>As cartas de Madeleine</b>', directed by Alvaro Moya with Barbara Fazio (Madeleine), Odayr Marzano (Emílio), Aurélio Teixeira, Julio Nagib (October 1957);</div><div style="text-align: justify;">- Sidney 'Paddy' Chayefsky's 1954's '<b>Mãe</b>' (The mother) with Cacilda Lanuza, produced by Álvaro Moya for 'Teleteatro 3 Leões';</div><div style="text-align: justify;">- Aluísio Azevedo's '<b>O cortiço</b>' with Eloísa Mafalda e Lourdes Rocha (1957)</div><div style="text-align: justify;">- José Castellar's adaptation '<b>A última conquista</b>' with Lucy Meirelles, Lucy Rangel & Anita Morandini beamed on Saturday, 1<b><span style="color: #ffa400;">1 October 1957</span></b>, at 9:00 pm. </div><div style="text-align: justify;">- '<b>Silêncio das trevas</b>' with Cacilda Lanuza, Waldyr Guedes, Eloísa Mafalda, Edson França (<b><span style="color: #ffa400;">October 1957</span></b>); </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1958</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- 'Dama das camélias' (<b>La dame aux camélias</b>) Nidia Lícia plays tragic Paris courtesan Marguerite Gautier; </div><div style="text-align: justify;">- '<b>O estrangulador</b>' with Lourdes Mayer, Waldyr Guedes, Rogério Marcico, Lucy Meireles; presented by Jacy Campos at 'Camera Um' from Rio de Janeiro on <b><span style="color: #ffa400;">3rd May 1958</span></b>. </div><div style="text-align: justify;">- 'Medéia' <b><span style="color: #ffa400;">17 May 1958</span></b>. </div><div style="text-align: justify;">- '<b>Os sinos de Santa Maria</b>' based on the 1945 RKO film '<b>The bells of Saint Mary's</b>' with Cacilda Lanuza playing Sister Mary Benedict (originally played by Ingrid Bergman); Waldyr Guedes plays Bing Crosby's Father Chuck O'Malley on Saturday, <b><span style="color: #ffa400;">24 May 1958</span></b> at 9:30.</div><div style="text-align: justify;">- '<b>As mulheres</b>' adapted by Claudio Petragia; with Yara Salles, Mary Gonçalves & Cacilda Lanuza (1958);</div><div style="text-align: justify;">- José Castelar's '<b>Máscara traiçoeira</b>' with Yara Lins & Walter Ribeiro dos Santos;</div><div style="text-align: justify;">- José Mauro de Vasconcelos' '<b>Arara vermelha</b>' adapted by José Roberto Silveira with Edson França, Borges de Barros, Lourdes Rocha, Rogerio Marcico, <b><span style="color: #ffa400;">15 July 1958</span></b>;</div><div style="text-align: justify;">- Mark Twain's '<b>Loucuras de um milionário</b>' (The million pound note), adapted by Claudio Petraglia with Rogério Márcico, Ruth Schelske & Moura Barbosa; Saturday, <b><span style="color: #ffa400;">2nd August 1958</span></b>.</div><div style="text-align: justify;">- Jacy Campos presents '<b>A história de Teresa</b>' with Anilza Leoni, Alberto Perez, Lourdes Mayer on <b><span style="color: #ffa400;">10 August 1958</span></b>;</div><div style="text-align: justify;">- Jacy Campos presents '<b>O paralítico</b>' with Carlos Duval as the paralictic, Lourdes Mayer, Ribeiro Fortes & Alberto Perez (<b>1958</b>); </div><div style="text-align: justify;">- José Castelar's '<b>Um filho para Sua Alteza</b>' a musical comedy with Walter Forster as the King who needs a male heir plus Hebe Camargo, Wilma Bentivegna, Maximira Figueiredo, Osny Silva on <b><span style="color: #ffa400;">26 August 1958</span></b>. </div><div style="text-align: justify;">- William Shakespeare's '<b>A megera domada</b>' (The taming of the shrew) adapted by Heloísa Castelar with Odayr Marzano (1958);</div><div style="text-align: justify;">- Oscar Wilde's '<b>O retrato de Dorin Gray</b>' with Gervásio Marques & Waldyr Guedes (1958);</div><div style="text-align: justify;">- William Wyler Wyler's '<b>The desperate hours</b>'; adapted from the Hollywood movie as '<b>Horas</b> <b>desesperadas</b>' with Edson França playing the role originally played by Humphrey Bogart plus Waldyr Guedes, Rogério Marcico, Regis Cardoso & Eloísa Mafalda; direction by Elio Tozzi; on <b><span style="color: #ffa400;">10 September 1958</span></b>.</div><div style="text-align: justify;">- David Conde's '<b>Sindicato de ladrões</b>' an adaptation of Budd Schulberg's '<b>On the waterfront</b>' with Edson França playing Terry Malloy (Marlon Brando), Cacilda Lanuza as Edie Doyle (Eva Marie Saint), Borges de Barros, Rogério Márcico, Magno Marino etc. <b><span style="color: #ffa400;">20</span> <span style="color: #ffa400;">September 1958</span></b>;</div><div style="text-align: justify;">- '<b>Gilda</b>' adapted from Charles Vidor's 1946 movie by Heloísa Castellar & Claudio Petraglia with Yara Lins & Edson França playing the roles made famous by Rita Hayworth & Glenn Ford on <b><span style="color: #ffa400;">10 October 1958</span></b>;</div><div style="text-align: justify;">- José Castellar's '<b>Os farsantes</b>' with Odayr Marzano, Maximira Figueiredo, Gervasio Marques, on Saturday, <b><span style="color: #ffa400;">18 October 1958</span></b>; </div><div style="text-align: justify;">- '<b>A luz se apagou</b>' with Cacilda Lanuza & Renan Alves (1958);</div><div style="text-align: justify;">- Mario Sette's '<b>Clarinha das rendas</b>', a 1927 short story adapted to TV by Heloísa Castellar with Edson França & Maximira Figueiredo (1958); </div><div style="text-align: justify;">- Jacy Campos presents at 'Camera Um' the Portuguese drama '<b>A Severa</b>' with Gilda Valença in the title-role and Armando Nascimento, Aracy Cardoso, Avalone Filho (1958). </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1959</span></b>: </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Dashiel Hammet's 1931's '<b>A chave de vidro</b>' (The glasse key) with Edson França, Rogerio Marcico, Yara Lins, Wilma Bentivegna on <b><span style="color: #ffa400;">14 March 1959</span></b>;</div><div style="text-align: justify;">- Mario Donato's '<b>Construtores de São Paulo</b>' the life of Dr Emilio Ribas, with Edmundo Lopes playing the public-health doctor; broadcast on <b><span style="color: #ffa400;">27 March 1959</span></b>;</div><div style="text-align: justify;">- Jacy Campos presents '<b>Catalepsia</b>' starring Lourdes Mayer, Edmundo Lopes, Carlos Duval, Cesar Brasil & Tilde Serato; TV direction of Brancato Junior; beamed on Sunday, <b><span style="color: #ffa400;">3rd May</span></b> <b><span style="color: #ffa400;">1959</span></b> at 10:00 pm;</div><div style="text-align: justify;">- '<b>A tempestade na rua 32</b>' a US play I cannot find the original title; with Riva Blanche, Roberto Duval, Teresa Amayo, Medeiros Filho, Lucy Meireles, Sérgio Aparecido, <b>Agostinho</b> <b>dos Santos </b>e Zeni Ferreira; produced by Jacy Campos; TV direction by Brancato Junior; beamed on Sunday, <b><span style="color: #ffa400;">10 May 1959</span></b>. </div><div style="text-align: justify;">- Euripedes' '<b>Medéia</b>' with Luiz Tito, Ida Gomes, Riva Blanche; <b><span style="color: #ffa400;">17 May 1959</span></b>.</div><div style="text-align: justify;">- Oscar Wilde's '<b>O retrato de Dorian Gray</b>' with Gervásio Marques & Waldyr Guedes (1959)</div><div style="text-align: justify;">- 'O Cadillac de ouro' ('<b>The solid gold Cadillac</b>') adapted by Anita Greis from a Broadway play written by George S.Kauffman, Abe Burrows & Howard Teichmann which was made into a movie by Columbia Pictures in 1956, starring Judy Holliday;</div><div style="text-align: justify;">- '<b>Desejo satisfeito</b>' written and acted by Procópio Ferreira in '<b>Procópio e seu Teatro de</b> <b>Comédia</b>' on Tuesday, <b><span style="color: #ffa400;">27 October 1959</span></b>, at 9:40 pm.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">- Vinícius de Moraes' '<b>Orfeu da Conceição</b>', adapted for TV by Fernanda Conde with Edson França as Orfeu, Cacilda Lanuza as Clio, Chocolate as Apolo & Maximira Figueiredo as the murdered victim of Aristeu (1959);</div><div style="text-align: justify;">- '<b>O destino bate à porta</b>' with <b>Branca Ribeiro</b>, directed by Vicente Dias Vieira;</div><div style="text-align: justify;">- '<b>Um dia sem novidades</b>' with Ricardo Nóvoa, Medeiros Filho, Waldyr Guedes & Regina Macedo; produced by Walter Avancini. </div><div style="text-align: justify;">- '<b>Abismo insondável</b>' adapted by Leonardo de Castro with Ruth Schelske as Elizabeth Barrett (1959). </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1961</span></b>:</div><div style="text-align: justify;"> </div><div style="text-align: justify;">- '<b>A que renasceu</b>' (January) with Cacilda Lanuza; </div><div style="text-align: justify;">- '<b>O quarto azul</b>' produced by Libero Miguel with Ivete Jayme for 'Tele-teatro Mesbla';</div><div style="text-align: justify;">- '<b>Crepúsculo de prata</b>' prod. by L.Miguel;</div><div style="text-align: justify;">- Andreiev's '<b>O homem que levava bofetadas</b>' with Waldyr Guedes;</div><div style="text-align: justify;">- Daphne Maurier's '<b>Estalagem maldita</b>' (Jamaica Inn) based on 1939 Hitchcock film; with Ricardo Nóvoa, Waldyr Guedes & Lucy Meirelles:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1962</span></b>: '<b>Catarina II</b>' with Elosísa Mafalda & Renato Pereira. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="color: #fcff01;">1963</span></b>: '<b>Salomé</b>' with Liria Marçal as Salomé, Orozco as John the Baptist, Renato Master.</div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Id0bJ-zO9bS06oYMP9xXc-Mw_JybqQ21-_Mjs_xz9aMkuV4saK8TyreCruRJaixKfVyu5YXO0LClViNyxfJka2yrakwPy3i2cTEhpjWb49wyy4mz0iVGGrBfeZwhWevF2rn-ziCuQ5CQL7_kcXG2RF3UxCCBjoDFU9UkFTzcyM7RW4YL2EMEhC0X65o/s558/paulista.7.May.1952.Wed.Gherardi.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="558" data-original-width="441" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Id0bJ-zO9bS06oYMP9xXc-Mw_JybqQ21-_Mjs_xz9aMkuV4saK8TyreCruRJaixKfVyu5YXO0LClViNyxfJka2yrakwPy3i2cTEhpjWb49wyy4mz0iVGGrBfeZwhWevF2rn-ziCuQ5CQL7_kcXG2RF3UxCCBjoDFU9UkFTzcyM7RW4YL2EMEhC0X65o/w158-h200/paulista.7.May.1952.Wed.Gherardi.jpg" width="158" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBHtIc5y3EMhRI0QmfaxlC4prBNDYybxowXEklB8YbayRNK2NlLSuLd7pQutZ6DDrcXytc2qyNq4MLR3VL9mpR4ClpED60tTUV7cFSllF_tfWOfeQPyVNAsnQNd9da4l203rM2bTrpj7SFQ53YHJ9we67C-ZI4zdWdeBipbDylspEi7QKS3h_ntaQ9rM/s680/paulista.Gherari.11.May.1952.Correio.Paulistano.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="377" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibBHtIc5y3EMhRI0QmfaxlC4prBNDYybxowXEklB8YbayRNK2NlLSuLd7pQutZ6DDrcXytc2qyNq4MLR3VL9mpR4ClpED60tTUV7cFSllF_tfWOfeQPyVNAsnQNd9da4l203rM2bTrpj7SFQ53YHJ9we67C-ZI4zdWdeBipbDylspEi7QKS3h_ntaQ9rM/w111-h200/paulista.Gherari.11.May.1952.Correio.Paulistano.jpg" width="111" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">7 May 1952</span></b>, Monday; Felipe Wagner in Menotti del Picchia's 'Um drama' directed by Gaetano Ghirardi; <b><span style="color: #ffa400;">12 May 1952</span></b>, Wednesday: Gaetano Ghirardi's 'Os outros' with Valdomiro Baroni, Ricardo Landi, Lea Prado & Nelson Vilaça. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIS_Ee0Y3MQ5OCaAs5ABogHGjm9PbBrQdJNnEooOoRZkNu2UsHq4Ndt1vRsI11vPjG2l6Xf86qxuaJTGgMIBmmvKtreN_FQyZ78BvtDbHJ6RM8sva1JC-0mEVR2CUKpEQt_j_ifYyWpr5_Vb_A1zGRsaq8yUuXLuyb7_uC1xFc9CNYQkREgcYTlvuj/s1120/paulista.1952.Menino.dos.ramos%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1120" data-original-width="681" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIS_Ee0Y3MQ5OCaAs5ABogHGjm9PbBrQdJNnEooOoRZkNu2UsHq4Ndt1vRsI11vPjG2l6Xf86qxuaJTGgMIBmmvKtreN_FQyZ78BvtDbHJ6RM8sva1JC-0mEVR2CUKpEQt_j_ifYyWpr5_Vb_A1zGRsaq8yUuXLuyb7_uC1xFc9CNYQkREgcYTlvuj/w194-h320/paulista.1952.Menino.dos.ramos%20(2).jpg" width="194" /></a></div><div style="text-align: justify;">Vicente Sesso's '<b>O menino dos ramos</b>' produced by Manoel Carlos starring 12-year-old <b>Walter Baroni</b>, Egídio Ecio, Waldomiro Baroni, Fabio Sabag. 'Correio Paulistano', <b><span style="color: #ffa400;">25 November</span></b> <b><span style="color: #ffa400;">1952</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngJVEb9gv6zt7cEc50F3Dgbe-oXQpDVbFy1yFMcfKm5B3GdLdZK2lTMnLHKg79FdA4j4-Am6bPp6zG9VIuObAdvgOR7inhLDs6cIcyZNLx-62jIPLVweGkWEXvmB8TFMaShtA4P-Yo270VBewcE3BorCiezs0wNJpHqLpHXq-WwlnHUEji7pbrr-O/s802/paulista.cacilda.28.Nov.1953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="344" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngJVEb9gv6zt7cEc50F3Dgbe-oXQpDVbFy1yFMcfKm5B3GdLdZK2lTMnLHKg79FdA4j4-Am6bPp6zG9VIuObAdvgOR7inhLDs6cIcyZNLx-62jIPLVweGkWEXvmB8TFMaShtA4P-Yo270VBewcE3BorCiezs0wNJpHqLpHXq-WwlnHUEji7pbrr-O/w172-h400/paulista.cacilda.28.Nov.1953.jpg" width="172" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcO0PMdA_p2HvDl4Mexl8TAdsLxrWLQ9wH-VipOr6YdHpuNe38AgXl4OMu4LqfNlknN0PJJBdzbqKk0_jJhg-0GNs4gmZFgX9u5Y4TFlu3z2Vt7WEWpwgFnpZo0vwOJVLzqqfbcOdTF1OjGz19k3qJwLeA8pDS_KxendX49IoslJV27ZfL_HAZfKBH/s757/paulista.dama.cam%C3%A9lias.10.March.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="757" data-original-width="467" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcO0PMdA_p2HvDl4Mexl8TAdsLxrWLQ9wH-VipOr6YdHpuNe38AgXl4OMu4LqfNlknN0PJJBdzbqKk0_jJhg-0GNs4gmZFgX9u5Y4TFlu3z2Vt7WEWpwgFnpZo0vwOJVLzqqfbcOdTF1OjGz19k3qJwLeA8pDS_KxendX49IoslJV27ZfL_HAZfKBH/w247-h400/paulista.dama.cam%C3%A9lias.10.March.1954.jpg" width="247" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span><b><span style="color: #ffa400;">28 November 1953</span></b> (Correio Paulistano) <b><span style="color: #ffa400;">Cacilda Becker</span></b> (* 6 April 1921 + 14 June 1969) of <b>Teatro Brasileiro de Comédia</b> is signed by TV Paulista. Miss Becker showcases her talent in Noël Coward's '<b>Relações Internacionais</b>' ('Design for living') a one-act-comedy; </span><span style="color: #ffa400; font-weight: bold;">15 March 1954</span> - Miss Becker plays Marguerite Gautier in Alexandre Dumas fils' '<b>A dama das camélias</b>' (La dame aux camélias') at Teatro Cacilda Becker on Monday, at 9:00 pm.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf39bPLTqa9UY7PYP_1biY-D-DvY1dXooo77vQUBIN8WETvDEHx2GdsqeReuQlcJEZHPZHg35PVs25h7yj_UeCguBqexiY7ViaOBN6cUM7C8OfaRHAbjyuiZ7lWWBN2ndnuGLovRVdoGfiD4yk8Wqy6FyFEqOwTNBzebC9YT0sERTi4BK7l58XaD_B/s957/paulista.20.Nov.1953.Fri.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="957" data-original-width="631" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf39bPLTqa9UY7PYP_1biY-D-DvY1dXooo77vQUBIN8WETvDEHx2GdsqeReuQlcJEZHPZHg35PVs25h7yj_UeCguBqexiY7ViaOBN6cUM7C8OfaRHAbjyuiZ7lWWBN2ndnuGLovRVdoGfiD4yk8Wqy6FyFEqOwTNBzebC9YT0sERTi4BK7l58XaD_B/w422-h640/paulista.20.Nov.1953.Fri.jpg" width="422" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">26 November 1953</span></b> - Grande Teatro Kibon with Cacilda Becker, directed by Ruggero Jacobbi.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUAokbwmr3rB5pXx5iEv6sLzXlzHxzXUZePi1od4i3mPjvs0fKvGxuILzpu030U471UubnF7KF4aq9rAK4PY5iCGJuV0ncTS7ssZrNUazU_lkobYRwsTRhmpCKgM8WzynIWh7gG2TqY_C9a7jbK4AabvBbMc-JNXFvtu9yQQQiC0bx4b-QLwb2PYeZ/s656/cacilda.inimigos.smaller.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="656" data-original-width="528" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUAokbwmr3rB5pXx5iEv6sLzXlzHxzXUZePi1od4i3mPjvs0fKvGxuILzpu030U471UubnF7KF4aq9rAK4PY5iCGJuV0ncTS7ssZrNUazU_lkobYRwsTRhmpCKgM8WzynIWh7gG2TqY_C9a7jbK4AabvBbMc-JNXFvtu9yQQQiC0bx4b-QLwb2PYeZ/w323-h400/cacilda.inimigos.smaller.PNG" width="323" /></a></div>Miss Becker in <span style="text-align: justify;">Pierre Barillet & Jean Pierre Grédy's '</span><b style="text-align: justify;">Inimigos íntimos</b><span style="text-align: justify;">' (Ami-ami) in <b><span style="color: #ffa400;">1954</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfaK5J5i0xEGMnR62H4HyhSxPKPUMDBZsMbpd8Oe3a1UqMBTwrIvGBs6pbp6KXZGo4yA5vRwqt6HRRO_M9YRwc6MUTOac8VUHkrU_TebVUTwXgQWSIQawwiYhkUMJ1XMlFG5AnLR2n-0heEFgnKKJ-ALZwpzqpYR07q_4TrL-I4zWrd1Q1wSjm9Fs/s494/paulista.teatro.cacilda.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="185" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfaK5J5i0xEGMnR62H4HyhSxPKPUMDBZsMbpd8Oe3a1UqMBTwrIvGBs6pbp6KXZGo4yA5vRwqt6HRRO_M9YRwc6MUTOac8VUHkrU_TebVUTwXgQWSIQawwiYhkUMJ1XMlFG5AnLR2n-0heEFgnKKJ-ALZwpzqpYR07q_4TrL-I4zWrd1Q1wSjm9Fs/w150-h400/paulista.teatro.cacilda.1954.jpg" width="150" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvBUsTO9vK2juZwbjuE-WGNtopJeu9zkRCcj5oLXvOqStOqJlhS7NsJXd0DfoW0nWAbFjoSwxBhd6UYRIXoqpwpd7cADW7cm8yV627IkGyU-TCoeBIh1_SlM6BgjWnL85VJmHw3zpmOXOAnK0XLcnvQago9DkmzPCXvc-izBNqd0a7N7wiJldg57yq/s661/paulista.surdos.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="661" data-original-width="229" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvBUsTO9vK2juZwbjuE-WGNtopJeu9zkRCcj5oLXvOqStOqJlhS7NsJXd0DfoW0nWAbFjoSwxBhd6UYRIXoqpwpd7cADW7cm8yV627IkGyU-TCoeBIh1_SlM6BgjWnL85VJmHw3zpmOXOAnK0XLcnvQago9DkmzPCXvc-izBNqd0a7N7wiJldg57yq/w139-h400/paulista.surdos.1954.jpg" width="139" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">21st January 1954</span></b> - Teatro de Cacilda Becker presents Abílio Pereira de Almeida's '<b>A mulher</b> <b>do próximo</b>' with Miss Becker & Jardel Filho, directed by Ruggero Jacobbi. 'Correio Paulistano' Thursday; <b><span style="color: #ffa400;">4 February 1954</span></b> - Clô Prado's '<b>Dialogo de Surdos</b>' with Cacilda Becker, Jardel Filho & Cleyde Yaconis, on Thursday at 9:00 pm.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-3dNwPuqqdCcwsEeRVqAUjJBAJhqTIjedpMVB_WGxY2QL87YwqsDPoLVF2XxO4VaLX1BGEBFFzx7SG_uIPyRLSn8Lnj7B5MavK9_XlnZG9K3fDEbNCJh_fIxC92hb3CBkvBdAeww8b1x4gDTXsZhufc7heUY8-ZI9kBHKzAzmr3qSlyeL-ObAWR1N/s1139/cacilda-pega-fogo.1950.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1139" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-3dNwPuqqdCcwsEeRVqAUjJBAJhqTIjedpMVB_WGxY2QL87YwqsDPoLVF2XxO4VaLX1BGEBFFzx7SG_uIPyRLSn8Lnj7B5MavK9_XlnZG9K3fDEbNCJh_fIxC92hb3CBkvBdAeww8b1x4gDTXsZhufc7heUY8-ZI9kBHKzAzmr3qSlyeL-ObAWR1N/w279-h320/cacilda-pega-fogo.1950.jpg" width="279" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeT4GesBQ4TeblR8oTrNOCSXhQGfM1AM5mtWfz_ivBw2tgJFUks8ikXaf00xNU9-qg_j7JfT4P_eOX_PcdZqhD29EVDvCUo1vVjwmqKWnQqTjLdAGxPfJ5c2nucOICAjEfcI8E3vMwSKqfyeqo04ZDIFUDwrhv6MIYFoVrPqmcdYub-10xntWeErI/s686/paulista.13.May.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="638" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeT4GesBQ4TeblR8oTrNOCSXhQGfM1AM5mtWfz_ivBw2tgJFUks8ikXaf00xNU9-qg_j7JfT4P_eOX_PcdZqhD29EVDvCUo1vVjwmqKWnQqTjLdAGxPfJ5c2nucOICAjEfcI8E3vMwSKqfyeqo04ZDIFUDwrhv6MIYFoVrPqmcdYub-10xntWeErI/w298-h320/paulista.13.May.1954.jpg" width="298" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">3rd May 1954</span></b> - <b>Cacilda Becker</b> plays Pega Fogo, an urchin living in the slums on <b>Jules</b> <b>Renard</b>'s 'Pega Fogo' which Miss Becker played originally at <b>Teatro Brasileiro de Comédia</b> in 1950; on <b><span style="color: #ffa400;">13 May 1954</span></b>, Cacilda Becker & Jardel Filho star in '<b>Cidinha, meu amor</b>' directed by Luciano Salce, an Italian director that would return to Italy in the late 50s and direct good films and TV shows at RAI (O Estado de S.Paulo). </div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje1ZcZExDrM_36J62R1zo0Oz6lNjorUdp1sfa4DKRxvTVdrGHyimanzVD1cvzQfri49Tm7nyI5As0njxqZggioUPZ7HDO9hsL2mF8kMFFaFsM4RtXbS-uKdr-rRqkAZ-ImQKckGBuIn7Sa8KKoIdyyLmlEuyq8uuO0-s1LgrZp_Cp4ngdTZ1_skUzG/s682/paulista.pre.OVC.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="534" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje1ZcZExDrM_36J62R1zo0Oz6lNjorUdp1sfa4DKRxvTVdrGHyimanzVD1cvzQfri49Tm7nyI5As0njxqZggioUPZ7HDO9hsL2mF8kMFFaFsM4RtXbS-uKdr-rRqkAZ-ImQKckGBuIn7Sa8KKoIdyyLmlEuyq8uuO0-s1LgrZp_Cp4ngdTZ1_skUzG/w313-h400/paulista.pre.OVC.1954.jpg" width="313" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp_smON6wDE2GX1Z8vct2LfX4tz2XlxYG4BWSTSAvVxaJPGI0m5fc3lVIWGpFIRaBB50VcBOVR3-nSdCo94Ify9rodrCHm_imBuNsr45yPQwkeepGxry9MpIbD_yY6kRoTSCoW0MEUB-z6KNeD9jQ8pDC2il6dOEf0WLEUdBO3Lgm-51fRBJzU_4zy/s1001/paulista.pens%C3%A3o..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1001" data-original-width="514" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp_smON6wDE2GX1Z8vct2LfX4tz2XlxYG4BWSTSAvVxaJPGI0m5fc3lVIWGpFIRaBB50VcBOVR3-nSdCo94Ify9rodrCHm_imBuNsr45yPQwkeepGxry9MpIbD_yY6kRoTSCoW0MEUB-z6KNeD9jQ8pDC2il6dOEf0WLEUdBO3Lgm-51fRBJzU_4zy/w205-h400/paulista.pens%C3%A3o..jpg" width="205" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">'<b>Teatro de Madalena Nicol</b>' on Tuesdays presented Brazilian and foreign plays in <b><span style="color: #ffa400;">1954</span></b>; Jane Batista & Lino Monteiro in Aloísio Azevedo's '<b>Casa de pensão</b>', beamed in <b><span style="color: #ffa400;">1953</span></b>. 'Carioca'. <b><span style="color: #ffa400;"> </span></b> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR4QjN88jAGmE7ym966iVGP8OB1AF-1OdqP8u05WAaA0Se-T9MNezF8AxCs64gicBVxZ1CB-x0wCTwd10fK9-jOfrqmXeI9aJy8JokQK5i3WtHU8fF7PuCryiUli92unnd7T9Mmck_l5kefuqLiykhFo8Zoa1_sB5gGnuqO65t-fHyMPK9YNjvFLbY/s1345/paulista.Judas.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1345" data-original-width="865" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR4QjN88jAGmE7ym966iVGP8OB1AF-1OdqP8u05WAaA0Se-T9MNezF8AxCs64gicBVxZ1CB-x0wCTwd10fK9-jOfrqmXeI9aJy8JokQK5i3WtHU8fF7PuCryiUli92unnd7T9Mmck_l5kefuqLiykhFo8Zoa1_sB5gGnuqO65t-fHyMPK9YNjvFLbY/w412-h640/paulista.Judas.1954.jpg" width="412" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">16 April 1954</span></b>, Good Friday (Correio Paulistano) Ruggero Jacobbi's '<b>Judas</b>' based on a poem by Alberto Perrini with <b>Paulo Goulart</b> as the despicable traitor, <b>Nicette Bruno</b> as Maria Magdalena and <b>Walmor Chagas</b> as the Corypheus.</div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmuy4AwPTZSv_MBFHJHD0rkEynj7bdLcGrAKeH2Ex4EoTuYJhiBMxtz5AQL1Dp3FPN2bFZICz3vvSlxFNj-8hR5kc75IPImBIB4_QEvaEOSZINzoVCvTB2m44z_ae9MGEoekIRuMoJ8yamz3_5jEiO_DqkWmq2sBERt3o76musF2mb6653hLp94Gu/s1923/paulista.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1923" data-original-width="1313" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmuy4AwPTZSv_MBFHJHD0rkEynj7bdLcGrAKeH2Ex4EoTuYJhiBMxtz5AQL1Dp3FPN2bFZICz3vvSlxFNj-8hR5kc75IPImBIB4_QEvaEOSZINzoVCvTB2m44z_ae9MGEoekIRuMoJ8yamz3_5jEiO_DqkWmq2sBERt3o76musF2mb6653hLp94Gu/w273-h400/paulista.1954.jpg" width="273" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQeiUbmxJt_SKq4K7npTrlTcNQBEt_o95AUzX7CKedfSp2P-7NKMi_W9z9A8xXPQKEW-PGyAOS08CefzTfdT8r_841TovS7RZX2nehUY7jyEqAucvuyAdFgzG2SHcpcBp7ZlGUeGxQAC6JyU9EVPTMef-SvSVPsPZ9vqlYPm9WkqBQrxkWGLJrjSz_8OA/s770/paulista.Crime.Palacete.Isabel.4.July.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="770" data-original-width="464" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQeiUbmxJt_SKq4K7npTrlTcNQBEt_o95AUzX7CKedfSp2P-7NKMi_W9z9A8xXPQKEW-PGyAOS08CefzTfdT8r_841TovS7RZX2nehUY7jyEqAucvuyAdFgzG2SHcpcBp7ZlGUeGxQAC6JyU9EVPTMef-SvSVPsPZ9vqlYPm9WkqBQrxkWGLJrjSz_8OA/w241-h400/paulista.Crime.Palacete.Isabel.4.July.1954.jpg" width="241" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">O Teatro de Mistério presents Loris Rangel's '<b>Os vorazes</b>' with Dinah Mezzomo & Sergio Brito in <b><span style="color: #ffa400;">1954</span></b>; Loris Rangel's '<b>O crime do Palacete Isabel</b>' is beamed on Sunday, <b><span style="color: #ffa400;">4 July 1954</span></b>, with Dinah Mezzomo, Sérgio Brito, Augusto Machado de Campos (Correio Paulistano).</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PHLWpWkiLgoRONRZG5kSSwaGXhC7XOula8usjWobjPVZyPkc9n6jfV8dELesLkymafClu9D50duHTdivaLfs4ji2g6LSTmeL2-dGpjyQyPPnaxviUg6D4yr7kyXFs5FaaoeoFK7yqACruXBJc51cU-mwJesZ0P8XH9ByHzlGcZLu3xlPHL_N8gAOsoA/s1184/paulista.tormenta.1954.Jornal.das.Mo%C3%A7as.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1184" data-original-width="1038" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PHLWpWkiLgoRONRZG5kSSwaGXhC7XOula8usjWobjPVZyPkc9n6jfV8dELesLkymafClu9D50duHTdivaLfs4ji2g6LSTmeL2-dGpjyQyPPnaxviUg6D4yr7kyXFs5FaaoeoFK7yqACruXBJc51cU-mwJesZ0P8XH9ByHzlGcZLu3xlPHL_N8gAOsoA/w351-h400/paulista.tormenta.1954.Jornal.das.Mo%C3%A7as.jpg" width="351" /></a></div><div class="separator" style="clear: both; text-align: center;">Madalena Nicol & Carlos Cotrin in 'Tormenta' (Jornal das Moças, <b><span style="color: #ffa400;">1954</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeqOuISTn1M1L5lpeHDP1MrH-UcHm5mrOHI16ml1S163PQnv_5xl5q1Ao-Rj2EWxrkAOsg0jd5FrxcdwngnCp6FNR2CP2CC916yCXFhYf5a2mwE32tXdRucEsr3KdPiI8HLjA5SK088jDziaFMPgsW-r6xvVqKf_tMcho8k5Llk1cgETbeus-RoOzJNCM/s1525/paulista.1954.Antunes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1525" data-original-width="726" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeqOuISTn1M1L5lpeHDP1MrH-UcHm5mrOHI16ml1S163PQnv_5xl5q1Ao-Rj2EWxrkAOsg0jd5FrxcdwngnCp6FNR2CP2CC916yCXFhYf5a2mwE32tXdRucEsr3KdPiI8HLjA5SK088jDziaFMPgsW-r6xvVqKf_tMcho8k5Llk1cgETbeus-RoOzJNCM/w190-h400/paulista.1954.Antunes.jpg" width="190" /></a></div><div style="text-align: justify;">Jean Jacques Bernard's 1920's '<b>O fogo mal avivado</b>',(Le Feu qui Reprend Mal) (The fire that does not start), directed by <b>Antunes Filho</b> with Sergio Brito, Wanda Kosmo, Sidneia Rossi & Eugenio Kusnet; at 9:00 pm on TV Paulista (<b><span style="color: #ffa400;">1954</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZvJry8gMOcN5x3zzL4qqwX0zGQuoIwQcsG8Q2SztPbC6uKrMoMIR6MgtsEbagzSbz1xbvmU3RRvYmfzQ7x9ZM5_TUOvR_HXkQjh5mW94zfhHJG7J7wdMBhWn-ivQvZma1ohoYo11MnyHAtBLhLWee8ESM9pNJUuRjFYkBarHLLVUO0TxabgcPH_aciw/s1920/paulista.1954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1416" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZvJry8gMOcN5x3zzL4qqwX0zGQuoIwQcsG8Q2SztPbC6uKrMoMIR6MgtsEbagzSbz1xbvmU3RRvYmfzQ7x9ZM5_TUOvR_HXkQjh5mW94zfhHJG7J7wdMBhWn-ivQvZma1ohoYo11MnyHAtBLhLWee8ESM9pNJUuRjFYkBarHLLVUO0TxabgcPH_aciw/w295-h400/paulista.1954.jpg" width="295" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8MmUNvqVTN0lCHJE-C78yCyFpuAyT3Et9V8C_sEem6KR7TYSCFPUp2RmOtX7h2C01n-AYF5cX0MjnAt4ZhY6PRTYjcW5JZ5QOslNEvthiDGPU3D_yItKZ0xtyqwvzexOWihwx7fQOyawSoaMT8qiuscWGSKK7QZjOWIjpI-oV0A5xIe6SgFNjxoHn/s627/paulista.corcunda.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="627" data-original-width="423" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8MmUNvqVTN0lCHJE-C78yCyFpuAyT3Et9V8C_sEem6KR7TYSCFPUp2RmOtX7h2C01n-AYF5cX0MjnAt4ZhY6PRTYjcW5JZ5QOslNEvthiDGPU3D_yItKZ0xtyqwvzexOWihwx7fQOyawSoaMT8qiuscWGSKK7QZjOWIjpI-oV0A5xIe6SgFNjxoHn/w270-h400/paulista.corcunda.jpg" width="270" /></a></div></div></div><div class="separator" style="clear: both; text-align: justify;">Nino Oxilia & Sandro Camasio's '<b>Adeus, mocidade</b>', with Sergio Brito, Célia Helena, Fabio Sabag at 'Teatro da Semana' (<b><span style="color: #ffa400;">1954</span></b>); José Castelar's '<b>O Corcunda</b>' with Walter Avancini in the title-role, directed by Olga Navarro & Elio Tozzi on <b><span style="color: #ffa400;">11 August 1955</span></b>.</div></div></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwl9RdLDbaFZ-WMXvW6Ijv5LWHhbwikNJhhsVkClb87lx6Of994xEO5Humai5g22K-n3LRzNIYfhtgcPFBxcnxxY9qfg6nLofWbgrO4AlEl1096UrY0gI7wbfKmhYdZ9hcSbvt-WbEFLiFJAjiG5UbfTtdHWz_mxB-tg46Dm2yHRBa9eFyW7pN8gKf/s731/paulista.20.Aug.1955.Ramo.de.rosas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="434" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwl9RdLDbaFZ-WMXvW6Ijv5LWHhbwikNJhhsVkClb87lx6Of994xEO5Humai5g22K-n3LRzNIYfhtgcPFBxcnxxY9qfg6nLofWbgrO4AlEl1096UrY0gI7wbfKmhYdZ9hcSbvt-WbEFLiFJAjiG5UbfTtdHWz_mxB-tg46Dm2yHRBa9eFyW7pN8gKf/w237-h400/paulista.20.Aug.1955.Ramo.de.rosas.jpg" width="237" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTt4P495LGmEOd4YFytXnQl0_p33Mr42V-9g-r08DeNIRJm3Vm2FnM6L_kwcDwAV58MIAb0i82XPIkzA9A-AGv-Bvf6JKZkZobtvBXoWFLgbLeVqabAgYdL6j7toaawvX-DPlAWPHkOPtmVFPTXIVJJfK7AqgUlv_-j0NYnd28UIoieyN_NKjvIiXo/s744/paulista.xeque.3rd.Sept.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="439" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTt4P495LGmEOd4YFytXnQl0_p33Mr42V-9g-r08DeNIRJm3Vm2FnM6L_kwcDwAV58MIAb0i82XPIkzA9A-AGv-Bvf6JKZkZobtvBXoWFLgbLeVqabAgYdL6j7toaawvX-DPlAWPHkOPtmVFPTXIVJJfK7AqgUlv_-j0NYnd28UIoieyN_NKjvIiXo/w236-h400/paulista.xeque.3rd.Sept.1955.jpg" width="236" /></a></div><div class="separator" style="clear: both; text-align: justify;">Aldo Benetti's '<b>Um ramo de rosas</b>' produced by Eny Autran with Eloísa Mafalda & Ronald Goliaswho was both a regular actor as well as a comedian. 'Correio Paulistano, <b><span style="color: #ffa400;">20 August</span></b> <b><span style="color: #ffa400;">1955</span></b>; Marcos Reys' '<b>Xéque à Rainha</b>' with Mariza Martins, Francisco Negrão, Yara Lins, on <b><span style="color: #ffa400;">3rd September 1955</span></b>. </div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="724" data-original-width="440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-8b39VQdMqFOkiIQY4TG0qKeKEqgz_fdN-KVVCmO9bxSQTO8H0byjEEzB3DjGt9p31sqULvbc-9tQe8Dko8OKOu4K9BpHi9wkDy_4SeyOON-XTOYB6z7rN69D-SzghkHSFfarGVY9s0RX0jqnKXiybZ2L3wgKzAr9x9WzfQEJbiFnuRNU9LP5tbgW/w243-h400/paulista.12.Nov.1955.jpg" width="243" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNRrSsm3_uORGMfdV_cGxDwTps4XpDCNLKWGHA0hLMbFdPuFr3JpuTmilWUzxxOsmqOE4H34ZgQEd6utAwy97tKUGmhGLLGimP7mkolIJQFeshCmiuUF_GJigfXmE3RKdrpXmTWtCI8BNfA8Ysq_2olqwvUUL_5_5qpYQi8XmBQ2o6ncmAnVNAnM/s1096/paulista.walter.avancini.judy.teixeira.Giovanni.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1096" data-original-width="701" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdUNRrSsm3_uORGMfdV_cGxDwTps4XpDCNLKWGHA0hLMbFdPuFr3JpuTmilWUzxxOsmqOE4H34ZgQEd6utAwy97tKUGmhGLLGimP7mkolIJQFeshCmiuUF_GJigfXmE3RKdrpXmTWtCI8BNfA8Ysq_2olqwvUUL_5_5qpYQi8XmBQ2o6ncmAnVNAnM/w256-h400/paulista.walter.avancini.judy.teixeira.Giovanni.1956.jpg" width="256" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Michel Monti's '<b>Um anjo caiu</b>' with Francisco Negrão & Yara Lins broadcast on Saturday, <b><span style="color: #ffa400;">12 November 1955</span></b>; Walter Avancini & Judy Teixeira in Eny Autran's '<b>Giovanni</b>' in <b><span style="color: #ffa400;">1956</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiplU9czQnFFt2Nm_VEj7uTX9gfZKj1QuH2Vq4eS8bjJjyL5sinDv68r6DSAuiusuqgX6EHRGeVKsJCZAwbb4L53Ty-v1z3dZhgrsVil74x_EfNjKODM_L9M1v1SPpzdub6tZvnyh7gB4NnvUr-dJm9-3jCJ-rtIUI9OeW2VPtFOxbu_KWM8dpVq4A3/s1249/Paulista.1955.Teledrama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1249" data-original-width="727" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiplU9czQnFFt2Nm_VEj7uTX9gfZKj1QuH2Vq4eS8bjJjyL5sinDv68r6DSAuiusuqgX6EHRGeVKsJCZAwbb4L53Ty-v1z3dZhgrsVil74x_EfNjKODM_L9M1v1SPpzdub6tZvnyh7gB4NnvUr-dJm9-3jCJ-rtIUI9OeW2VPtFOxbu_KWM8dpVq4A3/w233-h400/Paulista.1955.Teledrama.jpg" width="233" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix6bqI_Oojwu_FiHm8WeAogJGgPc0YWb2YFWe8vn5_rmwkzuEXXyus5c4wnFVsmNu8dSKbFCoHhA4oHs8DZGvLryYdO1jOrp18Jel09zRwmfabzAwQHguNbM9gWHtIGazN0ARlB8F1CgKUgYsGw5Fd4DaeCGPpPXm1caqxgMRCVawzK__ONpa0RV-L/s723/paulista.negr%C3%A3o.22nd.Oct.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="436" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix6bqI_Oojwu_FiHm8WeAogJGgPc0YWb2YFWe8vn5_rmwkzuEXXyus5c4wnFVsmNu8dSKbFCoHhA4oHs8DZGvLryYdO1jOrp18Jel09zRwmfabzAwQHguNbM9gWHtIGazN0ARlB8F1CgKUgYsGw5Fd4DaeCGPpPXm1caqxgMRCVawzK__ONpa0RV-L/w241-h400/paulista.negr%C3%A3o.22nd.Oct.1955.jpg" width="241" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">26 August 1955</span></b> (ad on 'Correio Paulistano') - Jack London's '<b>O final do conto</b>' (The end of the story) with Francisco Negrão, Cacilda Lanuza; <b><span style="color: #ffa400;">22nd October 1955</span></b>, Saturday at 9:30 pm Italian playwright's 'Delito' (Delitto all'isola delle capre) with Francisco Negrão, Ruth Schelske & Cacilda Lanuza, produced by Alvaro Moya.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIm1wI8hXhvwWleC2sWJEMEu59467676WliHlBoQ0vW-ONY4xMrdd85B8fV3hZ26mIOxkoNqspFo1Qd13qMW5Ch02lVD802Sm58X_F9bkjGHBp1xziO7q2UtZIWkmQGDIQj64bRuskh1PObVj9v7ij_7qInJBR9yT2uyOwimTvwWoDju6Hjl_kS1z8/s725/paulista.3.Dez.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="725" data-original-width="436" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIm1wI8hXhvwWleC2sWJEMEu59467676WliHlBoQ0vW-ONY4xMrdd85B8fV3hZ26mIOxkoNqspFo1Qd13qMW5Ch02lVD802Sm58X_F9bkjGHBp1xziO7q2UtZIWkmQGDIQj64bRuskh1PObVj9v7ij_7qInJBR9yT2uyOwimTvwWoDju6Hjl_kS1z8/w241-h400/paulista.3.Dez.1955.jpg" width="241" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg98mmz9vKuv3ByfIcO2n8FZCSvPePmERwZ5nLHRmb7-oXGqW2MJjkJcMRCoTE2QIa_tJKtID-noRYxbG9HgqIEQMMefKgbcwcMWtn98sNQq_CZtyHnSj7RF9nF9_ftvRd-z8kNA7yFDe12kJiaLJZVYNU1Y3uiboVyXsG90VOKeVqK991r1gweIEpz/s658/Paulista.Orfeu.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="658" data-original-width="547" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg98mmz9vKuv3ByfIcO2n8FZCSvPePmERwZ5nLHRmb7-oXGqW2MJjkJcMRCoTE2QIa_tJKtID-noRYxbG9HgqIEQMMefKgbcwcMWtn98sNQq_CZtyHnSj7RF9nF9_ftvRd-z8kNA7yFDe12kJiaLJZVYNU1Y3uiboVyXsG90VOKeVqK991r1gweIEpz/w333-h400/Paulista.Orfeu.1959.jpg" width="333" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">3rd December 1955</span></b>, Saturday, Correio Paulistano - José Castelar's '<b>À procura de Silvia</b>' with Yara Lins, Odayr Marzano, Edson França; Revista do Rádio no. 493 (<b><span style="color: #ffa400;">1959</span></b>) reviews Vinícius de Moraes' '<b>Orfeu da Conceição</b>', adapted for TV by Fernanda Conde with Edson França as Orfeu, Cacilda Lanuza as Clio, Chocolate as Apolo & Maximira Figueiredo as the murdered victim of Aristeu.</div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8hLi1i8HdVb6hCy0IeQq2ez8LNNiEJfxf7z33bkIqthD5voVwK3SjsY_oU5B2HG_R3KjR6y6_ASbDbKmAvqSuMIimguMsJ02TrAVhdh-ZTVK8kZePSaGVvA9YmYsHhh8aCJDK5udF3qD9b1E7rv4eP7IlZwpwRHi0bicP-vcCQ_EjyJg-lv03EGV/s607/paulista.wuthering%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="607" data-original-width="317" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8hLi1i8HdVb6hCy0IeQq2ez8LNNiEJfxf7z33bkIqthD5voVwK3SjsY_oU5B2HG_R3KjR6y6_ASbDbKmAvqSuMIimguMsJ02TrAVhdh-ZTVK8kZePSaGVvA9YmYsHhh8aCJDK5udF3qD9b1E7rv4eP7IlZwpwRHi0bicP-vcCQ_EjyJg-lv03EGV/w209-h400/paulista.wuthering%20(2).PNG" width="209" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_NnxEYvzh8v7nQ7M7Q51gu0qwLolvYPVRcmJrcQOAJ5QZvw79blDl4bjKAX4WlK-2IDLJObd-SD04WUreYGF9bUz_EnA5lxv5n61XQp9W72-11QsDl7bvvRcJSF_9NdndeCo1JD95ObBAg3msljFxQ7055x_V_QtY6Lmp9Tn9lQ7kCr8Q2GRz4bZN/s961/paulista.proc%C3%B3pio.27.Oct.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="961" data-original-width="496" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_NnxEYvzh8v7nQ7M7Q51gu0qwLolvYPVRcmJrcQOAJ5QZvw79blDl4bjKAX4WlK-2IDLJObd-SD04WUreYGF9bUz_EnA5lxv5n61XQp9W72-11QsDl7bvvRcJSF_9NdndeCo1JD95ObBAg3msljFxQ7055x_V_QtY6Lmp9Tn9lQ7kCr8Q2GRz4bZN/w206-h400/paulista.proc%C3%B3pio.27.Oct.1959.jpg" width="206" /></a></div></div><div style="text-align: justify;"><span><b><span style="color: #ffa400;">24 September 1955</span></b> - Alvaro Moya's adaptation of Emily Brontë's '<b>Wuthering Heights</b>' (<b>O</b> <b>morro dos ventos uivantes</b>) starring Francisco Negrão, Eloísa Mafalda, Odayr Marzano & others; </span><span style="color: #ffa400; font-weight: bold;">27 October 1959</span> - Correio Paulistano - <b>Procópio Ferreira</b>'s own play '<b>Desejo Satisfeito</b>' is beamed on Tuesday at 9:40 pm.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQBUjvg1PfE86gJLZh_MaFxBvDol3qdnElUNrgnfPRLQpVfrN_8RoTK7eip_JyjHnMdk4LdT-s7o6K_p32KfCiuDZcpycKrWy3XX7zAzQyZHhQIGKFSHZrlJARDaSYyZeeOk6jDMK7n3I_P5JV01i7MsDKVoW9xKCxCLhyphenhyphenoFfV7pixycf54qFaXCY8x2s/s1007/paulista.bodas.de.sangre.9.June.1956%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="934" data-original-width="1007" height="594" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQBUjvg1PfE86gJLZh_MaFxBvDol3qdnElUNrgnfPRLQpVfrN_8RoTK7eip_JyjHnMdk4LdT-s7o6K_p32KfCiuDZcpycKrWy3XX7zAzQyZHhQIGKFSHZrlJARDaSYyZeeOk6jDMK7n3I_P5JV01i7MsDKVoW9xKCxCLhyphenhyphenoFfV7pixycf54qFaXCY8x2s/w640-h594/paulista.bodas.de.sangre.9.June.1956%20(2).jpg" width="640" /></a></div>Garcia Lorca's '<b>Bodas de sangre</b>' shown on <b><span style="color: #ffa400;">6 June 1956</span></b>, at 9:30 pm. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqnZk4lWAVB8BBQkwo4iUdoC8W09ie35bjJudHNkfdWjq8I_4eYeQzL-Z7ZXFHKQ5kZ_cuP8VZdbFcOl9uUhuQY0bIjQy_r4PId4BqBnqHIW0LLZanaRyoOk-hAsnBzG8z9Unp_68G_wnIPeFRtNal2VnONpAVkkb4J59vZygbGm264oJscuzVQOCQ30s/s638/paulista.terra.do.sem.fim.13.Oct.56.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="638" data-original-width="339" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqnZk4lWAVB8BBQkwo4iUdoC8W09ie35bjJudHNkfdWjq8I_4eYeQzL-Z7ZXFHKQ5kZ_cuP8VZdbFcOl9uUhuQY0bIjQy_r4PId4BqBnqHIW0LLZanaRyoOk-hAsnBzG8z9Unp_68G_wnIPeFRtNal2VnONpAVkkb4J59vZygbGm264oJscuzVQOCQ30s/w170-h320/paulista.terra.do.sem.fim.13.Oct.56.jpg" width="170" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">13 October 1956</span></b> - Jorge Amado's '<b>Terras do Sem Fim</b>', adapted by David Conde, with Walter Ribeiro dos Santos, Yara Lins, Edson França, Cacilda Lanuza, Lucy Meireles etc. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdaTfUugQdZY_kF5M4PJyr-nPyYukf6g7nx09pRVBu_8JIHuhE1RsTcvxcpHIisWBWUGYcVpBqxPssraFJC1eoJSnE224qmhTd2s23E_G9pr9DxMgkl76XC0je7las4bynA9TMTFFXSFLpLTeR22A0B4m3PXyu83CSmYz-Vt_I4PDuuTchT6s2JqN/s861/paulista.francisco.negr%C3%A3o.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="573" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdaTfUugQdZY_kF5M4PJyr-nPyYukf6g7nx09pRVBu_8JIHuhE1RsTcvxcpHIisWBWUGYcVpBqxPssraFJC1eoJSnE224qmhTd2s23E_G9pr9DxMgkl76XC0je7las4bynA9TMTFFXSFLpLTeR22A0B4m3PXyu83CSmYz-Vt_I4PDuuTchT6s2JqN/w266-h400/paulista.francisco.negr%C3%A3o.1956.jpg" width="266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS9euTsHyCixa3fSRagRyB2JgHRSuRh-GVT1ZNRrHpdQ5dg3v6K8begTCOMQKtn37YfzOBmWWg_KXZjVocJHcl7pvIGKC5rctrPlLMle4rpKra2uaPgBvSoqIaiPzhhvzkBhQb0AhePI3DG7DELEh6MgtrHOPOeXJDJ6ZU14AFUtbjHXsQY4vA7iqN/s609/paulista.yara.lins.negr%C3%A3o.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="609" data-original-width="445" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS9euTsHyCixa3fSRagRyB2JgHRSuRh-GVT1ZNRrHpdQ5dg3v6K8begTCOMQKtn37YfzOBmWWg_KXZjVocJHcl7pvIGKC5rctrPlLMle4rpKra2uaPgBvSoqIaiPzhhvzkBhQb0AhePI3DG7DELEh6MgtrHOPOeXJDJ6ZU14AFUtbjHXsQY4vA7iqN/w292-h400/paulista.yara.lins.negr%C3%A3o.1957.jpg" width="292" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Eloísa Mafalda & Francisco Negrão in Eny Autran's '<b>Uma dama solitária</b>' in <b><span style="color: #ffa400;">1956</span></b>; Yara Lins & Francisco Negrão in '<b>Vitória</b>', adapted by Alvaro Moya & Claudio Petraglia (<b><span style="color: #ffa400;">1957</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqai5yvtUh4y4vcLkuVHHJWtYUgtaTivkz3A1MCkdCLRXUvnB6c44ICHlC7eawjgAr6xL7l8SbWW1naI2aLYafbHoMBPRMaV2ubSr7ESwC2lEHMZi6dpR9wuI1wej87VOhSC4o9Xn1BhEZmRR1UrCUGTDAVeHdSxp-MzGLah5oOL20lJODvMOmOMxw/s586/paulista.gazeta.esp.mrs.miniver.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="586" data-original-width="267" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqai5yvtUh4y4vcLkuVHHJWtYUgtaTivkz3A1MCkdCLRXUvnB6c44ICHlC7eawjgAr6xL7l8SbWW1naI2aLYafbHoMBPRMaV2ubSr7ESwC2lEHMZi6dpR9wuI1wej87VOhSC4o9Xn1BhEZmRR1UrCUGTDAVeHdSxp-MzGLah5oOL20lJODvMOmOMxw/w182-h400/paulista.gazeta.esp.mrs.miniver.jpg" width="182" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyhW3JBc5EN6_gm4WTIwLDM-u9M0RR8YiG4ZZFT7yDdZwjTT14uSFruXvdwALXpdFqLriNluh-7xH6GUZN8MMO20umLaf7jv00PkgTpsPLlIFv9pkn9sTxollJnddGy9BO4lCviXns-WfqAgZ8eOd-OPhn30E98LZXy11latzM-xvQo4KlXDLTTbp3/s812/paulista.26.Aug.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="383" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyhW3JBc5EN6_gm4WTIwLDM-u9M0RR8YiG4ZZFT7yDdZwjTT14uSFruXvdwALXpdFqLriNluh-7xH6GUZN8MMO20umLaf7jv00PkgTpsPLlIFv9pkn9sTxollJnddGy9BO4lCviXns-WfqAgZ8eOd-OPhn30E98LZXy11latzM-xvQo4KlXDLTTbp3/w189-h400/paulista.26.Aug.1958.jpg" width="189" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">1st June 1957</span></b> - 'Rosa de Esperança' (Mrs Miniver) with Cacilda Lanuza; <b><span style="color: #ffa400;">26 August 1958</span></b> (A Gazeta Esportiva) 'Um filho para Sua Alteza' with Walter Forster, Hebe Camargo, Wilma Bentivegna etc.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyRcgDeX6XBZ3Qj3pxPxekhmaEYJMKhr-Cm39MXPVGaYgaeweKe-b1NssLEaN8-J9GAiUOv7kfD5P0r4Chp0uDX-DRGVH7OVLopJiyUN30hJvJPQjFE1_VDTSufffHBunhWmIRrrqLoOAs084g_6VUYcieF7f1shRl2xnNsuAOWSNoNxMf5mzITJIZ/s792/paulista.1957.June.8.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="368" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyRcgDeX6XBZ3Qj3pxPxekhmaEYJMKhr-Cm39MXPVGaYgaeweKe-b1NssLEaN8-J9GAiUOv7kfD5P0r4Chp0uDX-DRGVH7OVLopJiyUN30hJvJPQjFE1_VDTSufffHBunhWmIRrrqLoOAs084g_6VUYcieF7f1shRl2xnNsuAOWSNoNxMf5mzITJIZ/w186-h400/paulista.1957.June.8.jpg" width="186" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMGwSRzVxtobIPp_wJlbtUoxxOpDMhpLBeSkkbOBX1FbdoPtxgX39hFm_bvMMREyRbPy--ISJYnS0kzv5vqgVyZwcYWLbVEjcEJdyXMwFGqR9chfnfvH2pzTqvSIL3pBkqBCkgB_RjaMDUXnPwbwai2Pmvh3zazPoSHPg_qS7Q7uIPZkNYyfyH60k4dmY/s718/paulista.Jacy.Campos.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="503" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMGwSRzVxtobIPp_wJlbtUoxxOpDMhpLBeSkkbOBX1FbdoPtxgX39hFm_bvMMREyRbPy--ISJYnS0kzv5vqgVyZwcYWLbVEjcEJdyXMwFGqR9chfnfvH2pzTqvSIL3pBkqBCkgB_RjaMDUXnPwbwai2Pmvh3zazPoSHPg_qS7Q7uIPZkNYyfyH60k4dmY/w280-h400/paulista.Jacy.Campos.1958.jpg" width="280" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">8 June 1957</span></b> - '<b>Rope</b>', retitled '<b>Rope's End</b>' for its American release, is a <b>1929</b> English play by <b>Patrick Hamilton</b>. It was said to be inspired by the real-life murder of 14-year-old Bobby Franks in <b>1924</b> by University of Chicago students Nathan Leopold and Richard Loeb. In <b>1948</b>, it was made into a film in Hollywood directed by Alfred Hitchcock; <b>Jacy Campos</b> presents '<b>A</b> <b>Severa</b>' at Camera Um at 10:00 pm (1958). </div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PDwUVjxF7t9Q29Cf9IiaEROC1YmBSvcDupEMvlvouVenRsF2a92F6kT_gjMLop7H5Dsc23qEz75tPDMV_QqhO3MkltXIuYXQqhKZZEvRFwsVPB6Jxz9Rck89J_UKBS-JjqGmFNOrfVi2JjTG_Sht_Vv5L908K_oUptyk0UCR0Mrc9MQhNMthOomc/s948/paulista.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="661" data-original-width="948" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PDwUVjxF7t9Q29Cf9IiaEROC1YmBSvcDupEMvlvouVenRsF2a92F6kT_gjMLop7H5Dsc23qEz75tPDMV_QqhO3MkltXIuYXQqhKZZEvRFwsVPB6Jxz9Rck89J_UKBS-JjqGmFNOrfVi2JjTG_Sht_Vv5L908K_oUptyk0UCR0Mrc9MQhNMthOomc/w400-h279/paulista.1960.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;">Hebe Camargo in the musical comedy '<b>Um filho para Sua Alteza</b>'.<span style="text-align: justify;"> </span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkLS_sOW-i-lR4VvhaTgbrdSpAZsi3wocIDs39qBqSDmfg91hUigxWOOj1_5KKnR-tCcFhivAxg23Ywzf_G9AeaZt0opc2pwglAkYURNhq1myEJp3KYJno56zRz7AFaqpj64_Z9pFeTqN-0u8ZaON-XpqIkGE_0pYSBN_fd8LPU2W7yMXcLfdnfvCc/s646/paulista.antonio.Seabra.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="646" data-original-width="539" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkLS_sOW-i-lR4VvhaTgbrdSpAZsi3wocIDs39qBqSDmfg91hUigxWOOj1_5KKnR-tCcFhivAxg23Ywzf_G9AeaZt0opc2pwglAkYURNhq1myEJp3KYJno56zRz7AFaqpj64_Z9pFeTqN-0u8ZaON-XpqIkGE_0pYSBN_fd8LPU2W7yMXcLfdnfvCc/w267-h320/paulista.antonio.Seabra.1956.jpg" width="267" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Elizabeth Darcy</b> nee Natália Peres de Souza (*2nd December 1912 +10 January 2010) receives instructions from TV director <b>Antônio Seabra</b>, Radiolândia <b><span style="color: #ffa400;">1956</span></b>; </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7iARd11eCqGa8csSrP-gJcFEATHGSEibKyjvIpRidR_Jj3xYFr75vJHtK_iBi3phniU51mdfvTkEYJKYgNSQj9OVKn2Izfn3kzPUOwfOeNLYBYJSWFyNIeBKY33CRC7FusNsNdksl1MUyROHQvPPQQcjaymckbGWvToqC1FW8nd-Oj7lvWYeZvGUs/s415/paulista.terras.do.sem.fim.Jorge.Amado.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="415" data-original-width="410" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7iARd11eCqGa8csSrP-gJcFEATHGSEibKyjvIpRidR_Jj3xYFr75vJHtK_iBi3phniU51mdfvTkEYJKYgNSQj9OVKn2Izfn3kzPUOwfOeNLYBYJSWFyNIeBKY33CRC7FusNsNdksl1MUyROHQvPPQQcjaymckbGWvToqC1FW8nd-Oj7lvWYeZvGUs/w317-h320/paulista.terras.do.sem.fim.Jorge.Amado.1956.jpg" width="317" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpPQx99WnfdrZjfv02ldaUv3V7teQMhthclv99y06lSpdhXztNBSpKy4zYYOtG3IYKvUxnEmjP7FFrG25LeYNXbVHo166DSCQDZbg8RRABRBn8873f-6vZAwYeNB26C3n7z_MIrq21xY5pNPOWL6d0J21B6z1vNQoK9g5Uoz_voupK6F1giaVLfjcoFtc/s638/paulista.terra.do.sem.fim.13.Oct.56.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="638" data-original-width="339" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpPQx99WnfdrZjfv02ldaUv3V7teQMhthclv99y06lSpdhXztNBSpKy4zYYOtG3IYKvUxnEmjP7FFrG25LeYNXbVHo166DSCQDZbg8RRABRBn8873f-6vZAwYeNB26C3n7z_MIrq21xY5pNPOWL6d0J21B6z1vNQoK9g5Uoz_voupK6F1giaVLfjcoFtc/w170-h320/paulista.terra.do.sem.fim.13.Oct.56.jpg" width="170" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b>Borges de Barros</b> is picked as best TV actor by Radiolândia in <b><span style="color: #ffa400;">1956</span></b> for his portrayal as a deranged henchman in <span style="text-align: center;">Jorge Amado's '<b>Terras do sem fim</b>' shown on Saturday, <b><span style="color: #ffa400;">13 October</span></b> <b><span style="color: #ffa400;">1956</span></b>.</span><span style="text-align: center;"> </span></div></div></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXBMHPfO9wrZYQFAm-tMSDTTEluGums0MvgYZPRvmik9LtLsaJKifTx9zm4Ud6YBerudmESna3iWVEutMN03dLWaDfXAfTQoFJ1W6_u2vfk7N2aIXrst4AndNXggzKbOkMUlK4mPbJnbet6Tkg0hy6lS1Yyc7a-HMbu6xfz3Gtu6PyloOn8yO2sFM5/s822/paulista.'Doidinha'.1956.Murilo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="822" data-original-width="773" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXBMHPfO9wrZYQFAm-tMSDTTEluGums0MvgYZPRvmik9LtLsaJKifTx9zm4Ud6YBerudmESna3iWVEutMN03dLWaDfXAfTQoFJ1W6_u2vfk7N2aIXrst4AndNXggzKbOkMUlK4mPbJnbet6Tkg0hy6lS1Yyc7a-HMbu6xfz3Gtu6PyloOn8yO2sFM5/w376-h400/paulista.'Doidinha'.1956.Murilo.jpg" width="376" /></a></div>Murilo Amorim Corrêa in 'Doidinha', Radiolândia <b><span style="color: #ffa400;">1956</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaJRX5so0YWbleTgoMmS-DA3kLDlRVYQaJLhPDvdbsMHh6r5Y7iZMf04lWomsfbU-KoQWOdSSeGL9OwEBVpJ7sv-5AMceFoNSduQHh4vkqqZKMZocKH5DpCYa1C-rOdj4IFoXSq9oVl8myrcyjA_Nhq5dsU5EOyRP5UIeBbmuF4vCUh3-NOnuBWKhk/s754/O.Alibi.1956.Radiolandia.108.Waldyr.Guedes.Ruth..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="754" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaJRX5so0YWbleTgoMmS-DA3kLDlRVYQaJLhPDvdbsMHh6r5Y7iZMf04lWomsfbU-KoQWOdSSeGL9OwEBVpJ7sv-5AMceFoNSduQHh4vkqqZKMZocKH5DpCYa1C-rOdj4IFoXSq9oVl8myrcyjA_Nhq5dsU5EOyRP5UIeBbmuF4vCUh3-NOnuBWKhk/w400-h391/O.Alibi.1956.Radiolandia.108.Waldyr.Guedes.Ruth..jpg" width="400" /></a></div><div style="text-align: justify;"><span style="font-family: arial;">Waldyr Guedes & Ruth Schelske in José Castellar's teledrama '<b>O álibi</b>', in Radiolândia, <b><span style="color: #ffa400;">1956</span></b>.<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8k0Tq8wr-ZCgMOnpfTurdhRGOzG9aQXuq4Ko3gefP7pvUv5cxGRPuilWjS4PrFq0mfH21EiLCJzMtMrxJCIDGMZga8W_viSV_tuQ4BF7yjUXys_ZtY3u5kVMy0RzHKPONE1xMV-9p8eBJ3omd1WwwkLVVq-c4_fqMx1koRvZiM_j2We-ZCHxIfij6/s591/paulista.vestido.de.noiva.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="591" data-original-width="476" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8k0Tq8wr-ZCgMOnpfTurdhRGOzG9aQXuq4Ko3gefP7pvUv5cxGRPuilWjS4PrFq0mfH21EiLCJzMtMrxJCIDGMZga8W_viSV_tuQ4BF7yjUXys_ZtY3u5kVMy0RzHKPONE1xMV-9p8eBJ3omd1WwwkLVVq-c4_fqMx1koRvZiM_j2We-ZCHxIfij6/w322-h400/paulista.vestido.de.noiva.1958.jpg" width="322" /></a></div><div class="separator" style="clear: both; text-align: center;">Lourdes Rocha, Gervásio Marques & Ruth Schelske in '<b>Vestido de Noiva</b>', in <b><span style="color: #ffa400;">1956</span></b>.</div></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm7T2L58RTpR0ip8ecsBjH8FEx6wNvhEE53cV3L3iKQ6hYVMHKebEDhI5_zGD5dwuGdZUiEmkLvaKHh49F5qO_-myUEprmgtjPc_iH6kGHUwxSQ4iLNu9a3TBrASQc7IZAq8WE8R6E26KQ_btA86n1YGjudBW3e8K8aK7kib2Nzibs2IPsD5ht7i9u/s813/paulista.Ruth.Schelske.RR.1958.454.Alfredo.Cini.camera%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="813" data-original-width="526" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm7T2L58RTpR0ip8ecsBjH8FEx6wNvhEE53cV3L3iKQ6hYVMHKebEDhI5_zGD5dwuGdZUiEmkLvaKHh49F5qO_-myUEprmgtjPc_iH6kGHUwxSQ4iLNu9a3TBrASQc7IZAq8WE8R6E26KQ_btA86n1YGjudBW3e8K8aK7kib2Nzibs2IPsD5ht7i9u/w259-h400/paulista.Ruth.Schelske.RR.1958.454.Alfredo.Cini.camera%20(2).jpg" width="259" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhozUtVmv1CsuTUFZjmEeNXAB2GzrmCzZK-_aeo8ti1yhrH4eqmfwd99V3x679jNOFeF3fXG7aeHxZpP5RoEvoEy3Xy61shmEclHYKaUcVDXr4YVMsmM-5Y39pYUcOZ5NEKnrNu-OWT7_3XWb26hEzxgerTOVFIpkg5pp90AY7hjPEv6D3_2_YG3gbN/s394/Ruth.Schelske.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhozUtVmv1CsuTUFZjmEeNXAB2GzrmCzZK-_aeo8ti1yhrH4eqmfwd99V3x679jNOFeF3fXG7aeHxZpP5RoEvoEy3Xy61shmEclHYKaUcVDXr4YVMsmM-5Y39pYUcOZ5NEKnrNu-OWT7_3XWb26hEzxgerTOVFIpkg5pp90AY7hjPEv6D3_2_YG3gbN/s16000/Ruth.Schelske.1957.jpg" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b style="font-family: arial;">Ruth Schelske</b><span style="font-family: arial;"> weds </span><b style="font-family: arial;">Alfredo Cini</b><span style="font-family: arial;"> on <b><span style="color: #ffa400;">16 April </span></b></span><b style="font-family: arial;"><span style="color: #ffa400;">1958</span></b><span style="font-family: arial;">. They met at TV Paulista where she was an actress and he a cameraman. Revista do Rádio no. 454; Miss Schelske reads a script in 1957.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdc0bMzIX89_GTywd6F7MpcKYhi57A10tZNSXYn7fucIY6GAKDxlovATwxdB92s9mKaU_9u-v3NKY2-CoT2-j8NfJR9RjecT9ufEOAh0hvcHLydoEoQZi7QXES2-Mf66pxlv6zMYVvCqBDU563aZXZ9h311PjdZ53kTQ6m_I8Ab2o4wxsoweZr3ZyhHNE/s1128/paulista.Schelske.radiolandia.1958..one.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1128" data-original-width="935" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdc0bMzIX89_GTywd6F7MpcKYhi57A10tZNSXYn7fucIY6GAKDxlovATwxdB92s9mKaU_9u-v3NKY2-CoT2-j8NfJR9RjecT9ufEOAh0hvcHLydoEoQZi7QXES2-Mf66pxlv6zMYVvCqBDU563aZXZ9h311PjdZ53kTQ6m_I8Ab2o4wxsoweZr3ZyhHNE/w530-h640/paulista.Schelske.radiolandia.1958..one.jpg" width="530" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Ruth Schelske marries Alfredo Cini in <b><span style="color: #ffa400;">1958</span></b>, Radiolândia.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalOlY-g_7mTJKCNReuQ4vtU-i8gcBxByu6vrC2COyFbN5K9TRSgVfh185oi7mmFe1seDetdcWTPDjKgyaalroxyEIKJAjWc41qt0UmeRwLRqnFiJxBJArBKKagJ52xlaFJzkTIoNs-_bl1jEuivW6DUbEkNszPir8IkBJrZ5DQMa5RpMxUddxfZK4gsc/s1147/paulista.Schelske.Alfredo.Cini.wed.16.Apr.58.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="1147" height="387" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalOlY-g_7mTJKCNReuQ4vtU-i8gcBxByu6vrC2COyFbN5K9TRSgVfh185oi7mmFe1seDetdcWTPDjKgyaalroxyEIKJAjWc41qt0UmeRwLRqnFiJxBJArBKKagJ52xlaFJzkTIoNs-_bl1jEuivW6DUbEkNszPir8IkBJrZ5DQMa5RpMxUddxfZK4gsc/w640-h387/paulista.Schelske.Alfredo.Cini.wed.16.Apr.58.jpg" width="640" /></a></div><span style="font-family: arial;">Ruth Schelske, actress & Alfredo Cini, cameraman.</span><span style="font-family: arial;"><br /></span></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDfm9-BCGV3lBEh8aYpbNCb-X7vVSoN4JxKC-AB_ZG_qrBo8sySxAYoIB47Uz8gW8PgdyyGlCU0FJR7kpHHJxQdTtlmwdsOjDQysYoJHlUvvoswfmc8HWpOoeuCCi8MQanJX5iEkFpsBCWToMq5sf-SXxKPdEbNNlXOkrRuYGHqxCuSN7pXRal2jg6VI0/s557/paulista.linda.russo.garota.prop.Schelske%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="481" data-original-width="557" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDfm9-BCGV3lBEh8aYpbNCb-X7vVSoN4JxKC-AB_ZG_qrBo8sySxAYoIB47Uz8gW8PgdyyGlCU0FJR7kpHHJxQdTtlmwdsOjDQysYoJHlUvvoswfmc8HWpOoeuCCi8MQanJX5iEkFpsBCWToMq5sf-SXxKPdEbNNlXOkrRuYGHqxCuSN7pXRal2jg6VI0/s16000/paulista.linda.russo.garota.prop.Schelske%20(2).jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; text-align: justify;">Linda Russo (garôta-propaganda) & Ruth Schelske next to a Channell 5 camera.</span></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwYpkv_5NUhoygN8gPDr9DMYuUkqUqmGlRWFAK_pTvGq8O73N5JwBWsH9UL7bY2as2isSjno3yncBRhHxcHENAJtRLo-OiRPWOwDtwy-yJfVHJbzsU26Hx6dn1_8mw-9II6iT_6l4quWm4ZidCWmy_LF5zY9qB24umZZJE0wTo9TX3DZ0avwZaQCiD/s486/paulista.ruth.Schelske.bio%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="479" data-original-width="486" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwYpkv_5NUhoygN8gPDr9DMYuUkqUqmGlRWFAK_pTvGq8O73N5JwBWsH9UL7bY2as2isSjno3yncBRhHxcHENAJtRLo-OiRPWOwDtwy-yJfVHJbzsU26Hx6dn1_8mw-9II6iT_6l4quWm4ZidCWmy_LF5zY9qB24umZZJE0wTo9TX3DZ0avwZaQCiD/w320-h315/paulista.ruth.Schelske.bio%20(2).PNG" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFh5LoKa7Vt5sz_oFzBSZZ7TIJSJk-0o1pws7kuuL-1EoqLesTha7k6mjZXpzOdbt_b5uIN14-GPJpvyvqim9FHbPYbtjm2q4hvgYp_8Lr1UyHY64HUfyZ9a5exgZ36Vo7b5ECCyd2C3Pes3XKUh40rHO9PCfnUB4MH6pFCcc9b6A6EN4lqAzXli93Qq8/s800/ruth-schelske-1951_orig.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFh5LoKa7Vt5sz_oFzBSZZ7TIJSJk-0o1pws7kuuL-1EoqLesTha7k6mjZXpzOdbt_b5uIN14-GPJpvyvqim9FHbPYbtjm2q4hvgYp_8Lr1UyHY64HUfyZ9a5exgZ36Vo7b5ECCyd2C3Pes3XKUh40rHO9PCfnUB4MH6pFCcc9b6A6EN4lqAzXli93Qq8/w300-h400/ruth-schelske-1951_orig.jpg" width="300" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihH8CuGABGW1mc2ByrzW_-zOsemrMTNkr1VD4VdOJm4xHvTE5KReXMrnq0Hf-SzhqFqR7ArTZCpLEcDJO30Q6SAjRBT9wNoCUmw13xb2Xb66n1DOXxAS_tkhtXuZrMQGdSGplyB79r_2GJDZ97AKW9k-FhpYKseiIENAvvfwrhzwPMf3KOSFTX7a1wIsU/s862/paulista.1958.drama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="862" data-original-width="461" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihH8CuGABGW1mc2ByrzW_-zOsemrMTNkr1VD4VdOJm4xHvTE5KReXMrnq0Hf-SzhqFqR7ArTZCpLEcDJO30Q6SAjRBT9wNoCUmw13xb2Xb66n1DOXxAS_tkhtXuZrMQGdSGplyB79r_2GJDZ97AKW9k-FhpYKseiIENAvvfwrhzwPMf3KOSFTX7a1wIsU/w214-h400/paulista.1958.drama.jpg" width="214" /></a></div><div style="text-align: justify;">Ruth Schelske in 1951; <b><span style="color: #ffa400;">2nd August 1958</span></b> - Mark Twain's '<b>Loucuras de um milionário</b>' (The million pound note) adapted by Claudio Petraglia with Rogério Márcico, Ruth Schelske & Moura Barbosa. </div></div></div></div></span></div></div><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidVp83VTm7hnzXrzlH8wTqdvzNeMLcgFsginO2OmgNl2qpqnFTvXxsEYrjzDhpAj11MYXWzY-8uwaHO2NXWbKVvhv_x8kIeesUtBNX3E8Gy5k8hMEp2drFCExFh9Fas2KB65m9CzkISLu41L3yoTSxg-GUaOfqzxTzHjYmpp3GFWzAb2MB4PfvG2bK/s530/paulista.eu.matei.Rasputin..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="530" data-original-width="395" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidVp83VTm7hnzXrzlH8wTqdvzNeMLcgFsginO2OmgNl2qpqnFTvXxsEYrjzDhpAj11MYXWzY-8uwaHO2NXWbKVvhv_x8kIeesUtBNX3E8Gy5k8hMEp2drFCExFh9Fas2KB65m9CzkISLu41L3yoTSxg-GUaOfqzxTzHjYmpp3GFWzAb2MB4PfvG2bK/w238-h320/paulista.eu.matei.Rasputin..jpg" width="238" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn6E0c6Vn0GI8pITHjuUn6okdAb-RQg8BgqLVyMl-XvO0JAx8zjXqPoMe6InlIw5ME334pdLor4zSun8rR3V4Ka2u0vaxYzqhH60rKkCJPKPXJdT1vBm4GKvFyEr98SJ3vTnK78ZAvJGabiXjMq03JpbLzHVgZjBTdRUkG0ZYFsJPqFVS81jma4KDS/s1207/Paulista.Rasputin.9.August.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1207" data-original-width="673" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn6E0c6Vn0GI8pITHjuUn6okdAb-RQg8BgqLVyMl-XvO0JAx8zjXqPoMe6InlIw5ME334pdLor4zSun8rR3V4Ka2u0vaxYzqhH60rKkCJPKPXJdT1vBm4GKvFyEr98SJ3vTnK78ZAvJGabiXjMq03JpbLzHVgZjBTdRUkG0ZYFsJPqFVS81jma4KDS/w223-h400/Paulista.Rasputin.9.August.1957.jpg" width="223" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">9 August 1957 </span></b>- <b>David Conde</b> plays the Russian monk in '<b>Eu matei Rasputin</b>' (I killed Rasputin) beamed on Saturday at 9:30 pm. 'Gazeta Esportiva' shows a photo of Fernanda Margareth, Eloísa Mafalda, David Conde as Rasputin and Regina Macedo. The play was directed by Alvaro Moya with sets designed by Leonidas Karso.</div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpC60id4SXbabpR-E5AESoXOvsKD_XsWIFgEiG285-rQB2QxeK2C-rr3W-8B5BWBVT99yEtKto9jySm1CrvcP24HK0n_un5KfUU9kF85cdh-UDVfD6x5DbyxCXY1Jyr6gq9apsHjbIo2Q5NwtUWEdSGblQz06CcrksCCsc-eu1QWJZgPJv1cuAGdVh/s725/paulista.drama.3.May.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="725" data-original-width="510" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpC60id4SXbabpR-E5AESoXOvsKD_XsWIFgEiG285-rQB2QxeK2C-rr3W-8B5BWBVT99yEtKto9jySm1CrvcP24HK0n_un5KfUU9kF85cdh-UDVfD6x5DbyxCXY1Jyr6gq9apsHjbIo2Q5NwtUWEdSGblQz06CcrksCCsc-eu1QWJZgPJv1cuAGdVh/w225-h320/paulista.drama.3.May.1958.jpg" width="225" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiATfTfT3PtJ_oLmAIyr_eOd7ZAESyfSwzaH9ZkyiPMZcZ6r0FpBot59hchY6Cx0jKa0HULtHdyRg86CHjJsjtBdPaVzGgIGChRY1_V0P8EOyONZ5fEyXwuDUO3wX_oy6xuI-5xlbjIPb_kZWmxb4Yhv3KM2AsoGcTMpLViMiFFkFsdjtBNURJlhrVk/s701/paulista.desespero.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="701" data-original-width="464" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiATfTfT3PtJ_oLmAIyr_eOd7ZAESyfSwzaH9ZkyiPMZcZ6r0FpBot59hchY6Cx0jKa0HULtHdyRg86CHjJsjtBdPaVzGgIGChRY1_V0P8EOyONZ5fEyXwuDUO3wX_oy6xuI-5xlbjIPb_kZWmxb4Yhv3KM2AsoGcTMpLViMiFFkFsdjtBNURJlhrVk/w212-h320/paulista.desespero.1958.jpg" width="212" /></a></div></div><div style="text-align: justify;"><b><span style="color: #ffa400;">3rd May 1958</span></b> at 9:30, Lourdes Mayer in '<b>O estrangulador</b>' (The strangler) with Waldyr Guedes, Rogério Marcico, Lucy Meireles ('Folha da Manhã'); <b><span style="color: #ffa400;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxcqffvr88EtWVPnIVI_i-gzT0RoWcoDErMaIccvXt29M9kSqxaaalImhvcUQ4hJoocWOAO6GgINom-P1uNUVDt_nKRxobnvDDZYr8a0Jr8p9TFYaBz2VvawisypaLg9hxfdYbn6PI-cvXo9Jh7V2PqIeNecGYNk8aN__sdd3T61437QUfHwemKOiFKD4/s753/paulista.santa.maria.1958%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="753" data-original-width="509" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxcqffvr88EtWVPnIVI_i-gzT0RoWcoDErMaIccvXt29M9kSqxaaalImhvcUQ4hJoocWOAO6GgINom-P1uNUVDt_nKRxobnvDDZYr8a0Jr8p9TFYaBz2VvawisypaLg9hxfdYbn6PI-cvXo9Jh7V2PqIeNecGYNk8aN__sdd3T61437QUfHwemKOiFKD4/w270-h400/paulista.santa.maria.1958%20(2).jpg" width="270" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQij21M9nBFDPfo-eHNR5NPEwE7zjIL3kWg2cNRkC_LqvG3CnFZNhzrQ0BlhyA_KLwEIg7cC3_O8posOXLmphNA9g6sEfga1GDOdbGggy4tyEigwvxb-nk3QcUmJntfpz5gfJ26RffsnYjCzF2k_ruh6EoOPUotrEXoP3zj0kZHuMhXS3b3xuLs3hT/s1132/A.Gazeta.23.May.1958%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1132" data-original-width="719" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQij21M9nBFDPfo-eHNR5NPEwE7zjIL3kWg2cNRkC_LqvG3CnFZNhzrQ0BlhyA_KLwEIg7cC3_O8posOXLmphNA9g6sEfga1GDOdbGggy4tyEigwvxb-nk3QcUmJntfpz5gfJ26RffsnYjCzF2k_ruh6EoOPUotrEXoP3zj0kZHuMhXS3b3xuLs3hT/w254-h400/A.Gazeta.23.May.1958%20(2).jpg" width="254" /></a></div></div>6 September 1958</span></b>, Saturday, at 9:30 pm - Folha da Manhã - Heloísa Castelar's '<b>Horas de Desespero</b>' with Waldyr Guedes, Eloísa Mafalda, Ruth Schelske, Edson França, Rogério Marcico.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div class="separator" style="clear: both;"><b><span style="color: #ffa400;">24 May 1958</span></b> (ad on 'Folha da Manhã') '<b>Os sinos de Santa</b> <b>Maria</b>' (The bells of Saint Mary's) with Cacilda Lanuza playing the role made famous by Ingrid Bergman and Waldir Guedes doing Bing Crosby.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSdhYFVGJqdSRo7psncF8k3zl8Z72ba12iT-w4UrN0NnfzrgOZQ2kbdNTet4HY6aKqYasApMsLtV0Uf8MsYgwVBLua4bAz5NJjTZtzGqbUnV1lMw1vxsUUzFuSFmZW6z1mvPdYOgGEbpRSW55PfaiwZvj1YAPuBdYvV480NNsrtYqjSKlHrFfolZTgh08/s815/paulista.Gerv%C3%A1sio.1957%20(3).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="815" data-original-width="462" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSdhYFVGJqdSRo7psncF8k3zl8Z72ba12iT-w4UrN0NnfzrgOZQ2kbdNTet4HY6aKqYasApMsLtV0Uf8MsYgwVBLua4bAz5NJjTZtzGqbUnV1lMw1vxsUUzFuSFmZW6z1mvPdYOgGEbpRSW55PfaiwZvj1YAPuBdYvV480NNsrtYqjSKlHrFfolZTgh08/w227-h400/paulista.Gerv%C3%A1sio.1957%20(3).jpg" width="227" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjar3wLAc6REPDMZOLPhjDKwN_VLNmRY5Rti6hUMbvu7KrmPuhtiu8KdGjucV2pqxRwk6rfgVbsZoUE3azHWwASViAq3O-i9qs8wcyuQY9bPofhbVlcuSGetwaZnhJUYMMTpdHKuHdj-VN4736sFk3HWDXDJ_pXEwBGcWuD5pdX9v1BA2xNeqNwtg6F_3c/s606/paulista.Gervasio.Marques.Dorian.Gray.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="606" data-original-width="459" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjar3wLAc6REPDMZOLPhjDKwN_VLNmRY5Rti6hUMbvu7KrmPuhtiu8KdGjucV2pqxRwk6rfgVbsZoUE3azHWwASViAq3O-i9qs8wcyuQY9bPofhbVlcuSGetwaZnhJUYMMTpdHKuHdj-VN4736sFk3HWDXDJ_pXEwBGcWuD5pdX9v1BA2xNeqNwtg6F_3c/w303-h400/paulista.Gervasio.Marques.Dorian.Gray.jpg" width="303" /></a></div></div><b>Gervásio Marques</b> was at his peak when he played <b>Oscar Wilde</b>'s most extraordinary character in '<b>The portrait of Dorian Gray</b>' in <b><span style="color: #ffa400;">1958</span></b>. <div class="separator" style="clear: both;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN5VFx25LAQqjhNgJZWOFn0hOU6ZdrZBCCLldOf_QrJHGpoyByruzFZzUwbserZWmhp5sM8n8C506XYMZGWbg9daHc4QZwlj_5LAVhBZSC_eUsKatkn49mlx6rygwZpFwJJs4hP5th7hzwbxfdyzVMBMz0fPPipKsCC0rT0tL9osAZdk7o0QN0xktz/s578/paulista.Gilda.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="379" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN5VFx25LAQqjhNgJZWOFn0hOU6ZdrZBCCLldOf_QrJHGpoyByruzFZzUwbserZWmhp5sM8n8C506XYMZGWbg9daHc4QZwlj_5LAVhBZSC_eUsKatkn49mlx6rygwZpFwJJs4hP5th7hzwbxfdyzVMBMz0fPPipKsCC0rT0tL9osAZdk7o0QN0xktz/w262-h400/paulista.Gilda.jpg" width="262" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii3HpeovVp6la6sYFWHdu7_qPOwalEmDd6S62CHqXT8QUzJdPSW7h4B0qP31a4bSh1C-FN1SVcRjvXF6ZXBBFNjT0UtnJYEqoeZKuJuEbvkDOs8HzTq_jSSwFdsCsrqlYesMnK_XXS2KPYkW1XrJcX_3YVCXkESXkzUECpYTQUfQOrJx6W564mNiBK/s646/paulista.As.mulheres.1958.RR.440.Mary.Yara.%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="646" data-original-width="447" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii3HpeovVp6la6sYFWHdu7_qPOwalEmDd6S62CHqXT8QUzJdPSW7h4B0qP31a4bSh1C-FN1SVcRjvXF6ZXBBFNjT0UtnJYEqoeZKuJuEbvkDOs8HzTq_jSSwFdsCsrqlYesMnK_XXS2KPYkW1XrJcX_3YVCXkESXkzUECpYTQUfQOrJx6W564mNiBK/w277-h400/paulista.As.mulheres.1958.RR.440.Mary.Yara.%20(2).jpg" width="277" /></a></div></div><div><b><span style="color: #ffa400;">10 October 1958</span></b> - King Vidor's 1948's film '<b>Gilda</b>' is adapted to TV by Heloísa Castellar & Claudio Petraglia with <b>Yara Lins</b> playing the main role and Edson França as done by Glenn Ford; '<b>As mulheres</b>' with <b>Yara Salles</b>, <b>Mary Gonçalves</b> & Cacilda Lanuza (<b><span style="color: #ffa400;">1958</span></b>).</div></div></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3lY5GQneZXHKdb8wZ9NUYvqrdqJvIoUQtO_Stl6Bz1hUwVBdjspHEYb6bBypihe0LSXze9L7LttqG0wJTnfieffWI1sqHKRiNHDIAZFQsmseN4rYl1wcwxcaM-bA9IPrJovmkO6sGlk7qlpWpDSDyKHomuwUV28F1CFZY2q9OTtZC1AXBl26Ynoo5/s659/paulista.construtores.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="659" data-original-width="454" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3lY5GQneZXHKdb8wZ9NUYvqrdqJvIoUQtO_Stl6Bz1hUwVBdjspHEYb6bBypihe0LSXze9L7LttqG0wJTnfieffWI1sqHKRiNHDIAZFQsmseN4rYl1wcwxcaM-bA9IPrJovmkO6sGlk7qlpWpDSDyKHomuwUV28F1CFZY2q9OTtZC1AXBl26Ynoo5/w220-h320/paulista.construtores.1958.jpg" width="220" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOs_SAOOHWybjR04WS4j8M0PZ7lgRwgx60fz1qFT8tKZSzRI168iFAzEij36yfEAytTU5Ae98imUVfxVsEs0zVNA8WZ3ZvQvMGYb15DLO51nHQh7w16kqKauOfi8R2zy_ZvHWBnRhFQs7DVNHmzCFq5_DoL8kFsoCAG6897U30dQXvsIMbWfXWBIGA/s771/Paulista.solid.Cadillac%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="771" data-original-width="495" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOs_SAOOHWybjR04WS4j8M0PZ7lgRwgx60fz1qFT8tKZSzRI168iFAzEij36yfEAytTU5Ae98imUVfxVsEs0zVNA8WZ3ZvQvMGYb15DLO51nHQh7w16kqKauOfi8R2zy_ZvHWBnRhFQs7DVNHmzCFq5_DoL8kFsoCAG6897U30dQXvsIMbWfXWBIGA/w205-h320/Paulista.solid.Cadillac%20(2).jpg" width="205" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">6 December 1958</span></b> (Folha da Manhã) author <b>Mario Donato</b> tells the life of President Campos Salles on '<b>Construtores de São Paulo</b>' with Daniel Guimarães.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZT2J6vJMKdPyQ-41Eh5a2Pisy8OdC4X-HsIoUVcQKgKXG_MiAPBW2nTUSDxQW_HzV_0nY_rFgwliQBDN2DQ3ocHG7asHanXs9cfDqlJPnYiz0w8xOD0O4iqzw6Scyrx47BUbBU5mlN5SDQZ-toOUmr4uejbIuuNGk9fJtyy3JpAlmXBfH4waGYEIp/s1013/paulista.1958.Semana.santa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1013" data-original-width="692" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZT2J6vJMKdPyQ-41Eh5a2Pisy8OdC4X-HsIoUVcQKgKXG_MiAPBW2nTUSDxQW_HzV_0nY_rFgwliQBDN2DQ3ocHG7asHanXs9cfDqlJPnYiz0w8xOD0O4iqzw6Scyrx47BUbBU5mlN5SDQZ-toOUmr4uejbIuuNGk9fJtyy3JpAlmXBfH4waGYEIp/w437-h640/paulista.1958.Semana.santa.jpg" width="437" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">2nd, 3rd & 4 April 1958</span></b> - <b>Osmano Cardoso</b> rehearsed TV Paulista's actors for <b>Eduardo Garrido</b>'s '<b>O mártir do Gólgota</b>' with Odayr Marzano playing Jesus and Lourdes Rocha as Mary Magdalene. The play was shown 7 times at <b>Circo Piolin</b> at Largo do Paisandú.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBP6XHaQE_Mu797_kSAyXrktSgiDzAQ595a7WAhRJLPcuc9lo96YvVSxVuusqElsxvthHvRVji-rZKeEvincQWBYJme93ZhU5VLo8CtYUexTpt1YVbBaNrgThy_q-Ab0YyC-yXMTdBF8yT1zAX1t8qsGAzQBAZgocg2Ll8mvjL5Rk-fc3OxjPpiKl/s1388/paulista.sindicato.de.ladr%C3%B5es..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1388" data-original-width="751" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBP6XHaQE_Mu797_kSAyXrktSgiDzAQ595a7WAhRJLPcuc9lo96YvVSxVuusqElsxvthHvRVji-rZKeEvincQWBYJme93ZhU5VLo8CtYUexTpt1YVbBaNrgThy_q-Ab0YyC-yXMTdBF8yT1zAX1t8qsGAzQBAZgocg2Ll8mvjL5Rk-fc3OxjPpiKl/w216-h400/paulista.sindicato.de.ladr%C3%B5es..jpg" width="216" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsDXWcITJkcBBDZI7tT-6PgnBJ5Ax-qX3ARkkrYzN3jbvtrl5XIy8oiTJcCs3IkvQiaTswtq0LJW1RoJxlppFTS2N6B9UkgPjB4x7sgGBTLYutF-fFJkqYzuxBXXy0hMN1MbsLMyILQUomA9WxjVzDSCWWdRw-MxVJks6P7Flj73Xt4ud4KZqS8iRA24M/s554/paulista.sindicato.ladr%C3%B5es.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="554" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsDXWcITJkcBBDZI7tT-6PgnBJ5Ax-qX3ARkkrYzN3jbvtrl5XIy8oiTJcCs3IkvQiaTswtq0LJW1RoJxlppFTS2N6B9UkgPjB4x7sgGBTLYutF-fFJkqYzuxBXXy0hMN1MbsLMyILQUomA9WxjVzDSCWWdRw-MxVJks6P7Flj73Xt4ud4KZqS8iRA24M/w260-h400/paulista.sindicato.ladr%C3%B5es.1958.jpg" width="260" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">20 September 1958</span></b> - '<b>Sindicato de ladrões</b>' based on Bud Schulbert's '<b>On the waterfront</b>' with Edson França, Cacilda Lanuza, Borges de Barros, Rogério Márcico.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_VFNGhcAbzkrZziRlMEAkOw71AFxtiCVp0D72H5QO1-rVMoc3SKDJ6br0n3N-hdeQkHFYMTQY7LcEl2q2gwTyKbkKKmYbKHLS_UrQnYO8_S3-SayUdWYxE3kMlNl-40aJ4xIzyFfpv83Pi2ZA6q51tFfhgIITBA8d3AU0_4RGRo6778XiH8JgkpuM/s342/Paulista.Gold.cadillac.1959.jpg" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_VFNGhcAbzkrZziRlMEAkOw71AFxtiCVp0D72H5QO1-rVMoc3SKDJ6br0n3N-hdeQkHFYMTQY7LcEl2q2gwTyKbkKKmYbKHLS_UrQnYO8_S3-SayUdWYxE3kMlNl-40aJ4xIzyFfpv83Pi2ZA6q51tFfhgIITBA8d3AU0_4RGRo6778XiH8JgkpuM/s342/Paulista.Gold.cadillac.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="189" data-original-width="342" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_VFNGhcAbzkrZziRlMEAkOw71AFxtiCVp0D72H5QO1-rVMoc3SKDJ6br0n3N-hdeQkHFYMTQY7LcEl2q2gwTyKbkKKmYbKHLS_UrQnYO8_S3-SayUdWYxE3kMlNl-40aJ4xIzyFfpv83Pi2ZA6q51tFfhgIITBA8d3AU0_4RGRo6778XiH8JgkpuM/w320-h177/Paulista.Gold.cadillac.1959.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">30 April 1959</span></b> (Ultima Hora) <span style="text-align: center;">Anita Greis translates 'The solid gold Cadillac' (O Cadillac de ouro) for Teledrama; R</span><span style="text-align: center;">adiolandia no. 269.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcwiWHEYkXSGuttwNG2Jv8r4H2UC63THew9FURU9VfJDLmlvm1Bq4_I4Q0fpRgFriVduOfiz7dm7-Ey9tDZvY-LXBOb0tiyfQOxgx2JRUgP3IHl5z1ZbOKEg1xdhP8Tg2oIrBqcU5f68K_zJq6r1UizXLH3XeP1FEL9arVQwAckRE304R9xyzjSyUzyxg/s832/paulista.Dashiel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="832" data-original-width="545" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcwiWHEYkXSGuttwNG2Jv8r4H2UC63THew9FURU9VfJDLmlvm1Bq4_I4Q0fpRgFriVduOfiz7dm7-Ey9tDZvY-LXBOb0tiyfQOxgx2JRUgP3IHl5z1ZbOKEg1xdhP8Tg2oIrBqcU5f68K_zJq6r1UizXLH3XeP1FEL9arVQwAckRE304R9xyzjSyUzyxg/w262-h400/paulista.Dashiel.jpg" width="262" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3x7kLCosAlG4FU526oCoLR7-krAUkmfHvByIcctXIX-6vK8MOxkcj5J8JYgk7aa6NXux-U2F_Q9XA0sU_CgC1GWU5OUXDq2LU9ySucg3oJvS5edXOp-2E0JIGkYDwpcjbyrlHL_tbq13qm4c9YOZJE4A_OVen2Xx-d_oduGLv-9YqeowAVNvvVlKx/s718/paulista.17.Maio.1959.Medeia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="519" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3x7kLCosAlG4FU526oCoLR7-krAUkmfHvByIcctXIX-6vK8MOxkcj5J8JYgk7aa6NXux-U2F_Q9XA0sU_CgC1GWU5OUXDq2LU9ySucg3oJvS5edXOp-2E0JIGkYDwpcjbyrlHL_tbq13qm4c9YOZJE4A_OVen2Xx-d_oduGLv-9YqeowAVNvvVlKx/w289-h400/paulista.17.Maio.1959.Medeia.jpg" width="289" /></a></div></div><b><span style="color: #ffa400;">14 March 1959</span></b> - Dashiel Hammet's 'A chave de vidro' (The glass key) with Edson França, Rogerio Marcico, Yara Lins, Wilma Bentivegna etc.; <b><span style="color: #ffa400;">17 May 1959</span></b> - Euripedes' '<b>Medéia</b>' with Luiz Tito, Ida Gomes, Sergio Malta, Riva Blanche; TV direction by Brancato Jr. <span style="text-align: center;"><span style="text-align: justify;">(Correio Paulistano).</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKnHEFu3i4DuyNq9YjoCHHJ8dazEuEd5ROZXi42bPNBka5Z1LmbyXazQQ5yCjlGe41yc_kDdwtUO9pz2go0Xtatu9bIu0Yivd8aiFusyM-CWg1mkdJoG6fCxy0oB02AgPznhTqEqaEnPIIxLjwFKOei6NfelX6pC_87tHSuKSvbwc5sALH51NSKH9dbcY/s1654/paulista.Jacy.Campos.3rd.May.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1654" data-original-width="847" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKnHEFu3i4DuyNq9YjoCHHJ8dazEuEd5ROZXi42bPNBka5Z1LmbyXazQQ5yCjlGe41yc_kDdwtUO9pz2go0Xtatu9bIu0Yivd8aiFusyM-CWg1mkdJoG6fCxy0oB02AgPznhTqEqaEnPIIxLjwFKOei6NfelX6pC_87tHSuKSvbwc5sALH51NSKH9dbcY/w205-h400/paulista.Jacy.Campos.3rd.May.1959.jpg" width="205" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl3LETfXE4yKlGuxUP3oeckXYH9xKgbNoULxvq8FUfU9uWkT38kSn8XPEUdMPgRVWDhml1EhQb7XKdKvq-iHq8XRTo-8knJAbdfMEflj6GKKt3rgryW6ewyg4jiZ0BUJGhukAw6vmZAhNdj30rJj1trZeGxx0vbGwzgGQ2LTRwI1Kqgzy1w886OufAIyk/s945/paulista.tempestade.32nd.St.10.May.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="674" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl3LETfXE4yKlGuxUP3oeckXYH9xKgbNoULxvq8FUfU9uWkT38kSn8XPEUdMPgRVWDhml1EhQb7XKdKvq-iHq8XRTo-8knJAbdfMEflj6GKKt3rgryW6ewyg4jiZ0BUJGhukAw6vmZAhNdj30rJj1trZeGxx0vbGwzgGQ2LTRwI1Kqgzy1w886OufAIyk/w285-h400/paulista.tempestade.32nd.St.10.May.1959.jpg" width="285" /></a></div></div></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><b><span style="color: #ffa400;">3rd May 1959</span></b> - Jacy Campos, originally from Rio presents '<b>Catalepsia</b>' at his Camera Um on Sunday at 10:00 pm; starring Lourdes Mayer & Edmundo Lopes; directed by Brancato Jr.; <b><span style="color: #ffa400;">10</span></b> <b><span style="color: #ffa400;">May 1959</span></b> - '<b>A tempestade na Rua 32</b>' presented on the next Sunday night with Riva Blanche, Roberto Duval, singer Agostinho do Santos; presented by Jacy Campos. <span style="text-align: justify;"><br /></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWOmqRIUTlpfx8qEnsNDceXN6kYoSxMigeXlT3owgfIRCwSVdwLJ5uaT2bvKCTKpVBbwCXdO0jzuoyR-COAgvOVABNZMEA7ATGCnxiEMiF22za_70kjNSYdhDi4InPGfUtzBUBfujl5tSOzaQRshSI3jcTM02lLlxNF_qzMNsUpXIel-4Nr-eZNJHkguA/s713/paulista.camera.1.10.Aug.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="713" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWOmqRIUTlpfx8qEnsNDceXN6kYoSxMigeXlT3owgfIRCwSVdwLJ5uaT2bvKCTKpVBbwCXdO0jzuoyR-COAgvOVABNZMEA7ATGCnxiEMiF22za_70kjNSYdhDi4InPGfUtzBUBfujl5tSOzaQRshSI3jcTM02lLlxNF_qzMNsUpXIel-4Nr-eZNJHkguA/w281-h400/paulista.camera.1.10.Aug.1958.jpg" width="281" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGjn8CvOOi0rZfVVNuXaHNXoXytg7S7_GKEA00cR2Ee1qXu22aJW-H_bCO9BYnhSBaUtG5XkbJi-a3w57sjSlU5Hr120CVa-37KlnIIhEy_cSB6XEQyIEREZrUHXcs4y3kX_4DLUDOQEeCor7Gk-AAFcrumpyQKIEARYufzIOf5hqlwEjLSDCYmX62S_4/s984/paulista.camera.um.jacy.campos.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="984" data-original-width="719" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGjn8CvOOi0rZfVVNuXaHNXoXytg7S7_GKEA00cR2Ee1qXu22aJW-H_bCO9BYnhSBaUtG5XkbJi-a3w57sjSlU5Hr120CVa-37KlnIIhEy_cSB6XEQyIEREZrUHXcs4y3kX_4DLUDOQEeCor7Gk-AAFcrumpyQKIEARYufzIOf5hqlwEjLSDCYmX62S_4/w292-h400/paulista.camera.um.jacy.campos.1960.jpg" width="292" /></a></div></div><div class="separator" style="clear: both;"><b><span style="color: #ffa400;">10 August 1958</span></b> (Folha da Manhã) - Jacy Campos presents Anilza Leoni in 'A História de Teresa' with Alberto Perez & Lourdes Mayer; on the right Radiolandia; <b><span style="color: #ffa400;">27 August 1960</span></b>, with Anilza Leoni & Jacy Campos in his 'Câmera Um' show. </div><div class="separator" style="clear: both;"><span><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; color: #ffa400; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw8BLn94GqoL7wVX_aMAk3r6otJqUUigaQJa9-LFazhigtSc8MknTiMRR2u1QSSiGup2IrNzEy1m3H79HrYErfv9sJ7rmg73TpM0gS5J7wCkwnLlVlQIUB3n1YPBPOBYdIrKszbeZFzd7JpiAPK_OcLDEVKgKZzY4svZdirVBwphiIW0Ahqn3un25GtYA/s1518/Avancini.1961.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1518" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw8BLn94GqoL7wVX_aMAk3r6otJqUUigaQJa9-LFazhigtSc8MknTiMRR2u1QSSiGup2IrNzEy1m3H79HrYErfv9sJ7rmg73TpM0gS5J7wCkwnLlVlQIUB3n1YPBPOBYdIrKszbeZFzd7JpiAPK_OcLDEVKgKZzY4svZdirVBwphiIW0Ahqn3un25GtYA/w301-h400/Avancini.1961.jpg" width="301" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0XtRmIy9wH2gLnxg-d9Zi7pnItX_6eAYWh56vg1bKWlix70SymSSXsnwywnCeHYR3tjbBRo91MEEAb9pClh8Gihq0J78-iqIrSkRghbspIGPcAX5r9u2HDGM9gQQRGftz_22ZC6v_KKPUz4IFmrCdnGNiBWy1xJ460U_9HU7Da_JFRj7kAb4ZVVeF/s751/paulista.Waldyr.Guedes.1961.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="751" data-original-width="488" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0XtRmIy9wH2gLnxg-d9Zi7pnItX_6eAYWh56vg1bKWlix70SymSSXsnwywnCeHYR3tjbBRo91MEEAb9pClh8Gihq0J78-iqIrSkRghbspIGPcAX5r9u2HDGM9gQQRGftz_22ZC6v_KKPUz4IFmrCdnGNiBWy1xJ460U_9HU7Da_JFRj7kAb4ZVVeF/w260-h400/paulista.Waldyr.Guedes.1961.jpg" width="260" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">Walter Avancini</span></b> as the Invincible Vigilante in 'Clímaco César's '<b>O Justiceiro Invencível</b>' on Channel 5 os Tues, Thurs & Saturdays (<b><span style="color: #ffa400;">1961</span></b>); on the right is <b>Waldyr Guedes</b> in Andreiev's '<b>O homem que levava bofetadas</b>' on Grande Teatro OVC (<b><span style="color: #ffa400;">1961</span></b>).</div></div></span></div></span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6fR9VvjJf-skgmdampNei7nkgc3L0owHC-3nGivPZBwcBFlp8RET2YUesTTSonuEmKM_8m-PiQINfjN9eG-sfycbFPGR96MsbYeaXZIguMeUB6lEcnXbfgdQIcV4x1GT0Nr8ql-lVCRfqfouK2q0rjPOXpcmaWZh0CVQ2k6BVC-qlkrjaUvfkXDG_/s495/paulista.1961.A.q.renasceu..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="328" data-original-width="495" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6fR9VvjJf-skgmdampNei7nkgc3L0owHC-3nGivPZBwcBFlp8RET2YUesTTSonuEmKM_8m-PiQINfjN9eG-sfycbFPGR96MsbYeaXZIguMeUB6lEcnXbfgdQIcV4x1GT0Nr8ql-lVCRfqfouK2q0rjPOXpcmaWZh0CVQ2k6BVC-qlkrjaUvfkXDG_/s16000/paulista.1961.A.q.renasceu..jpg" /></a></div><div style="text-align: justify;">'<b>A que renasceu</b>' - <b><span style="color: #ffa400;">1961</span></b> - from left to right (standing) Cacilda Lanuza, Mario Brasini & Lucy Meireles; (sitting) Maximira Figueiredo, Osmano Cardoso & Edmundo Lopes. Setting by Campello Netto. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi8U-dmMZeZHciDMJz9VG26oFtMrMzO7QdoOdn4E-nkJTybL-cJOe_4PcpMfDhha32quDuK1l-HUO1v7m3-kaF_o7nVARoFwSvWPkpovTSEyzrCzsIS98vdnSJqYdby5IHctqJzYV3f7_GN85BNm0ntMWlSMDCiEZ6Js1h6ZIW1FVUrzAoGllGB8TY/s548/paulista.catarina.II.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="548" data-original-width="483" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi8U-dmMZeZHciDMJz9VG26oFtMrMzO7QdoOdn4E-nkJTybL-cJOe_4PcpMfDhha32quDuK1l-HUO1v7m3-kaF_o7nVARoFwSvWPkpovTSEyzrCzsIS98vdnSJqYdby5IHctqJzYV3f7_GN85BNm0ntMWlSMDCiEZ6Js1h6ZIW1FVUrzAoGllGB8TY/w353-h400/paulista.catarina.II.jpg" width="353" /></a></div>'<b>Catarina II</b>' with Eloísa Mafalda & Renato Pereira beamed in <b><span style="color: #ffa400;">1962</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMvhjpP_Ulhlg-VB-97q_CROQxLdeLoej4HeCfsgAhG-nfzfUpxf10k2tGwtWkDLPK48CL7xYi7uRIDk5UAVHyqS5r9c3sZdsMAyWSXg8949c8ypnY1RWR4K-C4FQ8v_zp21F8dOxaFYE0Z6bnKZDvIT1cLaZQUe4blGUhDk-cR336hohajIYgBckF/s922/paulista.FSP.domingo.12.April.1964.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMvhjpP_Ulhlg-VB-97q_CROQxLdeLoej4HeCfsgAhG-nfzfUpxf10k2tGwtWkDLPK48CL7xYi7uRIDk5UAVHyqS5r9c3sZdsMAyWSXg8949c8ypnY1RWR4K-C4FQ8v_zp21F8dOxaFYE0Z6bnKZDvIT1cLaZQUe4blGUhDk-cR336hohajIYgBckF/w416-h640/paulista.FSP.domingo.12.April.1964.jpg" width="416" /></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">'<b>Folha de São Paulo</b>', <b><span style="color: #ffa400;">12 April 1964</span></b>, Sunday - Twelve days after the military putsch toppled <b>President João Goulart</b> government - that would spell the end of TV Paulista in a matter of no more than a year. The military that plotted against the elected government hailed from a section of the <b>Brazilian Army</b> that opposed <b>President Getúlio Vargas</b> who had been instrumental in the O.V.C. (<b>Organização Victor Costa</b>) acquisition of TV Paulista. Mr Victor Costa made his career at Rio de Janeiro's Radio Nacional which belonged to the Federal Goverment - being originally purchased by Vargas in 1936. President Goulart had been Mr Vargas's Labour Minister and was hated by the right wing which eventually promoted the coup against Goulart and his popular government. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">We don't really know what the word 'novo' (new) means in this ad. Apparently, so far it was 'business as usual'... but TV Paulista was in its last months. As soon as the new military government took over they gave a concession to 'O Globo', a right-wing Rio de Janeiro newspaper to establish its own TV network that eventually took over TV Paulista, a few more years it destroyed TV Excelsior and became the the major TV station in the country for 50 years. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZoYF7hiz9AkWIFs1oLBGPDvuP8fzgdgS7Wgc6YOtpxUn5PQzJAQe9hb2OHBLENDj-C27gDDaLBT7wXqbhMjxcB-Yb3kvNY0ekeccDNyALMnLC7sXd-NpjwMie9YBgthgAoBWI3qwKsZjXz2KKQWG2_7gIGs5OpnEJW-JLhQCUSJgtu7gg38ear_SfBI0/s485/paulista.denis.carvalho.1964%20(3).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="457" data-original-width="485" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZoYF7hiz9AkWIFs1oLBGPDvuP8fzgdgS7Wgc6YOtpxUn5PQzJAQe9hb2OHBLENDj-C27gDDaLBT7wXqbhMjxcB-Yb3kvNY0ekeccDNyALMnLC7sXd-NpjwMie9YBgthgAoBWI3qwKsZjXz2KKQWG2_7gIGs5OpnEJW-JLhQCUSJgtu7gg38ear_SfBI0/w400-h377/paulista.denis.carvalho.1964%20(3).jpg" width="400" /></a></div><div style="text-align: justify;">A very young <b>Denis Carvalho</b> (* 27 September 1947) was only 16 when he played one of the youth roles in TV Paulista's last novela '<b>Eu amo esse homem</b>', in 1964. <b>Marcia Cardeal</b> (1948-2020) played his young love interest. Nydia Licia was the star of the soapie. </div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Nota Bene: most of photographic material on this page was taken from Facebook's "<b>TV</b> <b>Paulista, Canal 5 (1952-1965)</b>". We'd like to thank administrator <b>Elizabeth Snt Oliveira</b> for her expertise in the field. </span></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-73929914589613005192022-08-09T10:47:00.320-07:002023-12-22T02:22:42.178-08:00TV Paulista - variety <p style="text-align: justify;"><span style="font-family: arial;"><b>TV Paulista</b>, <b>Channel 5</b> on the VHF band, started operating on <b><span style="color: #ffa400;">14 March 1952</span></b>, being only the second TV broadcaster after Assis Chateaubriand's <b>TV Tupi</b> started broadcasting in <b>1950</b>. </span></p><p style="text-align: justify;"><span style="font-family: arial;">After a short opening ceremony commanded by actress <b>Vera Nunes</b>, TV Paulista broadcast its first content: "<b>Helena</b>', a 10-chapter telenovela starred by <b>Vera Nunes</b>, Paulo Goulart and Jane Baptista. </span></p><p style="text-align: justify;"><span style="font-family: arial;">TV Paulista was a government concession granted to Congressman <b>Oswaldo Ortiz Monteiro</b>. It started with only 3 cameras having Italian theatre director <b>Ruggero Jaccobbi</b> as its first artistic director and J. Giannotti as his assistant. In mid-1954, <b>Roberto Côrte-Real</b> took over from Jaccobbi. </span></p><p style="text-align: justify;"><span style="font-family: arial;">Mr Monteiro didn't actually know what to do with a TV station so 3 years later, on<b><span style="color: #ffa400;"> 26 May 1955</span></b>, he sold it to <b>Victor Costa</b> who had been Rio de Janeiro's <b>Radio Nacional</b>'s Artistic Director since the 1940s and had an ambition to emulate Assis Chateaubriand, owner of 'O Cruzeiro' and a network of newspapers and radio stations around the country. </span></p><p style="text-align: justify;"><span style="font-family: arial;">TV Paulista's headquarter was first set up in an apartment at Edifício Liège, on <b>Rua da</b> <b>Consolação, 2570</b>, with its studios in the building's parking lot plus the space of a store on the ground floor. The kitchen was adapted from an old dark room and the office where clerks typed scripts for soapies and texts for the news was in the living room. </span></p><p style="text-align: justify;"><span style="font-family: arial;">In 1956, </span><span style="font-family: arial;">TV Paulista moved to </span><b style="font-family: arial;">Rua das Palmeiras</b><span style="font-family: arial;">, where it stayed until its demise in </span><b style="font-family: arial;">1965</b><span style="font-family: arial;">, when it was sold to Rio de Janeiro's TV Globo whose owner journalist Roberto Marinho had backed the military putsch against President João Goulart on 1st April 1964. </span></p><p style="text-align: justify;"><span style="font-family: arial; text-align: left;">Vindo do rádio carioca, Antonino Seabra dirigiu um dos primeiros seriados da tv brasileira: “O Invisível”, inspirado no célebre personagem “O Sombra”. Em 1953, Gilberto Martins programou “O Circo do Arrelia” para animar a garotada aos domingos, e a atriz Cacilda Becker foi contratada, impulsionando a produção de teleteatros, que viraram uma especialidade da TV Paulista.</span></p><div style="text-align: justify;"><span style="font-family: arial;">Em 1955, Ortiz vendeu o canal às Organizações Victor Costa, que compreendiam também as Rádios Excelsior e Nacional. No ano seguinte, 1956, a emissora mudou de endereço, instalando-se em um prédio de 5 andares na Rua das Palmeiras. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">As emissoras de rádio da OVC que ali funcionavam foram transferidas para a Rua Sebastião Pereira, onde havia um auditório que também foi aproveitado para a realização de programas de TV. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Vindo da Tupi, Dermival Costa Lima tornou-se o diretor geral da estação, tendo Cláudio Petraglia como supervisor e Alvaro de Moya na direção do núcleo de dramaturgia. Ainda em 1955, esta equipe foi responsável pelo lançamento do “Teledrama Três Leões”, aos sábados. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Em 1957, Manoel da Nóbrega lançou seu famoso humorístico “Praça da Alegria”. Sílvio Santos também despontou na TV Paulista: a estréia do animador foi em meados dos anos 50, apresentando e participando de diversas atrações da emissora.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Em 1963 foi lançado o “Programa Sílvio Santos”, que bateria recorde de permanência no ar, apresentado em diversas emissoras. Sem conseguir competir com a Tupi, a TV Paulista sucumbiu e mudou novamente de dono – e de nome. Repassado ao empresário Roberto Marinho em novembro de 1964, o canal foi reestruturado gradualmente para a implantação da TV Globo paulista.</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXM-aQH9z28S1GG7vAyCjP1GjpDcRGpmVP-NG0L7wDYLO8YI07i8PKp9gbbr31xEJlO_TcXTRapdoHZVhyHAI6_svZa2yI4os91DPJ0kJt4gY6G5EL6UGbHq5cUA56eL1VommnXTF2OaNy8kGH7xMGVTPm7CHGxWVfWgvaTjnaWDf9GmB9U7RsJpEqtvg/s529/Bibi.TV.Paulista.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="445" data-original-width="529" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXM-aQH9z28S1GG7vAyCjP1GjpDcRGpmVP-NG0L7wDYLO8YI07i8PKp9gbbr31xEJlO_TcXTRapdoHZVhyHAI6_svZa2yI4os91DPJ0kJt4gY6G5EL6UGbHq5cUA56eL1VommnXTF2OaNy8kGH7xMGVTPm7CHGxWVfWgvaTjnaWDf9GmB9U7RsJpEqtvg/s16000/Bibi.TV.Paulista.1952.jpg" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Actress, singer and all-around-entertainer <b>Bibi Ferreira</b> who would be instrumental in the development of TV Excelsior, Channel 9 some 8 years later, was present at TV Paulista, Channel 5 in its very early days.</span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy0Fvecq1ZKbTLa2a4_ahssJN3g_1ZhfhtW6_3a_szc6YFsWf2dWEBxDeqUztnhYmdaTJhIPh7hH0HaKjtKJm-KNu-qMzhIQ4RRcCehzclLr6edu3RC_MUpHczCWxBy54jVNyVUYzyzRyCxDJwqg1IuLO5rqHQoMoD0OlSrDSmrNr_ReIDtAeIXLRv/s1645/paulista.agostinho.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1645" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy0Fvecq1ZKbTLa2a4_ahssJN3g_1ZhfhtW6_3a_szc6YFsWf2dWEBxDeqUztnhYmdaTJhIPh7hH0HaKjtKJm-KNu-qMzhIQ4RRcCehzclLr6edu3RC_MUpHczCWxBy54jVNyVUYzyzRyCxDJwqg1IuLO5rqHQoMoD0OlSrDSmrNr_ReIDtAeIXLRv/w467-h640/paulista.agostinho.jpg" width="467" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b>Agostinho dos Santos</b> sings at TV Paulista, Channel 5, in the late 1950s.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDMD7u5-UmZQuO5zkr7AXGHQCyO3sS-lm4ztjl2IesuGtp2IFRF3mhcJRV8DoW3EFD0bgYWkNOotLa1CApEyosbEJCPyKW48i80Pc5FpykF0I452cAovm91YRDSf0RKUvAxzG2adD1YREyQV9wBLcyrfBYLasseAZLb11FEmqlrw2g4pIstqWdGnyx/s934/paulista.Hebe.queen.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="572" data-original-width="934" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDMD7u5-UmZQuO5zkr7AXGHQCyO3sS-lm4ztjl2IesuGtp2IFRF3mhcJRV8DoW3EFD0bgYWkNOotLa1CApEyosbEJCPyKW48i80Pc5FpykF0I452cAovm91YRDSf0RKUvAxzG2adD1YREyQV9wBLcyrfBYLasseAZLb11FEmqlrw2g4pIstqWdGnyx/w640-h392/paulista.Hebe.queen.1960.jpg" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: center;"><b>Hebe Camargo</b> being crowned Queen of TV Paulista by <b>Walter Forster</b> in <b><span style="color: #ffa400;">1960</span></b>.</div></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">Variety & Entertainment </span></b></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both;">1. '<b>Teledrama</b>' produced by Enia Petri;</div><div class="separator" style="clear: both;">2. '<b>Sinhá das Dôres</b>' novela-sertaneja written by Cardoso Silva from Wed to Sat. (1952)</div><div class="separator" style="clear: both;">3. 'Missa dominical' transmitida diretamente da Igreja da Consolação (1952)</div><div class="separator" style="clear: both;">4. '<b>O Circo Chegou</b>' with Waldemar Seyssel (Arrelia) & Henrique on Sat. at 6:00 pm (1952-1953)</div><div class="separator" style="clear: both;">5. '<b>Arrelia e seus comediantes</b>' with Waldemar Seyssel on Saturdays at 3:30 pm (1952) </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">6. '<b>Caipiradas</b>' sertanejo with <b>Simplício</b> & others (1952)</div><div class="separator" style="clear: both;">7. '<b>Alvarenga & Ranchinho</b>' Tuesdays at 9:00 pm (1952-1953)</div><div class="separator" style="clear: both;">8. 'Teatro de marionetes' directed by Graça Melo on Wed at 8:00 pm (1952)</div><div class="separator" style="clear: both;">9. '<b>Clube dos Esportistas</b>' presented by Moacyr Pacheco Torres on Tue.& Fri at 9:00 pm (1952)</div><div class="separator" style="clear: both;">10. '<b>Broadway em Revista</b>' with Roberto Corte Real on Sat. at 3:00 pm (1952-1953)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">11. '<b>Clube de Cinema</b>' with Roberto Corte Real on Sat. at 1:00 pm (1952-1953)</div><div class="separator" style="clear: both;">12. 'Escola de Teatro' directed by Graça Melo presents 'Ensaio Geral' (13 January 1953)</div><div class="separator" style="clear: both;">13. '<b>O mundo é das mulheres</b>' talk show with Yara Lins, Riva Blanche & Hebe Camargo;</div></div><div class="separator" style="clear: both;">14. 'Mas quem manda... somos nós' with Walter Forster (Thurs. at 10:00 pm) </div><div class="separator" style="clear: both;">15. '<b>Quem sabe mais? O homem ou a mulher?</b>' Hélio de Araújo on Tues, (<b><span style="color: #ffa400;">26 July 1955</span></b>)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">16. '<b>Teatro das Segundas-Feiras</b>' with Nicette Bruno' (1953)</div><div class="separator" style="clear: both;">17. '<b>Prêmio ou Castigo</b>' gong-show presented by Roberto Côrte Real or Augusto Machado de Campos at different times (1953)</div><div class="separator" style="clear: both;">18. '<b>Night club</b>' presented by Egas Muniz (1954)</div><div class="separator" style="clear: both;">19. '<b>Parada Musical</b>' with Enrico Simonetti (1954) </div><div class="separator" style="clear: both;">20. '<b>Problemas das crianças</b>' children psychology explained Tues at 8:15 pm (1954)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">21. '<b>Praça da Alegria</b>' Manoel de Nóbrega & comedians, on Mon. at 8:00 pm</div><div class="separator" style="clear: both;">22. 'Recruta 23' with Manoel de Nóbrega; </div><div class="separator" style="clear: both;">23. '<b>Vale a pena ser pesado</b>' with Manoel de Nóbrega (1956)</div><div class="separator" style="clear: both;">24. 'Manoel de Nóbrega e seus bonecos' Thursdays at 9:15 pm (1958)</div><div class="separator" style="clear: both;">25. '<b>Êste mundo é engraçado</b>' with Raquel Martins, Renato Consorte (1956) </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">26. '<b>Melodias Inesquecíveis</b>' with <b>Aurora Miranda</b> on Mondays at 8:00 pm, produced by Aloysio de Oliveira with orchestrations by Vadico (9 March <b><span style="color: #ffa400;">1956</span></b>).</div><div class="separator" style="clear: both;">27. '<b>Galera do Nelson</b>' (de Oliveira) music show on Saturdays at 2:00 pm (1956)</div><div class="separator" style="clear: both;">28. '<b>Espetáculos Piraquê com Angela Maria</b>' on Fridays at 8:30 (17 February 1956)</div><div class="separator" style="clear: both;">29. '<b>Audições Gessy com Angela Maria</b>' on Sundays at 9:30 pm (1957)</div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">30. '<b>O mundo na ponta dos pés</b>' with ballet dancer Maria Pia Finocchio;</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">31. '<b>Miss Campeonato</b>' with <b>Carmen Verônica</b>, Ronald Golias, Borges de Barros (1957)</div></div><div class="separator" style="clear: both;">32. '<b>Hit Parade</b>' onTuesdays at 9:30 pm;</div></div><div class="separator" style="clear: both;">33. '<b>Intimidade</b>' Walter Forster, Yara Lins, Eloísa Mafalda & Daniel Guimarães talk about marital problems on Mondays at 8:30 pm (1957-1958) </div><div class="separator" style="clear: both;">34. '<b>Festa na varanda</b>' sertanejo variety commanded by Nhô Zé, on Mondays 7:30 pm (1957)</div><div class="separator" style="clear: both;">35. '<b>Na batida do samba</b>' (1956) written and presented by Sergio Porto aka Stanislau Ponte-Preta.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">36. Heloísa Castellar's '<b>Lua de mel</b>' showed 2 newly-wed couples who talked about their experiences (1957);</div><div class="separator" style="clear: both;">37. '<b>Aonde nos leva a canção</b>' produced by Mario Brasini;</div><div class="separator" style="clear: both;">38. '<b>Climax para milhões</b>' José Castellar & Walter Avancini's variety on Thurs at 9:30 pm (1957)</div><div class="separator" style="clear: both;">39. 'Espetáculos Piraquê' musical programme MCed by Walter Forster (1956)</div><div class="separator" style="clear: both;">40. 'Espetáculos Kherlakian' same musical show with a different sponsor (1958)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">41. '<b>O semeador</b>' with Catholic priest Olavo Pezzotti, every day at 6:00 pm;</div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">42. 'Cassio Muniz em Revista' Maria Helena Raposo, Mary Gonçalves etc. (1957)</div><div class="separator" style="clear: both;">43. 'Cassio Muniz em Revista' with Nelson Gonçalves, Luiz Gonzaga, Osny Silva <b><span style="color: #ffa400;">6 Oct 1957</span></b>.</div><div class="separator" style="clear: both;">44. '<b>Grande Espetáculo</b>' music & humour with <b>Yara Salles</b>, Chocolate Sundays at 8:30 pm (1956-1958) </div><div class="separator" style="clear: both;">45. <b>Los Chavales de España</b> (foreign act) at 8:00 pm on <b><span style="color: #ffa400;">20 June 1957</span></b>; </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">46. '<b>Philco em 3 dimensões</b>' ('Elegia em preto-e-branco' musical fantasy about the Mississipi River (1958)</div><div class="separator" style="clear: both;">47. José Castellar's '<b>Um filho para sua Alteza</b>', a musical comedy with Hebe Camargo, Walter Forster, Wilma Bentivegna, Osny Silva on <b><span style="color: #ffa400;">26 August 1958</span></b>.</div><div class="separator" style="clear: both;">48. '<b>Anselmo Duarte e seus convidados Epel</b>' talk-show prod. by Leonardo de Castro (1958)</div></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">49. '<b>Lana Bittencourt</b>' on Fridays at 8:30 - 1958;</div><div class="separator" style="clear: both;">50. '<b>Miss Campeonato</b>' with <b>Anilza Leoni</b> (1958)</div><div class="separator" style="clear: both;"> </div><div class="separator" style="clear: both;">51. '<b>A noite é de Garbo</b>' musical on Mondays at 9:00 pm; </div><div class="separator" style="clear: both;">52. '<b>Um milhão de melodias</b>' produced by Julio Nagib;</div><div class="separator" style="clear: both;">53. '<b>Não durma no ponto</b>' MCed by Manoel de Nóbrega on Wed at 8:20 pm (1958)</div><div class="separator" style="clear: both;">54. '<b>La Belle Epoque</b>' (1959) variety show with dancers mainly;</div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">55. '<b>Calouros em desfile</b>' gong-show commanded by Ary Barroso on Sundays (1958)</div></div></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">56. 'Calouros da saudade' Fridays at 9:30 pm (1958) senior citizens' amateur performers</div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">57. '<b>A alma das coisas</b>' devised by Mario Brasini, on Tuesdays at at 9:00 pm (1959) </div><div class="separator" style="clear: both;">58. '<b>Ivon canta para você</b>' half-hour with <b>Ivon Cury</b> on Mondays at 8:30 pm (<b><span style="color: #ffa400;">June 1959</span></b>)</div><div class="separator" style="clear: both;">59. '<b>Maria Girão e seus guitarristas</b>' Portuguese music on Mondays at 10:10 pm (1959)</div><div class="separator" style="clear: both;">60. '<b>Demônios da Garôa</b>' half-hour with the vocal combo on Wednesdays at 10:10 pm (1959)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">61. '<b>Folias do Golias</b>' half-hour with Ronald Golias, on Tue. at 8:35 (2nd February 1959)</div><div class="separator" style="clear: both;">62. '<b>Ciência Kibonoscópio</b>' by Prof. Flávio Pereira, on Fridays at 8:30 pm (1959)</div><div class="separator" style="clear: both;">63. '<b>Martini Bar</b>' with Sylvio Mazzucca; prod.: Mario Brasini, on Tuesdays at 9:30 pm (1959)</div><div class="separator" style="clear: both;">64. '<b>Záz Tráz</b>' children variety with Márcia Cardeal, produced by Rena Alves;</div><div class="separator" style="clear: both;">65. 'Seja você o detetive' cop-show produced by Antonio Seabra</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">66. '<b>Bate-Papo com Silveira Sampaio</b>' (talk show) Wed at 8:05 pm (1959)</div><div class="separator" style="clear: both;">67. '<b>Grande Hotel Philips</b>' light-comedy presented by Raul Roulien, with Nely Rodrigues (1959) </div><div class="separator" style="clear: both;">68. '<b>O bom Tom</b>' with Tom Jobim on Mondays (1960)</div></div><div class="separator" style="clear: both;">69. '<b>Vamos brincar de forca</b>' half an-hour game-show commanded by Silvio Santos on Monday nights (it started on <b>3rd June 1960</b>).</div><div class="separator" style="clear: both;">70. '<b>O riso das cinco</b>' humour hour at 5 o'clock (1960)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">71. 'Milhões de Napoleões' with Jorge Laredo, Lucy Rangel (1960)</div><div class="separator" style="clear: both;">72. '<b>Makerli supremo</b>' sports quiz show presented by Cesar de Alencar (1960)</div></div><div class="separator" style="clear: both;">73. '<b>Sequencia em Ri maior</b>' with comedienne Zilda Cardoso on Mondays at 9:00 pm (1962)</div><div class="separator" style="clear: both;">74. '<b>Colégio de brotos</b>' with Walter Forster, Renato Master on Tuesdays at 8:00 pm (1962)</div><div class="separator" style="clear: both;">75. '<b>Cantando com Petrônio</b>' half-an-hour with singer Francisco Petrônio</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">76. '<b>Discoteca do Chacrinha</b>' presented by Chacrinha, a Harpo Marx-look-alike-with-a-voice on Fridays at 7:00 pm (1961) </div><div class="separator" style="clear: both;">77. '<b>Zilda em 23 polegadas</b>' with Zilda Cardoso (1963)</div><div class="separator" style="clear: both;">78. '<b>Zilomag Show</b>' humour commanded by Manoel de Nóbrega (1962)</div><div class="separator" style="clear: both;">79. '<b>Miss Campeonato 1962</b>' with <b>Irma Álvarez</b>, Farid Riskallah, Luiz Pini (1962)</div><div class="separator" style="clear: both;">80 . '<b>Programa Silvio Santos</b>' (Sunday variety show started on <b>2nd June 1963</b>)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">81. '<b>Rítmos para a Juventude</b>' rock show with Antonio Aguilar on Saturdays (1962-1963)</div><div class="separator" style="clear: both;">82. '<b>Nosso clubinho</b>' rock show with <b>Ademar Dutra</b> which filled the spot of 'Ritmos para a juventude' which moved to TV Excelsior in <b>mid-1963</b>.</div><div class="separator" style="clear: both;">83. '<b>Hebe, Cynar & Simpatia</b>' with Hebe Camargo on Wednedays at 8:00 pm (1963).</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"> 'Dom Pasquale'</div><div class="separator" style="clear: both;"> 'Boa noite, Carmela</div><div class="separator" style="clear: both;">'Inácio Brinquinho'</div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9SApoNL-kS2j5Qzxj3nqq2BBaz7xZsOjZswVYoouYOqHU9vXU771Bp_ajEAWyq0udlRPdge90Fj4gLIKqXO-7VOaqevJ5ugKUOc1kfQ5Db3trTLYfiuvqaYUEpZnPsgetcrQ1jGQtbgPtPhQTYvo1IXqhpOqLqK0HkwNxe0I3LuDi4JxOW0uOdbi3/s773/paulista.anivers%C3%A1rio.28.Marz.1953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="773" data-original-width="431" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9SApoNL-kS2j5Qzxj3nqq2BBaz7xZsOjZswVYoouYOqHU9vXU771Bp_ajEAWyq0udlRPdge90Fj4gLIKqXO-7VOaqevJ5ugKUOc1kfQ5Db3trTLYfiuvqaYUEpZnPsgetcrQ1jGQtbgPtPhQTYvo1IXqhpOqLqK0HkwNxe0I3LuDi4JxOW0uOdbi3/w357-h640/paulista.anivers%C3%A1rio.28.Marz.1953.jpg" width="357" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh168rI_Zk9QVBTiWx9ilnoGlwlcUte-d79zO0Iue3Q601ktIbHgBy9DmMicdUPITf8wVydj4_OCFxvHbSIBovC6bV5oA21DE48CzSvb-P00BLZFPqufQs_YRJEYiCcpAJ9hFZrpjM25Ve2mPxyhhh4_WLYyaZ1j3hXUHJw0FqXj4b774O-qyP43n0h/s1751/paulista.12.April.1953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1751" data-original-width="501" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh168rI_Zk9QVBTiWx9ilnoGlwlcUte-d79zO0Iue3Q601ktIbHgBy9DmMicdUPITf8wVydj4_OCFxvHbSIBovC6bV5oA21DE48CzSvb-P00BLZFPqufQs_YRJEYiCcpAJ9hFZrpjM25Ve2mPxyhhh4_WLYyaZ1j3hXUHJw0FqXj4b774O-qyP43n0h/w183-h640/paulista.12.April.1953.jpg" width="183" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">28 March 1953</span></b>, <b>Saturday</b>, Correio Paulistano - TV Paulista's grid on its 1st anniversary. </div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">12 April 1953</span></b> - Sunday's Correio Paulistano publishes TV Paulista's grid starting '<b>O Circo do</b> <b>Arrelia</b>' with Henrique & the cast of Seyssel Circus at 2:00 pm; </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLy88Cz94k9BWbL1LoYKVLzC45JJ1-Fz6pytYJ8cWrpZSZeara7dQDEkE-wefrMbg0xeLDp-NwLnWIRz0NtK6erbi6ubuQaGnl9TV6SETo5gdUBSi-Pee6cYMhkPY-0IwXsCmtrxAGcyEZSkZ3Z_4DwT6PBZ0WN8r1B-a8Txwo1PktEAFW9qWeDjEG/s566/paulista.simpl%C3%ADcio.1952.RR.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="362" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLy88Cz94k9BWbL1LoYKVLzC45JJ1-Fz6pytYJ8cWrpZSZeara7dQDEkE-wefrMbg0xeLDp-NwLnWIRz0NtK6erbi6ubuQaGnl9TV6SETo5gdUBSi-Pee6cYMhkPY-0IwXsCmtrxAGcyEZSkZ3Z_4DwT6PBZ0WN8r1B-a8Txwo1PktEAFW9qWeDjEG/w256-h400/paulista.simpl%C3%ADcio.1952.RR.jpg" width="256" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr82rKv4BIwwT85uvAwhMvJoqcAV_du4mvSGvUAvlMxZwZDQchcYSyIji6VQW9505RhMPD9xj_JvK15GtZo78wQ4xhP5WjvD_ZinUOneSSqwWwSaCP7N19acYSCsRrgVgwVrIUEVxbaj5dJbnnt7ZKeBeJUGqyQtajEp3OEk6Ee2btUtOmvoG7SDEB/s929/paulista.helio.araujo.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="929" data-original-width="593" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr82rKv4BIwwT85uvAwhMvJoqcAV_du4mvSGvUAvlMxZwZDQchcYSyIji6VQW9505RhMPD9xj_JvK15GtZo78wQ4xhP5WjvD_ZinUOneSSqwWwSaCP7N19acYSCsRrgVgwVrIUEVxbaj5dJbnnt7ZKeBeJUGqyQtajEp3OEk6Ee2btUtOmvoG7SDEB/w255-h400/paulista.helio.araujo.1955.jpg" width="255" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Country comedian <b>Simplício</b> had a weekly show called '<b>Caipiradas</b>' in <b><span style="color: #ffa400;">1952</span></b>; he later starred in 'Histórias que a vida escreve'; <b><span style="color: #ffa400;">26 July 1955</span></b> (Correio Paulistano) '<b>Quem sabe mais?</b> <b>O</b> <b>homem ou a mulher?</b> presented by <b>Helio de Araújo</b> on Tuesdays at 8:30 pm. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucX6wnvJ4LcQuIotaEe-h6MjYdaUE5VCXhx95SSd-mmn8Wtgt8-yXuk4LQ7kw7XV4NZWv0PA2BCava-aXhXrVpMkSWZK8qhDybE0uvKxqRCLhMPh_iYPE8aQxWVSc5gt9p2LEAnspIjBNS3NX_-q9ODzYtYWmeYAh_E3Dk1mh5CfgykjQj4eCVoo9/s1084/paulista.1956.Espet%C3%A1culos.Piraqu%C3%AA.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1084" data-original-width="470" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucX6wnvJ4LcQuIotaEe-h6MjYdaUE5VCXhx95SSd-mmn8Wtgt8-yXuk4LQ7kw7XV4NZWv0PA2BCava-aXhXrVpMkSWZK8qhDybE0uvKxqRCLhMPh_iYPE8aQxWVSc5gt9p2LEAnspIjBNS3NX_-q9ODzYtYWmeYAh_E3Dk1mh5CfgykjQj4eCVoo9/w173-h400/paulista.1956.Espet%C3%A1culos.Piraqu%C3%AA.jpg" width="173" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwphAVeQZZYHh6uFx7hVazxJsKzlPs-fK9u04m2aABZmVt9ZpoS06J0_yjJ5LgcGhp-Oe4a7orsPDkeuXk_0aBNDjXIVE6gptYRm0rviyXeyPiv8eqj3LLT9ObdtLeBCtBsh9MwMgg3RpPecijCHi0BTSYLgepq0zsTsw1a9FdUVMfFVi49moDNhD1/s1110/paulista.piraqu%C3%AA.angela.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="683" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwphAVeQZZYHh6uFx7hVazxJsKzlPs-fK9u04m2aABZmVt9ZpoS06J0_yjJ5LgcGhp-Oe4a7orsPDkeuXk_0aBNDjXIVE6gptYRm0rviyXeyPiv8eqj3LLT9ObdtLeBCtBsh9MwMgg3RpPecijCHi0BTSYLgepq0zsTsw1a9FdUVMfFVi49moDNhD1/w246-h400/paulista.piraqu%C3%AA.angela.1956.jpg" width="246" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Walter Forster</b> presents '<b>Espetáculos Piraquê</b>' with <b>Angela Maria</b> (Revista Fon-Fon) on Fridays at 8:30, accompanied by Radio Nacional's Great Orchestra directed by <b>Osmar Milani</b> ('Correio Paulistano', <b><span style="color: #ffa400;">17 February 1956</span></b>). </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgantaDKfq3DgqcaDSdHH6xPzMpqFBiEF6JJOItfjO3Wc5QpF57qxFGKOcjeGe0YoByvjVd8InoID9uN0mXD3-NmvmGJuG3o06eQqcEfN0wsAdCom3q5uWVGPVk3w07eE-Kxib4hbuX8mcFIX8ZKitwrnOwsxM_564uHML-hcUh9yYzPdQwevfHW_8C/s549/paulista.Bastidores.1956%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="549" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgantaDKfq3DgqcaDSdHH6xPzMpqFBiEF6JJOItfjO3Wc5QpF57qxFGKOcjeGe0YoByvjVd8InoID9uN0mXD3-NmvmGJuG3o06eQqcEfN0wsAdCom3q5uWVGPVk3w07eE-Kxib4hbuX8mcFIX8ZKitwrnOwsxM_564uHML-hcUh9yYzPdQwevfHW_8C/s16000/paulista.Bastidores.1956%20(2).jpg" /></a></div><div style="text-align: justify;">Left to right: <b>Walter Forster</b>, <b>Gilma Coelho</b>, exclusive speaker; top-star <b>Angela Maria</b>; '<b>Espetáculos Piraquê</b>'s producer <b>Victor Berbara </b>and O.V.C.'s manager <b>Dario de Almeida</b>.</div></div></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALcWj0jmZXbTyIa43CCkSGcU9VD8o9b1ajOwJ9VDFN8ldmbC5IMpajUMjuL57_x2NM6ExX6VhP6fEVnQr9w9WrWmloFwt9A1th3IUr8-QIL68a_nSvlb_5pUFldp4l6BHnNEYNAJ53W98HuRuxXx-DxJo6XeOldi3-9crwEnkhduWYwLILt6ndsTA/s1056/paulista.o.grande.gar%C3%B4a.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1056" data-original-width="787" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALcWj0jmZXbTyIa43CCkSGcU9VD8o9b1ajOwJ9VDFN8ldmbC5IMpajUMjuL57_x2NM6ExX6VhP6fEVnQr9w9WrWmloFwt9A1th3IUr8-QIL68a_nSvlb_5pUFldp4l6BHnNEYNAJ53W98HuRuxXx-DxJo6XeOldi3-9crwEnkhduWYwLILt6ndsTA/w238-h320/paulista.o.grande.gar%C3%B4a.1956.jpg" width="238" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih6Cx-V4BSlSJ4lPK8zGkD3G-IemHWwbacoqP8fvLSOa5NspK2kEG_S6CtrcgNqRp4b1_HidRfEWUsrqQ8Z831TZNT8fE2BEqTLbZ5erYM8ee5T4oVxsu63bCV8IemeotyaJbc2M5_43sApch5vMKaBIPY5x9_yLjw4rBJBioMGX-ILVv10vGDvfqQ/s743/paulista.Galera.do.Nelson.de.Oliveira.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="743" data-original-width="553" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih6Cx-V4BSlSJ4lPK8zGkD3G-IemHWwbacoqP8fvLSOa5NspK2kEG_S6CtrcgNqRp4b1_HidRfEWUsrqQ8Z831TZNT8fE2BEqTLbZ5erYM8ee5T4oVxsu63bCV8IemeotyaJbc2M5_43sApch5vMKaBIPY5x9_yLjw4rBJBioMGX-ILVv10vGDvfqQ/w238-h320/paulista.Galera.do.Nelson.de.Oliveira.1956.jpg" width="238" /></a></div>popular combo <b>Demônios da Garôa</b> take part at '<b>Grande Espetáculo</b>'; Fon-Fon <b><span style="color: #ffa400;">1956</span></b>; '<b>Galera do Nelson</b> (<b>de Oliveira</b>)' on Saturdays at Radio Nacional Paulista turns 4 years-old in <b><span style="color: #ffa400;">1956</span></b>. Nelson is the guy wearing glasses and a sash on the left. <div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixC1A1zikXMPdOImpP2O2BUttrvZpc69oLT8-rRAGQJyL0pbCvI3ILwxSejpwsmmjBsBLXAxNfo_zHQ1OiEXIAJ8PhItAzcPIvdgVfRWJwzL5sNct95IxQoqIKfb4TWs91T7XpmcS1tHQKVWPgarZnHuT0gVtAxjLUb-QO8prt-WPPL8XX9gumE5kI/s730/paulista.premio.ou.castigo.27.Fev.1953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="730" data-original-width="479" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixC1A1zikXMPdOImpP2O2BUttrvZpc69oLT8-rRAGQJyL0pbCvI3ILwxSejpwsmmjBsBLXAxNfo_zHQ1OiEXIAJ8PhItAzcPIvdgVfRWJwzL5sNct95IxQoqIKfb4TWs91T7XpmcS1tHQKVWPgarZnHuT0gVtAxjLUb-QO8prt-WPPL8XX9gumE5kI/w210-h320/paulista.premio.ou.castigo.27.Fev.1953.jpg" width="210" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivLSYA99vT-QrXzGJYenQj2-fKjDSUZMNzPSV--fHC7YlotLZG3JeHFHq2-DVg3zBYwFrHYgYwrAmIKGVEUnzWSR-kVSxl5kaS8qsJY-GijS92HDVuWWb1cv7Fu9KFNxSnaQr8wK7pJR0eIyF-xY9gH5nPPPp8lgQJvnsxCZ3ibbSFzNF1Hk0bArOq/s356/paulista.roberto.corte.real.1953.RR.207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="356" data-original-width="342" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivLSYA99vT-QrXzGJYenQj2-fKjDSUZMNzPSV--fHC7YlotLZG3JeHFHq2-DVg3zBYwFrHYgYwrAmIKGVEUnzWSR-kVSxl5kaS8qsJY-GijS92HDVuWWb1cv7Fu9KFNxSnaQr8wK7pJR0eIyF-xY9gH5nPPPp8lgQJvnsxCZ3ibbSFzNF1Hk0bArOq/w192-h200/paulista.roberto.corte.real.1953.RR.207.jpg" width="192" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">27 February 1953</span></b> (Correio Paulistano) - Augusto Machado de Campos commands 'Premio e Castigo' an amateur hour; Revista do Rádio no. 207 (<b><span style="color: #ffa400;">1953</span></b>) says Roberto Côrte-Real was the new M.C. of 'Prêmio e castigo'; </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoOmNZeH8NJ1YgG4lEdLuYyjbPSUbGO2PiafOBpodyHXPXSVdtgTHY-yH_Lar8HtKcp1sCKUdFJnfBjELZENP_0rd8BLkEY_a5bhjMkmqQE3VgugHnfMYFOiUv98t3F2hvSCfNENNpmbTnYezImhplBV5wU0yUpacdA8rwZGahvLFAgZlNRCOjbJqA/s918/r.c.real.1947.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="918" data-original-width="570" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoOmNZeH8NJ1YgG4lEdLuYyjbPSUbGO2PiafOBpodyHXPXSVdtgTHY-yH_Lar8HtKcp1sCKUdFJnfBjELZENP_0rd8BLkEY_a5bhjMkmqQE3VgugHnfMYFOiUv98t3F2hvSCfNENNpmbTnYezImhplBV5wU0yUpacdA8rwZGahvLFAgZlNRCOjbJqA/w248-h400/r.c.real.1947.jpg" width="248" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3R1NYdllnrIXSYlxiSdczposmIpaIJi4b9Wavi2WZWRjDtQ91m4HKS2y_LN6gl4vOGV_EI7N_26VWruEy5Bwk4HcuuRU0OwfzGBGNWUvItB-nfiJKsr-bHmioZ342rEaL64kTX1iDpePp-FnykY2kyzhiQ1d5p7aPIKIE4tILSiGP4E30CTD5wl3D/s528/paulista.Roberto.Corte.Real.1954.Radiolandia.20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="495" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3R1NYdllnrIXSYlxiSdczposmIpaIJi4b9Wavi2WZWRjDtQ91m4HKS2y_LN6gl4vOGV_EI7N_26VWruEy5Bwk4HcuuRU0OwfzGBGNWUvItB-nfiJKsr-bHmioZ342rEaL64kTX1iDpePp-FnykY2kyzhiQ1d5p7aPIKIE4tILSiGP4E30CTD5wl3D/w301-h320/paulista.Roberto.Corte.Real.1954.Radiolandia.20.jpg" width="301" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">July 1954</span></b> - Radiolândia says <b>Roberto Côrte-Real</b> - who had been active at Channel 5 since its inception having presented half-hour shows like '<b>Clube de Cinema</b>' (at 1:00 pm) and '<b>Broadway em revista</b>' (at 3:00 pm) both on Saturdays - is hoisted up as artistic director of TV Paulista which had been under <b>Ruggero Jaccobbi</b> since the station's inception in 1952. </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxFxWY2D4WSIDvJ9d8Kci-w0JmMj5kfNAOpE__ijPdo4EjI7LjQYKA5mbxKfQyat-O8WefAbnTI27UrbuDXwqWpiK0lTcu9o24HDN7iq-ZMjemzI9A1YxM8y3SmUr_2Tn-kGJATBc19lKp4UAtQ6yG7sJE1p1EFRL-hAUadh-wgNs4DDSkDM1ndHM/s508/Paulista.Sergio.Porto.manchete.244.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="371" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxFxWY2D4WSIDvJ9d8Kci-w0JmMj5kfNAOpE__ijPdo4EjI7LjQYKA5mbxKfQyat-O8WefAbnTI27UrbuDXwqWpiK0lTcu9o24HDN7iq-ZMjemzI9A1YxM8y3SmUr_2Tn-kGJATBc19lKp4UAtQ6yG7sJE1p1EFRL-hAUadh-wgNs4DDSkDM1ndHM/w293-h400/Paulista.Sergio.Porto.manchete.244.1956.jpg" width="293" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpSOsacaFXc7Z3iMVuIWAjDY8_gOzS1bEtQLMcTESobSydQURCi9axkrzzP-iokwMiYO_69O-ZfDX5DYzZWeEvnwDFsOOY8S-7KFHzq1ZqoXbRq4lVSemZ2Hy87ugQG14HaAg6Qn08rgNDIMNkN-QOg7zDAE5E7fZt8gKrkzdZ1UwtRb2lHz-C8Nut/s619/paulista.raul.17.Feb.59.UH.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="452" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpSOsacaFXc7Z3iMVuIWAjDY8_gOzS1bEtQLMcTESobSydQURCi9axkrzzP-iokwMiYO_69O-ZfDX5DYzZWeEvnwDFsOOY8S-7KFHzq1ZqoXbRq4lVSemZ2Hy87ugQG14HaAg6Qn08rgNDIMNkN-QOg7zDAE5E7fZt8gKrkzdZ1UwtRb2lHz-C8Nut/w293-h400/paulista.raul.17.Feb.59.UH.jpg" width="293" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Sergio Pôrto</b>'s '<b><span style="color: #ffa400;">Na batida do Samba</span></b>' on Weds at 10:30 pm. Mr Porto tells the life of songwriters through their songs. Manchete, no.244, <b><span style="color: #ffa400;">1956</span></b>; <b>Raul Roulien</b> presents Nely Rodrigues in '<b>Grande Hotel Philips</b>' on Tues. (Ultima Hora, <b><span style="color: #ffa400;">17 February 1959</span></b>).</div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDIBMQKY7fWF7HppjIuuSnQ8COlG0Dz_vIJoZGpRQmHZJ-Xd-WIW1a8kj1n-JGkYTywvc2wMroz9pHkbWGddb5y_uTLB61mAVs-U4Z5G5vEG4zgCbN_d5oCe57YD07RySFWF9inVgrpfeXY_mBTZ85CRPE8lT2IXxwENcYbeFHDf9QST4V6xQZgfmS/s929/paulista.helio.araujo.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="929" data-original-width="593" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDIBMQKY7fWF7HppjIuuSnQ8COlG0Dz_vIJoZGpRQmHZJ-Xd-WIW1a8kj1n-JGkYTywvc2wMroz9pHkbWGddb5y_uTLB61mAVs-U4Z5G5vEG4zgCbN_d5oCe57YD07RySFWF9inVgrpfeXY_mBTZ85CRPE8lT2IXxwENcYbeFHDf9QST4V6xQZgfmS/w255-h400/paulista.helio.araujo.1955.jpg" width="255" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimB8zIxYeFw9K5ILgBo7pIeBJJDKQQV6Y6MwmRRaSiC9m_d4_slW6JCsUli5au82swQx0HB7ZZ3ht9VAmJE7pupeBWDPixvPbG9_VdaPC5vXZWe4h213LGVL9yGSYD0fX2Aer2XGUmSUPy41C2gbzzz6gh0eGOaGyYxY7QprUpeSTPhggc35A8ibgp/s995/paulista.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="995" data-original-width="726" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimB8zIxYeFw9K5ILgBo7pIeBJJDKQQV6Y6MwmRRaSiC9m_d4_slW6JCsUli5au82swQx0HB7ZZ3ht9VAmJE7pupeBWDPixvPbG9_VdaPC5vXZWe4h213LGVL9yGSYD0fX2Aer2XGUmSUPy41C2gbzzz6gh0eGOaGyYxY7QprUpeSTPhggc35A8ibgp/w293-h400/paulista.1956.jpg" width="293" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">26 July 1955</span></b> - Hélio de Araújo presents 'Quem sabe mais? O homem ou a mulher?' at 8:30 pm on Tuesdays; <span style="font-family: arial;">Portuguese singer</span><span style="font-family: arial;"> </span><b><span style="color: #ffa400;">Ester de Abreu</span></b><span style="font-family: arial;"> </span><span style="font-family: arial;">was fairly popular in Brazil in the 1950s. She appeared on</span><span style="font-family: arial;"> </span><b>Tuesdays</b><span style="font-family: arial;"> &</span><span style="font-family: arial;"> </span><b>Fridays</b><span style="font-family: arial;"> </span><span style="font-family: arial;">at 9:30 pm and on</span><span style="font-family: arial;"> </span><b>Sundays</b><span style="font-family: arial;"> </span><span style="font-family: arial;">at 10:05 pm. "</span><b>As mais lindas canções de</b><span style="font-family: arial;"> </span><b>Portugal</b><span style="font-family: arial;">" catered for the Portuguese immigrants who lived in Brazil but it was also popular with Brazilians. This would radically change in the 1960s. 'Correio Paulistano' in</span><span style="font-family: arial;"> </span><b><span style="color: #ffa400;">1956</span></b><span style="font-family: arial;">.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGxnp4jHOkBw_053QxDefPYeQyk30ujhPRy401h8vOjrc2BHQQ2CzOPwYeezRypqKxqWlhu5p2QIPwe5YIAsKgW5cPBdVhBtzt6atv7e_Bw7hgMX40QBa2RBe21b3cFujkZXP0Wi9UZ6ipF6QufusOil-IVRltt4QLfeYvGmN2UBMhgM7og-5SQTNC/s904/paulista.Cinderela.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="904" data-original-width="692" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGxnp4jHOkBw_053QxDefPYeQyk30ujhPRy401h8vOjrc2BHQQ2CzOPwYeezRypqKxqWlhu5p2QIPwe5YIAsKgW5cPBdVhBtzt6atv7e_Bw7hgMX40QBa2RBe21b3cFujkZXP0Wi9UZ6ipF6QufusOil-IVRltt4QLfeYvGmN2UBMhgM7og-5SQTNC/w490-h640/paulista.Cinderela.1957.jpg" width="490" /></a></div><b>Cinderela</b>, real name: <b>Luiza Trevisan</b> worked as a singer and 'garôta propaganda' (sales girl) at TV Paulista until mid <b><span style="color: #ffa400;">1956</span></b>, when she was signed by TV Record where she became known as the 'rumba girl' for singing the latest hits from Latin America and the Caribbean.</div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_t3V8s0i57dnAe_BW38JKq1Uc52vg6kSTx8EZzdwSc6Tr-HlcEMc8Cpe1PTtv83rFDXBtw54XXnRSEvpzDJ0JvYik6z_SOpwmKM8J9pQ7k3NqqHWZm1WZ6-JVYRTd9mOoo2zNJcoFBFyZzAC4nJnv2N_arG_Q9E2St0p2o8oWJsx02CDNeoN5juTV/s728/paulista.Cinderela.1956.RR.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="728" data-original-width="382" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_t3V8s0i57dnAe_BW38JKq1Uc52vg6kSTx8EZzdwSc6Tr-HlcEMc8Cpe1PTtv83rFDXBtw54XXnRSEvpzDJ0JvYik6z_SOpwmKM8J9pQ7k3NqqHWZm1WZ6-JVYRTd9mOoo2zNJcoFBFyZzAC4nJnv2N_arG_Q9E2St0p2o8oWJsx02CDNeoN5juTV/w210-h400/paulista.Cinderela.1956.RR.jpg" width="210" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYdBGE0bhSDv1LueKY0sq0bSclwu3yhyuuJHgob3Wg0fL8mhf2J-twyaXWurr7_vcwbDzBQ0AhS8RXk6YSMSxOalvtQt7FyBClH-0UYEtYcV38fQYipdPDeEIkDyECxa-VpU6zQgOhm7WvTlfHzj39dR97bksOUwowDKcR8CB46MPdzRco-ySl663mENE/s623/paulista.aurora.miranda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="623" data-original-width="397" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYdBGE0bhSDv1LueKY0sq0bSclwu3yhyuuJHgob3Wg0fL8mhf2J-twyaXWurr7_vcwbDzBQ0AhS8RXk6YSMSxOalvtQt7FyBClH-0UYEtYcV38fQYipdPDeEIkDyECxa-VpU6zQgOhm7WvTlfHzj39dR97bksOUwowDKcR8CB46MPdzRco-ySl663mENE/w255-h400/paulista.aurora.miranda.jpg" width="255" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Cinderela</b>'s bio at <span style="text-align: center;">Revista do Rádio, </span><b style="text-align: center;"><span style="color: #ffa400;">1956</span></b><span style="text-align: center;">; <b>Aurora Miranda</b> starts singing on Mondays at 8:00 pm in <b><span style="color: #ffa400;">1956</span></b>; the half-hour called 'Melodias Inesquecíveis' or 'Se a lua contasse...'was produced by <b>Aloysio de Oliveira</b>, who had just returned from California where he'd lived for 15 years (since 1941). </span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlG4PGyxc-Wt9kMyLe6QQ6R2W6Z-y0O34PZrP_liC3HMXXzx-MZNa5sejP6SfuoxokKZxkquKxdc9ObvDNrIAREsWjCHm1i5ch3IrEdhlnZpzrYslIxEJB03LU5M_k8DEsfEyDjmJllcYPSVuTXHbpg0v48FIUMxalSk40q8MMJRZgzuPwHHdr_Vu0/s567/paulista.piaf.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="567" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlG4PGyxc-Wt9kMyLe6QQ6R2W6Z-y0O34PZrP_liC3HMXXzx-MZNa5sejP6SfuoxokKZxkquKxdc9ObvDNrIAREsWjCHm1i5ch3IrEdhlnZpzrYslIxEJB03LU5M_k8DEsfEyDjmJllcYPSVuTXHbpg0v48FIUMxalSk40q8MMJRZgzuPwHHdr_Vu0/w400-h360/paulista.piaf.1956.jpg" width="400" /></a></div></div></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both;"><b>Victor Costa</b> and <b>Edith Piaf</b> (holding Helcio Carvalho de Castro's arms) in <b><span style="color: #ffa400;">April 1956</span></b>, at Radio Nacional Paulista during her tour. <span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixpw0UzLVz3bm1yC5y-k_VTLXosTvtgrqhdJt7GER8Elsne2F5H1wUn54CSzO9P7wDO8W0PLKFgmL42fAfQHj8AG-SWvw_wbrf7C8j57EeY0VOB0errJj2SzId8jgTzTVeQHiVqjny1q8UNCThSuTTKe0dJiJ0Hdc5kKMfdO9ytjgKDcnsM7-IopU6/s1692/paulista.Piaf.28.Abril.1956.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1692" data-original-width="1250" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixpw0UzLVz3bm1yC5y-k_VTLXosTvtgrqhdJt7GER8Elsne2F5H1wUn54CSzO9P7wDO8W0PLKFgmL42fAfQHj8AG-SWvw_wbrf7C8j57EeY0VOB0errJj2SzId8jgTzTVeQHiVqjny1q8UNCThSuTTKe0dJiJ0Hdc5kKMfdO9ytjgKDcnsM7-IopU6/w474-h640/paulista.Piaf.28.Abril.1956.jpg" width="474" /></a></div>Edith Piaf performs at <b>Radio Nacional Paulista</b> and TV Paulista, <b>Channel 5</b>, on Saturday, 28 April 1956; Sunday, 29 April 1956; Monday, 30 April 1956; Tuesday, 1st May 1956 & Saturday, <b><span style="color: #ffa400;">5 May 1956</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ6SMg5ndbRYfHlj75PzR0JXunrajdvYK7-E0nWmzNsyxDDwtjAGNQyNdWr6zdnHDSkT5Gwf7ISB19ZEfytdnSVMn3RMjYvZNBL9zkoIi3lvT4b5zx1SXoGO0Pp3CaGkbuIRSgFG-dSEk-UF6hUliivclfKudH1L8fmmu9ODh8uPMbRMArscqEipwt/s884/paulista.1955.Jornal.das.Mo%C3%A7as%20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="884" data-original-width="664" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ6SMg5ndbRYfHlj75PzR0JXunrajdvYK7-E0nWmzNsyxDDwtjAGNQyNdWr6zdnHDSkT5Gwf7ISB19ZEfytdnSVMn3RMjYvZNBL9zkoIi3lvT4b5zx1SXoGO0Pp3CaGkbuIRSgFG-dSEk-UF6hUliivclfKudH1L8fmmu9ODh8uPMbRMArscqEipwt/w300-h400/paulista.1955.Jornal.das.Mo%C3%A7as%20.jpg" width="300" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhan33GTC0DMOyq4TLo33KVP5wfCb5hEhmNsMRTr5-rbWMXW5eZRHQyU6cw8vz79hOan_s8za9pN-CY2yCif0ZTrUPRJkTUgzkoHFxTLG0Ujwgib5dv3tZgn0en2TGZI2_6hPMhf-dgeLFqp-WlRsIhwnljgLfyxUPLfE0qhk-gyGWm2peryzwNmOsN/s1488/paulista.n%C3%A3o.durma.no.ponto.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1488" data-original-width="762" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhan33GTC0DMOyq4TLo33KVP5wfCb5hEhmNsMRTr5-rbWMXW5eZRHQyU6cw8vz79hOan_s8za9pN-CY2yCif0ZTrUPRJkTUgzkoHFxTLG0Ujwgib5dv3tZgn0en2TGZI2_6hPMhf-dgeLFqp-WlRsIhwnljgLfyxUPLfE0qhk-gyGWm2peryzwNmOsN/w205-h400/paulista.n%C3%A3o.durma.no.ponto.1959.jpg" width="205" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">October 1955 </span></b>- Jornal das Moças', TV Paulista is acquired from Congressman <b>Oswaldo Ortiz</b> <b>Monteiro</b> on <b><span style="color: #ffa400;">26 May 1955</span></b>, by Mr. <b>Victor Costa</b> and his Organização Victor Costa (<b>O.V.C</b>.) which owned <b>Radio Nacional Paulista</b>, <b>Radio Excelsior</b> and <b>Radio Cultura</b>; <b><span style="color: #ffa400;">15</span></b> <b><span style="color: #ffa400;">July 1959</span></b> - 'Diário da Noite' - Manoel de Nóbrega's '<b>Não durma no ponto</b>', Wednesdays at 8:20 pm. </div></span></div><span style="font-family: arial;"><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKlvs4LlIqKzQlTLD_2t0NHu1JVi455DlRxWGMjJ3yHTq8iFw5KFTi8arGvp7BGsjNc2uCibi2U0xrCLQXncC9cMKOJQVZCXM1R2kkMGiC7ow68gfUuUZyaltCDYOFFF3ofaNd9yHI7FICSAA0dhqPkbSSVIyk5l1wbFU60DoLL2J41qS1Z1uOpboe/s770/Paulista.1957.Manchete.247.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="770" data-original-width="367" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKlvs4LlIqKzQlTLD_2t0NHu1JVi455DlRxWGMjJ3yHTq8iFw5KFTi8arGvp7BGsjNc2uCibi2U0xrCLQXncC9cMKOJQVZCXM1R2kkMGiC7ow68gfUuUZyaltCDYOFFF3ofaNd9yHI7FICSAA0dhqPkbSSVIyk5l1wbFU60DoLL2J41qS1Z1uOpboe/w191-h400/Paulista.1957.Manchete.247.jpg" width="191" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNH-zgINWUCQ5EZxn04KT6mxat_8uB8JsQ0qb1w6JXI29AUujaHHLStpRa2_6jcCKp2iixO_JZW7pxNvoyW-NWkvd9UH5LjF8f5YDMn4JffTQFRdzSUHC5V03pZJjRb4Ikt4tdO74RQZ-LxkAuEqsGY2C6xRthAW1fjDOLd2SLoRRY-esmWKiF5lOH/s1003/paulista.intimidade.manchete.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1003" data-original-width="679" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNH-zgINWUCQ5EZxn04KT6mxat_8uB8JsQ0qb1w6JXI29AUujaHHLStpRa2_6jcCKp2iixO_JZW7pxNvoyW-NWkvd9UH5LjF8f5YDMn4JffTQFRdzSUHC5V03pZJjRb4Ikt4tdO74RQZ-LxkAuEqsGY2C6xRthAW1fjDOLd2SLoRRY-esmWKiF5lOH/w271-h400/paulista.intimidade.manchete.1957.jpg" width="271" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;">Agostinho dos Santos at Manchete # 247, </span><b style="text-align: center;"><span style="color: #ffa400;">1957</span></b><span style="text-align: center;">; '<b>Intimidade</b>' on Mondays at 8:30 with Walter Forster, Yara Lins, Eloísa Mafalda & Daniel Guimarães (Manchete, <b><span style="color: #ffa400;">1957</span></b>). </span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; text-align: justify;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlgmEoELY5_EDJzZwkkUti2d7LExDGEYbABchdOGLi0uaSZLnIZ4ylVV0vLKwute8Z4STRlrK6-5NQsAodYtvS-BOWMEfZPzgtGv4TrLzpjSEqPGIdIHwTLzkz8aocOsWUmv4OZ5cZx0G1_A5MlmJCR1_6rj10pKSgMwR1vI2mx6R1hPW5o-7sJKv2/s764/paulista.forster.lourdes..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="757" data-original-width="764" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlgmEoELY5_EDJzZwkkUti2d7LExDGEYbABchdOGLi0uaSZLnIZ4ylVV0vLKwute8Z4STRlrK6-5NQsAodYtvS-BOWMEfZPzgtGv4TrLzpjSEqPGIdIHwTLzkz8aocOsWUmv4OZ5cZx0G1_A5MlmJCR1_6rj10pKSgMwR1vI2mx6R1hPW5o-7sJKv2/w400-h396/paulista.forster.lourdes..jpg" width="400" /></a></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><span style="font-family: arial;">'<b>Intimidade</b>' with Walter Forster, Sonia Mara & Lourdes Rocha; Radiolândia no.14, <b><span style="color: #ffa400;">1957</span></b>.</span></div></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5tdkZLLe0E9RlxdyUs1vRYe8Qs0g_mSA9mLW0SBiAeRs7v2Xa5tii9K3EeoHaTeXwY1aoldlxjJ-l5JVivPoybTQCKt3ArxfPSPCd0GO1G60OEO-z6WCEXiXZQGjh3qlPr0H9lHAs43vg5lSSiKoJuKxrQigtSbH0_qaEuVrHQMFTJ1wau4prLUPl/s849/paulista.wilma.hebe.1957.Manchete.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="650" data-original-width="849" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5tdkZLLe0E9RlxdyUs1vRYe8Qs0g_mSA9mLW0SBiAeRs7v2Xa5tii9K3EeoHaTeXwY1aoldlxjJ-l5JVivPoybTQCKt3ArxfPSPCd0GO1G60OEO-z6WCEXiXZQGjh3qlPr0H9lHAs43vg5lSSiKoJuKxrQigtSbH0_qaEuVrHQMFTJ1wau4prLUPl/w400-h306/paulista.wilma.hebe.1957.Manchete.jpg" width="400" /></a></div><div style="text-align: justify;"><b>'Manchete' <span style="color: #ffa400;">1957</span> </b>-<b> Wilma Bentivegna</b>, <b>Hebe Camargo</b>, Eloísa Mafalda & Lourdes Rocha interviewed distinguished guests at '<b>O Mundo é das Mulheres</b>' every Wednesdays at 10:10 pm on Channel 5. </div></div><div style="text-align: center;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrJd3oRc56-rdbLWuMPoxlX_RsK-ahsmUGY94Q1VbzgwNQJYg4SNICI9EWIi9gFa_nElx2V7qJUdKXCK5ypFMtt_YQHlLqOTZD1vCmMrJyS9vkQrEmNFdv0Mp9cXs0VNZXlXZUmohtV24sq-wdVrRCSubCd5KwrKxT0S7Umy-laSbMcQShar_vffq/s625/paulista.hebe.1955.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="387" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrJd3oRc56-rdbLWuMPoxlX_RsK-ahsmUGY94Q1VbzgwNQJYg4SNICI9EWIi9gFa_nElx2V7qJUdKXCK5ypFMtt_YQHlLqOTZD1vCmMrJyS9vkQrEmNFdv0Mp9cXs0VNZXlXZUmohtV24sq-wdVrRCSubCd5KwrKxT0S7Umy-laSbMcQShar_vffq/w248-h400/paulista.hebe.1955.jpg" width="248" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">26 October 1955</span></b>, Wednesday, '<b>Correio Paulistano</b>' - singer <b><span style="color: #ffa400;">Hebe Camargo</span></b> tries her hand as a host in '<b>O mundo é das mulheres</b>' (It's a women's world), a talk-show produced by leading man Walter Forster; <span style="text-align: center;"> </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj67HYRlCTnQVFVGwRJ21r4vvY8GXfbgH8fA8QldLPp_SykmuoxVa46wNknoa3qjfr5Qwjr6P9cUJ6Oci173H3VzufFzRMaCZk4cLvBs5xcHnWdfYclE0cwRPHEGPHSRmu3jAUOywivGGkbcRQ64dvLCOIWstkuprsyRAulmCbtaFCHgoNx05NUU5i6/s740/paulista.anselmo.1956.radiolandia.129.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="740" data-original-width="616" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj67HYRlCTnQVFVGwRJ21r4vvY8GXfbgH8fA8QldLPp_SykmuoxVa46wNknoa3qjfr5Qwjr6P9cUJ6Oci173H3VzufFzRMaCZk4cLvBs5xcHnWdfYclE0cwRPHEGPHSRmu3jAUOywivGGkbcRQ64dvLCOIWstkuprsyRAulmCbtaFCHgoNx05NUU5i6/w333-h400/paulista.anselmo.1956.radiolandia.129.jpg" width="333" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnh1sy9TISoSBqwJmpjZcvPmkvzWFDxR_1a2n8cEpsipAUhgl9C7ori6zCkijIvVyZXRimN36T-w6zCxsm3VIBoJKW-vnqpc2VSFEudCce_wPa2fXacc1k6hPkWqzWl2UZmp-F_pB_usXnnPFsY2Ck-nOlZXRVf58gDsy85wV3YiRANJ2i2pwRhrC/s934/paulista.anselmo.28.May.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="934" data-original-width="319" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnh1sy9TISoSBqwJmpjZcvPmkvzWFDxR_1a2n8cEpsipAUhgl9C7ori6zCkijIvVyZXRimN36T-w6zCxsm3VIBoJKW-vnqpc2VSFEudCce_wPa2fXacc1k6hPkWqzWl2UZmp-F_pB_usXnnPFsY2Ck-nOlZXRVf58gDsy85wV3YiRANJ2i2pwRhrC/w137-h400/paulista.anselmo.28.May.1957.jpg" width="137" /></a></div><b><span style="color: #ffa400;">20 August 1956</span> </b>-<b> Anselmo Duarte</b>, Brazil's foremost matinee idol in the 1950s stars in his own TV show '<b>Cine-Estúdios Anselmo Duarte</b>' where Murillo Amorim Correa ask him how he directs films. Ruth Schelsky anchors the half-hour directed by Alvaro Moya (Radiolândia no.129); </span><b style="text-align: center;"><span style="color: #ffa400;">27 May 1957</span></b><span style="text-align: center;">, a year later </span><span style="text-align: center;">'</span><b style="text-align: center;">Cine-Estúdios</b><span style="text-align: center;">' had moved to Tuesdays at 8:30. At that moment Anselmo directed his first movie '</span><b style="text-align: center;">Absolutamente certo</b><span style="text-align: center;">' in which he also played the leading part.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY74xQJWbRPmbOIdtHNDbP_AybSrQF_J_bFYglo6WSN9UjNdKdtEKfNzOVjm9g0Nu9_CQegoxbbLTxk31G499vv2jKgf3wT7gkwsOOI9SWqfI94KEmAaGB6UTsrx-9J0dJtnnNgPfILvVGrYG8jmoVdX_4mKiZLcwWjt3bqLnLl9w3RgvCO_7YRDQN/s1159/paulista.yara.salles.Manchete.1957%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1159" data-original-width="719" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY74xQJWbRPmbOIdtHNDbP_AybSrQF_J_bFYglo6WSN9UjNdKdtEKfNzOVjm9g0Nu9_CQegoxbbLTxk31G499vv2jKgf3wT7gkwsOOI9SWqfI94KEmAaGB6UTsrx-9J0dJtnnNgPfILvVGrYG8jmoVdX_4mKiZLcwWjt3bqLnLl9w3RgvCO_7YRDQN/w198-h320/paulista.yara.salles.Manchete.1957%20(2).jpg" width="198" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1t-Ze3TLrbhrBiFzqwNxLg3HqX-N0gO2cvETbmBKapKYsZTU9Efc7WL3qcC4JQ7yjtcrRyGhIlBQSueRUnGXlVdCsoGtK4RP0eszxER911cRKsAIzVv2Hhjjkjf9d4JajohRUxrW1JVQD-0lbdbnaIvK3iGk2bU_f5Akvl5dAGYEAsZr6O3NUXcVD/s710/paulista.yara.hebe.1958.radiolandia.201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="710" data-original-width="502" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1t-Ze3TLrbhrBiFzqwNxLg3HqX-N0gO2cvETbmBKapKYsZTU9Efc7WL3qcC4JQ7yjtcrRyGhIlBQSueRUnGXlVdCsoGtK4RP0eszxER911cRKsAIzVv2Hhjjkjf9d4JajohRUxrW1JVQD-0lbdbnaIvK3iGk2bU_f5Akvl5dAGYEAsZr6O3NUXcVD/w226-h320/paulista.yara.hebe.1958.radiolandia.201.jpg" width="226" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Yara Salles</b> functioned as an 'anchor' for '<b>Grande Espetáculo</b>' on Sunday nights which ran from 1956 to 1958 (Manchete, <b><span style="color: #ffa400;">1957</span></b>); on the left Yara & Hebe Camargo rehearse their parts on the show (<b><span style="color: #ffa400;">1958</span></b>). <span style="text-align: center;"> </span></div></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC32BSEg_CrvMN7p7d_8x4PsbN_n1tDM-dIQbkhVYAnJBQeTGFjivRs_mO19tAV9H35NWTNecoBCAEt4YXNdNiKKzjWwOeFu6Y8_aefqmPSQ_E0GopaNNkuyKb6RMsDcxVjYaUqVAZHiMDu6iBk5XXxqZpb7AZnlPf-G2tUysVXnB3Ek5OYCqjizuk/s1211/paulista.mulheres.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1211" data-original-width="1042" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC32BSEg_CrvMN7p7d_8x4PsbN_n1tDM-dIQbkhVYAnJBQeTGFjivRs_mO19tAV9H35NWTNecoBCAEt4YXNdNiKKzjWwOeFu6Y8_aefqmPSQ_E0GopaNNkuyKb6RMsDcxVjYaUqVAZHiMDu6iBk5XXxqZpb7AZnlPf-G2tUysVXnB3Ek5OYCqjizuk/w344-h400/paulista.mulheres.jpg" width="344" /></a></div><div style="text-align: justify;"><b>Hebe Camargo</b> , when she was still a brunette, commands '<b>O mundo é das mulheres</b>' for the 2nd year, in <b><span style="color: #ffa400;">1957</span></b>. Geraldo Blum is the guest with Cacilda Lanuza, Maximilia Figueiredo, actresses Yara Lins and Lourdes Rocha.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqJ4VurNzDZT6z0COwZRK13v_o8CC0nGoLWGBnZhjT_VOURWm5OWosNVygifaWgSl-m9D7IWLi8FGLKq1e2E94fR590tIVs4VFTRHjGwBf5uLO1yCxBCUN37WnHfbE5Vz1NqI6-OHLb3YnhkX3J8PpbkgUhu7F8ClMaySaJykH0ZFNRWeV5lCAA14B/s928/paulista.los.claveles.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="928" data-original-width="611" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqJ4VurNzDZT6z0COwZRK13v_o8CC0nGoLWGBnZhjT_VOURWm5OWosNVygifaWgSl-m9D7IWLi8FGLKq1e2E94fR590tIVs4VFTRHjGwBf5uLO1yCxBCUN37WnHfbE5Vz1NqI6-OHLb3YnhkX3J8PpbkgUhu7F8ClMaySaJykH0ZFNRWeV5lCAA14B/w263-h400/paulista.los.claveles.1957.jpg" width="263" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhftDDTwHsbs_l-pM2ChZ05Q5FBHqzXo3hJ2QylgzL3qMZkcH8D1ZLjBS0LRCONA6xC-nRypuc7JNtTIPP1Yx-692yy9mT5UMxXL3PI3oQhzJx9IN7iEFuU58MH7kXoVgWSHamkUsHE9-9vXoIBrmQDvEnHEJYBYuF07YGkV5CYGFm4LdROn9zmDRPp/s784/paulista.Cassio.Muniz.6.Oct.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="784" data-original-width="512" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhftDDTwHsbs_l-pM2ChZ05Q5FBHqzXo3hJ2QylgzL3qMZkcH8D1ZLjBS0LRCONA6xC-nRypuc7JNtTIPP1Yx-692yy9mT5UMxXL3PI3oQhzJx9IN7iEFuU58MH7kXoVgWSHamkUsHE9-9vXoIBrmQDvEnHEJYBYuF07YGkV5CYGFm4LdROn9zmDRPp/w261-h400/paulista.Cassio.Muniz.6.Oct.1957.jpg" width="261" /></a></div></div><div style="text-align: justify;"><span style="color: #ffa400;"><b>29 June 1957</b></span> (Gazeta Esportiva) Los Chavales de España at 8:00 pm; <span style="color: #ffa400;"><b>6 October 1957 </b></span>'Cassio Muniz em Revista' presents Nelson Gonçalves, Luiz Gonzaga, Osny Silva, Borges de Barros; produced by José Castellar. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3_15uBiL0UVp4O8LHg8opF-YTSk3AwIQRoSnR8u0HKf0LLrLBACgTtJqOjtIA0hfE1HbzkATehJJzhwWc7TqRyf2GEqjUAyeCLgdpmPtzEQZDjTCABR3U92T53LG_T-bfjfUfmid3rsCyuuHAgw3_pCvOe6GEjuHbyC3I7QKTYpP4sHfKkcaTjc6cTKo/s710/paulista.Ary.Barroso.1957.'Calouros.em.desfile'.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="710" data-original-width="526" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3_15uBiL0UVp4O8LHg8opF-YTSk3AwIQRoSnR8u0HKf0LLrLBACgTtJqOjtIA0hfE1HbzkATehJJzhwWc7TqRyf2GEqjUAyeCLgdpmPtzEQZDjTCABR3U92T53LG_T-bfjfUfmid3rsCyuuHAgw3_pCvOe6GEjuHbyC3I7QKTYpP4sHfKkcaTjc6cTKo/s16000/paulista.Ary.Barroso.1957.'Calouros.em.desfile'.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><span style="color: #ffa400;">Ary Barroso</span></b> MCs '<b>Calouros em Desfile</b>' weekly at TV Paulista in <b><span style="color: #ffa400;">1957</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJpTx7SD7A9r_NpiLkjxOHPDyxm32ZcVKw5MyU_Z27HBPUBigwJdFRpTdg-k3Z-RMxf6jsrCuEN_XgI_MwApQa_rTXKK4Prhud7mOHIQVctNcMORkYfTgGqjB_ZZxZHYAyG1G5EzPClPLPx-ttqWN0RPdu_d-Pi2eeWt0m8f6ozkIUpa6tb_iGznjojis/s735/paulista.calouros.Ary.Barroso.1958.Radiolandia.198.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="735" data-original-width="638" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJpTx7SD7A9r_NpiLkjxOHPDyxm32ZcVKw5MyU_Z27HBPUBigwJdFRpTdg-k3Z-RMxf6jsrCuEN_XgI_MwApQa_rTXKK4Prhud7mOHIQVctNcMORkYfTgGqjB_ZZxZHYAyG1G5EzPClPLPx-ttqWN0RPdu_d-Pi2eeWt0m8f6ozkIUpa6tb_iGznjojis/w347-h400/paulista.calouros.Ary.Barroso.1958.Radiolandia.198.jpg" width="347" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Ary Barroso</b>, legendary songwriter who penned '<b>Aquarela do Brasil</b>' , '<b>Camisa amarela</b>', 'Na Baixa do Sapateiro' (1938) and many other evergreen classics commands '<b><span style="color: #ffa400;">Calouros em Desfile</span></b>', a new-talent show in <b><span style="color: #ffa400;">1957</span></b>.</div></span></div><span style="font-family: arial;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIiPsQiNPAAQown-NL1lsh5jhoAwFPewVdCmZGKBIjLF0B4YkSM7HerIEP_VdfjBQKbWn8qho-H3oJ1YrlSRhwc5YCsjd5Nj4nhhXlRI9DzJdtAuWDlrE7aiO807C41BLHYJEo4bGKiBCs5ytFAGROTN76UxkAGN7ZSD2aaRgMWKdevXZkotI1E7Hm/s826/paulista.finocchio.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="826" data-original-width="551" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIiPsQiNPAAQown-NL1lsh5jhoAwFPewVdCmZGKBIjLF0B4YkSM7HerIEP_VdfjBQKbWn8qho-H3oJ1YrlSRhwc5YCsjd5Nj4nhhXlRI9DzJdtAuWDlrE7aiO807C41BLHYJEo4bGKiBCs5ytFAGROTN76UxkAGN7ZSD2aaRgMWKdevXZkotI1E7Hm/w427-h640/paulista.finocchio.jpg" width="427" /></a><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Classical-trained ballet-dancer <b><span style="color: #ffa400;">Maria Pia Finocchio</span></b> (*4 November in Guarama-RS) worked as a dancer & choreographer at most musical-shows at TV Paulista. '<b>Gazeta Esportiva</b>', <b><span style="color: #ffa400;">23rd September 1958</span></b>. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEQyTtKdCAsfmuUNOl3-UJZArvRJEuHLGWF-WRWV8tOxuykELv_LBzI7mhM0ToT1yJ6EpfgLUJbmemVVUvJMW-68ihzKPcVx0K0v0T-ytTLXnQKQ5v6Tgx3L7TMhcNvhgxqfyDQTHV54CNy2XRc0U-pKVdVeQ14lumQZte7uKz9zRqe1OzljL6JMJ/s294/paulist.joshey.le%C3%A3o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="294" data-original-width="219" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEQyTtKdCAsfmuUNOl3-UJZArvRJEuHLGWF-WRWV8tOxuykELv_LBzI7mhM0ToT1yJ6EpfgLUJbmemVVUvJMW-68ihzKPcVx0K0v0T-ytTLXnQKQ5v6Tgx3L7TMhcNvhgxqfyDQTHV54CNy2XRc0U-pKVdVeQ14lumQZte7uKz9zRqe1OzljL6JMJ/w149-h200/paulist.joshey.le%C3%A3o.jpg" width="149" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqC6GWNHYpRqjmj7k7LlCyc28jrOgTYf2i-i8oVCePNy4BQxKmdfit96BZSsaMrJ9ooYmIt8-IUqturnoOjy3G9h4FxJ1kh1asFZ7AHVrGwe3Pnmi1k4MLXDl3EH7wPYY2gqrUTDoFKcWkPjgUSYXmo9zciKnndGptAnYTKYJKN6bwoo8t0HXjXwfB/s212/joshey.le%C3%A3o.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="212" data-original-width="170" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqC6GWNHYpRqjmj7k7LlCyc28jrOgTYf2i-i8oVCePNy4BQxKmdfit96BZSsaMrJ9ooYmIt8-IUqturnoOjy3G9h4FxJ1kh1asFZ7AHVrGwe3Pnmi1k4MLXDl3EH7wPYY2gqrUTDoFKcWkPjgUSYXmo9zciKnndGptAnYTKYJKN6bwoo8t0HXjXwfB/s1600/joshey.le%C3%A3o.PNG" width="170" /></a></div></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><span style="font-family: arial;">Classical dancer <b><span style="color: #ffa400;">Joshey Leão</span></b> was busy at TV Paulista most of the time.</span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWoA7vBTqWqi25nrWfXmzx1xxk0bJteJJY2sAk-UDcE8M-6_uOEtorPEmUxfeftwGzsLBb9pJe_3P03bUtqaBw5ICVVI_Cd0Z1X5SQipImdgA4mgPnwAh2RMPZo41yApYhlG9BTZ43krBR6aHEENih9rNy7i0KQL3zv4aN3dujnizIuJP0bAJeeFCY/s215/paulista.maria.pia.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="215" data-original-width="176" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWoA7vBTqWqi25nrWfXmzx1xxk0bJteJJY2sAk-UDcE8M-6_uOEtorPEmUxfeftwGzsLBb9pJe_3P03bUtqaBw5ICVVI_Cd0Z1X5SQipImdgA4mgPnwAh2RMPZo41yApYhlG9BTZ43krBR6aHEENih9rNy7i0KQL3zv4aN3dujnizIuJP0bAJeeFCY/s1600/paulista.maria.pia.PNG" width="176" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZE9PlH0uF5THR3o_TW5LZSP79_DnDqmwG12ddZRPWPE2TcgZ0ylkwYGRjYOC8Zzr1Hx2ve1dcb1_7qETzVGdmaiPBlfRXZultGZONcxJzY1M_TKPMoAkamMHBELrWU5s5Rp5BKeS34oDN0PPGZyAZ0XkBAenrQzxzu_NacqwHsMLwfOpV4jI4oo_L/s203/paulista.branca.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="203" data-original-width="156" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZE9PlH0uF5THR3o_TW5LZSP79_DnDqmwG12ddZRPWPE2TcgZ0ylkwYGRjYOC8Zzr1Hx2ve1dcb1_7qETzVGdmaiPBlfRXZultGZONcxJzY1M_TKPMoAkamMHBELrWU5s5Rp5BKeS34oDN0PPGZyAZ0XkBAenrQzxzu_NacqwHsMLwfOpV4jI4oo_L/s1600/paulista.branca.PNG" width="156" /></a></div></div><div style="text-align: justify;"><span style="font-family: arial;"><b><span style="color: #ffa400;">Maria Pia Finocchio</span></b> was São Paulo's Theatro Municipal's prima ballerina and TV Paulista's choreographer; </span><span style="font-family: arial; text-align: center;"><b><span style="color: #ffa400;">Branca Ribeiro</span></b> turned out to be the best newscaster on Brazilian TV. </span></div></div></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-u9B96-OcXmNtEn0wJFOvS_XULD4U3ta1mFcy2C2rJlRe2p6mf4WauhPVc46fouuDtiHFXunPCno_6fnkVTEQcJNX7EbdvB9EphHTJfiXfJJHE7tnZuaRPmwQJPMKYhrWDp9QtjwaXJ8E7g_HXSC_Ja7ZeSwkVRY0yaG-EzmEY0XKncurhAXjzZ9/s743/paulista.joshey..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="743" data-original-width="387" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-u9B96-OcXmNtEn0wJFOvS_XULD4U3ta1mFcy2C2rJlRe2p6mf4WauhPVc46fouuDtiHFXunPCno_6fnkVTEQcJNX7EbdvB9EphHTJfiXfJJHE7tnZuaRPmwQJPMKYhrWDp9QtjwaXJ8E7g_HXSC_Ja7ZeSwkVRY0yaG-EzmEY0XKncurhAXjzZ9/w333-h640/paulista.joshey..jpg" width="333" /></a></div><span style="font-family: arial;">Ballet dancer <b>Joshey Leão</b> was instrumental in getting TV Paulista's early musical programmes to be so popular. Joshey was born in <b>Assis-SP</b>, on <b>19 May 1927</b>. When only 12 years old he received 1939's most likely to succeed award given to him personally by author <b>Monteiro Lobato</b> who asserted Joshey was the only Brazilian dancer who could be compared with Soviets. Joshey was 56 years old when he passed away on <b>15 April 1983</b>. </span><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both;"><span style="margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmi70-NnG6pvPgnUO_VzlfTkrcVq4zJsU8U0LNDtnJq61SZSa4tDpGBCYoLGPgn35-5X2_XMVJYAgmao9Pnrwn2MxjRau2TV4oIIJh1S2DiND4trraFryKxQ3P55wc8rWyARaI4EvB3dEVc6V14OZGjxL31ZWzskjcQ16ti5URknqNbhtlT-z_yKsC/s658/paulista.hit.parade.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="658" data-original-width="547" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmi70-NnG6pvPgnUO_VzlfTkrcVq4zJsU8U0LNDtnJq61SZSa4tDpGBCYoLGPgn35-5X2_XMVJYAgmao9Pnrwn2MxjRau2TV4oIIJh1S2DiND4trraFryKxQ3P55wc8rWyARaI4EvB3dEVc6V14OZGjxL31ZWzskjcQ16ti5URknqNbhtlT-z_yKsC/w333-h400/paulista.hit.parade.jpg" width="333" /></a></span><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;">'<b>A</b> <b>Gazeta Esportiva</b>' - <b><span style="color: #ffa400;">7 February 1958</span></b>. </span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_pWCQw3OJ2EblAzIpdzoWqmck3sXIx2KbmWObsH_sFXgCA03L29FYgnryEQB7KVMzCV1MKmVQ7_i0n_AzwWuNBkLx8bOv1ryyQbe3r4k3ZLZ5RayesIOuCj7Mz8y2apiVT2dQi-cKgIyRLw2tvls_lujAP23lP243djECTTlzuCw4-8_rA5SzSqI/s491/Paulista.Finocchio.1958.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="491" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh_pWCQw3OJ2EblAzIpdzoWqmck3sXIx2KbmWObsH_sFXgCA03L29FYgnryEQB7KVMzCV1MKmVQ7_i0n_AzwWuNBkLx8bOv1ryyQbe3r4k3ZLZ5RayesIOuCj7Mz8y2apiVT2dQi-cKgIyRLw2tvls_lujAP23lP243djECTTlzuCw4-8_rA5SzSqI/w400-h266/Paulista.Finocchio.1958.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;">'A Gazeta Esportiva', <b><span style="color: #ffa400;">19 September 1958</span></b>. </div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8vPgQPI_EtreqIZZB7B7BS0AAzcUIifpI49iwP4T_ii7ZRvM3GPz1b87mF_8EjVrug8Zh0cDcbpCb5eRiDbjUbQVLpofLuNu1_yxychgvJIOTtrjNuV54ptWNkBLSsKQt5kX3NlXl79pTCynQ2sQC-VSpczso7U-TYkUzrE3Uc1VI2dyERZtxMvTC/s493/Paulista.Finocchio.1958.text.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="299" data-original-width="493" height="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8vPgQPI_EtreqIZZB7B7BS0AAzcUIifpI49iwP4T_ii7ZRvM3GPz1b87mF_8EjVrug8Zh0cDcbpCb5eRiDbjUbQVLpofLuNu1_yxychgvJIOTtrjNuV54ptWNkBLSsKQt5kX3NlXl79pTCynQ2sQC-VSpczso7U-TYkUzrE3Uc1VI2dyERZtxMvTC/w320-h194/Paulista.Finocchio.1958.text.jpg" width="320" /></a></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFF4WnACwrk4K01Wl_w4ZHq68qx1imNOpYhIq6TQ1DvigfBso58Ykt-3NzNwbzMuOr3L2aORmaGB7yuCQMbeaX1lVCTcH7TIohgWYZeWXoUrLLG39hVUwErAKAfYUyofWaCnYlj8M4EteCd-K8lFicWOV-DiG-NUC2eLlI036QwF_pvha_dwyHx4Y_/s649/paulista.joshey.1959.salom%C3%A9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="649" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFF4WnACwrk4K01Wl_w4ZHq68qx1imNOpYhIq6TQ1DvigfBso58Ykt-3NzNwbzMuOr3L2aORmaGB7yuCQMbeaX1lVCTcH7TIohgWYZeWXoUrLLG39hVUwErAKAfYUyofWaCnYlj8M4EteCd-K8lFicWOV-DiG-NUC2eLlI036QwF_pvha_dwyHx4Y_/w400-h305/paulista.joshey.1959.salom%C3%A9.jpg" width="400" /></a></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><div style="text-align: justify;">Radiolândia, <b><span style="color: #ffa400;">1959 </span></b>brings a photo of variety show '<b><span style="color: #ffa400;">La Belle Époque</span></b>' in which Joshey Leão is featured with Marília Franco, Salomé Parísio, Irina Greco and Alberto del Monte. </div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcvm4hqoT3f_hL2CtEQtQL-AtYqNZW-9RWn2cbNVPRICIb-kjvuXwA6B2MQyoJjZuxYMxYmi4i_f-dE0vkUfZb1w-JCuWvXrMSZ-MZhs_O3J21lxFOT28N_Bb7baBQ-ApaWXADDwUEl3QGXPQcqE375z_sJfyIOndEZZ8vJaTx6t4vQrO3OJ3IHUDW/s691/Elizeth.Moacyr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="691" data-original-width="455" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcvm4hqoT3f_hL2CtEQtQL-AtYqNZW-9RWn2cbNVPRICIb-kjvuXwA6B2MQyoJjZuxYMxYmi4i_f-dE0vkUfZb1w-JCuWvXrMSZ-MZhs_O3J21lxFOT28N_Bb7baBQ-ApaWXADDwUEl3QGXPQcqE375z_sJfyIOndEZZ8vJaTx6t4vQrO3OJ3IHUDW/w263-h400/Elizeth.Moacyr.jpg" width="263" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5gbAC9RcR6j45f66jcw1LvD9n-xcGXHXZUXEimtkVh9s2_QuZo4n9F4vQKt5L-H9f4xj8Tr24vljeWBfR-I5udkspnVoLjk_eXGkEqJ-jyeMLC7oJ8Id-AV2Jx2iAkz64xbd3BoIELTkQNUKN0hF5op3HspdWkZcD5g70i7yCmK7k4cYtylSBTZdp/s1969/paulista.elizeth.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1969" data-original-width="1266" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5gbAC9RcR6j45f66jcw1LvD9n-xcGXHXZUXEimtkVh9s2_QuZo4n9F4vQKt5L-H9f4xj8Tr24vljeWBfR-I5udkspnVoLjk_eXGkEqJ-jyeMLC7oJ8Id-AV2Jx2iAkz64xbd3BoIELTkQNUKN0hF5op3HspdWkZcD5g70i7yCmK7k4cYtylSBTZdp/w257-h400/paulista.elizeth.jpg" width="257" /></a></div></div><div class="separator" style="clear: both;"><b><span style="color: #ffa400;">5 January 1959</span></b> - <b>Elizeth Cardoso</b> premieres '<b>Aonde nos leva a canção</b>' on Monday at 10:10 pm; singer-comedian <b><span style="color: #ffa400;">Moacyr Franco</span></b> who would be on top of the charts in early 1960 is a guest. </div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1-Bh7on1m_x-3YMqAVDxZzj2JiHFYrfn9mVlt8OHzM1D1bROG2ZHtwVYalPsa8k-fkCg69ttEjlQVSx2EK5CBgvbDXM2VNwvPnNjpRHTX82DxvzrOejV10oMtTpyX-xI5KdBz9mxXyRth9zR5U-P_ZhZJOpQnQtCYUsRMy63VHTuSwjpEjMaVsvMQ/s505/paulista.silveira.sampaio.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="505" data-original-width="439" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1-Bh7on1m_x-3YMqAVDxZzj2JiHFYrfn9mVlt8OHzM1D1bROG2ZHtwVYalPsa8k-fkCg69ttEjlQVSx2EK5CBgvbDXM2VNwvPnNjpRHTX82DxvzrOejV10oMtTpyX-xI5KdBz9mxXyRth9zR5U-P_ZhZJOpQnQtCYUsRMy63VHTuSwjpEjMaVsvMQ/w348-h400/paulista.silveira.sampaio.1959.jpg" width="348" /></a></div><div style="text-align: justify;"><b>Silveira Sampaio</b>'s was the very first <b>talk-show presenter</b> on Brazilian TV. Here Silveira talks about his time visiting <b>Paris</b> and <b>Italy</b> and shows footage of an interview he made with Italian movie actor <b>Vittorio Gassman</b> (<b><span style="color: #ffa400;">1959</span></b>).</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8A262ztFIHkLSbbKjLSk59ZHoshPi2xsWD2XxrSG7kuOlCUXZ_Gv6BqxbdBamA7V2VM_2GrdtlRQ477iIP6joEduBj5jWiTm-4o7Rn5AIKSzrRmnWQPbHu8chohR_jXSaiYCvTRYrRF5z8d5Z29Gyjf6iJUExSxM1fMCBjYpGXsgpWMg1vY3oM0_x/s714/paulista.June.1959.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="554" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8A262ztFIHkLSbbKjLSk59ZHoshPi2xsWD2XxrSG7kuOlCUXZ_Gv6BqxbdBamA7V2VM_2GrdtlRQ477iIP6joEduBj5jWiTm-4o7Rn5AIKSzrRmnWQPbHu8chohR_jXSaiYCvTRYrRF5z8d5Z29Gyjf6iJUExSxM1fMCBjYpGXsgpWMg1vY3oM0_x/w310-h400/paulista.June.1959.jpg" width="310" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">June 1959</span></b> - Monday, Tuesday & Wednesday at TV Paulista. </div></span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em;"><span style="margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmi70-NnG6pvPgnUO_VzlfTkrcVq4zJsU8U0LNDtnJq61SZSa4tDpGBCYoLGPgn35-5X2_XMVJYAgmao9Pnrwn2MxjRau2TV4oIIJh1S2DiND4trraFryKxQ3P55wc8rWyARaI4EvB3dEVc6V14OZGjxL31ZWzskjcQ16ti5URknqNbhtlT-z_yKsC/s658/paulista.hit.parade.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="573" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL1qfiT9ZQYhsIlawbpQGun9VAYMAu7SbLZqrzjQD09UqYoWvzGtDCXrn80Tj-gL9CMLr1jFb0tL7BZNmKahMPLPC815O50lqNqp3I3tYg4YJBzDQly4Y4_aGyp2EobK8So2ydnJveo-oGK-Qa8gfZC103eCxQ3ZPT3pBIJmXovTTVo1XB1xrfJ0Zv/w320-h315/paulista.hit.radio.jpg" width="320" /></a></span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em; text-align: justify;"><span style="font-family: arial;">'<b>Revista do Rádio</b>' (<b><span style="color: #ffa400;">1960</span></b>), praises the '<b>Hit Parade</b>' production but at the same time criticizes it for negleting some fine tuning. </span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em; text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTifT9tGTNhyJE6D4QFj2DhurffbuT6UMZnxLulHlPmLKe2xtD_SHTsJ9PyY6ZLhLyP8Zlry0GjKzzA_Ct9phWCfmxX418NA8zj9Ho6ifEcTBP9-wXdqHka9DBXli8lvvQP6wrMU_90Ozjadz3GV-YKKw_YTC14PZZNZKKqj1_J00ZNrG8hP4BVd04/s1212/paulista.1960.Tom.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1212" data-original-width="790" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTifT9tGTNhyJE6D4QFj2DhurffbuT6UMZnxLulHlPmLKe2xtD_SHTsJ9PyY6ZLhLyP8Zlry0GjKzzA_Ct9phWCfmxX418NA8zj9Ho6ifEcTBP9-wXdqHka9DBXli8lvvQP6wrMU_90Ozjadz3GV-YKKw_YTC14PZZNZKKqj1_J00ZNrG8hP4BVd04/w261-h400/paulista.1960.Tom.jpg" width="261" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh35XyFggWv0Dmkgf9kBR5a8nG_hiv_OmjuoYn0xBpUDSYV8rHRbNuC8u-AQ_-wUQHo9cTJOWQOZ4fqwiO-ot9-BvifEOsa6vBF23uZ-NM2O3mYCXdSN95y1PcfRy6-mP8O4F9s-mqyAdlj2dB5vT0qYciXBp_bXq87aqYMyypWAsHaj0g8S10S7dMK/s1072/paulista.bom.tom.coloured.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1072" data-original-width="704" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh35XyFggWv0Dmkgf9kBR5a8nG_hiv_OmjuoYn0xBpUDSYV8rHRbNuC8u-AQ_-wUQHo9cTJOWQOZ4fqwiO-ot9-BvifEOsa6vBF23uZ-NM2O3mYCXdSN95y1PcfRy6-mP8O4F9s-mqyAdlj2dB5vT0qYciXBp_bXq87aqYMyypWAsHaj0g8S10S7dMK/w263-h400/paulista.bom.tom.coloured.1960.jpg" width="263" /></a></div></div><div class="separator" style="clear: both; text-align: center;">Tom Jobim at his own '<b>O bom Tom</b>' Radiolândia no.32, <b><span style="color: #ffa400;">1960</span></b>.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyH-XXgr2bLo7dlSE0Z9lsADsthI21lirZJ08vcNQf_Iq8NLN4x2qVkc-Q4L3lJ7mV7I0T3DKRyBTuOmOgkpNWNwSASSpLzq9FDi3zJE_LgzmTKDVlO6KM3S3br93ATtMOpe45TtKk4sWVcgtRvNcF-fV2393r35j2R9htYco5xJD0ycuUlN7NOpbw/s840/paulista.bom.tom.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="613" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyH-XXgr2bLo7dlSE0Z9lsADsthI21lirZJ08vcNQf_Iq8NLN4x2qVkc-Q4L3lJ7mV7I0T3DKRyBTuOmOgkpNWNwSASSpLzq9FDi3zJE_LgzmTKDVlO6KM3S3br93ATtMOpe45TtKk4sWVcgtRvNcF-fV2393r35j2R9htYco5xJD0ycuUlN7NOpbw/w234-h320/paulista.bom.tom.jpg" width="234" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIdEOcryFYzm0J1TqdA-IE8RHxO0IAEPTjeWaU22zS_fQWquU_nAHT2Cr8DGwHTOc_IMSZv30YvYO1-mEEpGN0XhB46b30-SNcpgzsQnwPVR_jACfEXgYONdlLA3gy_rKZJ4u8Z0BdQXNjGOLJTsBB6LCLyWDkz56TUV836hvpgc5f6hNHEX-A8FyH/s957/paulista.bom.tom.radiolandia.1960.32.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="957" data-original-width="684" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIdEOcryFYzm0J1TqdA-IE8RHxO0IAEPTjeWaU22zS_fQWquU_nAHT2Cr8DGwHTOc_IMSZv30YvYO1-mEEpGN0XhB46b30-SNcpgzsQnwPVR_jACfEXgYONdlLA3gy_rKZJ4u8Z0BdQXNjGOLJTsBB6LCLyWDkz56TUV836hvpgc5f6hNHEX-A8FyH/w229-h320/paulista.bom.tom.radiolandia.1960.32.jpg" width="229" /></a></div></div><div class="separator" style="clear: both; text-align: justify;">Pianist-song-writer <b>Antonio Carlos Jobim</b> had his own '<b><span style="color: #ffa400;">O bom Tom</span></b>', on Monday nights; 1960.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU9VdoWRftevlPxgfo5H7p8ILAmMDUdVZaZTdaQlNdwSMkQ61tnr5BFwdXWhof7_PzWBP1hUHUgwatSjf-xy0rLHdTp8bgmp94y3bvms-GChjQitvrKTV1zzcbZmhCDL4Qu4ddO-LXvaZnbjLrYs59hx_-ZVCdHf9R29-g3DsYSVqlFUsbcMpMn8YB7wc/s776/paulista.tom.agostinho.vinicius%20(2).PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="770" data-original-width="776" height="635" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU9VdoWRftevlPxgfo5H7p8ILAmMDUdVZaZTdaQlNdwSMkQ61tnr5BFwdXWhof7_PzWBP1hUHUgwatSjf-xy0rLHdTp8bgmp94y3bvms-GChjQitvrKTV1zzcbZmhCDL4Qu4ddO-LXvaZnbjLrYs59hx_-ZVCdHf9R29-g3DsYSVqlFUsbcMpMn8YB7wc/w640-h635/paulista.tom.agostinho.vinicius%20(2).PNG" width="640" /></a></div>Vinicius, Tom & Agostinho in <b><span style="color: #ffa400;">1960</span></b>.<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJCljJmYyemxgw0ds3mzdbjNDw8sO0KjcqLhdGSqlGSA0IC68wDBSoyD3NtihBjKq0tuQIehjEP1FXliRh9gD7486_4S44b-BGJA4wioVge2gMpfrM3Wm-xMgTYVO0EchMDKk3r8w5qLOduxnG1xuPz1PSlWTVBWCvv5D9uqiuQCLWSNchKJ_Jp7ox/s741/paulista.bom.tom.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="741" data-original-width="576" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJCljJmYyemxgw0ds3mzdbjNDw8sO0KjcqLhdGSqlGSA0IC68wDBSoyD3NtihBjKq0tuQIehjEP1FXliRh9gD7486_4S44b-BGJA4wioVge2gMpfrM3Wm-xMgTYVO0EchMDKk3r8w5qLOduxnG1xuPz1PSlWTVBWCvv5D9uqiuQCLWSNchKJ_Jp7ox/w311-h400/paulista.bom.tom.1960.jpg" width="311" /></a></div>Aloysio de Oliveira, Sylvia Telles & Tom Jobim at 'O bom Tom'. </div></span></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIeY7kklMi63e-e2R4dfbFj8fgt1k5bJpDkOMzQq3rTzPgGsmC5hR16a0N1a3uOxAHSL0jvtL_zwiL-lr57eIlDowzpTZzawl4no1nPEZjAMyI6CeMGSUPIkkbv81jadU8cv1h48xR6MT_3C55O2IOKs6tkx_I0iSL0hqoohq9yXkCernP5xcg1ZV/s332/Paulista.3a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="332" data-original-width="296" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIeY7kklMi63e-e2R4dfbFj8fgt1k5bJpDkOMzQq3rTzPgGsmC5hR16a0N1a3uOxAHSL0jvtL_zwiL-lr57eIlDowzpTZzawl4no1nPEZjAMyI6CeMGSUPIkkbv81jadU8cv1h48xR6MT_3C55O2IOKs6tkx_I0iSL0hqoohq9yXkCernP5xcg1ZV/w179-h200/Paulista.3a.jpg" width="179" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglggT_WHWC40-tLfeNN37l7wm68ghFFiqPc_SBxDs-FqQJ1m_5gs-_ST0UKujUckLoNnfU2R3AvU-I4LY8EqcWAacpwk7vH2reY0jc2Swaw0HX0vghBbembv3ZFNBGdQSlO5JkWljQGcVhs6CSlHNV39AK26lhUVN3qGYw5jMYD-RYKMGcF4e61LlO/s672/paulista.2a.3a.em.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="599" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglggT_WHWC40-tLfeNN37l7wm68ghFFiqPc_SBxDs-FqQJ1m_5gs-_ST0UKujUckLoNnfU2R3AvU-I4LY8EqcWAacpwk7vH2reY0jc2Swaw0HX0vghBbembv3ZFNBGdQSlO5JkWljQGcVhs6CSlHNV39AK26lhUVN3qGYw5jMYD-RYKMGcF4e61LlO/w285-h320/paulista.2a.3a.em.jpg" width="285" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">2nd February 1959</span> - </b><span style="font-family: arial;">'Radiolândia' prints TV Paulista's </span><b><span style="color: #ffa400;">Monday</span></b><span style="font-family: arial;">'s and </span><b><span style="color: #ffa400;">Tuesday</span></b><span style="font-family: arial;">'s grid. '</span><b>Praça da</b><span style="font-family: arial;"> </span><b>Alegria</b><span style="font-family: arial;">' commanded by </span><b>Manoel de Nóbrega</b><span style="font-family: arial;"> was a fixture on Mondays. Priest </span><b>Olavo</b><span style="font-family: arial;"> </span><b>Pezzotti</b><span style="font-family: arial;">, who lived in a house on </span><b>Rua Aspicuelta</b><span style="font-family: arial;">, 3 blocks away from where I lived in Vila Madalena had a 10-minute talk with his flock every evening at 6 o'clock; 'Radiolândia' 1st fortnight of <b><span style="color: #ffa400;">April 1961</span></b>. '<b>Folias do Golias</b>' was top on <b>Tuesdays night</b> at 8:35 pm.</span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieYoTOH1j4bPyRkLWX6zV4RYwQJhErm8kZPfaufy468pI7yF1M6B45JLmvjh1HboDZ9FvAxmcZBdL2lFNDPGPwYqmQ2lnR_fahajAu4DU9osa0GVXkCJROwh8Z32LR3d5ZW6g0c-CLLPPAJlqqQnOorBUw3bCA488Dvmy47bhtzmA8sqCansNn2BrI/s1325/paulista.makerli.supremo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1325" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieYoTOH1j4bPyRkLWX6zV4RYwQJhErm8kZPfaufy468pI7yF1M6B45JLmvjh1HboDZ9FvAxmcZBdL2lFNDPGPwYqmQ2lnR_fahajAu4DU9osa0GVXkCJROwh8Z32LR3d5ZW6g0c-CLLPPAJlqqQnOorBUw3bCA488Dvmy47bhtzmA8sqCansNn2BrI/w217-h400/paulista.makerli.supremo.jpg" width="217" /></a></div><b>Cesar de Alencar</b> (*6 June 1917, in Fortaleza-CE +14 January 1990) who was the most popular radio personality in Rio de Janeiro in the 1950s, presented 'Makerli supremo' in <b><span style="color: #ffa400;">1960</span></b>. Alencar talks to <b>Liria Marçal</b> and <b>Waldyr</b>, Palmeiras' goal-keeper; <b>Adilson Oses</b> wrote at Facebook: <i>Acho que a palavra "pênalti" fazia parte do nome do programa, que consistia em convidar um goleiro e um jogador de linha de um time paulista para a cobrança de penalidades máximas. O detalhe é que tanto o jogador quanto o goleiro tinham que calçar o Markerli Supremo.</i><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXgc-pVDb21enKc_KQ4W2BPhs3TS0q40RYv5jRr6JMrCw4Y4peWEd7n87ffEgoy_hvtHhcHgnW-sm2AR2VU3wnS4SvFYUDu4cmIHOyM8iibxWWC3REhOHypkijfNpwFC0tptsroMTp3ltfxieIGdavf323cGPPh6IWT9sMJHDxPbn8eydnFwALLGoh/s668/paulista.1957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="668" data-original-width="266" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXgc-pVDb21enKc_KQ4W2BPhs3TS0q40RYv5jRr6JMrCw4Y4peWEd7n87ffEgoy_hvtHhcHgnW-sm2AR2VU3wnS4SvFYUDu4cmIHOyM8iibxWWC3REhOHypkijfNpwFC0tptsroMTp3ltfxieIGdavf323cGPPh6IWT9sMJHDxPbn8eydnFwALLGoh/w159-h400/paulista.1957.jpg" width="159" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRkpJI7JVHlDVObEEzlYthekz69XIT68bYTlvNGEo9aslOPBMEhc5hQAwg5haE9FpmMaskYyxldtCEs9S7hqKkDCazERDPppShv9n6hYp2fzFH2kTLtpWA_v9adIodXDpuVOpVwxaP76KDWNojxOrfQiM-wtgcRJZFJMyzu3rtRJ4Y3fqJ5iZ2pGDL/s524/paulista.4a..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="524" data-original-width="337" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRkpJI7JVHlDVObEEzlYthekz69XIT68bYTlvNGEo9aslOPBMEhc5hQAwg5haE9FpmMaskYyxldtCEs9S7hqKkDCazERDPppShv9n6hYp2fzFH2kTLtpWA_v9adIodXDpuVOpVwxaP76KDWNojxOrfQiM-wtgcRJZFJMyzu3rtRJ4Y3fqJ5iZ2pGDL/w258-h400/paulista.4a..jpg" width="258" /></a></div></div><div style="text-align: center;"><span style="color: #ffa400;"><b>16 March 1957</b> </span>Monday; <span style="color: #ffa400;"><b>20 June 1957</b></span> <b>Thursday</b> - 'A Gazeta Esportiva'.</div></div></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiQmLfaKCyRhVWKMhoKzbycEkM_0RANomzVAKQ8OnJOg76igTlEUINyO3lL20cDzB51gMKIuvwajdkwQ68aCCPf957IpuhA8LI9YT9xSc_uTOnuE0OXEL1EljkK30HduwKj7gy02m6UiMUn5PStw5fSyFvxBtXin5XEWSGg1U8XrowBv5doxYviACG/s687/paulista.sabado%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="687" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiQmLfaKCyRhVWKMhoKzbycEkM_0RANomzVAKQ8OnJOg76igTlEUINyO3lL20cDzB51gMKIuvwajdkwQ68aCCPf957IpuhA8LI9YT9xSc_uTOnuE0OXEL1EljkK30HduwKj7gy02m6UiMUn5PStw5fSyFvxBtXin5XEWSGg1U8XrowBv5doxYviACG/w400-h347/paulista.sabado%20(2).jpg" width="400" /></a></div><span style="font-family: arial;"><b><span style="color: #ffa400;">30 March 1957</span></b> - Saturday & Sunday; see <b>Wilma Bentivegna</b> in 'Sempre no meu coração' on Saturday and Ângela Maria with '<b>Audições Gessy</b>' on Sunday night. </span><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEQyTtKdCAsfmuUNOl3-UJZArvRJEuHLGWF-WRWV8tOxuykELv_LBzI7mhM0ToT1yJ6EpfgLUJbmemVVUvJMW-68ihzKPcVx0K0v0T-ytTLXnQKQ5v6Tgx3L7TMhcNvhgxqfyDQTHV54CNy2XRc0U-pKVdVeQ14lumQZte7uKz9zRqe1OzljL6JMJ/s294/paulist.joshey.le%C3%A3o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="294" data-original-width="219" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEQyTtKdCAsfmuUNOl3-UJZArvRJEuHLGWF-WRWV8tOxuykELv_LBzI7mhM0ToT1yJ6EpfgLUJbmemVVUvJMW-68ihzKPcVx0K0v0T-ytTLXnQKQ5v6Tgx3L7TMhcNvhgxqfyDQTHV54CNy2XRc0U-pKVdVeQ14lumQZte7uKz9zRqe1OzljL6JMJ/w149-h200/paulist.joshey.le%C3%A3o.jpg" width="149" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqC6GWNHYpRqjmj7k7LlCyc28jrOgTYf2i-i8oVCePNy4BQxKmdfit96BZSsaMrJ9ooYmIt8-IUqturnoOjy3G9h4FxJ1kh1asFZ7AHVrGwe3Pnmi1k4MLXDl3EH7wPYY2gqrUTDoFKcWkPjgUSYXmo9zciKnndGptAnYTKYJKN6bwoo8t0HXjXwfB/s212/joshey.le%C3%A3o.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="212" data-original-width="170" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqC6GWNHYpRqjmj7k7LlCyc28jrOgTYf2i-i8oVCePNy4BQxKmdfit96BZSsaMrJ9ooYmIt8-IUqturnoOjy3G9h4FxJ1kh1asFZ7AHVrGwe3Pnmi1k4MLXDl3EH7wPYY2gqrUTDoFKcWkPjgUSYXmo9zciKnndGptAnYTKYJKN6bwoo8t0HXjXwfB/s1600/joshey.le%C3%A3o.PNG" width="170" /></a></div></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><span style="font-family: arial;">Classical dancer <b><span style="color: #ffa400;">Joshey Leão</span></b> was busy at TV Paulista most of the time.</span></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWoA7vBTqWqi25nrWfXmzx1xxk0bJteJJY2sAk-UDcE8M-6_uOEtorPEmUxfeftwGzsLBb9pJe_3P03bUtqaBw5ICVVI_Cd0Z1X5SQipImdgA4mgPnwAh2RMPZo41yApYhlG9BTZ43krBR6aHEENih9rNy7i0KQL3zv4aN3dujnizIuJP0bAJeeFCY/s215/paulista.maria.pia.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="215" data-original-width="176" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWoA7vBTqWqi25nrWfXmzx1xxk0bJteJJY2sAk-UDcE8M-6_uOEtorPEmUxfeftwGzsLBb9pJe_3P03bUtqaBw5ICVVI_Cd0Z1X5SQipImdgA4mgPnwAh2RMPZo41yApYhlG9BTZ43krBR6aHEENih9rNy7i0KQL3zv4aN3dujnizIuJP0bAJeeFCY/s1600/paulista.maria.pia.PNG" width="176" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZE9PlH0uF5THR3o_TW5LZSP79_DnDqmwG12ddZRPWPE2TcgZ0ylkwYGRjYOC8Zzr1Hx2ve1dcb1_7qETzVGdmaiPBlfRXZultGZONcxJzY1M_TKPMoAkamMHBELrWU5s5Rp5BKeS34oDN0PPGZyAZ0XkBAenrQzxzu_NacqwHsMLwfOpV4jI4oo_L/s203/paulista.branca.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="203" data-original-width="156" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZE9PlH0uF5THR3o_TW5LZSP79_DnDqmwG12ddZRPWPE2TcgZ0ylkwYGRjYOC8Zzr1Hx2ve1dcb1_7qETzVGdmaiPBlfRXZultGZONcxJzY1M_TKPMoAkamMHBELrWU5s5Rp5BKeS34oDN0PPGZyAZ0XkBAenrQzxzu_NacqwHsMLwfOpV4jI4oo_L/s1600/paulista.branca.PNG" width="156" /></a></div></div><div style="text-align: justify;"><span style="font-family: arial;"><b><span style="color: #ffa400;">Maria Pia Finocchio</span></b> was São Paulo's Theatro Municipal's prima ballerina and TV Paulista's choreographer-cum-star; </span><span style="font-family: arial; text-align: center;"><b><span style="color: #ffa400;">Branca Ribeiro</span></b> turned out to be the best newscaster on Brazilian TV. </span></div></div><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><span style="font-family: arial;"></span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiptrefm-r4pCRcfHRpopSK4KKyyLJuSosFuuTYRCtW9bPFjqIIktvwExF5C7dysChO7_2UrwbMXEfNbmk2NX2f4aJyxbsUy1LoembUB7pkMfcSgas6RzYWlIBytGTqH6S0EC3bHKOyc9Ef6vqStX6rM0n6wtkR4pgEjkbRk1SJ-SjnEzG9DtAIZ5nd/s1291/Branca.Ribeiro.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1291" data-original-width="1184" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiptrefm-r4pCRcfHRpopSK4KKyyLJuSosFuuTYRCtW9bPFjqIIktvwExF5C7dysChO7_2UrwbMXEfNbmk2NX2f4aJyxbsUy1LoembUB7pkMfcSgas6RzYWlIBytGTqH6S0EC3bHKOyc9Ef6vqStX6rM0n6wtkR4pgEjkbRk1SJ-SjnEzG9DtAIZ5nd/w587-h640/Branca.Ribeiro.jpg" width="587" /></a></div><div style="text-align: justify;"><b><span style="color: #ffa400;">Branca Ribeiro</span></b> at 'Radiolândia' no. 280, <b><span style="color: #ffa400;">1959</span></b>; was born <b>Adélia Abujamra</b>, in São Paulo-SP on <b><span style="color: #ffa400;">25 May 1937</span></b>. When she was 20 years old, Branca heard TV Paulista was hiring '<b>garotas</b>-<b>propaganda</b>' (female commercial announcers) and decided to try it... she was hired on the spot and after a couple of years moved on to reading the news winning many an award for her great performance. </div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_oW_kDN8X5wqQ4Y3cx5l_dc-eEI-uUt40Je77HirUk8u3PT62VOQfDeReoszmxh0HeCaE27UHAUhtmKw94fHwuD6Wqv0ODP3DuFbfaX5svbNdAiuueTWi06D3aie3FX65WalTT-_47XaxZayQc_XpBnm47Sftncm4Y3em0YhG_arcYAVMTN6qygoV/s1932/paulista.baur%C3%BA.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1932" data-original-width="1255" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_oW_kDN8X5wqQ4Y3cx5l_dc-eEI-uUt40Je77HirUk8u3PT62VOQfDeReoszmxh0HeCaE27UHAUhtmKw94fHwuD6Wqv0ODP3DuFbfaX5svbNdAiuueTWi06D3aie3FX65WalTT-_47XaxZayQc_XpBnm47Sftncm4Y3em0YhG_arcYAVMTN6qygoV/w416-h640/paulista.baur%C3%BA.1960.jpg" width="416" /></a></div><div style="text-align: justify;"><span style="color: #ffa400;"><b>TV Baurú</b></span>, <b>Channel 2</b>, starts broadcasting for the West part of the State of São Paulo on the week-end of <b><span style="color: #ffa400;">29</span></b> and <b><span style="color: #ffa400;">30 October 1960</span></b>. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div>Marcando a incorporação da TV Baurú, Canal 2, à Organização Victor Costa, os dias 28, 29 e 30 de Outubro de 1960, foram bastantes festivos para a cidade de Baurú-SP, sita a <b>225 km</b> <b>oeste</b> de São Paulo. O horário noturno dos três dias foi totalmente preenchido por espetáculos de música e humor, com a participação de talentos da O.V.C. como <b><span style="color: #ffa400;">Hebe</span></b> <b><span style="color: #ffa400;">Camargo</span></b> e <b><span style="color: #ffa400;">Marlene</span></b>. </div><div><br /></div><div>Na sexta-feira 28, houve desfile de fanfarras, educandários, unidades militares com presença de enorme multidão e de <b>Victor Costa Filho</b>, presidente da O.V.C., <b>Brancato Jr.</b>, diretor do <b>Canal 2</b> e Irineu Bastos, prefeito de Baurú. </div><div><br /></div><div><br /></div></div><div style="text-align: justify;">Nota Bene: most of photographic material on this page was taken from Facebook's "<b>TV</b> <b>Paulista, Canal 5 (1952-1965)</b>". We'd like to thank administrator <b>Elizabeth Snt Oliveira</b> for her expertise in the field. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpIpwLRHQCh_crMybXvbI3sWHE0ELR249DA6-SSJ2eZJGvN6YoNjMHA6yGlPVWN2k2D3oa0kUtSehiKBItYMA22wffL_OYlH0MMVCXijHMBt7Hxt52oRqX2bZ35Ohp31LtuHZzYcVH5KtKu972Op_ZKugG6y13_iIF80gG6wcAlTmCELcGiQNqC-A-/s800/TV.Paulista..jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="800" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpIpwLRHQCh_crMybXvbI3sWHE0ELR249DA6-SSJ2eZJGvN6YoNjMHA6yGlPVWN2k2D3oa0kUtSehiKBItYMA22wffL_OYlH0MMVCXijHMBt7Hxt52oRqX2bZ35Ohp31LtuHZzYcVH5KtKu972Op_ZKugG6y13_iIF80gG6wcAlTmCELcGiQNqC-A-/w640-h380/TV.Paulista..jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhMwuovijCsBBMF6l-9t9A5VuBGZFfI6fCLh26w0WQFStqI7lj0hQt0Zx_GSn6woLuLfrjVP8n6J9czPLps6MaMHMuZzCsd7fI_kx5-5szrcbmIU2XhlhNWVOi_0R-ARmHJPXAtpH4MwkKgGM3ArPtwlUrHlW-XEHc2FkScQR_yW4cb6X1jTvzpP-fmFc/s819/paulista.simonetti.1962.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="595" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhMwuovijCsBBMF6l-9t9A5VuBGZFfI6fCLh26w0WQFStqI7lj0hQt0Zx_GSn6woLuLfrjVP8n6J9czPLps6MaMHMuZzCsd7fI_kx5-5szrcbmIU2XhlhNWVOi_0R-ARmHJPXAtpH4MwkKgGM3ArPtwlUrHlW-XEHc2FkScQR_yW4cb6X1jTvzpP-fmFc/w291-h400/paulista.simonetti.1962.jpg" width="291" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyb79EH0_IjCx5YQ0wlqhgsgUWxuF1MO6LHibR2veCpKEOxAYr95xPXSZR-pnWylvPnad4LEb382oPhnjkyL0WZUKo1EMQzTXVOe2pTJ1hGUOEj8nRJxwp_WoRSW-R_3_Zi8cjY0OTMfzYTaVakV99Ff8EFMAR-1wehYPFyZwmhpYv4yv5w7Tw4Nog__A/s960/Pel%C3%A9-Enrico.Simonetti.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="679" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyb79EH0_IjCx5YQ0wlqhgsgUWxuF1MO6LHibR2veCpKEOxAYr95xPXSZR-pnWylvPnad4LEb382oPhnjkyL0WZUKo1EMQzTXVOe2pTJ1hGUOEj8nRJxwp_WoRSW-R_3_Zi8cjY0OTMfzYTaVakV99Ff8EFMAR-1wehYPFyZwmhpYv4yv5w7Tw4Nog__A/w283-h400/Pel%C3%A9-Enrico.Simonetti.jpg" width="283" /></a></div></div><div class="separator" style="clear: both; text-align: justify;"><b><span style="color: #ffa400;">Enrico Simonetti</span></b> (29 January 1924 +28 May 1978) was a genius; not only a great musician and orchestra conductor but could also act and do comedy; here's a clipping from Revista do Radio from <b><span style="color: #ffa400;">1962</span></b>; on the right Simonetti talks to Pelé who was at his most powerful in <b><span style="color: #ffa400;">1962</span></b>. Enrico ended up going back to his native Italy where he worked for RAI TV until <b>1978</b>, when he died after being operated for the removal of a tumor on his throat. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkq4q8c7lsCB8w8ZBKQrn6kXqgrWa6pLBkUS-AYE-OxEhlg7TzvZcnE4YJtZQbn5x8qBDV9caIT2A9pG5__L02sB2_fLi1b4_WvkC4R_UX4Exxf8FuasyUd7gAeT-oiyooDQPgGpfSjg6_V_l7igZ9dwTfk34pi5AAwiqfPRNGUs5ZO7eJQ8jUoqHf/s1131/paulista.Manchete.1962.brincar.forca.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1131" data-original-width="468" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkq4q8c7lsCB8w8ZBKQrn6kXqgrWa6pLBkUS-AYE-OxEhlg7TzvZcnE4YJtZQbn5x8qBDV9caIT2A9pG5__L02sB2_fLi1b4_WvkC4R_UX4Exxf8FuasyUd7gAeT-oiyooDQPgGpfSjg6_V_l7igZ9dwTfk34pi5AAwiqfPRNGUs5ZO7eJQ8jUoqHf/w266-h640/paulista.Manchete.1962.brincar.forca.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: justify;"><b>Silvio Santos</b> gets his mojo presenting '<b><span style="color: #ffa400;">Vamos brincar de forca</span></b>' , on Monday nights at 9:00 pm. Mr Santos did his first 'Vamos brincar de forca' on <b>3 June 1960</b>. This ad published at Manchete in <b><span style="color: #ffa400;">1962</span></b>. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPPyL-gsHcl7GywzIawicf3Cf5AJnS4fwRqR0xYQTbyQJg7qz4CkAY3Q_Cze_9pg5DyDtvNpzJh4CsXmf00o3UhLlY834ZfvhB9Ofq0YY4TGqrMU2D-XtZ2IXA35vIF0JRhaM4M_V8bK_03cLZekmJA1hyT5ftP-JO_Zb5GG-we_klEHo2YlxP39l/s1042/paulista.Silvio.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1042" data-original-width="957" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPPyL-gsHcl7GywzIawicf3Cf5AJnS4fwRqR0xYQTbyQJg7qz4CkAY3Q_Cze_9pg5DyDtvNpzJh4CsXmf00o3UhLlY834ZfvhB9Ofq0YY4TGqrMU2D-XtZ2IXA35vIF0JRhaM4M_V8bK_03cLZekmJA1hyT5ftP-JO_Zb5GG-we_klEHo2YlxP39l/w588-h640/paulista.Silvio.1960.jpg" width="588" /></a></div><div style="text-align: justify;"><b>Silvio Santos</b> started a Sunday afternoon variety show on <b><span style="color: #ffa400;">2nd June 1963</span></b>, which gradually extended from 2 hours to 5 and then 8 hours by the end of the 60s. 'Programa Silvio Santos' was top in the ratings... Here, Silvio sign autographs for his fans in 1960. Photo by Revista do Radio. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWH9OjX1Ux_DOhWX41IQkJiMl3oEaAyd3fRAIUZdeoZ5zKf8PBf6xd4nihULJXo0dxtTdS4dxDlYKM-MttkBY6CMgR4F14Rew8wQXrKPNbqNEli-Xk_7Fk-HvpiSCK-FChw2TbaxqvkD7da5j31fyQVrQ5fFLKRvF9-i3h_TrR2VHdu9idF0ytCSU1/s800/paulista.silvio.santos.1960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="638" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWH9OjX1Ux_DOhWX41IQkJiMl3oEaAyd3fRAIUZdeoZ5zKf8PBf6xd4nihULJXo0dxtTdS4dxDlYKM-MttkBY6CMgR4F14Rew8wQXrKPNbqNEli-Xk_7Fk-HvpiSCK-FChw2TbaxqvkD7da5j31fyQVrQ5fFLKRvF9-i3h_TrR2VHdu9idF0ytCSU1/w640-h638/paulista.silvio.santos.1960.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;">Silvio Santos in his Sunday show. </div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn6YL8WYzFYguLhls0RPVSZNxR2hi4Zd9SZdy1ziQmNFWmlAWnFFhi1FWyDN4LFE3BzroyEBrAj2Y49iijW-wqmuufEs_xO3oGAyFjPBLuyBTWBO3SO61g7EIlhE1lI17SA5AgPb2HlJxj6EVL_lyy3pCGHEbH8BwsCazsNMXACVyxrzEXOPinhHb2kqQ/s920/paulista.Hebe.1963.Manchete.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="920" data-original-width="727" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn6YL8WYzFYguLhls0RPVSZNxR2hi4Zd9SZdy1ziQmNFWmlAWnFFhi1FWyDN4LFE3BzroyEBrAj2Y49iijW-wqmuufEs_xO3oGAyFjPBLuyBTWBO3SO61g7EIlhE1lI17SA5AgPb2HlJxj6EVL_lyy3pCGHEbH8BwsCazsNMXACVyxrzEXOPinhHb2kqQ/w506-h640/paulista.Hebe.1963.Manchete.jpg" width="506" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">Advertising '<b>Hebe, Cynar & Simpatia</b>' on the pages of Manchete, in <b><span style="color: #ffa400;">1963</span></b>. </span></div></div><div style="text-align: justify;"><div class="separator" style="clear: both; font-family: "Times New Roman"; text-align: center;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLUdSVk4NimWIueLMjB3pHYi_sCqu_r9QCEbHFHoWuy3u8c2yxjcsjvsw2R6kvL-Lh6S-JkQcT1i98fC3JpcnB4iqQ7-v7Ko0sQp209DtaBmekPM72qK1WMhdMO6J2SPQBB5gUxv-yi8S4YMJSzPnevbjPDq3NX5vEExyoGLPM5x5fCQgsCvjZI7KB/s663/Paulista.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="663" data-original-width="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLUdSVk4NimWIueLMjB3pHYi_sCqu_r9QCEbHFHoWuy3u8c2yxjcsjvsw2R6kvL-Lh6S-JkQcT1i98fC3JpcnB4iqQ7-v7Ko0sQp209DtaBmekPM72qK1WMhdMO6J2SPQBB5gUxv-yi8S4YMJSzPnevbjPDq3NX5vEExyoGLPM5x5fCQgsCvjZI7KB/s16000/Paulista.jpg" /></a></div><div style="text-align: justify;"><span style="font-family: arial;">TV Paulista's antenna on top of a building on <b>Avenida Rebouças, 58</b>, next to Avenida Paulista. Published in <b><span style="color: #ffa400;">April 1952</span></b>, by magazine <b>Monitor de Radio e TV</b>.</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfdMHFH6nBf25zSxFod8s1zKl0jHcihbb91rQHrLyP8TGuL-CF6t1CrTuW8s2l1U-9z-PXlC0gyAQ2Iais8GUdo5FBe8NQNkuBVbNFF2zPiNXZuaVG3zVwn4PBv-vumfz-Mwgbp-D2qJ0XoVbovMhslsR2f9elESdvjRolHGdBWNEsMxbX5ZQc8xk3/s999/paulista.bus.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="999" height="610" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfdMHFH6nBf25zSxFod8s1zKl0jHcihbb91rQHrLyP8TGuL-CF6t1CrTuW8s2l1U-9z-PXlC0gyAQ2Iais8GUdo5FBe8NQNkuBVbNFF2zPiNXZuaVG3zVwn4PBv-vumfz-Mwgbp-D2qJ0XoVbovMhslsR2f9elESdvjRolHGdBWNEsMxbX5ZQc8xk3/w640-h610/paulista.bus.jpg" width="640" /></a></div><span style="font-family: arial;">'<b>Revista Automóveis e Acessórios</b>' published this photo of a TV bus imported by Radio Televisão Paulista from the U.S.A. in <b><span style="color: #ffa400;">October 1951</span></b>. </span></div></div><span style="font-family: arial; text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWGi7kAaOSeSyGh0QlYvHFHE8su6awD9POqZ6hcG4OvFlq41XvBFHBCm49QdWjCxuOntx1uux_xWov0jYHvnNqAZU4w0Lmhkbjx0QfG_UESFXMuwLNaMVHJ-qqe7EQilOl2-SvPQW6fvUWAE-F8WUR3ksJuWRO4V3lcKDYRM0_Gjhf62g7SGaZuxD/s460/paulista.addresses.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="380" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaWGi7kAaOSeSyGh0QlYvHFHE8su6awD9POqZ6hcG4OvFlq41XvBFHBCm49QdWjCxuOntx1uux_xWov0jYHvnNqAZU4w0Lmhkbjx0QfG_UESFXMuwLNaMVHJ-qqe7EQilOl2-SvPQW6fvUWAE-F8WUR3ksJuWRO4V3lcKDYRM0_Gjhf62g7SGaZuxD/w264-h320/paulista.addresses.1952.jpg" width="264" /></a></div><div style="text-align: center;">Addresses of São Paulo radio & TV stations as of <b><span style="color: #ffa400;">1952</span></b>. </div></span></div></span><div class="separator" style="clear: both; text-align: center;"><br /></div><br />Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-86785611374366273252021-03-03T03:56:00.010-08:002023-04-26T06:04:16.651-07:00Roberto Vidal <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieGBHI5TerVnWYUgg64M79QqeQlaOsk968ajPR2HD4-UUWleQRDy9cmdN0bTz3mbJC0L3wItW2icpAiYKFhnB9FmpTMVKTwkAY5goh62gWJ4E_SuUua9Udbv64SWEQR0IAtugztUvgp04/s4393/DSC04912.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4393" data-original-width="3106" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieGBHI5TerVnWYUgg64M79QqeQlaOsk968ajPR2HD4-UUWleQRDy9cmdN0bTz3mbJC0L3wItW2icpAiYKFhnB9FmpTMVKTwkAY5goh62gWJ4E_SuUua9Udbv64SWEQR0IAtugztUvgp04/w453-h640/DSC04912.jpg" width="453" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><span style="color: #ffa400;">Roberto Vidal</span></b> (real name Sidney Grigoletto) at <b><span style="color: #ffa400;">Revista do Radio</span></b>. </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9e3ngx6LryVYbExeNEX6GovA7kjbz-kXk0VfxHs7MJFCzf5js0VU3Fd0Ukkw1RgEwJkOSBW9M4Qc0iFBkVm1UkAjsIadGnNefAnJHK7g8eJZx-BLmUZzoxObvPWmEpSfzEeajfQSArk4/s4036/DSC04911.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3091" data-original-width="4036" height="490" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9e3ngx6LryVYbExeNEX6GovA7kjbz-kXk0VfxHs7MJFCzf5js0VU3Fd0Ukkw1RgEwJkOSBW9M4Qc0iFBkVm1UkAjsIadGnNefAnJHK7g8eJZx-BLmUZzoxObvPWmEpSfzEeajfQSArk4/w640-h490/DSC04911.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQen1VUvNUpY-8zRazmTwvlOEWqlQZJAhIaRV5diKQBObbo-kiYZewSSLAci-yd9Lkr81327t1pR0d5Bbt2VOftXYcCxVoDsVlLmdtT02TAoRjTUE0tX0DV-ZNYDEQRt9B-gEg3eXigus/s2048/43411812_2022511811120911_7174242865055268864_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQen1VUvNUpY-8zRazmTwvlOEWqlQZJAhIaRV5diKQBObbo-kiYZewSSLAci-yd9Lkr81327t1pR0d5Bbt2VOftXYcCxVoDsVlLmdtT02TAoRjTUE0tX0DV-ZNYDEQRt9B-gEg3eXigus/w640-h480/43411812_2022511811120911_7174242865055268864_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><b><span style="color: #ffa400;">Carlus Maximus</span></b> is delighted to meet <b><span style="color: #ffa400;">Roberto Vidal</span></b> in person at Ipiranga's Municipal Library on <b><span style="color: #ffa400;">3rd October 1918</span></b>. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMWH1vn6rbxv3WYDCrFP_vu4EPXq6-xApsDkB8LFHkVWvGn0pKnkuv7TVKDxyNvQK3IAa6nxCVfcAvl4-J-g7Y1srQFLmmpg6b9sab2c6-cF1QBlU5zAJzpnikLBRwndtfs2fRmvTT7l0/s4097/Roberto.Vidal+.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4097" data-original-width="2784" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMWH1vn6rbxv3WYDCrFP_vu4EPXq6-xApsDkB8LFHkVWvGn0pKnkuv7TVKDxyNvQK3IAa6nxCVfcAvl4-J-g7Y1srQFLmmpg6b9sab2c6-cF1QBlU5zAJzpnikLBRwndtfs2fRmvTT7l0/w435-h640/Roberto.Vidal+.jpg" width="435" /></a></div></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-2404385506653305982021-03-03T03:25:00.033-08:002021-03-15T02:38:16.719-07:00Carlus Maximus, blogger in his various incarnations <p></p><div style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji40mznD6H73Ehq5xvnD0WGZeFoqsjURpCC87qTl8jPq7T3pQkEBYrXRc_Mm9f2c3mN_SU67OhpWmBbpX3I9lNp-ZRy5f3bsQdW2rLpSGjIA0Cjn14uBydYLfhu3EFrZ0kEPjeSblMASY/s654/131977389_10223751834201776_6988011966556198074_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="654" data-original-width="446" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji40mznD6H73Ehq5xvnD0WGZeFoqsjURpCC87qTl8jPq7T3pQkEBYrXRc_Mm9f2c3mN_SU67OhpWmBbpX3I9lNp-ZRy5f3bsQdW2rLpSGjIA0Cjn14uBydYLfhu3EFrZ0kEPjeSblMASY/w436-h640/131977389_10223751834201776_6988011966556198074_n+%25282%2529.jpg" width="436" /></a></div><div style="text-align: center;"><span style="font-family: arial;"><b><span style="color: #ffa400;">Carlus Maximus</span></b> in his original guise...</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB6F6EoI1JXXRiq1HiTn8PA8U1N2As2DadBox1tXpl3GGazbz08BFSEuMRBzpyeTmg3qM7LKPjUVJfbfxUV6bc_oz6JyH7Ypp8WhNGgNxrjlmxT4spozJBzOxE30Ttu1jy87Fx2OYDo5I/s960/Carlus.29.October.2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB6F6EoI1JXXRiq1HiTn8PA8U1N2As2DadBox1tXpl3GGazbz08BFSEuMRBzpyeTmg3qM7LKPjUVJfbfxUV6bc_oz6JyH7Ypp8WhNGgNxrjlmxT4spozJBzOxE30Ttu1jy87Fx2OYDo5I/w480-h640/Carlus.29.October.2014.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Maximus before the flood... </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLp6pEAOJkWFlGV1k0YXfiif_oUJqXCJ7WoCi-Qbfjel6ub0D0XvyGHislzGuKc5NJ82zO85ct17ozdGvuf96cfIz0PPyNtWT0Iq_ohUF_pOE3u4r0dovxwqis76jwuAe6UP1tzDP37ik/s800/Carlos.Alb.21st.Oct.2011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLp6pEAOJkWFlGV1k0YXfiif_oUJqXCJ7WoCi-Qbfjel6ub0D0XvyGHislzGuKc5NJ82zO85ct17ozdGvuf96cfIz0PPyNtWT0Iq_ohUF_pOE3u4r0dovxwqis76jwuAe6UP1tzDP37ik/w640-h480/Carlos.Alb.21st.Oct.2011.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Carlus Maximus during his <b><span style="color: #ffa400;">bolero</span></b> phase... </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-C9mRqFguiyl8xoL9VpwFCcAwCVEImdVrtGRp9UVH-CxsrdiYHLNie-gZvw8HTo821Qzb7BYAsavGhFePokKHZK00BkF-KcIeYPuedvAj3WpLaYD6fMaXJYXIOkaOkN8naL50xzmWms/s2048/43411812_2022511811120911_7174242865055268864_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-C9mRqFguiyl8xoL9VpwFCcAwCVEImdVrtGRp9UVH-CxsrdiYHLNie-gZvw8HTo821Qzb7BYAsavGhFePokKHZK00BkF-KcIeYPuedvAj3WpLaYD6fMaXJYXIOkaOkN8naL50xzmWms/w640-h480/43411812_2022511811120911_7174242865055268864_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Maximus paying homage to 1950s legendary singer <b><span style="color: #ffa400;">Roberto Vidal</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxdAhpm255zKCOFAh32Rxee442EkhvvdOqpYhK8eEy4OqMMq_P3UnIgL5vSrvBNItcGrqkssF0v2ckUw6DFeiC142GtIjPa__3oO7N6sOqmX7QSpMtToPVZqpzSkeAtTqdeTFWLWDP-ZY/s960/cicero.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxdAhpm255zKCOFAh32Rxee442EkhvvdOqpYhK8eEy4OqMMq_P3UnIgL5vSrvBNItcGrqkssF0v2ckUw6DFeiC142GtIjPa__3oO7N6sOqmX7QSpMtToPVZqpzSkeAtTqdeTFWLWDP-ZY/w640-h480/cicero.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Where is Carlus Maximus?</span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnTjPbSvWM0HJazY1GnnnszWHUwfwv1r3eWtLVnG6bNEnrNl82VwhQZBhmvw7WJpod0VheweKI-o0eKZ4zOjnwvXDTL-1SgftYQY5S0NeF3nxEd1KZvYYW5uXE3e5SeCDglvUL8rlsPsg/s1280/Pateo.Diego.Marmo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1280" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnTjPbSvWM0HJazY1GnnnszWHUwfwv1r3eWtLVnG6bNEnrNl82VwhQZBhmvw7WJpod0VheweKI-o0eKZ4zOjnwvXDTL-1SgftYQY5S0NeF3nxEd1KZvYYW5uXE3e5SeCDglvUL8rlsPsg/w640-h480/Pateo.Diego.Marmo.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b>Carlus Maximus</b>, blogger <b><span style="color: #ffa400;">Diego Nunes</span></b> & sounds-man <b><span style="color: #ffa400;">Mr. Marmo</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7McJ24FjPCqoC-ugcyjiadsiunmPchqbp_pEre22uhcf0eNXwtowsZppZ_IfyItT0J672ZruP4H7ERssk_RaichXla5uCbAlY4HRrrxS1AjwcCXZuvpYytMGmde-y0QqA0uSKKrMKmPc/s1672/15-2-2009n.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1444" data-original-width="1672" height="553" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7McJ24FjPCqoC-ugcyjiadsiunmPchqbp_pEre22uhcf0eNXwtowsZppZ_IfyItT0J672ZruP4H7ERssk_RaichXla5uCbAlY4HRrrxS1AjwcCXZuvpYytMGmde-y0QqA0uSKKrMKmPc/w640-h553/15-2-2009n.jpeg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Carlus Maximus as part of <b><span style="color: #ffa400;">Turma do Pateo</span></b> band in early 2009. </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixf1NTCVG3rKHt3yMAhuL8dqcnMaCoMnzml450PVCybSCayvq3-uS5N_s9fH3iwVdvCH6dtYENefb2SeOdcCf_tW_BnQ3J2EV3s6kPFQt5knd_Hfu0n8TejvN7-zALyMGw2I5eVf2lmXw/s960/82842141_113103376750355_8221950426962984960_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="960" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixf1NTCVG3rKHt3yMAhuL8dqcnMaCoMnzml450PVCybSCayvq3-uS5N_s9fH3iwVdvCH6dtYENefb2SeOdcCf_tW_BnQ3J2EV3s6kPFQt5knd_Hfu0n8TejvN7-zALyMGw2I5eVf2lmXw/w640-h352/82842141_113103376750355_8221950426962984960_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Maximus at the entrance of São Paulo <b>Main Post Office</b> bld.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDbPT4E8kxc-ujfsdIPqSpeIhBMqB8EJf6H_9pJ-qsxPf673mxiKuVBbv97111PxBru3CLVInbh0ME97Mig2hdnxvyXfnei6_c4A8EEty0ZSpfckex_Rgo5kqsL4DMio3MyFozaiJRp2k/s960/carlus.2018.2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDbPT4E8kxc-ujfsdIPqSpeIhBMqB8EJf6H_9pJ-qsxPf673mxiKuVBbv97111PxBru3CLVInbh0ME97Mig2hdnxvyXfnei6_c4A8EEty0ZSpfckex_Rgo5kqsL4DMio3MyFozaiJRp2k/w640-h360/carlus.2018.2.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;">Carlus Maximus in Rio Pequeno. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCgD4hyphenhyphenUk2rcx6KTFgONgNwp8C78JP6pWzcHwCZp4ygzMhRNA8VzakQUj3x0NrFavdOtOQ2SJXEaOPrJdODGBdb6b9MgkFbqngVhirlZmo3LhHg9eAUbVxx9XxaJw8OlefCieMdPTp_2w/s960/carlus.2018.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCgD4hyphenhyphenUk2rcx6KTFgONgNwp8C78JP6pWzcHwCZp4ygzMhRNA8VzakQUj3x0NrFavdOtOQ2SJXEaOPrJdODGBdb6b9MgkFbqngVhirlZmo3LhHg9eAUbVxx9XxaJw8OlefCieMdPTp_2w/w640-h360/carlus.2018.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Maximus at Largo da Batata in Pinheiros... </span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNCAlqSR57O-8XQZbLEBOpLsOvqw5Yy6ooUmy05fivAhTGjTOa5VJwEo53FHcW0bHj9r2ad3ORTFQB2EdKgp-S4Md7Shbm2zGADLy4LuEu4aEPKHWwyGAKPp_G-FG9HHvc8HUs5ePP2c/s1152/Lulu.1st.March.2016.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="864" data-original-width="1152" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNCAlqSR57O-8XQZbLEBOpLsOvqw5Yy6ooUmy05fivAhTGjTOa5VJwEo53FHcW0bHj9r2ad3ORTFQB2EdKgp-S4Md7Shbm2zGADLy4LuEu4aEPKHWwyGAKPp_G-FG9HHvc8HUs5ePP2c/w640-h480/Lulu.1st.March.2016.jpg" width="640" /></a></div><span style="font-family: arial;">Carlus in Rio de Janeiro on 1st March 2016.</span><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiIdttR82f0mqEYaRifiMLHX2FVY4XB4Wh0aGgaAFJwku26sPg3dJS5RZKeZuSv6f6TKtxMJqiMkOrGGLZ-tJ31jDJlFnCFSRgkQXRB13rJEW3qXRGnC8_1Gt-otD5nO44rn6JpMye4cE/s2048/maximus.11.March.2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiIdttR82f0mqEYaRifiMLHX2FVY4XB4Wh0aGgaAFJwku26sPg3dJS5RZKeZuSv6f6TKtxMJqiMkOrGGLZ-tJ31jDJlFnCFSRgkQXRB13rJEW3qXRGnC8_1Gt-otD5nO44rn6JpMye4cE/w640-h480/maximus.11.March.2012.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">at Rio Pequeno on <b><span style="color: #ffa400;">11 March 2012</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRlIihcu2BboIgp5QoMabUU14ae504e82u8TgcD63j4ab42fqaEThrQWzCTmXHhtpsPq1DXsKMFAcE09Cw1FZzsvr0kBU06hxqdTUJ7BVkru20VjTs1DMwR2uY0d95JbxND0ZbfB1_a5U/s960/carlus.2018.3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="540" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRlIihcu2BboIgp5QoMabUU14ae504e82u8TgcD63j4ab42fqaEThrQWzCTmXHhtpsPq1DXsKMFAcE09Cw1FZzsvr0kBU06hxqdTUJ7BVkru20VjTs1DMwR2uY0d95JbxND0ZbfB1_a5U/w225-h400/carlus.2018.3.jpg" width="225" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJiFmJOEf-voHcizwaPDPMs6EVRLQl4WZaAX6IzJKFRWbZOZBHxFXbmoaRZt8iHIL0-trv9wNFn2KZZhpk6ZVPULKJXqt-jnck9B9j_yAyYQCXjPnDKwzyYqp-VmrjAu6RFTWrNOyt45Y/s1680/71677248_557410164992440_6887856009126084608_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1680" data-original-width="944" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJiFmJOEf-voHcizwaPDPMs6EVRLQl4WZaAX6IzJKFRWbZOZBHxFXbmoaRZt8iHIL0-trv9wNFn2KZZhpk6ZVPULKJXqt-jnck9B9j_yAyYQCXjPnDKwzyYqp-VmrjAu6RFTWrNOyt45Y/w225-h400/71677248_557410164992440_6887856009126084608_n.jpg" width="225" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">in 2018... at the Baixo Augusta...</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKKxkQOMrF0hrj-YI6FgS76ykWSkOmP3hOOS55bTUqwmQgayEBB3FOHJ3v9UB2PFUSK3SSozeOTUqIwaAnUC1dtodmv693QjZ5xRjaq4x4RKXf63lxbmhSa94Ok3cvikHFO29M0EpfAc/s960/83261458_161983268436036_5895077226348544000_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="540" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKKxkQOMrF0hrj-YI6FgS76ykWSkOmP3hOOS55bTUqwmQgayEBB3FOHJ3v9UB2PFUSK3SSozeOTUqIwaAnUC1dtodmv693QjZ5xRjaq4x4RKXf63lxbmhSa94Ok3cvikHFO29M0EpfAc/w360-h640/83261458_161983268436036_5895077226348544000_n.jpg" width="360" /></a></div><span style="font-family: arial;">Waiting for Godot at the Main Post Office... <br /></span></div></div></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUZxd8GM3tbAxOvC58mnMpWok1kvlpffHFu-hCl5rO33I2jhN14FSmaA7sq5Vkg7lQ9CePANam1vBXcIcIiiaRbp13ZQgpTnygndd4xlXQ1OAzNK8b0zQwuFNf3gqcvFkwqZFYL4Lfzhg/s768/PQAAALbGC5lmoMHcU_-CpKWdDy4Tbhgl0kCf-Gb1wEFrnDMqMmsv-l8jrpXfB9UI53435fE9xTxKkBkzb5dk4HzgDH8Am1T1UDOcvofiClw7tmp18xquFA2WEKEf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUZxd8GM3tbAxOvC58mnMpWok1kvlpffHFu-hCl5rO33I2jhN14FSmaA7sq5Vkg7lQ9CePANam1vBXcIcIiiaRbp13ZQgpTnygndd4xlXQ1OAzNK8b0zQwuFNf3gqcvFkwqZFYL4Lfzhg/s16000/PQAAALbGC5lmoMHcU_-CpKWdDy4Tbhgl0kCf-Gb1wEFrnDMqMmsv-l8jrpXfB9UI53435fE9xTxKkBkzb5dk4HzgDH8Am1T1UDOcvofiClw7tmp18xquFA2WEKEf.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">a better shot of Maximus... </span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi10P2k1qSPqAKMG5pt8HuygBy-8UmBqObVRh4DVbGajedX7luTnmnijI30EdCNvB1MdE0pbF0_7gjSVof5GnUOYiUZnAA_SR_wWRQulRtkjiYw5gMJ7Yh-v09YRaS95sJNtcB1sXDQgg4/s960/35922902_1818063888272487_5110479618691825664_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi10P2k1qSPqAKMG5pt8HuygBy-8UmBqObVRh4DVbGajedX7luTnmnijI30EdCNvB1MdE0pbF0_7gjSVof5GnUOYiUZnAA_SR_wWRQulRtkjiYw5gMJ7Yh-v09YRaS95sJNtcB1sXDQgg4/w640-h360/35922902_1818063888272487_5110479618691825664_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Maximus trying to come alive... </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYW-FpKZr7uXXad1T-9W52UY6AkEhk1j0_8IoXGh49r2IIHWqWAEC7UiU5Uoky0PtICFU15Di4kyGMutEYZtcppMkKgZuRI7voOG7EB_5YurAj8y94u4YWGSE8LB4SqjYhvQXzLGERovg/s1250/35821869_1812969068781969_7386835031718625280_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1218" data-original-width="1250" height="624" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYW-FpKZr7uXXad1T-9W52UY6AkEhk1j0_8IoXGh49r2IIHWqWAEC7UiU5Uoky0PtICFU15Di4kyGMutEYZtcppMkKgZuRI7voOG7EB_5YurAj8y94u4YWGSE8LB4SqjYhvQXzLGERovg/w640-h624/35821869_1812969068781969_7386835031718625280_o.jpg" width="640" /></a></div>Maximus' neighbours at their lounge... done by Jaime da Silva, 1985. <span style="font-family: arial;"><br /></span></div></div></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-46241679280590055582020-07-31T10:23:00.001-07:002021-03-11T03:10:12.826-08:00Nancy dos Santos (1953-2020)<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJvCS_7VqaKiJ3WQEnhafO9psfzvvCfJv7BFL3krSyDHqCV11gX1kg8Wt_wVXbgc_eN7Ree3mWF6ZEYm6jU1V7yLY6FSrh0Hz-t5PaRaCurfFYL-E1jrVu0IuRTo7cvvN3P2p7Uw3MUJo/s1600/Nancy.dos.Santos+%25283%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1186" data-original-width="1066" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJvCS_7VqaKiJ3WQEnhafO9psfzvvCfJv7BFL3krSyDHqCV11gX1kg8Wt_wVXbgc_eN7Ree3mWF6ZEYm6jU1V7yLY6FSrh0Hz-t5PaRaCurfFYL-E1jrVu0IuRTo7cvvN3P2p7Uw3MUJo/s640/Nancy.dos.Santos+%25283%2529.jpg" width="575" /></a></div>
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Revista 'Amiga' (May 1973) tells about Agostinho dos Santos untimely death in an airplane crash in Paris. </span></div>
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<span style="font-family: arial;"><b>Nancy dos Santos</b> was the oldest child of <b><span style="color: orange;">Agostinho dos Santos</span></b> (born on <b><span style="color: orange;">25 April 1932</span></b>, in São Paulo; died on <b><span style="color: orange;">12 July 1973</span></b>, in Paris, France).</span></div>
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<span style="font-family: arial;"><b><span style="color: orange;">Nancy Palleta dos Santos</span></b> was born on <b><span style="color: orange;">29 October 1953</span></b>, in São Bernardo do Campo-SP and died on <b><span style="color: orange;">7 July 2020</span></b>.<br />
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Nancy dedicated her whole life to preserve the memory of her father who tragically died in that air-plane crash when he was arriving in Paris in the Summer of 1973.<br />
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Nancy put up Ferradura Bar, in São Bernardo do Campo within São Paulo's metropolitan area circa 1980. It soon became a magnet for all sorts of musicians around the Grande ABC (Santo André, São Bernardo & São Caetano).<br />
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Every Tuesdays & Fridays, choro-players, sambistas, poets, writers, journalists and all who love Brazilian Popular Music would congregate at Ferradura Bar at Rua Gieg, 15, Vila Tupi to have a good time.<br />
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<b>Mimi Boêmio</b> and <b>Joca-7-Strings</b> (Joca-7-Cordas) started the whole business of playing live at Ferradura's. Joca's real name is <b>Dioracy Antônio Reis Moura</b>, was born on 10 April 1939, in S.Paulo and died on 18 November 2009, in Santo André-SP. His son, Carlos Moura took after him and is a very good 7-string-guitar player.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzrDSA-frkD19_hxEDHyZ9PNpW4yaBwbwIM9KiWUA-kFi_UXmwjFmeNhNP58GtJ73_zJdtPtkWwdQtdsVXOE36XAh3N-eRex10bVV_d6n38XLV0Fujyhw3NeTGzvIXP8KGJ-bqtyRTKZk/s1600/Nancy.dos.Santos+%25284%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="398" data-original-width="449" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzrDSA-frkD19_hxEDHyZ9PNpW4yaBwbwIM9KiWUA-kFi_UXmwjFmeNhNP58GtJ73_zJdtPtkWwdQtdsVXOE36XAh3N-eRex10bVV_d6n38XLV0Fujyhw3NeTGzvIXP8KGJ-bqtyRTKZk/s320/Nancy.dos.Santos+%25284%2529.jpg" width="320" /></span></a></div>
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Agostinho talks with Nelson Gonçalves a few weeks before flying to Paris.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiibaYEUCZLeboBrIhOfE8AxvMsHvz3nHLrj6H5tiGqd1-V_YVjb0-Y8CIzRCWX5mu2iXTjS_-OmdIuPKj9Ob2aDMEz9HkVT5T3a_KhR2wZHhF93nOUGcRGdbp_QHxxsUvuiORq907DSL4/s1600/Nancy.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiibaYEUCZLeboBrIhOfE8AxvMsHvz3nHLrj6H5tiGqd1-V_YVjb0-Y8CIzRCWX5mu2iXTjS_-OmdIuPKj9Ob2aDMEz9HkVT5T3a_KhR2wZHhF93nOUGcRGdbp_QHxxsUvuiORq907DSL4/s640/Nancy.jpg" width="640" /></span></a></div><span style="font-family: arial;">
Nancy dos Santos at <b><span style="color: orange;">Ferradura's Bar</span></b> where she assembled her Father's collection of records & mementos for all to see.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ZhQC4UFMq12P9Dsvmzm4KRQyBYew3QC8Z7ppFMTX38V-8L_Z0AyPvAv_TOl_biD0vXDnBeYSAXDblPOk6dx3YQPU6KcVM_z7Y5Xr0FBK2J2tfyojWTEU-hmow3EmNXlHOmQQHaVebn4/s1600/nancy.18.Jan.2015.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ZhQC4UFMq12P9Dsvmzm4KRQyBYew3QC8Z7ppFMTX38V-8L_Z0AyPvAv_TOl_biD0vXDnBeYSAXDblPOk6dx3YQPU6KcVM_z7Y5Xr0FBK2J2tfyojWTEU-hmow3EmNXlHOmQQHaVebn4/s640/nancy.18.Jan.2015.jpg" width="519" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">Nancy dos Santos</span></b> had an eerie resemblance with her Father <b><span style="color: orange;">Agostinho</span></b>. </span></div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-72597409563265929732020-07-27T04:46:00.001-07:002020-07-27T12:23:50.092-07:001950s 'Vamos Cantar' lyrics magazine <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIRG_qKue2heQLYwSnri86crC1M24XO4vLl8mSKRjEilUgVgBnmuEKU_lFOAaWeLp-JH7H-UrfX4qDevf-HgSeFtDEggAkuuZfLASqnCs9hJg0DxXtbgA_yPTyeN89iQlqkX7h6Kcd9jM/s1600/DSC04571+%25282%2529_LI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1077" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIRG_qKue2heQLYwSnri86crC1M24XO4vLl8mSKRjEilUgVgBnmuEKU_lFOAaWeLp-JH7H-UrfX4qDevf-HgSeFtDEggAkuuZfLASqnCs9hJg0DxXtbgA_yPTyeN89iQlqkX7h6Kcd9jM/s400/DSC04571+%25282%2529_LI.jpg" width="269" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeixGLIVxRNPMk5t2xZLogQVhqo2LB592dDdfSVKl8hDmqSmjN9VlxCzlItCfCCU82ZQgyPuaL5fbvuTEU43RMx5KuN3x5rd6Rfkbi2HUEXyN3ERAOng3x7CkpJKj1cKKIcqKtQ_2Vlqs/s1600/DSC04573+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="999" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeixGLIVxRNPMk5t2xZLogQVhqo2LB592dDdfSVKl8hDmqSmjN9VlxCzlItCfCCU82ZQgyPuaL5fbvuTEU43RMx5KuN3x5rd6Rfkbi2HUEXyN3ERAOng3x7CkpJKj1cKKIcqKtQ_2Vlqs/s400/DSC04573+%25282%2529.JPG" width="249" /></a></div>
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<b> <span style="color: orange;">April 1952</span></b> - uncharacteristically '<b>Vamos Cantar'</b> sports a drawing on its cover; <b>Gregório Barrios</b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifGrLUkTYOzJuxaN6_Iz2b_ufy47Em-y-_gxTlculNazyA__hycP5Ks_bPXDr9EBLQSdsGX9RI_XMlH58AX8DaDl3gVNpUTCQkZDqkREjsEhSkcD_FnTxMXFmhkplmARC_6xKlOeTyemU/s1600/DSC04574+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1120" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifGrLUkTYOzJuxaN6_Iz2b_ufy47Em-y-_gxTlculNazyA__hycP5Ks_bPXDr9EBLQSdsGX9RI_XMlH58AX8DaDl3gVNpUTCQkZDqkREjsEhSkcD_FnTxMXFmhkplmARC_6xKlOeTyemU/s400/DSC04574+%25282%2529.JPG" width="280" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglZWrgFCRx9IZuG7GptXI4sCISVxkdRbG3cVWLz7kn4peIXdWViN0CCLHH9o9EaxIW4c-SQiuxZCJwHjPLkQK8LODxtjBd_FwQ-zcVmAD8vqrL-yLVCFvD_LjYrNoq7cjotBC_sGAl8Ao/s1600/DSC04576+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1129" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglZWrgFCRx9IZuG7GptXI4sCISVxkdRbG3cVWLz7kn4peIXdWViN0CCLHH9o9EaxIW4c-SQiuxZCJwHjPLkQK8LODxtjBd_FwQ-zcVmAD8vqrL-yLVCFvD_LjYrNoq7cjotBC_sGAl8Ao/s400/DSC04576+%25282%2529.JPG" width="281" /></a></div>
<b><span style="color: orange;">April 1952</span></b> - <b>Nelson Gonçalves</b>, <b>Ernani Filho</b>; Carmélia Alves, <b>Luiz Gonzaga</b> (Januário criou fama).<br />
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<b><span style="color: orange;">April 1952</span></b> - Francisco Alves in his last Carnaval (he would die in a car crash on 27 September 1952); <b>Hebe Camargo </b>in her first Carnaval (Sem tambor e sem corneta); <b>Carlos Gardel</b>, who had died on 24 June 1935.<br />
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<b><span style="color: orange;">April 1952</span></b> - <b>Dick Farney</b>; Carlos Galhardo (Se ela perguntar) & <b>Bill Farr</b> (Abraça-me)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7gHHDI9UzlGamaoldYVeUVvi_G4sKsXIGt5Q1qG0UWK4zsc9QtGZcVuCmpx4Jcc8lFV61TAgRD3Zfzu0SdELwi-4Zjo4K2LUxx6yayAS5HZ-s0FWGaGjG4_tITFzGHh5rl58HyByU6L0/s1600/DSC04579+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1129" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7gHHDI9UzlGamaoldYVeUVvi_G4sKsXIGt5Q1qG0UWK4zsc9QtGZcVuCmpx4Jcc8lFV61TAgRD3Zfzu0SdELwi-4Zjo4K2LUxx6yayAS5HZ-s0FWGaGjG4_tITFzGHh5rl58HyByU6L0/s400/DSC04579+%25282%2529.JPG" width="281" /></a></div>
<b><span style="color: orange;">April 1952</span></b> - <b>Dalva de Oliveira</b> still riding the crest of the wave that had made her the most popular female singer in the country since 1949. </div>
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<b><span style="color: orange;">August 1952</span></b> - <b>Marlene</b> on the cover; <b>Albertinho Fortuna</b> & <b>Jorge Goulart</b> (Jezebel) on the back-cover.<br />
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<b><span style="color: orange;">August 1952</span></b> - Emilinha Borba, <b>Luiz Gonzaga</b>, <b>Carmélia Alves</b> & Olivinha Camargo (Coimbra).<br />
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<b><span style="color: orange;">December 1952</span></b> - Linda Baptista, Emilinha Borba; Joel & Gaúcho & <b>Doris Monteiro with Mother</b>.</div>
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<b><span style="color: orange;">August 1953</span></b> - <b>Jorge Veiga</b>, Milóca, <b>Eva Garza</b> & Gregório Barrios; Orlando Silva & Isaurinha Garcia.<br />
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<b><span style="color: orange;">August 1953</span></b> - <b>Nora Ney</b> (Bar da noite), <b>4 Azes & 1 Coringa</b>; <b>Doris Monteiro</b> & <b>Ivon Cury</b>.</div>
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<b><span style="color: orange;">November 1953</span></b> - <b>Marlene</b> on the cover; <b>Ivon Cury</b> (Tristeza) & <b>Vera Lúcia</b> (Tão só) on the back-cover.</div>
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<b><span style="color: orange;">November 1953</span></b> - Trio de Ouro with Raul Sampaio, Lurdinha Bittencourt & Herivelto Martins; <b>Orlando Correia</b> (Sistema nervoso); <b>El Cubanito</b> (Golpecito) & <b>Neuza Maria</b> (Quisera).</div>
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<b><span style="color: orange;">November 1953</span></b> - 'Sistema nervoso', '<b>Cao, cao, mani picao</b>', 'Risque', 'Lua nova' (Luna rossa)...<br />
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<b><span style="color: orange;">September 1954</span></b> - Nelson Gonçalves & Gregório Barrios; <b>Lucio Alves</b> (Valsa de uma cidade) & <b>Dolores Duran</b> (A canção da volta). </div>
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<b><span style="color: orange;">September 1954</span></b> - <b>Carmen Costa</b> (Quase) & <b>Bill Farr</b> (Relógio sincopado/The syncopated clock).<br />
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<b><span style="color: orange;">September 1954 </span></b>- <b>Carlos Augusto</b> (Cavaleiro errante), <b>Carlos Galhardo</b> with 'Pretenda', a wrong translation of '<b>Pretend</b>'.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2XdO-383o0Wh3o-S1lhHwZxAWU291SDo62xhZHlMR5BkSrhQtlWmcLEqZD2Ier8wDatyYo04F-MAL-22bqI8_XNOTlEIPxHvoDqaHZ7r2sK3dpaGztueBACZNYbdfYz3WOsLKApac95g/s1600/DSC04590+%25282%2529_LI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1090" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2XdO-383o0Wh3o-S1lhHwZxAWU291SDo62xhZHlMR5BkSrhQtlWmcLEqZD2Ier8wDatyYo04F-MAL-22bqI8_XNOTlEIPxHvoDqaHZ7r2sK3dpaGztueBACZNYbdfYz3WOsLKApac95g/s400/DSC04590+%25282%2529_LI.jpg" width="272" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCFFhB0lwAtRXtPetWauC7LCLvtOoAE9Fz07anP7zXeJNkTlYedwWQXlZCAKHKkeXhgtT0HUYAwmJRKN_smuegO0hkEDc0Do5R5lITMZH2DgPL0NyIzcfhdUMFX8sgjQc2cyMqVmKhrtY/s1600/DSC04592+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1131" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCFFhB0lwAtRXtPetWauC7LCLvtOoAE9Fz07anP7zXeJNkTlYedwWQXlZCAKHKkeXhgtT0HUYAwmJRKN_smuegO0hkEDc0Do5R5lITMZH2DgPL0NyIzcfhdUMFX8sgjQc2cyMqVmKhrtY/s400/DSC04592+%25282%2529.JPG" width="282" /></a></div>
<b><span style="color: orange;">March 1955</span></b> - Nelson Gonçalves, Isaura Garcia, Milóca & Gregório Barrios; <b>Dolores Duran</b> (Carioca 1954). </div>
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<b><span style="color: orange;">April 1955</span></b> - Angela Maria on the Easter issue of 'Vamos Cantar'. </div>
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<b><span style="color: orange;">April 1956</span></b> - <b>Emilinha Borba</b> with a stuffed Bunny celebrate Easter; <b><span style="color: orange;">Cauby Peixoto</span></b> (Mambo do galinho) just before his manager Di Veras ordered him to have all his teeth removed and wear false teeth; <b>Ivon Cury</b> (Comida de pensão).</div>
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<b><span style="color: orange;">April 1956</span></b> - Black-Out (A vez do bôbo), Zezé Gonzaga (Amando em Paris).</div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-71161512950240037532019-10-13T09:59:00.006-07:002023-04-24T06:51:43.660-07:00NERINO SILVA <div class="separator" style="clear: both; text-align: justify;">
<span style="font-family: arial;"><b>Nerino Silva</b> was born in <b>Rio de Janeiro-DF</b> in <b><span style="color: orange;">1920</span></b>. He grew up in the slums in and around 'samba-schools' (escolas de samba) and learned how to dance the dance becoming an accomplished <b>tap-dancer</b> at an early age. On top of that he could also sing so he took his chances at gong shows so popular in the 1940s having won a round at <b>Ary Barroso</b>'s top-rating radio-show in <b><span style="color: orange;">1943</span></b>, when he was 23 years old.</span></div>
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From gong-shows he was under contract with <b><span style="color: orange;">Radio Mauá</span></b> where he would sing at '<b>Prata da casa</b>' and various other programmes.</span></div>
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In <b><span style="color: orange;">1955</span></b>, Nerino was signed by <b>Jayme Portela</b>, the director of <b>Escola de Samba Portela</b> to sing and dance at shows touring Brazilian cities. When it was time to go back home, Nerino decided to stay in São Paulo, where he sang at night-clubs and social clubs. Soon, he was spotted by <b>Diogo Mulero</b> aka <b>Palmeira</b>, A&R (Artist & Repertoire) man at independent label <b>Chantecler</b> and recorded '<b><span style="color: orange;">Não sou parafuso</span></b>', a 78 rpm single for Carnaval.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPzH6SOJyM_CEv9WqbcTG6jgbkku7PjIdKmjkzARnIXZB9uX7e9mSSENA3M8wdzUWec1QKGFF4w8yuBjY8NX7_L9SWYM5VEfrQrjypsvmTEKW_XOdAxNE6Yq11CdUwDJeHXpV4uslfCC0/s1600/NerinoSilva.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="400" data-original-width="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPzH6SOJyM_CEv9WqbcTG6jgbkku7PjIdKmjkzARnIXZB9uX7e9mSSENA3M8wdzUWec1QKGFF4w8yuBjY8NX7_L9SWYM5VEfrQrjypsvmTEKW_XOdAxNE6Yq11CdUwDJeHXpV4uslfCC0/s1600/NerinoSilva.jpg" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhwB6Q4IsKsYi6NsISmhOg9Ti_Jxq1uIVLoDknb6KGytAyUb545h5zPeouyRalhoznI7OdvZPVMGt-9rqcAMcGYAEwsDaAIA9M3r_5_i9yxFkda9hyphenhyphenfVqR0ZZywwTpU6pTQ39AxJBg2co/s1600/Nerino.maxixe+%25283%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="738" data-original-width="601" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhwB6Q4IsKsYi6NsISmhOg9Ti_Jxq1uIVLoDknb6KGytAyUb545h5zPeouyRalhoznI7OdvZPVMGt-9rqcAMcGYAEwsDaAIA9M3r_5_i9yxFkda9hyphenhyphenfVqR0ZZywwTpU6pTQ39AxJBg2co/s400/Nerino.maxixe+%25283%2529.PNG" width="325" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOR2-o8vm25cENZcRkyW0HFLBbuwKs69jZ0bu9FZNRYlQmysICSIVaiMX-j84Pay_WeRMproww7iiZ51RhaRZR-v3kbfXFGiUjxwKRGs55-DD4I8P2TJ1EMO512VvlgmwuE7tCfEPzT2w/s1600/nerino.pedestre.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="719" data-original-width="696" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOR2-o8vm25cENZcRkyW0HFLBbuwKs69jZ0bu9FZNRYlQmysICSIVaiMX-j84Pay_WeRMproww7iiZ51RhaRZR-v3kbfXFGiUjxwKRGs55-DD4I8P2TJ1EMO512VvlgmwuE7tCfEPzT2w/s400/nerino.pedestre.PNG" width="385" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1R5CgkS4KWV9H8IbHIKWuNDQvkw2Ya9pZOPHJfkymcdPlCgzPl1joXVxdAkEDccFswUTA09oRHxaUUeO6nKAzbnya7zlxy6o4nV9JLpGSlq_WTH4RfjB2Sl5ewrDrsCPE_298IagPUFI/s1600/Esmeraldino.Salles.Luiz+Machado+%2528clarinete%2529%252C+Domingos+Machado+%2528guitarra%2529%252C+Zequinha+%2528caixa%2529%252C+Osvaldo+Colagrande+%2528viol%25C3%25A3o%2529+e+Esmeraldino+Salles+%2528baixo%2529.+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="532" data-original-width="817" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1R5CgkS4KWV9H8IbHIKWuNDQvkw2Ya9pZOPHJfkymcdPlCgzPl1joXVxdAkEDccFswUTA09oRHxaUUeO6nKAzbnya7zlxy6o4nV9JLpGSlq_WTH4RfjB2Sl5ewrDrsCPE_298IagPUFI/s640/Esmeraldino.Salles.Luiz+Machado+%2528clarinete%2529%252C+Domingos+Machado+%2528guitarra%2529%252C+Zequinha+%2528caixa%2529%252C+Osvaldo+Colagrande+%2528viol%25C3%25A3o%2529+e+Esmeraldino+Salles+%2528baixo%2529.+%25282%2529.PNG" width="640" /></span></a></div><span style="font-family: arial;">
Nerino Silva swings with the Esmeraldino Salles combo (regional). The whole band is shown below.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC4Cl4XdE6Lkk7hFrqjHKDRmKuULWX1sC780ZfgpB1Op-ETu0uMprygIRwst9p5TuFzM_Y1HqMDD6vRJXTz5_OwzWndATYmBIZife-HOaVhZ9iz1W9h5GvyNgCoauh9Lhg_GHbnVtJYuk/s1600/Luiz+Machado+%2528clarinete%2529%252C+Domingos+Machado+%2528guitarra%2529%252C+Zequinha+%2528caixa%2529%252C+Osvaldo+Colagrande+%2528viol%25C3%25A3o%2529+e+Esmeraldino+%2528baixo%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="523" data-original-width="824" height="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC4Cl4XdE6Lkk7hFrqjHKDRmKuULWX1sC780ZfgpB1Op-ETu0uMprygIRwst9p5TuFzM_Y1HqMDD6vRJXTz5_OwzWndATYmBIZife-HOaVhZ9iz1W9h5GvyNgCoauh9Lhg_GHbnVtJYuk/s640/Luiz+Machado+%2528clarinete%2529%252C+Domingos+Machado+%2528guitarra%2529%252C+Zequinha+%2528caixa%2529%252C+Osvaldo+Colagrande+%2528viol%25C3%25A3o%2529+e+Esmeraldino+%2528baixo%2529.PNG" width="640" /></span></a></div><span style="font-family: arial;">
Luiz Machado (clarinet), Domingos Machado (guitar), Zequinha (caixa), Oswaldo Colagrande (accoustic guitar) & Esmeraldino Salles (double-bass).</span><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4wXZ-R5HjC8cAYcGfhtTvicHm1aIYOl2y_H2h1GqkXBA8IOfz1xTKIeFqUo6bMt8XqBvR0wuA5jD59EvjnPDtzWMlLOlFWW7AR9oxi6ZTnmJo7_qCbRggsnqIkkEwjUjXUNT-oZDh4s8JO_94xAVcJZBAZt-3a_9LnQJL8vr6CFDyQOrAhsW2lci5/s586/wynne.Nerino.Deval.bar.27.Nov.60.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="104" data-original-width="586" height="71" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4wXZ-R5HjC8cAYcGfhtTvicHm1aIYOl2y_H2h1GqkXBA8IOfz1xTKIeFqUo6bMt8XqBvR0wuA5jD59EvjnPDtzWMlLOlFWW7AR9oxi6ZTnmJo7_qCbRggsnqIkkEwjUjXUNT-oZDh4s8JO_94xAVcJZBAZt-3a_9LnQJL8vr6CFDyQOrAhsW2lci5/w400-h71/wynne.Nerino.Deval.bar.27.Nov.60.jpg" width="400" /></a></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO9sHXHXsgJHczgfAzYXEh5wPagr1Y-f6eaXwxXcooW8iWDGFtuo7_LBsvmsO33bgLuyR9qN9-dPCYwED9ds5GbIKOyO4UqKnETkRoBX6p0vzv2AMX9rab7YXf5AWee1nyBCfKQlt3cBEWB8VxigK1pHARsk76njOLEWLXB8n_MmHe_0VzyANxA8v2/s671/Wynne.27.Nov.1960.Nerino.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="204" data-original-width="671" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO9sHXHXsgJHczgfAzYXEh5wPagr1Y-f6eaXwxXcooW8iWDGFtuo7_LBsvmsO33bgLuyR9qN9-dPCYwED9ds5GbIKOyO4UqKnETkRoBX6p0vzv2AMX9rab7YXf5AWee1nyBCfKQlt3cBEWB8VxigK1pHARsk76njOLEWLXB8n_MmHe_0VzyANxA8v2/w640-h195/Wynne.27.Nov.1960.Nerino.jpg" width="640" /></a></div><span style="font-family: arial;"><div style="text-align: justify;"><b><span style="color: #ffa400;">27 November 1960</span></b> - 'O Estado de S.Paulo' night-life columnist <b>Mary Wynne</b> writes a note about Nerino Silva, o '<b>Escurinho das Candongas</b>' being the star of a new show at <b>Delval</b> <b>Bar</b>, on Rua General Jardim. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVWqQTnCmGHwkZ9pvf2qiGCnkQ05fjMjb_GYf4yxZ3gg6o-f7jKE8cZNp3Q6yqNaTpm7N30z6Xe_zSpgh0aKDUNjgoArC0wbs0F_5yle_ejxDdifT0PKrEnuLWRGmUSyRa1NYsV37PzMBRO5zRmFzQzPkhkaKeFwNt_tlgotFNgjhbwKlZmUI-Smoh/s492/Wynne.Hugo.Santana.27.Nov.60.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="165" data-original-width="492" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVWqQTnCmGHwkZ9pvf2qiGCnkQ05fjMjb_GYf4yxZ3gg6o-f7jKE8cZNp3Q6yqNaTpm7N30z6Xe_zSpgh0aKDUNjgoArC0wbs0F_5yle_ejxDdifT0PKrEnuLWRGmUSyRa1NYsV37PzMBRO5zRmFzQzPkhkaKeFwNt_tlgotFNgjhbwKlZmUI-Smoh/w400-h134/Wynne.Hugo.Santana.27.Nov.60.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><b><span style="color: #ffa400;">27 November 1960</span></b> - São Paulo had a vibrant nightlife in the 50s & early 60s. See <b>Elza</b> <b>Laranjeira</b> at La Vie en Rose on rua Major Sertório, 114, and <b>Hugo Santana</b> & Dorinha Duval at Michel on Major Sertório, 106. </span></div></span><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtqpu8WAwX4h8mzanhW0sNx-YosPLlLew4F8BLfFtmFi19Z8w64ucdCiBLbB22S7GSt4NC0-Ppii22ec8o-aPe0tjqKw3KO_WhL_kfIeSWQzGFouhGDJ3XB62tgeOGu6RtpjuNGeQJ-DI/s1600/I0034278-60Alt%253D001494Lar%253D000997LargOri%253D003989AltOri%253D005976+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1445" data-original-width="933" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtqpu8WAwX4h8mzanhW0sNx-YosPLlLew4F8BLfFtmFi19Z8w64ucdCiBLbB22S7GSt4NC0-Ppii22ec8o-aPe0tjqKw3KO_WhL_kfIeSWQzGFouhGDJ3XB62tgeOGu6RtpjuNGeQJ-DI/s640/I0034278-60Alt%253D001494Lar%253D000997LargOri%253D003989AltOri%253D005976+%25282%2529.jpg" width="412" /></span></a></div>
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sensationalist <b>Revista do Radio</b> <b><span style="color: orange;"># 595</span></b> (<b>4 February 1961</b>) tells Nerino's sad story of alcoholism and degradation. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1ohHUnwBvGiVPSKoeB-6YokhTnQQJdcvN3XpegX4FhysYT1H44Bmez5S-ciusaSWnX4bBF8N8KeiCokIUlUrNnVNwq7tGSMrTNcLP6_VxFn-9sf7I8FtzW1UVe82rH1HGISS7rDpOYHQ/s1600/I0034277-60Alt%253D001494Lar%253D000997LargOri%253D003989AltOri%253D005976+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1417" data-original-width="940" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1ohHUnwBvGiVPSKoeB-6YokhTnQQJdcvN3XpegX4FhysYT1H44Bmez5S-ciusaSWnX4bBF8N8KeiCokIUlUrNnVNwq7tGSMrTNcLP6_VxFn-9sf7I8FtzW1UVe82rH1HGISS7rDpOYHQ/s640/I0034277-60Alt%253D001494Lar%253D000997LargOri%253D003989AltOri%253D005976+%25282%2529.jpg" width="424" /></span></a></div><span style="font-family: arial;">
Nerino Silva poses in front of his automobile and his first album for Chantecler in 1960 in São Paulo.<br />
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuP30SRnkSa5OT9UKUQlGQD_V-WKb92Ouh8ptA3uqEnpaihRGoKvvlhogYy6Si-7AsfLy-HM-uC9rsjWbY2SzchbKHMrnBTWkbJnFFCB4NLEHZhdDcPbZG2T9ULugysUba7pq0TNDDn28/s1600/I0048599-60Alt%253D001567Lar-RR.867+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1479" data-original-width="618" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuP30SRnkSa5OT9UKUQlGQD_V-WKb92Ouh8ptA3uqEnpaihRGoKvvlhogYy6Si-7AsfLy-HM-uC9rsjWbY2SzchbKHMrnBTWkbJnFFCB4NLEHZhdDcPbZG2T9ULugysUba7pq0TNDDn28/s640/I0048599-60Alt%253D001567Lar-RR.867+%25282%2529.jpg" width="267" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha2TuITads3woX7GMJKbGr0TgsXWmhFcISTSQkvdXBbvnluK2e7hZTZOtXBLoJSbdRD3fyfjvBA619z_nHwYhuZJj_C3H6Ldpq_aUI0pNyIdysh-Q2p4gqxtjnsM7qIuWCw66o-7zHrzw/s1600/I0048600-60Alt%253D001567Lar%253D001029LargOri%253D004116AltOri%253D006267.RR.867+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1522" data-original-width="999" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha2TuITads3woX7GMJKbGr0TgsXWmhFcISTSQkvdXBbvnluK2e7hZTZOtXBLoJSbdRD3fyfjvBA619z_nHwYhuZJj_C3H6Ldpq_aUI0pNyIdysh-Q2p4gqxtjnsM7qIuWCw66o-7zHrzw/s400/I0048600-60Alt%253D001567Lar%253D001029LargOri%253D004116AltOri%253D006267.RR.867+%25282%2529.jpg" width="261" /></a></span></div>
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Nerino at <b>Revista do Radio</b> <b><span style="color: orange;"># 867</span></b> (<b>30 April 1966</b>) when he was signed by <b>Continental Discos</b>. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-OxyZ_kOy6WntC2vfpLs1ihhCHrpQuvisb5uJnH9Xj3bDCXBwZrUxiWAQUfI8tHOjHoZmLzhIHaVSA59ni4_ni9oBH5QcSikumPsgZb3LJuoK1SZbBjR315FQMYXqOteiBisBtSVSEzY/s1600/I0048600-60Alt%253D001567Lar%253D001029LargOri%253D004116AltOri%253D006267.RR.867+%25283%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="729" data-original-width="648" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-OxyZ_kOy6WntC2vfpLs1ihhCHrpQuvisb5uJnH9Xj3bDCXBwZrUxiWAQUfI8tHOjHoZmLzhIHaVSA59ni4_ni9oBH5QcSikumPsgZb3LJuoK1SZbBjR315FQMYXqOteiBisBtSVSEzY/s400/I0048600-60Alt%253D001567Lar%253D001029LargOri%253D004116AltOri%253D006267.RR.867+%25283%2529.jpg" width="355" /></span></a></div>
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Nerino & his brood... 5 children plus one... </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLPsV0WZS_nwty92fCLiqMXz1-dSe6xDjcuKdpSjU8_jZ-yc7Tt5B8g10GrilhMbPmP4bjjGh4qE-sqKBCkoa36mb46n0EezBQXuhifhVnb4pKEignog5CRv2PQgqIxZnHfTfUXqdwa7A/s1600/Sogra.Nerino.RR.620.1961_LI.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="296" data-original-width="686" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLPsV0WZS_nwty92fCLiqMXz1-dSe6xDjcuKdpSjU8_jZ-yc7Tt5B8g10GrilhMbPmP4bjjGh4qE-sqKBCkoa36mb46n0EezBQXuhifhVnb4pKEignog5CRv2PQgqIxZnHfTfUXqdwa7A/s400/Sogra.Nerino.RR.620.1961_LI.jpg" width="400" /></span></a></div>
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'Revista do Radio' n.<b>620</b>; '<b><span style="color: orange;">Minha sogra</span></b>' was Nerino's greatest hit in the 1st part of the 1960s.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWeEl5RDD4Ghloic5ktDzZl3tESZrX2NurN-Fcb1d7IhaBo2tPaKqkNBsMPE3jtu-2YC8j6OVUDnvO46bJOTBjRMgd8xvElnwv8XX3jeLSlnH4Y812o45JpvuJAKv5PG0_c3Pht-L9-Xg/s1600/I0040597-60Alt%253D001524Lar%253D001010LargOri%253D004041AltOri%253D006096+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1460" data-original-width="903" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWeEl5RDD4Ghloic5ktDzZl3tESZrX2NurN-Fcb1d7IhaBo2tPaKqkNBsMPE3jtu-2YC8j6OVUDnvO46bJOTBjRMgd8xvElnwv8XX3jeLSlnH4Y812o45JpvuJAKv5PG0_c3Pht-L9-Xg/s400/I0040597-60Alt%253D001524Lar%253D001010LargOri%253D004041AltOri%253D006096+%25282%2529.jpg" width="246" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwtBinK-O4mM5yyIToQNecdo5kL6JGsalrFmerel_N1uw5YUQmXzzUVfefKgwjDnDc3duety80kBD2mYdsJk_osy9umoyb1cL1uXjPCf9yx0yCw64ta7zeJfZafONmtReEgaipR6_zxMY/s1600/RR+714.Petronio+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1454" data-original-width="594" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwtBinK-O4mM5yyIToQNecdo5kL6JGsalrFmerel_N1uw5YUQmXzzUVfefKgwjDnDc3duety80kBD2mYdsJk_osy9umoyb1cL1uXjPCf9yx0yCw64ta7zeJfZafONmtReEgaipR6_zxMY/s400/RR+714.Petronio+%25282%2529.jpg" width="163" /></a></span></div>
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<span style="font-family: arial;"><span style="text-align: center;">Francisco Petronio tells </span><b style="text-align: center;">Revista do Radio</b><span style="text-align: center;"> </span><b style="text-align: center;"><span style="color: orange;">#714</span></b><span style="text-align: center;"> (<b>25 May 1963</b>) how Nerino Silva helped him become a professional singer.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaN8uCawYFimks82iCSJ2FmO6Ln9ugO8UQqxISY6z9bUbEfVCqzShu58DSdwqDi9ZYtgANa7tDEAkdDIqEEak3ALA6b21o-EEZma7G6NPzsv22__km2np20TCBEYmQ-ESI4rc9XxUQ-hc/s1600/R-9446382-1481123337-9762.jpeg.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="618" data-original-width="599" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaN8uCawYFimks82iCSJ2FmO6Ln9ugO8UQqxISY6z9bUbEfVCqzShu58DSdwqDi9ZYtgANa7tDEAkdDIqEEak3ALA6b21o-EEZma7G6NPzsv22__km2np20TCBEYmQ-ESI4rc9XxUQ-hc/s1600/R-9446382-1481123337-9762.jpeg.jpg" /></span></a></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO8sy3vkNznCIKAnoG72t784vVHQvuaBCgI8Ws1kVRG5GfCksja87ylA-YrgYbiafpoufJnhivKlZug8LjlfMN5xn9mj9epLy3jNNWLN2F8Q8VxJ18gUJpCjv_OPp1ktIvd-GaLHR5qt8/s1600/R-9446382-1481123338-9829.jpeg+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="581" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO8sy3vkNznCIKAnoG72t784vVHQvuaBCgI8Ws1kVRG5GfCksja87ylA-YrgYbiafpoufJnhivKlZug8LjlfMN5xn9mj9epLy3jNNWLN2F8Q8VxJ18gUJpCjv_OPp1ktIvd-GaLHR5qt8/s200/R-9446382-1481123338-9829.jpeg+%25282%2529.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiExsWwpJ-z7azaTuvjZnmT9w8KHrlx2XFGglnTpHS9Abbx-a3UXqqOBdGF4gsJm52zCmAw0WLQUE18jzoYTws0v2yq9XnoCxEWIkjQ13ZgsrMxJQge_KDcpTKqtyxvP4jAfgDVOKf7bTA/s1600/R-9446382-1481123334-2412.jpeg+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="561" data-original-width="573" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiExsWwpJ-z7azaTuvjZnmT9w8KHrlx2XFGglnTpHS9Abbx-a3UXqqOBdGF4gsJm52zCmAw0WLQUE18jzoYTws0v2yq9XnoCxEWIkjQ13ZgsrMxJQge_KDcpTKqtyxvP4jAfgDVOKf7bTA/s200/R-9446382-1481123334-2412.jpeg+%25282%2529.jpg" width="200" /></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-mCiA-UKhdke8B2aDH22hSaf0Ua8xysTMTkqHwO7ekt6Xej6OJB2RhUAuAXJY_vrOAowgWsr7pJfsxaN9DL77xqmkKna4AdecUZiDvYKVewME-qugGZfV8vAzV2uKzuctbIcQyemxFzk/s1600/Nerino.rca+%25283%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="517" data-original-width="518" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-mCiA-UKhdke8B2aDH22hSaf0Ua8xysTMTkqHwO7ekt6Xej6OJB2RhUAuAXJY_vrOAowgWsr7pJfsxaN9DL77xqmkKna4AdecUZiDvYKVewME-qugGZfV8vAzV2uKzuctbIcQyemxFzk/s1600/Nerino.rca+%25283%2529.PNG" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgfw_odCVFLyxNSHhvHzKKDPfLwlgRty9CwYR65VvtBSrCT1tgPm84U8bWqD1kLsl59_5Od7JXJ6sBoQGmAmpBpLXhmSVhlXuhzKjc0Ff0heKC8DGJy_h181MsDlFmrW1vW3K5iFnq4j4/s1600/nerino.rca.due+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="516" data-original-width="511" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgfw_odCVFLyxNSHhvHzKKDPfLwlgRty9CwYR65VvtBSrCT1tgPm84U8bWqD1kLsl59_5Od7JXJ6sBoQGmAmpBpLXhmSVhlXuhzKjc0Ff0heKC8DGJy_h181MsDlFmrW1vW3K5iFnq4j4/s1600/nerino.rca.due+%25282%2529.PNG" /></span></a></div>
<br /></div></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-69483820024725179132019-03-11T12:39:00.004-07:002020-10-25T01:03:53.043-07:00Dora Lopes photo gallery <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiX5jKJk6tf5Q-MvAnEKngLwr2H1K8watnyezlyubJHghAW67mpsPbOAVDlmbPIUE1TyEZDnnvFtU8UBfakJIYBZO0REUcVWp28IYNX_u4IFchzFl_142ClI8w-eff9OFVRT6gpqscUBM/s1600/22450673_10210454705384724_813748228_o+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1209" data-original-width="1600" height="483" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiX5jKJk6tf5Q-MvAnEKngLwr2H1K8watnyezlyubJHghAW67mpsPbOAVDlmbPIUE1TyEZDnnvFtU8UBfakJIYBZO0REUcVWp28IYNX_u4IFchzFl_142ClI8w-eff9OFVRT6gpqscUBM/s640/22450673_10210454705384724_813748228_o+%25282%2529.jpg" width="640" /></a></div>
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<span style="font-family: arial;"><b>Dolores Duran confesses she only thinks about 'that'</b>... 'Para você, <b><span style="color: orange;">Dora</span></b>, o meu olhar de 'sub-leve', que no momento do retrato devia estar pregado na mão esquerda de algum bonitão, embora o pensamento estivesse na sua próxima partida. A ocasião pede uma cara melhor, mas, na falta de outra, aceite esta mesmo e a amizade sincera da sua amiga, <b><span style="color: orange;">Dolores Duran</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-qytfMOPxQCBx_MlJ62RH2bPNNf-8N-hnRLEZZeL9FjiCxG93xs7reHhyphenhyphen9bW0yAXBxxi3KoDWg9bsC_Jdnp_6rqvSw2nFRL95G-mwRNpLIPMi7r-CFODDCGupnxPqOeCyGDWVBB-95yY/s1600/22551726_10210454714144943_932384763_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="930" data-original-width="731" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-qytfMOPxQCBx_MlJ62RH2bPNNf-8N-hnRLEZZeL9FjiCxG93xs7reHhyphenhyphen9bW0yAXBxxi3KoDWg9bsC_Jdnp_6rqvSw2nFRL95G-mwRNpLIPMi7r-CFODDCGupnxPqOeCyGDWVBB-95yY/s640/22551726_10210454714144943_932384763_n+%25282%2529.jpg" width="503" /></span></a></div>
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'Nesta foto estamos a cara fiel da desolação, porque neste dia recebemos a infeliz notícia que sua mãezinha estava enferma, lembra-te, Dora? Darcy Costa, <b><span style="color: orange;">8 </span><span style="color: orange;">August 1960</span></b>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3TIJ78ONXjVU6l_33N6XDG73PMZEWf0JzV9QLYvYx6PdJBvOCLL_418qybz3Hae7NEBIhoRZ6AlNIEGw-S5CG_ZbDEvEoNGHHXmsCpft8QjmUF8feN1SwF5YGS2DSjTVnRIaA8LCl2l8/s1600/22473739_10210454720065091_682793944_o+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1140" data-original-width="1600" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3TIJ78ONXjVU6l_33N6XDG73PMZEWf0JzV9QLYvYx6PdJBvOCLL_418qybz3Hae7NEBIhoRZ6AlNIEGw-S5CG_ZbDEvEoNGHHXmsCpft8QjmUF8feN1SwF5YGS2DSjTVnRIaA8LCl2l8/s640/22473739_10210454720065091_682793944_o+%25282%2529.jpg" width="640" /></span></a></div>
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Business as usual for <b><span style="color: orange;">Cauby Peixoto</span></b> & <b><span style="color: orange;">Dora Lopes</span></b>... in the mid-sixties.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKgW1P8qLarlT8xMK-ttAJ-H9Zz5E_O8mZbrucY_pLKWAmNs6fTDmB8NSxK31fD2KDVqFk4iKG4Vj27yVpag9OMAsYajejjY4fMD3dd5oI5N__dKCh1J32gDPI3247I9MLP1pArUM9730/s2005/Dora.Lopes.branca.1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1447" data-original-width="2005" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKgW1P8qLarlT8xMK-ttAJ-H9Zz5E_O8mZbrucY_pLKWAmNs6fTDmB8NSxK31fD2KDVqFk4iKG4Vj27yVpag9OMAsYajejjY4fMD3dd5oI5N__dKCh1J32gDPI3247I9MLP1pArUM9730/w640-h462/Dora.Lopes.branca.1.jpg" width="640" /></a></div><span style="font-family: arial;">Dora <b><span style="color: #ffa400;">mesmerizes</span></b> the audience with her antics... <br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1F7yJuqQ8I0IHIuqyoazN7g_U7r9owqweXisZOT2exDOQ-Gov65gbhyLwSeOosWi4JtRbrgdjxKgYohvs_C4I0glUzVgQJSOhKY2LJ0XWWJgSXBtSCki-dJRCc0t_7GwYsjWRwjucDgE/s2046/Dora.Lopes.branca.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1479" data-original-width="2046" height="463" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1F7yJuqQ8I0IHIuqyoazN7g_U7r9owqweXisZOT2exDOQ-Gov65gbhyLwSeOosWi4JtRbrgdjxKgYohvs_C4I0glUzVgQJSOhKY2LJ0XWWJgSXBtSCki-dJRCc0t_7GwYsjWRwjucDgE/w640-h463/Dora.Lopes.branca.jpg" width="640" /></a></div><span style="font-family: arial;">audience <b><span style="color: #ffa400;">spellbound</span></b> by sheer bravado... </span><span style="font-family: arial;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkq7nLbGIWBT9fVk92Ew44XQ_QnQWolYUgw6KZbuguM9P5lmvP4NIxZoPXyCd4t77htvuAW-Y2SMl36_bMQQUGI9BWrKIBgPXYS16STZ4_7V55DdMyRffFH9M4JKX3rkAvCuxOz9ttqU/s1600/Dora.Lopes.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1179" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkq7nLbGIWBT9fVk92Ew44XQ_QnQWolYUgw6KZbuguM9P5lmvP4NIxZoPXyCd4t77htvuAW-Y2SMl36_bMQQUGI9BWrKIBgPXYS16STZ4_7V55DdMyRffFH9M4JKX3rkAvCuxOz9ttqU/s640/Dora.Lopes.jpg" width="471" /></span></a></div>
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All photos on this page were kindly made available by <b>Alberto Oliveira</b>.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaocB-Ly2llYS-8eLLSjn50Rsc5a_7GXJy3iVz4Yt33zBmqyaHW6CfARcWsr2paYbBIwE1WGnjVyC09Pn5aLYQdnrPtxzxUpDI-NiuSU-XwIqKnA1YaPs3RcWsTMJxG4U4W6-T2xXkhJE/s1711/dora.lopes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1711" data-original-width="1260" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaocB-Ly2llYS-8eLLSjn50Rsc5a_7GXJy3iVz4Yt33zBmqyaHW6CfARcWsr2paYbBIwE1WGnjVyC09Pn5aLYQdnrPtxzxUpDI-NiuSU-XwIqKnA1YaPs3RcWsTMJxG4U4W6-T2xXkhJE/w471-h640/dora.lopes.jpg" width="471" /></a></div><span style="font-family: arial;"><br /></span></div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-35900806038245870232019-01-11T00:16:00.001-08:002020-09-06T07:16:24.993-07:00Whatever happened to MARY GONÇALVES?<div dir="ltr" style="text-align: left;" trbidi="on">
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1950s Brazilian singer Mary Gonçalves had a very interesting career. She started as a movie actress in the late 1940s, switched to a career as a recording artist in 1952. Then moved on to be one of the best night-club acts by the end of the 50s while touring Uruguay, Argentina, Chile, Colombia and Venezuela. By 1960, she knew she had to re-invent herself again. While singing in a night-club in Barranquilla, Mary met an American oil executive who lived in Colombia and got married.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_2yV1rJigJromERXpIhgJWo47s1lM2tw0s4Ry1AZGZiKl3VjvMSIBcVGJ5ATbfkcVTr3r6dvVjAeVTE5IAd9-YOCaC0rZTzfkJXy6yaI56NNyh3QAnLMuTADdyaRISZGC_HeMGFAq6o/s1600/I0032530-20Alt%253D001886Lar%253D001244LargOri%253D004037AltOri%253D006119+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1010" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_2yV1rJigJromERXpIhgJWo47s1lM2tw0s4Ry1AZGZiKl3VjvMSIBcVGJ5ATbfkcVTr3r6dvVjAeVTE5IAd9-YOCaC0rZTzfkJXy6yaI56NNyh3QAnLMuTADdyaRISZGC_HeMGFAq6o/s640/I0032530-20Alt%253D001886Lar%253D001244LargOri%253D004037AltOri%253D006119+%25282%2529.JPG" width="404" /></a></div>
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Revista do Radio n. <b>566</b> - <b><span style="color: orange;">23rd July 1960</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV1ZPXC1_JZkw2GBea-gUh5uoKh0HaNybFN_YM_Fyg5Vcw75MxWkWjhbfWp2AvmJic9PqyXRVIvk97o0aQIUKswIMLV6xjkxY3BYLjk0zcx0OPn16Azb5eblQIKU89nmobaNJkFeB_Tmw/s1600/I0032529-20Alt%253D001886Lar%253D001244LargOri%253D004037AltOri%253D006119+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="975" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV1ZPXC1_JZkw2GBea-gUh5uoKh0HaNybFN_YM_Fyg5Vcw75MxWkWjhbfWp2AvmJic9PqyXRVIvk97o0aQIUKswIMLV6xjkxY3BYLjk0zcx0OPn16Azb5eblQIKU89nmobaNJkFeB_Tmw/s640/I0032529-20Alt%253D001886Lar%253D001244LargOri%253D004037AltOri%253D006119+%25282%2529.JPG" width="389" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPdxm1ZMuPjLSJ8MsqwNUSt1b6KhvWHv4w8_KSgBI5VFuBgTYxcRrq6TvG8iO_zL5JMMyXkNRq0Qp5GXvjkuVmh322KcBErF8FunSBTWfr_tfDYkatxLyxpqwllzBgj8YdZC8DkG_q0gE/s1600/19610903-26492-nac-0089-999-89-clas-sxwgxhk+%25282%2529_LI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="122" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPdxm1ZMuPjLSJ8MsqwNUSt1b6KhvWHv4w8_KSgBI5VFuBgTYxcRrq6TvG8iO_zL5JMMyXkNRq0Qp5GXvjkuVmh322KcBErF8FunSBTWfr_tfDYkatxLyxpqwllzBgj8YdZC8DkG_q0gE/s1600/19610903-26492-nac-0089-999-89-clas-sxwgxhk+%25282%2529_LI.jpg" /></a></div>
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<b><span style="color: orange;">3rd September 1961</span></b> - OESP columnist <b><span style="color: orange;">Mary Wynne</span></b> chats with <b><span style="color: orange;">Mary Gonçalves</span></b> at A Baiuca where had sung for many years... and tells Ms Wynne that even though she'd been in São Paulo for just a few weeks she'd already packed to go back to <b><span style="color: orange;">Barranquilla</span></b>,<b> Colombia</b>, where she had been living since she married <b><span style="color: orange;">Gus Standish</span></b>. As one can see, Mary didn't stay long in the city... she only stayed for a few days catching up with old friends but her mind was elsewhere... </div>
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Revista do Radio n. <b>627</b> - <b><span style="color: orange;">23rd September 1961</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhs_XlALCJHkQ37dlbbPKI4I7I52FY0Cb_ARPh0PmWCac_Ugjw4mZE6IUxRA1NigQEdxRNynQUanNgJyMkcRW9A8pxScBFtvK-7b3EWbbXQOPDn3lhR_imYkHZ1GIqqzNTCFvKoDCc4Q/s1600/I0036220-20Alt%253D001802Lar%253DEd.632.1961+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="184" data-original-width="510" height="115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhs_XlALCJHkQ37dlbbPKI4I7I52FY0Cb_ARPh0PmWCac_Ugjw4mZE6IUxRA1NigQEdxRNynQUanNgJyMkcRW9A8pxScBFtvK-7b3EWbbXQOPDn3lhR_imYkHZ1GIqqzNTCFvKoDCc4Q/s320/I0036220-20Alt%253D001802Lar%253DEd.632.1961+%25282%2529.JPG" width="320" /></a></div>
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Revista do Radio n. <b>642</b> - <b><span style="color: orange;">30 December 1961</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl5I7s_9C5Jmbc4ktIRNZSc83PP_Psdxovb1MhDuiVvGis2faW7Sk6CbAyFQnEXeE3kYNwbi2x07QIwH02vqTQr2kL328bFtvkoX12SwsmMKTCqG0I5rjazjOKNRIz_GydxMPZ985N1zY/s1600/I0036736-20Alt%253D001838Lar%253DEd.642.1962.+%25283%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1025" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl5I7s_9C5Jmbc4ktIRNZSc83PP_Psdxovb1MhDuiVvGis2faW7Sk6CbAyFQnEXeE3kYNwbi2x07QIwH02vqTQr2kL328bFtvkoX12SwsmMKTCqG0I5rjazjOKNRIz_GydxMPZ985N1zY/s640/I0036736-20Alt%253D001838Lar%253DEd.642.1962.+%25283%2529.JPG" width="409" /></a></div>
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Revista do Radio n. <b>820</b> - <b><span style="color: orange;">5 July 1965</span></b>.</div>
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This is the <b><span style="color: orange;">last entry</span></b> of Mary Gonçalves' name at '<b>Revista do Radio</b>'. Times had changed so much in the last 3 years the columnist had to identify Mary as... '<b>the Brazilian singer </b>Mary Gonçalves'... (who has been living in <b>Caracas</b> for some years - actually RR is wrong: Mary had been living in <b>Colombia</b>, not Venezuela) has returned to Brazil. No one knew how long Mary stayed, whether it was a short or a long stay. The fact is that Mary Gonçalves <b><span style="color: orange;">disappeared from the media altogether</span></b>. She was living in the USA with her American husband by then and as Brazilian show business had changed radically <b><span style="color: orange;">by 1965</span></b>, Mary was yesterday's news.</div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-19090739070799875752018-10-19T01:57:00.000-07:002019-01-11T15:01:26.488-08:00Angela Maria dies on 29 September 2018.<br />
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<b><span style="color: orange;">Angela Maria, 89, Brazilian singer who inspired a generation, dies</span></b><br />
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By Lis Moriconi<br />
11 October 2018<br />
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Angela Maria, the Brazilian singer who became a national sensation in the 1950s and inspired a generation of artists with her piercing, sometimes hoarse, often melancholy voice, died on <b><span style="color: orange;">29 September 2018</span></b>, in São Paulo. She was 89.</div>
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Her husband, Daniel D’Angelo, announced the death in a video posted on her Facebook page.</div>
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Angela Maria had a wildly successful recording career and performed in sold-out halls well into her 80s, her voice still vibrant. She was equally at home performing tangos, cha-chas and boleros. She recorded more than 650 songs and appeared in 20 films.</div>
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She was also the subject of intense tabloid scrutiny. At a time when divorce was frowned upon in Brazil, she broke a cultural taboo by marrying four times, most controversially to Mr. D’Angelo, with whom she had moved in when she was 52 and he was 18.</div>
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She once explained the popularity of her music by noting that it drew on the heartache of Brazilians, a people well acquainted with hardship. But its appeal was universal.</div>
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“Everybody suffers,” she said in a television interview in 1988. “And this suffering is what I convey through the songs I sing.”</div>
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Unlike other radio stars of her era, she retained a strong following during the bossa nova and tropicália eras in the late 1950s and 1960s. She was still performing frequently when samba made a comeback in the ’70s and weathered changing styles into the ’90s.</div>
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“Angela came out of the Italian bel canto tradition and had Latin American influence, especially the bolero,” said <b>Rodrigo Faour</b>, who wrote a biography of her. “Her voice is powerful, it’s warm and mesmerizing, it’s not music you can put on in the background. And it had an ‘open sesame’ effect. Every time she sang, doors opened.”</div>
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She was born <b><span style="color: orange;">Abelim Maria da Cunha</span></b> in <b><span style="color: orange;">Conceição de Macabu</span></b>, Rio de Janeiro State, on <b><span style="color: orange;">13 May</span></b> <b><span style="color: orange;">1929</span></b>, the 10th child of <b>Albertino Coutinho Cunha</b>, a farmer who later became a Baptist pastor, and <b>Julita Maria da Cunha</b>. Because the family was very poor, Abelim spent part of her childhood living in other households, sometimes doing menial work.</div>
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Her talent was first spotted when she <b>sang in churches</b> as a <b>teenager</b>. Eager to sing for larger audiences, she would sneak out of services against the wishes of her family to compete in amateur radio competitions, which she entered <b><span style="color: orange;">under</span></b> what would ultimately become <b><span style="color: orange;">her stage name</span></b>. The competitions yielded prizes, which she stashed in a shoe box at home. She soon began entertaining the idea of recording an album.</div>
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As a young adult, she made a meager living <b>working in a factory</b>, where she dazzled colleagues by belting out semi-operatic songs like Gounod’s “Ave Maria.”</div>
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Angela Maria became an instant hit when radio stations began playing her first records in the early 1950s. By the end of the decade, having won numerous awards and become the country’s most well-paid singer, she began hosting live television shows. She maintained a punishing schedule, often shuttling between São Paulo and Rio de Janeiro.</div>
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Among her biggest hits were the rumba “<b><span style="color: orange;">Babalu</span></b>” and the ballads "<b><span style="color: orange;">Labios de mel</span></b>" ("Honey lips"), “<b>Não Tenho Você</b>” (“I Don’t Have You”) and “<b>Vá, mas Volte</b>” (“Leave, but Come Back”).</div>
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Her music had an impact on many prominent Brazilian musicians, including Milton Nascimento, Maria Bethânia and Djavan. The renowned singer Elis Regina said she had been “tremendously influenced” by Angela Maria.</div>
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The Brazilian singer and actress <b><span style="color: orange;">Carmen Miranda</span></b> was also a fan. Angela Maria was startled to learn that Ms. Miranda — who was older and had became a luminary in Hollywood — was an avid collector of her albums.</div>
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Ms. Miranda contacted her to request a meeting 14 years after leaving Brazil. “She was my idol,” Angela Maria said. “When I heard she wanted to see me I froze.”</div>
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Along with Ms. Miranda and Dalva de Oliveira, Mr. Faour said, “Angela became the matrix of Brazilian singers.” He added, “She gave popular composers powerful, sophisticated renditions.”</div>
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Angela Maria married Mr. D’Angelo on her birthday in 2012, after they had been together for 33 years. In addition to him, she is survived by four children.</div>
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Angela Maria was sometimes chided for her over-the-top rendition of songs and her flashy dresses. She took the criticism as a compliment.</div>
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“It makes me proud,” she once said. “<b><span style="color: orange;">Brazilians are gaudy</span></b>.”</div>
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A version of this article appears in print on <b>Oct. 12, 2018</b>, on Page B13 of the New York edition with the headline: <b>Angela Maria, 89, Aching Voice of Brazil’s Melancholy</b>.<br />
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-57593752655788365492018-10-15T13:46:00.005-07:002022-10-28T08:39:23.445-07:00Jeanette Adib, a very special journalist <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvi-25_U6uoB6RnpTOyFGgVCPYI8HLCb8Yl2vGNtq0ncRpuRbGgAn_0oVeHvx0QjEo51dHR_ipulwCxMq_THiSK7ichmp5dk6mk6-ve07qGf_FkIx2YNge4OSrUh7dUfLD8q3wfiHD7Bw/s1600/Jeanette.Adib.Linda.Dirce.Claudette.Lucy.Rosana+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="539" data-original-width="795" height="433" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvi-25_U6uoB6RnpTOyFGgVCPYI8HLCb8Yl2vGNtq0ncRpuRbGgAn_0oVeHvx0QjEo51dHR_ipulwCxMq_THiSK7ichmp5dk6mk6-ve07qGf_FkIx2YNge4OSrUh7dUfLD8q3wfiHD7Bw/s640/Jeanette.Adib.Linda.Dirce.Claudette.Lucy.Rosana+%25282%2529.PNG" width="640" /></a></div>
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from left to right: <b><span style="color: orange;">Jeanette Adib</span></b>, Jair Alves, <b>Linda Baptista</b>, her sister <b>Dircinha Baptista</b>, unknown, <b>Claudete Soares</b> & singer Lucy Rosana. </span></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAcYcNZ4u_y5L5IRtLVurYZk31f5W9esYxlewkmCrPWRJGccZY_J2uZARfFJ2JuRDpmtG_9Nc2mFBLyDWOuvGi1iZuyQH3s0Ula3HZqPQGFvGxJ4aE6ZarmpvVI_Fc6VB8lio_Fa5cTL-f7JBscJRRDuWP1P54DsPx_fj7wbUYRDcsHdZ0_Mi7QdbF/s1274/DSC03980.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="746" data-original-width="1274" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAcYcNZ4u_y5L5IRtLVurYZk31f5W9esYxlewkmCrPWRJGccZY_J2uZARfFJ2JuRDpmtG_9Nc2mFBLyDWOuvGi1iZuyQH3s0Ula3HZqPQGFvGxJ4aE6ZarmpvVI_Fc6VB8lio_Fa5cTL-f7JBscJRRDuWP1P54DsPx_fj7wbUYRDcsHdZ0_Mi7QdbF/w640-h375/DSC03980.JPG" width="640" /></a></div><span style="font-family: arial;"><b>Lucio Alves</b>, Armando Louzada, <b>Célia Vilela</b>, <b><span style="color: #ffa400;">Jeanette Adib</span></b> and Ademilde Fonseca chat about show business at a Rio de Janeiro restaurant. '<b>Jornal das Moças</b>', <b><span style="color: #ffa400;">5 April 1956</span></b>. </span><span style="font-family: arial;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyOtZlITJtwWwY7mxzz9h2wzQoafuY87v2XvhboNR5lyvAabJRULTb8yFeaS6Zow-zkqba099ti100vZ3oXakbMoL7NbCYCcG0_FdZMFrERnnHXFFNVJkqDA3LkR1VJNN1dvEwR_iWBKU/s1600/Jornal.mo%25C3%25A7as.26.Jan.1956.OVC+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="862" data-original-width="558" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyOtZlITJtwWwY7mxzz9h2wzQoafuY87v2XvhboNR5lyvAabJRULTb8yFeaS6Zow-zkqba099ti100vZ3oXakbMoL7NbCYCcG0_FdZMFrERnnHXFFNVJkqDA3LkR1VJNN1dvEwR_iWBKU/s1600/Jornal.mo%25C3%25A7as.26.Jan.1956.OVC+%25282%2529.PNG" /></span></a></div>
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Jeanette Adib while working for '<b><span style="color: orange;">Jornal das Moças</span></b>', <b><span style="color: orange;">26 January 1956</span></b>; interviews <b>Victor</b> <b>Costa</b>, the man who managed to make Radio Nacional a powerhouse in the 30s & 40s. Mr Costa was given a network of radio & TV in the 1950s he properly named after himself, <b>Organização Victor Costa</b> (OVC). </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">Jeanette Adib has also written a few popular songs during her heyday in the 50s & 60s</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">1. '<b>Tormento</b>' (</span><span style="font-family: arial;">Ivan Paulo da Silva "Carioca"-Jeanette Adib) 78 rpm by Elizeth Cardoso - 1955</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">2. '<b>Mãos vazias</b>' (Jeanette Adib) 78 rpm by Carmen Déa in 1956.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">3. </span><span style="font-family: arial;">'<b>Seus carinhos</b>' (Jeanette Adib) 78 rpm by Carminha Mascarenhas in 1958.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">4. '<b>Dê o fora</b>' (Roberto Carlos-Jeanette Adib) recorded by Wanderléa in 1964.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">5. '<b>Eu não ligo, baby</b>' (Ain't that better, baby?) </span><span style="font-family: arial;">Cheryl Lynn-Phil Medley; vers. Jeanette Adib; recorded by Meire Pavão for her Chantecler LP 'A rainha da juventude' in 1965.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">6. '<b>Ouvindo o ring-a-ding</b>' </span><span style="font-family: arial;">(Hey Ring-A-Ding) </span><span style="font-family: arial;"> (</span><span style="font-family: arial;">Eddie Curtis; versão: Jeanette Adib) recorded by Meire Pavão for her LP 'A rainha da juventude' in 1965.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">7. '<b>A loucura das garotas</b>' (Paulinho Sette-Jeanette Adib) recorded at Continental by Cyro Aguiar in 1966. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">8. '<b>Receita para me conquistar</b>' (Jeanette Adib-Aloísio) Cyro Aguiar's LP 'Inspiração' 1967.</span></div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-41659670107332588722018-08-10T12:42:00.002-07:002018-08-13T12:21:39.624-07:00Gilda Lopes continued... <div style="text-align: justify;">
As we have seen, it was first posted here on 2nd April 2012 - Gilda Lopes was a Brazilian hopeful who worked at the Brazilian Embassy in Rome in the late 1950s.</div>
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In a short period of less than 3 months - from September to Christmas Eve <b><span style="color: orange;">1962</span></b> - Gilda Lopes lived from heaven to hell. After relentlessly pursuing a career as a singer since 1960, she finally hit the big time when '<b><span style="color: orange;">O trovador de Toledo</span></b>', her 1st recording for EMI-Odeon hit <b><span style="color: orange;">Number One</span></b> throughout the country and Gilda Lopes became the darling of radio, TV, newspapers and magazines. </div>
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Before 1962 was through, Gilda had sold more than <b><span style="color: orange;">100,000</span></b> discs, bought a great apartment in fashionable Copacabana and was on her way to record her first album for Odeon. The week before Christmas 1962, tragedy struck her mercilessly when her 9 year-old son Jean Bayard was the victim of dreadful accident while travelling in a bus from Porto Alegre-RS to Rio de Janeiro with his grand-mother. </div>
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'<b>Revista do Radio</b>' no.<b> 680</b> (<b><span style="color: orange;">29 September</span></b> <b><span style="color: orange;">1962</span></b>) introduces Gilda Lopes to its readers.</div>
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Gilda Lopes' '<b><span style="color: orange;">O trovador de Toledo</span></b>' at #1 at the Revista do Radio's chart on <b><span style="color: orange;">13 October 1962</span></b>.</div>
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Revista do Radio no. 687 (<b><span style="color: orange;">17 November 1962</span></b>) acknowledges <b>Gilda Lopes</b> is a phenomenon due to her having sold <b>100,000</b> copies of '<b>O trovador de Toledo</b>' in a few weeks; and warns Angela Maria , who had also recorded a different version of the French tune 'L'arlequin de Tolède' - that she had a new 'rival'. A hundred thousand singles was the greatest amount a Brazilian act could sell then. It was the equivalent of a million records sold in the USA or Japan.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCvCp5kjbDsF5nj5jjHJ5l8t9KtaIF0BhIbeD3L6nMtokQSX1koG5qx9Nu9LkC331tj73t_mpAyAd3HAjLE4wcOmI3bbstDfrcmc-Lde952QvsTtgeWwDX6UuIVirnxViajOjQeN9yAo/s1600/RR.696.Gilda.9.anos.1963+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="88" data-original-width="347" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCvCp5kjbDsF5nj5jjHJ5l8t9KtaIF0BhIbeD3L6nMtokQSX1koG5qx9Nu9LkC331tj73t_mpAyAd3HAjLE4wcOmI3bbstDfrcmc-Lde952QvsTtgeWwDX6UuIVirnxViajOjQeN9yAo/s320/RR.696.Gilda.9.anos.1963+%25282%2529.JPG" width="320" /></a></div>
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Revista do Radio no.696 (<b><span style="color: orange;">19 January 1963</span></b>); a small note at '<b>Mexericos da Candinha</b>' gossip column which was probably ready by late December 1962 eerily says: '<b>You should see how handsome Gilda Lopes' young man of 9 is</b>'. The 'young-man' was Gilda's 9 year-old son Jean Bayard, who was victim of a harrowing accident in which he nearly died. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU00QiJVLl6LXeE_cFcGPXasDpACRrc40JieRGLFlCsDcZfM522ntpHGilrIml3bu9tE8KXW1FZ1VMkQrAmhSsigprn1jhNCP5f1s0WplHXUjqGmNjNXvrgupidhfxM4f4TvP49HoHS_A/s1600/RR.699.Gilda.Curitiba+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1087" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU00QiJVLl6LXeE_cFcGPXasDpACRrc40JieRGLFlCsDcZfM522ntpHGilrIml3bu9tE8KXW1FZ1VMkQrAmhSsigprn1jhNCP5f1s0WplHXUjqGmNjNXvrgupidhfxM4f4TvP49HoHS_A/s400/RR.699.Gilda.Curitiba+%25282%2529.JPG" width="271" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaXxJ-XxAoq1zhqqPNd7sWl38wwzpyzG3CfE86n62cZs0W2RrQHAB__AXDgCnkdW7Hh-TKIZsNFucGB3d7j4l3-_iDOPG_OFXpdcA1NIBZ1aRx6Nj2eK_cyPQihfNJc4Gen0msn5rlc5M/s1600/RR.699.Gilda.Curitiba.1+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1031" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaXxJ-XxAoq1zhqqPNd7sWl38wwzpyzG3CfE86n62cZs0W2RrQHAB__AXDgCnkdW7Hh-TKIZsNFucGB3d7j4l3-_iDOPG_OFXpdcA1NIBZ1aRx6Nj2eK_cyPQihfNJc4Gen0msn5rlc5M/s400/RR.699.Gilda.Curitiba.1+%25282%2529.JPG" width="257" /></a></div>
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Revista do Radio no. 699 (<b><span style="color: orange;">9 February 1963</span></b>)</div>
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'<b><span style="color: orange;">Revista do Radio</span></b>', Brazil's top show business weekly rag since 1949 was not exactly an example of excellence. Have a really good look at these 3 different articles about Gilda which were published in a 4-month period and you'll see that RR probably had paid her a visit once, took as many photographs as possible and used them all at different times. The magazine was really slow to catch up with the news. The accident with Gilda's son happened the week before Christmas 1962 but RR only gave a hint of the accident on 9 February 1963, more than a month later.</div>
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Actually it looks like this article was already made - for the emphasis is on Gilda's buying of a grand duplex apartment on Rua Dias da Rocha in fashionable Copacabana - when someone said: 'Wait a minute, there was a tragedy here so we have to squeeze it in somehow'. Here's the article in its original Portuguese:</div>
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Gilda Lopes experimentou 2 emoções diferentes, quase a um só tempo: recebeu uma fortuna pela venda de seus discos - foi a grande revelação de 1962 - e comprou uma apartamento duplex na Rua Dias da Rocha em Copacabana, no valor de 18 milhões de cruzeiros (USD 36,000 que corresponde a USD 300,000 em valor atualizado em 2018).<br />
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A informação chegou à RR por outros canais, sabendo-se que a cantora prefere não divulgar o fato para não ser mal interpretada. Gilda, no entanto, sofreu um abalo fortíssimo ha alguns dias quando soube do acidente em estrada com sua mãe e seu filhinho ocorrido em Curitiba, ficando o menino gravemente ferido, embora esteja a salvo.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi96cv-Uu1r1ZbE8UoKu9qWMoqM56VWs1xG97Fun1C8cTPLRCqRt4sGGR1_z8n22qNMW56Kn9ZbxPvEnYexJF4xnCBQd29kKRNuqE8UB-oKGdHSkK_rDcnfF2-UitTl7xxhGC0Rx9SXoDE/s1600/RR.703.Gilda.drama+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="980" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi96cv-Uu1r1ZbE8UoKu9qWMoqM56VWs1xG97Fun1C8cTPLRCqRt4sGGR1_z8n22qNMW56Kn9ZbxPvEnYexJF4xnCBQd29kKRNuqE8UB-oKGdHSkK_rDcnfF2-UitTl7xxhGC0Rx9SXoDE/s640/RR.703.Gilda.drama+%25282%2529.JPG" width="392" /></a></div>
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Revista do Radio n. 703 (<b><span style="color: orange;">9 March 1963</span></b>). <span style="text-align: justify;">'Revista do Radio' finally catches up with the news nearly 3 months later: </span></div>
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Desde algumas semanas a cantora Gilda Lopes sofre um terrível drama, angustiada inclusive pelo complexo de culpa. Tudo aconteceu à época em que se sucediam os desastres de avião, no Brasil e em outras terras. Alarmada com aquelas tragédias, Gilda Lopes não permitiu que seu filho (de apenas 8 anos) voltasse para o Rio, juntamente com sua vovó (e mãe da cantora) em viagem aérea. Conta-se, mesmo, que o menino, pelo telefone, pediu à sua genitora que o deixasse viajar de avião. Ela não concordou e impôs o regresso através de ônibus. E o pior aconteceu. </div>
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Foi difícil à reportagem apurar a extensão da dolorosa ocorrência. Sabe-se, apenas, que o ônibus em que viajavam o filho e a mãe da cantora sofreu, próximo de São Paulo um abalroamento. O choque foi colher precisamente a criança, causando-lhe ferimentos profundos e suspeita de esmagamento de um dos braços. Infelizmente a suspeita confirmou-se quando a criança foi conduzida ao hospital, onde os médicos, sem outros recursos, tiveram que amputar-lhe o braço, para salvar-lhe a vida. </div>
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Em desespero, a artista foi para junto de seu filho, ausentando-se de todas atividades artísticas. Foi impossível localizá-la. Gilda dedicou-se inteiramente ao seu pequeno Jean, não se sabendo, mesmo, se ela voltaria àquelas atividades. </div>
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Cumpre acrescentar que o menino Jean vinha do Rio Grande do Sul, em companhia de sua avó, mãe de Gilda, que no acidente sofreu fraturas em 5 costelas, permanecendo vários dias, em um hospital, em estado desesperador. </div>
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Agora, felizmente, a mãe de Gilda Lopes encontra-se fora de perigo. A cantora levará o pequeno Jean aos Estados Unidos, a fim de por lá seja-lhe adaptado um braço mecânico.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn-Vb8ExnVhkg1RA5R4oGs9cDozpNv4iQeK04cGr53x_3j0R_IUtUfngqBnm8RLMv1zP2-H6xm52nfOfEd9lFzuJYcbMpzfz7F0K9MgQY8Zkiqvrz5zHE8XaPYDZklYg9w_Nd_9usamjI/s1600/RR.711.Gilda.fatalidade+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1053" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn-Vb8ExnVhkg1RA5R4oGs9cDozpNv4iQeK04cGr53x_3j0R_IUtUfngqBnm8RLMv1zP2-H6xm52nfOfEd9lFzuJYcbMpzfz7F0K9MgQY8Zkiqvrz5zHE8XaPYDZklYg9w_Nd_9usamjI/s400/RR.711.Gilda.fatalidade+%25282%2529.JPG" width="263" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn8k2slqzLNtBPquODCJbhIeEBitjg7jEmDOTfkElrKeITFaNMEBxtHD62RsSkrOkx3vAOQkVYQBmc6KhmXqzQIBCQfkrqGx4hA4PrJuWcwLS6qNWWu07DegpoI9xJhlX6cb4ndQ-e3rQ/s1600/RR.711.Gilda.fatalidade.1+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1010" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn8k2slqzLNtBPquODCJbhIeEBitjg7jEmDOTfkElrKeITFaNMEBxtHD62RsSkrOkx3vAOQkVYQBmc6KhmXqzQIBCQfkrqGx4hA4PrJuWcwLS6qNWWu07DegpoI9xJhlX6cb4ndQ-e3rQ/s400/RR.711.Gilda.fatalidade.1+%25282%2529.JPG" width="252" /></a></div>
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'Revista do Radio' n. <b>711</b> (<b><span style="color: orange;">4th May 1963</span></b>) finally gets an interview with Gilda Lopes who tells her her whole story. </div>
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Quem vê Gilda Lopes alegre, cantando num programa de TV, nem de leve pode imaginar o drama que viveu e ainda vive. Em 31 de Dezembro de 1962, a mãe da cantora e seu filho de 9 anos, Jean Bayard, vinham de Porto Alegre-RS, quando perto de São Paulo, o ônibus em que viajavam sofreu violento desastre, capotando na estrada. Entre as as outras vítimas menos atingidas, Jean e sua avó não foram tão felizes. Deixemos que a própria Gilda Lopes conte o que aconteceu.</div>
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"Foi o pior Ano Novo que já tive em minha vida. Mamãe fraturou 3 costelas e uma delas perfurou-lhe o pulmão. Ela esteve vários dias entre a vida e a morte e, embora já esteja melhor, não está totalmente recuperada. Meu filho sofreu esmagamento do braço esquerdo e teve que amputá-lo, quase à altura do ombro. Ele demonstrou ser uma criança de grande força de vontade porque, poucos dias depois de operado, já estava desenhando, coisa que adora fazer. </div>
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Durante 2 meses, abandonei minha carreira e fiquei com minha mãe e meu filho na Beneficência Portuguesa de São Paulo. Emagreci tanto que meus amigos quase que não me conheciam mais. Sofri o que não desejo ao meu pior inimigo, se é que tenho algum. Mas agora, felizmente, tudo vai entrando novamente nos eixos". </div>
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A entrevista tem lugar no belo apartamento da cantora em Copacabana, no Posto 4. Ela frequenta o posto que reside usando seu maiô de uma peça só, preto. Mas quando quer queimar-se, pega seu carro esporte Isabella, manufaturado pela Borgward, de cor gelo, de 2 lugares, e, de bikini, vai dourar a pele na Barra da Tijuca.</div>
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Recuperada de seu esgotamento físico e nervoso, causado pelo acidente, Gilda voltou às suas medidas - 1,65 m de altura, 53 kg de peso, 95 cm de busto e quadris e 59 cm de cintura - que combinam com seus longos cabelos castanhos claros. A propósito, ela nos conta: </div>
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"Já fui 'Rainha dos Estudantes' em Porto Alegre e 'Rainha do Grupo Folclórico'. Também fui eleita Miss Porto Alegre, 5 meses antes de me casar, mas esse título ficou pouco tempo comigo pois descobriram que eu tinha apenas 15 anos. Depois casei, desquitei-me e ha cerca de 1 ano enviuvei. </div>
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Nasci em Porto Alegre em 17 de junho de 1937 e sou a cantora da família. Minha irmã é pintora, formada em artes plasticas e minha mãe é pianista, tendo dado concertos até os 15 anos de idade, quando casou. Eu também estudei piano, mas apenas durante 6 anos. Estudei ballet em Porto Alegre e no Rio de Janeiro e, durante 4 anos, aprendi dança espanhola.</div>
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Depois resolvi ser médica e assim cursei medicina, 1 ano em Porto Alegre e outro no Rio. Desisti para ir viver na Europa, mas talvez ainda volte a estudar, embora me sinta realizada no canto. </div>
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Fiquei 2 anos na Europa, onde era adida cultural à Embaixada do Brasil em Roma. Foi lá que começou minha carreira artística. Um dia o embaixador pediu-me que fosse representar o Brasil num programa da Radio. Fui pensando que era para falar mas queriam que eu cantasse. Acedi e pouco depois recebia um convite da RAI, Televisão Italiana para cantar em um programa. </div>
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Prometeram pagar minha atuação, mas eu tinha pavor de cantar na televisão e, enquanto eu ia recusando, o pessoal da RAI ia aumentando as ofertas. Afinal ganhei 50.000 cruzeiros, uma geladeira, uma televisão e outros presentes. Fui contratada e tive que me registrar como artista. Cantava em Milão e Roma, além de trabalhar na Embaixada. </div>
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Não resistindo à saudade da família, voltei ao Brasil, justamente quando, depois de trabalhar em 'Le bellissime gambe di Sabrina', filme com Mamie Van Doren, lançado em 21 Novembro 1958, era chamada para aparecer em 'La dolce vita' de Fellini. </div>
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Durante 2 anos estive no Brasil sem trabalhar e reapareci ha 8 meses, quando fui contratada pela Odeon para gravar. Tendo ouvido na boite Black Horse uma musica francesa chamada '<b><span style="color: orange;">L' arlequin de</span></b><span style="color: orange;"> <b>Tolède</b></span>', resolvi gravá-la em um 78 rpm, que já vendeu 150,000 cópias. O compacto-simples 'Tango italiano' / '<b>O trovador de Toledo</b>' já vendeu 30,000 cópias, e então a EMI-Odeon resolveu gravar meu LP, que se chama 'Gilda Lopes, a fabulosa'.</div>
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Devido ao êxito de algumas músicas desse LP, a fábrica lançou um compacto com 'Ba ba laô' e 'Quero paz' e um 78 rpm contendo 'Padre Don Jose' e '<b><span style="color: orange;">Hora do amor</span></b>'.</div>
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Para finalizar podemos informar que em junho de 1963, Gilda Lopes irá aos Estados Unidos, para atuar no programa de Ed Sullivan e nessa ocasião levará consigo seu filho, para colocar um braço artificial, que lhe dará todos os movimentos necessários. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhya7Iz5sKFvXj3C5n0aVi_Teb_57k21_q9hyhCWgKhTOs7ZSo6LPmn_pJOyAm3q5s-8HzIo1j5eqgo5m6UUAseaWbUEFBEsSkXpCLjzJJxKaadB39qemJI8k7Mcb-WioWrctIUmifGxZE/s1600/RR.711.Gilda.fatalidade.1+%25283%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="582" data-original-width="698" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhya7Iz5sKFvXj3C5n0aVi_Teb_57k21_q9hyhCWgKhTOs7ZSo6LPmn_pJOyAm3q5s-8HzIo1j5eqgo5m6UUAseaWbUEFBEsSkXpCLjzJJxKaadB39qemJI8k7Mcb-WioWrctIUmifGxZE/s320/RR.711.Gilda.fatalidade.1+%25283%2529.JPG" width="320" /></a></div>
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Gilda Lopes tries to find solace reading Norman Vincent Peale's 'The power of positive thinking' (O valor do pensamento positivo). </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUl4fyv_0uyceDvBaoUdNT1Moe6FtC-pYIeg20BifdiUa-2RUWQ7dMMl8Y-1Iq3wshV2ZUQ9esB2pbJKoqatSwknwfHKgnRHPjwPtvCjFHUkjXbIs5FliYJ7BA7xGaOAywcWZej_7nStU/s1600/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_697909-MLB26666989537_012018-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1137" data-original-width="1127" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUl4fyv_0uyceDvBaoUdNT1Moe6FtC-pYIeg20BifdiUa-2RUWQ7dMMl8Y-1Iq3wshV2ZUQ9esB2pbJKoqatSwknwfHKgnRHPjwPtvCjFHUkjXbIs5FliYJ7BA7xGaOAywcWZej_7nStU/s200/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_697909-MLB26666989537_012018-F+%25282%2529.jpg" width="198" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAjyp_ETtXfA57mj-Gvhd3u0tkNp69UigWpV-sslE6xoP1Iih9QgZlCNquzWkd57s3QY5wX129-lXBzbOZrYdH056OPd2kHJJ1lBYD2Ry5JepP5OcwPHZUr3h3jnAfWkeUgBeQMSqyjKU/s1600/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_638390-MLB26666989054_012018-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1128" data-original-width="1123" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAjyp_ETtXfA57mj-Gvhd3u0tkNp69UigWpV-sslE6xoP1Iih9QgZlCNquzWkd57s3QY5wX129-lXBzbOZrYdH056OPd2kHJJ1lBYD2Ry5JepP5OcwPHZUr3h3jnAfWkeUgBeQMSqyjKU/s200/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_638390-MLB26666989054_012018-F+%25282%2529.jpg" width="199" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithkql4_ewg9394HX7NiyJbSe6tvhNjC_9qWKiMvhiezO8WMquDkVMQfHlAFtZwlpAsXW2P4hNkul1DjAvIOiaRxKKWpIvLk4JWdU-Ohn2aqME0cQaN0lQPev4Oc2E2CCpTQrOwP6-t_Y/s1600/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_707206-MLB26666972409_012018-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="612" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEithkql4_ewg9394HX7NiyJbSe6tvhNjC_9qWKiMvhiezO8WMquDkVMQfHlAFtZwlpAsXW2P4hNkul1DjAvIOiaRxKKWpIvLk4JWdU-Ohn2aqME0cQaN0lQPev4Oc2E2CCpTQrOwP6-t_Y/s200/disco-compacto-vinil-gilda-lopes-1962-raridade-D_NQ_NP_707206-MLB26666972409_012018-F+%25282%2529.jpg" width="199" /></a></div>
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Gilda Lopes' first single '<b>O trovador de Toledo</b>' (L'Arlequin de Tolède) written by Hubert Giraud & Jean Drejac translated into Portuguese by Romeu Nunes - reached #1 as a 78 rpm in late 1962. By early 1963 Odeon re-released it as 33 rpm 7-inches single (7B-014).</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5xb9PBB2r_XHJOu6fimAjGCUUnksFXNNXDOlyfKIeFcHegMi_E8NHj-Nkx-wgCzIN3WNnDfYjXtRfuFXg7H3LdyBqELmygmYuiqIXqVwzRoXDT4UfJ1JEKpZBI1To9Z88igAXGTppJpk/s1600/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_829120-MLB25682685357_062017-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="696" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5xb9PBB2r_XHJOu6fimAjGCUUnksFXNNXDOlyfKIeFcHegMi_E8NHj-Nkx-wgCzIN3WNnDfYjXtRfuFXg7H3LdyBqELmygmYuiqIXqVwzRoXDT4UfJ1JEKpZBI1To9Z88igAXGTppJpk/s200/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_829120-MLB25682685357_062017-F+%25282%2529.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpT70hk2qR4BADAArPAGRE9bUCr8-9eEyGNAUkIGXBQooQjm2KCE8F5kugnUcNnLY-1XoAyNHvcth20xE310GNYzehjC-I3TlMbuNxFWbxcjANbJ4CRamo6Zr7zDMkM-my4jwpWmiJxu8/s1600/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_881460-MLB25682687630_062017-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="675" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpT70hk2qR4BADAArPAGRE9bUCr8-9eEyGNAUkIGXBQooQjm2KCE8F5kugnUcNnLY-1XoAyNHvcth20xE310GNYzehjC-I3TlMbuNxFWbxcjANbJ4CRamo6Zr7zDMkM-my4jwpWmiJxu8/s200/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_881460-MLB25682687630_062017-F+%25282%2529.jpg" width="197" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71h6O2rLgkLwL_6rtjCNf30hUaTpcYIOkt6mfDHjxiFoSdDmTWBrkRffk9IWOrvFxQ19Ugwqoj3C26j4RFr34GkCHZrAbFi5N8BcEbfBXCpKQPC8KeuftV9KskT7k66XIy1sKWRnszlQ/s1600/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_641807-MLB25682687199_062017-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="362" data-original-width="359" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg71h6O2rLgkLwL_6rtjCNf30hUaTpcYIOkt6mfDHjxiFoSdDmTWBrkRffk9IWOrvFxQ19Ugwqoj3C26j4RFr34GkCHZrAbFi5N8BcEbfBXCpKQPC8KeuftV9KskT7k66XIy1sKWRnszlQ/s200/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_641807-MLB25682687199_062017-F+%25282%2529.jpg" width="198" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBY9EW_ear-44MO0OW-bFnQDgfBHllNhI4jENkjCk1nbaNqwhU5JyTAiW6zfQLaw5SepR_f-xv5mha4jKQZGYaDXuiTtYo1I9ZoKtZV0X9i94bAn_K3XApDZy1z_H8Y7IHg5GDsuWq80/s1600/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_946474-MLB25682689517_062017-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="379" data-original-width="373" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBY9EW_ear-44MO0OW-bFnQDgfBHllNhI4jENkjCk1nbaNqwhU5JyTAiW6zfQLaw5SepR_f-xv5mha4jKQZGYaDXuiTtYo1I9ZoKtZV0X9i94bAn_K3XApDZy1z_H8Y7IHg5GDsuWq80/s200/compacto-gilda-lopes-padre-don-jose-a-hora-do-amor-D_NQ_NP_946474-MLB25682689517_062017-F+%25282%2529.jpg" width="196" /></a></div>
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Gilda Lopes' second single for Odeon (015) '<b>A hora do amor</b>' (Les filles de Cadix) wasn't a smash hit like 'O trovador de Toledo' but went high in the charts too reaching #1 in Rio de Janeiro. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicqq0YKM2xar7q8dove2a9bPCn04yLFJTBkhwu09GCpnhlOP6ZXD1E6vGWN434JwUJAKRq_6MPk6Gvk0zRQ844AZH2epb83sH4-FMaBFhOGR2Mqg6TR6NbAx5J7L4oNlBz5LFIgjNmRQQ/s1600/78-rpm-gilda-lopes-tango-italiano-o-trovador-toledo-odeon-D_NQ_NP_18870-MLB20162425218_092014-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="853" data-original-width="927" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicqq0YKM2xar7q8dove2a9bPCn04yLFJTBkhwu09GCpnhlOP6ZXD1E6vGWN434JwUJAKRq_6MPk6Gvk0zRQ844AZH2epb83sH4-FMaBFhOGR2Mqg6TR6NbAx5J7L4oNlBz5LFIgjNmRQQ/s200/78-rpm-gilda-lopes-tango-italiano-o-trovador-toledo-odeon-D_NQ_NP_18870-MLB20162425218_092014-F+%25282%2529.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgriu1w_AkSAba2enAiGeP8rWy1ouxstlPU9rUTvDtzS1vuV1_q-kRYXI4iMYzdCq3aetdreWziS_h59cbAt89UzpaTtpbebV9uHp5FvPzvLZP4r0rEpli6Pm_dQUeBWf6rJE340FqzOjA/s1600/78-rpm-gilda-lopes-tango-italiano-o-trovador-toledo-odeon-D_NQ_NP_18911-MLB20162425236_092014-F+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="859" data-original-width="912" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgriu1w_AkSAba2enAiGeP8rWy1ouxstlPU9rUTvDtzS1vuV1_q-kRYXI4iMYzdCq3aetdreWziS_h59cbAt89UzpaTtpbebV9uHp5FvPzvLZP4r0rEpli6Pm_dQUeBWf6rJE340FqzOjA/s200/78-rpm-gilda-lopes-tango-italiano-o-trovador-toledo-odeon-D_NQ_NP_18911-MLB20162425236_092014-F+%25282%2529.jpg" width="200" /></a></div>
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78 rpm 'Tango italiano' b/w 'O trovador de Toledo'.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaRuQCoW6AW1PG9PgDZ5hHMpwlrqyatiGiap995FwqIDAycbHU4SA_S9Vvfh11o0jHcPwPCBkzJkNQTEJMjZ8f0D7j1JWjqLLDcGRptYCKdJ0YMbhpRmKXyYlijD6_HQOKBZWCsR6OGGA/s1600/Trovador.23.Sept.1962+%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="573" data-original-width="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaRuQCoW6AW1PG9PgDZ5hHMpwlrqyatiGiap995FwqIDAycbHU4SA_S9Vvfh11o0jHcPwPCBkzJkNQTEJMjZ8f0D7j1JWjqLLDcGRptYCKdJ0YMbhpRmKXyYlijD6_HQOKBZWCsR6OGGA/s1600/Trovador.23.Sept.1962+%25282%2529.JPG" /></a></div>
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'<b><span style="color: orange;">O trovador de Toledo</span></b>' leaps from #10 to Number One in one short week on <b><span style="color: orange;">23rd September 1962</span></b>, displacing Bobby Darin's '<b>Multiplication</b>' from the film 'Come September'. </div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-81142776357104608432017-10-14T12:44:00.007-07:002020-12-27T06:18:11.901-08:00Sylvia Telles goes to the U.S.A. <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwJFsF0ReEpPWNDYelvwX8d5kkJV4oBtX7lZhiwf0ckcJMniKm1lP5xJAw5Z5FRhomVwXQBddzLb2oFrTEvFQsNd55uiTMYYiaa9PH3ej4I2GY3KQOBNVqqxqJa_fSTMPCu8VHJNBM8n4/s1600/I0017110-7Alt%253D001577Lar%253D001150LargOri%253D002300AltOri%253D003154.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1577" data-original-width="1150" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwJFsF0ReEpPWNDYelvwX8d5kkJV4oBtX7lZhiwf0ckcJMniKm1lP5xJAw5Z5FRhomVwXQBddzLb2oFrTEvFQsNd55uiTMYYiaa9PH3ej4I2GY3KQOBNVqqxqJa_fSTMPCu8VHJNBM8n4/s640/I0017110-7Alt%253D001577Lar%253D001150LargOri%253D002300AltOri%253D003154.JPG" width="466" /></span></a></div>
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Radiolandia #337, <b><span style="color: orange;">1st October 1960</span></b>. Sylvia (holding a cigarette in one hand and a coat in the other) listens to Oscar's guitar; the girl in the centre is Laïs who was signed by Philips too. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcXa6du3BJZDtykVHWbDumziJwLDL4y4wKetJ8BxyZ_OF7pZVaTX_FoNL65g2r6cJFk8KruxS4xoFAfNICNqMXgHhnlYGC6wlceUx2ccRv8_r0G95vuYZG1PlqafFwaabuXQzymDVNtrQ/s1600/I0017111-Silvia%2523337.Oct.1st.1960.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1133" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcXa6du3BJZDtykVHWbDumziJwLDL4y4wKetJ8BxyZ_OF7pZVaTX_FoNL65g2r6cJFk8KruxS4xoFAfNICNqMXgHhnlYGC6wlceUx2ccRv8_r0G95vuYZG1PlqafFwaabuXQzymDVNtrQ/s640/I0017111-Silvia%2523337.Oct.1st.1960.JPG" width="452" /></span></a></div>
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<span style="font-family: arial;"><b><span style="color: orange;">Oscar Castro Neves</span></b> says goodbye to <b>Sylvia Telles</b> in style.</span></div>
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Sylvia Telles flew to New York with <b>Aloysio de Oliveira</b>. They met <b>Adalgisa Colombo</b>, Miss Brazil 1958, who had been living in the USA since she was the runner up to the Miss Universe competition in June 1958. She actually married Brazilian diplomat <b>Jackson Flores</b> and had a baby boy. Sylvia & Aloysio also also met orchestra conductor <b>Leo Peracchi</b>, another expatriate who'd been living in the USA for some time.</span></div>
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They left <b>New York</b> and drove in a car all the way to <b>California</b> which took them <b>10 days</b>. They made a stop at <b>Las Vegas</b>, <b>Nevada</b> where they paid a visit to <b><span style="color: orange;">Leny Eversong</span></b> who was the main attraction at the <b>Thunderbird</b> night club. It took them 2 days to get booked to see Leny in action. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xTiAEgqx8LVaDjQZkYCavu9JEFT8jktOc5WmjrjxAbMnSyWrChzfQ-M5EnjkKhu5q-GOrI2PWgHCusOM946mM0CyDphf1zYKB0hNFn-h9f6o2soD6t_BQjT1_1im9K8KZBsA9l7CBQI/s1600/I0017335-Silvia.Nov.1960%2523340.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1580" data-original-width="1171" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xTiAEgqx8LVaDjQZkYCavu9JEFT8jktOc5WmjrjxAbMnSyWrChzfQ-M5EnjkKhu5q-GOrI2PWgHCusOM946mM0CyDphf1zYKB0hNFn-h9f6o2soD6t_BQjT1_1im9K8KZBsA9l7CBQI/s640/I0017335-Silvia.Nov.1960%2523340.JPG" width="474" /></span></a></div>
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Sylvia in <b><span style="color: orange;">Las Vegas</span></b>, Nevada; Radiolandia #340, <b><span style="color: orange;">15 November 1960</span></b>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM0qo2eFQegaBgc8H0GYZij8itEbi5aB1jm2sQ-J0JygPaupnxP1RXcRu1urdui8kFQi9-nvJ3VETvwNBW_3Yx70yNmOVtCde0YOIga9pgfO3qix2kX5GG9fPcHbtETzBTQtae73bv_Yo/s1600/I0017334-Silvia.Las.Vegas%2523340.Nov.1960.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1481" data-original-width="1149" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM0qo2eFQegaBgc8H0GYZij8itEbi5aB1jm2sQ-J0JygPaupnxP1RXcRu1urdui8kFQi9-nvJ3VETvwNBW_3Yx70yNmOVtCde0YOIga9pgfO3qix2kX5GG9fPcHbtETzBTQtae73bv_Yo/s640/I0017334-Silvia.Las.Vegas%2523340.Nov.1960.JPG" width="496" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMppjuOUm5abVfec63dYjzMgT_g6iOwZCNIcAcyIavccI85xFB-PnfOPKwe-tTuA1xTnnnusJdeOxXi7RTFPY21XgnOTOxoCNkllqixxo-_83_IT8lsuWDpodn5N9N4dLJHbEd_Sh_kc0/s1600/I0017334-Silvia.Las%2523340.Nov.1960.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="218" data-original-width="484" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMppjuOUm5abVfec63dYjzMgT_g6iOwZCNIcAcyIavccI85xFB-PnfOPKwe-tTuA1xTnnnusJdeOxXi7RTFPY21XgnOTOxoCNkllqixxo-_83_IT8lsuWDpodn5N9N4dLJHbEd_Sh_kc0/s400/I0017334-Silvia.Las%2523340.Nov.1960.bb.jpg" width="400" /></span></a></div>
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Aloysio de Oliveira, Sylvia, Leny Everson & her husband in Las Vegas.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFTX_pR4JzLZP9BM_NpvygVF2w173L4jOg1C1kxF3HiYrkVX5-7XOUMU7zovFhnpFTGLprRXv3OojN4ND6coBaWt8xct3fcG7mdWzWzRJa1NXR63zDXRpPZfaoInudE5s0vamonFqx_c0/s1600/I0017273-Leny.Thunderbird%2523339.Nov.1st.1960.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="447" data-original-width="750" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFTX_pR4JzLZP9BM_NpvygVF2w173L4jOg1C1kxF3HiYrkVX5-7XOUMU7zovFhnpFTGLprRXv3OojN4ND6coBaWt8xct3fcG7mdWzWzRJa1NXR63zDXRpPZfaoInudE5s0vamonFqx_c0/s640/I0017273-Leny.Thunderbird%2523339.Nov.1st.1960.bb.jpg" width="640" /></span></a></div>
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it took 2 days for Sylvia & Aloysio to be able to get in the Thunderbird to watch Leny Eversong starring the biggest show in town. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipvhM8tdy3DH7PLXulOr1YbH7AuXcjYH3TQqNzm3Gy6G9y13hlh5MuRyQT0X50qcxUy5DoZEtl0Ks1qdX4WMVE6I7BBeMyYQpWF1vwT8nHMDCq7vq1m_S8i4Js550EuT2iYn-mhVvzpE/s1600/I0017273-Leny.Thunderbird%2523339.Nov.1st.1960.gg.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="201" data-original-width="690" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipvhM8tdy3DH7PLXulOr1YbH7AuXcjYH3TQqNzm3Gy6G9y13hlh5MuRyQT0X50qcxUy5DoZEtl0Ks1qdX4WMVE6I7BBeMyYQpWF1vwT8nHMDCq7vq1m_S8i4Js550EuT2iYn-mhVvzpE/s400/I0017273-Leny.Thunderbird%2523339.Nov.1st.1960.gg.jpg" width="400" /></span></a></div>
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Radiolandia #339, <b><span style="color: orange;">1st November 1960</span></b>. </span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiI8aTARZuhpAojdl_z0lQFVzzMU_kXgxpmNe3bXAcDBfPPHkn-B2Z9HkQhf0-jZXT2FBR0_QLkciigVn_2fWL0UEblWojXOU_g3TihCSGlf7KJ5Yq9iRGT-8WyV-vj6AcoSjFLSgyePY/s1600/I0017478-Silvia.Hollywood.bb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="634" data-original-width="410" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiI8aTARZuhpAojdl_z0lQFVzzMU_kXgxpmNe3bXAcDBfPPHkn-B2Z9HkQhf0-jZXT2FBR0_QLkciigVn_2fWL0UEblWojXOU_g3TihCSGlf7KJ5Yq9iRGT-8WyV-vj6AcoSjFLSgyePY/s400/I0017478-Silvia.Hollywood.bb.jpg" width="258" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhy2RT2s2JpJoy4TkjHdEB90yEgMqj5e5mJwrzoOZG6Dbvg27eByQBEjNv_kxW721O-8Psxlar5nPQ3qcfdKBdXlQn42TZ-5kUCUegxS2-AxP2KigUbKAFY1fkT-dCNSM2wwtmp1vZqzY/s1600/I0017269-6Alt%253DLais%2523339.1960.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1399" data-original-width="1032" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhy2RT2s2JpJoy4TkjHdEB90yEgMqj5e5mJwrzoOZG6Dbvg27eByQBEjNv_kxW721O-8Psxlar5nPQ3qcfdKBdXlQn42TZ-5kUCUegxS2-AxP2KigUbKAFY1fkT-dCNSM2wwtmp1vZqzY/s400/I0017269-6Alt%253DLais%2523339.1960.JPG" width="295" /></a></span></div>
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Sylvia is dazzled by Hollywood star <b>Roberto Conrad</b>; <b><span style="color: orange;">Laïs</span></b> who was friends with Sylvia has her first 78 rpm single released by Philips: 'Patinho feio' b/w 'Com você' - Radiolandia # 339, 1st November 1960. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0-t2a6FZPE0yyKi9inQbCKlqPE-d7wUe6amzAxEYmTtLowVpXJ7RJl88USyVYndIJIjRrUN0yKUjQ3TgPLOo-lXzDxyn-R-NQRbNiA8f8OqTFO-f1E1CDAlzC3CvSX7fcpjRiZSQqng/s1600/I0017478-Silvia.Hollywood.ff.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="56" data-original-width="398" height="44" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0-t2a6FZPE0yyKi9inQbCKlqPE-d7wUe6amzAxEYmTtLowVpXJ7RJl88USyVYndIJIjRrUN0yKUjQ3TgPLOo-lXzDxyn-R-NQRbNiA8f8OqTFO-f1E1CDAlzC3CvSX7fcpjRiZSQqng/s320/I0017478-Silvia.Hollywood.ff.jpg" width="320" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM4L504UKopuvp9-YbCK9I3ONIsjIcOoKeFZsiYUOaxXJASXLFKM2STfmvix1oGyaVMBAq9XUZHBIQnZZiOQ8_8w-4am_8KW7i209qx0nnyQarXLwT_17rcGeYwkMOoc0Qb68RJz3kxUw/s1600/I0016164-7Alt%253D001636Lar%253D001225LargOri%253D002450AltOri%253D003271.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1199" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM4L504UKopuvp9-YbCK9I3ONIsjIcOoKeFZsiYUOaxXJASXLFKM2STfmvix1oGyaVMBAq9XUZHBIQnZZiOQ8_8w-4am_8KW7i209qx0nnyQarXLwT_17rcGeYwkMOoc0Qb68RJz3kxUw/s640/I0016164-7Alt%253D001636Lar%253D001225LargOri%253D002450AltOri%253D003271.JPG" width="479" /></span></a></div>
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Sylvia at the cover of Radiolandia #315, <b><span style="color: orange;">16 April 1960</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzNHHsIAI26wVrXRxPpy2km1jkjDGCGDeXBTFRzH_uflYztzqs3IHoWg7Q641Z0sUp1qfaVy-r1FJ_etMubvLirxcmIfd4dqWCRQuZrcCWq3YGZ2CEkveyFySr3sc0Wuyu1S0bmF9WM54/s4432/RR.Sylvia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3244" data-original-width="4432" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzNHHsIAI26wVrXRxPpy2km1jkjDGCGDeXBTFRzH_uflYztzqs3IHoWg7Q641Z0sUp1qfaVy-r1FJ_etMubvLirxcmIfd4dqWCRQuZrcCWq3YGZ2CEkveyFySr3sc0Wuyu1S0bmF9WM54/w640-h468/RR.Sylvia.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Sylvia is back from the USA. </span></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwsxLnZ_SilkBR4xnqDBn-nHJjPEJrXIeSfvYN9Kv1a_jk3O6FT-PNjVrij4SVysIWREf9SPrc2ltTy7hnAR6yE82B9HSn5uEptLN6n85eGLPmUs5UI33OdT7HR5NZdKVLvZFAiU4dSk/s1600/lossy-page1-800px-S%25C3%25ADlvia_Telles_%25281957%2529.tif.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="933" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwsxLnZ_SilkBR4xnqDBn-nHJjPEJrXIeSfvYN9Kv1a_jk3O6FT-PNjVrij4SVysIWREf9SPrc2ltTy7hnAR6yE82B9HSn5uEptLN6n85eGLPmUs5UI33OdT7HR5NZdKVLvZFAiU4dSk/s640/lossy-page1-800px-S%25C3%25ADlvia_Telles_%25281957%2529.tif.jpg" width="548" /></span></a></div>
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<span style="font-family: arial;"><b>Sylvia Telles</b> accompanied by <b>Candinho</b> in <b><span style="color: orange;">1957</span></b>.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPyA-v9mKkVTGA4cHgNe3s-0xBpKN6rMCMssE30lMSs6Uz5NhR3NbNXHNvfWTaPDHb28WMhcZcd1kOm-pLaI7xDVHRM6cCTfhJ7ew1wWX8CunVr1kRXYZvc1VLY9b98v_oqnQg6ZVxbss/s4282/DSC04890.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4282" data-original-width="2837" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPyA-v9mKkVTGA4cHgNe3s-0xBpKN6rMCMssE30lMSs6Uz5NhR3NbNXHNvfWTaPDHb28WMhcZcd1kOm-pLaI7xDVHRM6cCTfhJ7ew1wWX8CunVr1kRXYZvc1VLY9b98v_oqnQg6ZVxbss/w424-h640/DSC04890.jpg" width="424" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkcOM9eTaALFA-Xqe7WZVBwQDym6t1LINd5EhdfrLsMSYxzVzqxPBo9vkzF8WuCG3uv28TBXvM5u6JA_QnoodyI88yPA2FzrmuOsaqA3ZUq_7IVPtHwq3mOnBKh4QPdFV76rlrlbwoO68/s4339/DSC04889.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4339" data-original-width="2856" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkcOM9eTaALFA-Xqe7WZVBwQDym6t1LINd5EhdfrLsMSYxzVzqxPBo9vkzF8WuCG3uv28TBXvM5u6JA_QnoodyI88yPA2FzrmuOsaqA3ZUq_7IVPtHwq3mOnBKh4QPdFV76rlrlbwoO68/w421-h640/DSC04889.a.jpg" width="421" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-8062067327338248922017-10-10T04:38:00.001-07:002020-12-27T06:18:54.779-08:00NEWTON MENDONÇA <div class="separator" style="clear: both; text-align: justify;">
Newton Ferreira de Mendonça was born on <b><span style="color: orange;">14 February 1927</span></b>, in Rio de Janeiro. He was an Aquarian just like <b>Antonio Carlos Jobim</b>, his best friend, born on <b>25 February 1927</b>, only 20 days earlier. </div>
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He lived in Porto Alegre-RS and was back in Rio in 1942, when he was 15 years old. He was a classic-trained pianist and joined his childhood friend Tom Jobim circa 1953. They wrote both music and lyrics for seminal songs like '<b><span style="color: orange;">Desafinado</span></b>', '<b><span style="color: orange;">Samba de uma nota só</span></b>', '<b><span style="color: orange;">Discussão</span></b>', '<b><span style="color: orange;">Meditação</span></b>' aka '<b>O amor, o sorriso e a flor</b>' and others.</div>
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As his friend Jobim, Newton played piano at night clubs in Rio which was not good for his health. He had a heart attack in 1959, while working at <b>Carrossel</b>. A yearl later, on <b><span style="color: orange;">22nd November 1960</span></b>, Newton had a second and fatal heart attack.</div>
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Newton Mendonça was a shy type of entertainer. He avoided the spotlight but somehow received <b>Radiolandia</b>'s journalist at his home in October 1960 for a chat. Exactly 4 weeks before he died. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_NJax_bD5Ifn84mE7mxCLz2Tw6E80t6t2jgt7GpMRXQBB6jmXhNleU7LJOJf0ouni1nPbex6xBiqUuS_dclzh1ZmST4SPNhqnQIW2klJx6FwTlfjuaDZUj_j6HAtHHFDh4FRS7wUD_rU/s1600/I0017124-Newton.Mendon%25C3%25A7a.337.Oct.1960.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1461" data-original-width="1194" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_NJax_bD5Ifn84mE7mxCLz2Tw6E80t6t2jgt7GpMRXQBB6jmXhNleU7LJOJf0ouni1nPbex6xBiqUuS_dclzh1ZmST4SPNhqnQIW2klJx6FwTlfjuaDZUj_j6HAtHHFDh4FRS7wUD_rU/s640/I0017124-Newton.Mendon%25C3%25A7a.337.Oct.1960.JPG" width="523" /></a></div>
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Newton Mendonça at his piano at home. Radiolandia #337, <b><span style="color: orange;">15 October 1960</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-tzscyxf0wvvHdiVDFGbEDBycSOFb-9YFrd69fQOLe4oTjNdgGqFUYf2ceuSWij3faG-nFM2GmxqP2VB3CG0JUJKwKEEIeMEaxBLx9ipJYXLzDydYVAshTdORG9XSe17BGz5-ecqlZDk/s1600/I0017125-Nilton.Mendon%25C3%25A7a.337.photo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="341" data-original-width="532" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-tzscyxf0wvvHdiVDFGbEDBycSOFb-9YFrd69fQOLe4oTjNdgGqFUYf2ceuSWij3faG-nFM2GmxqP2VB3CG0JUJKwKEEIeMEaxBLx9ipJYXLzDydYVAshTdORG9XSe17BGz5-ecqlZDk/s400/I0017125-Nilton.Mendon%25C3%25A7a.337.photo.jpg" width="400" /></a></div>
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Renato (4 years-old), Cirene his missus, Fernando (1 year-old) & Newton (33 years-old).</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIaZ6XK8iDo6nUAkOUjaRgE689MbzP42q_jz4trNuecpmhr5DrCiHGKDcBMFdD8kz7rLRXca-gVi7I4nsn3bwJc-kDl-vvu88vJEkqQGIW1yBcOXoxTeCT5oY_BGmOrAYdWlrdInyV3A/s1600/I0017125-Nilton.Mendon%25C3%25A7a.337.text.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1130" data-original-width="692" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIaZ6XK8iDo6nUAkOUjaRgE689MbzP42q_jz4trNuecpmhr5DrCiHGKDcBMFdD8kz7rLRXca-gVi7I4nsn3bwJc-kDl-vvu88vJEkqQGIW1yBcOXoxTeCT5oY_BGmOrAYdWlrdInyV3A/s640/I0017125-Nilton.Mendon%25C3%25A7a.337.text.jpg" width="391" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuBUmZhY6EnFLG4ONX8rnKIXdLNAo3j2nCrrSXaFGBGaAC4cLXZgnP9rozaMHVtN2lfxIJCXDXb-im9KsTPO1gFRt4BwN_93Du5SmRFOBa6kuvj0N6jIgCerjvP4ZMh-Ql4Mzuqvf2VPU/s1600/I0017568-Newton.Mendon%25C3%25A7a.death.Jan.1961%2523343.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1557" data-original-width="1154" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuBUmZhY6EnFLG4ONX8rnKIXdLNAo3j2nCrrSXaFGBGaAC4cLXZgnP9rozaMHVtN2lfxIJCXDXb-im9KsTPO1gFRt4BwN_93Du5SmRFOBa6kuvj0N6jIgCerjvP4ZMh-Ql4Mzuqvf2VPU/s640/I0017568-Newton.Mendon%25C3%25A7a.death.Jan.1961%2523343.JPG" width="474" /></a></div>
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Radiolandia #343, 1st January 1961; Newton Mendonça died on 22nd November 1960. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRioeZ2LJilAbJvsuTtTJbaiztRS3d2TMsCbElfMHElkb2mg36EV8PPLkIJsWek5D7_vzBOSbGNEPg1YG4NiaZOSe07jAuin0gUM_aNF1sflVkGjfo5SQRsmPu6YE_ceviTW_fkuJdmok/s1600/I0012474-7Alt%253D003728Lar%253DNewton.24.Novembro.1960.death.clip.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="221" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRioeZ2LJilAbJvsuTtTJbaiztRS3d2TMsCbElfMHElkb2mg36EV8PPLkIJsWek5D7_vzBOSbGNEPg1YG4NiaZOSe07jAuin0gUM_aNF1sflVkGjfo5SQRsmPu6YE_ceviTW_fkuJdmok/s320/I0012474-7Alt%253D003728Lar%253DNewton.24.Novembro.1960.death.clip.jpg" width="172" /></a></div>
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a simple note at '<b>Correio da Manhã</b>', <b><span style="color: orange;">24 November 1960</span></b>, says Newton Mendonça died in the first hours of the day. Newton had played his piano at a night club and had arrived home. He went to the kitchen to prepare a light meal and get to sleep. Suddenly he felt a sharp pain in his chest and it was Death itself that came to fetch him. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjfXVKI5vEsdgFmW7QZWrPTC8nuDR21vqgIICN0oyFJvCv3uOC_A20vJAG6hxZbnmZHWtyC5K7zAfn2d8kYHBzLP8VO9EQTZ0KRRkg3vIT3-9Ovazsul4ldYDCROrMDzLjuv11ggvcgw/s1600/185523_427690057283213_687499841_n+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="539" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjfXVKI5vEsdgFmW7QZWrPTC8nuDR21vqgIICN0oyFJvCv3uOC_A20vJAG6hxZbnmZHWtyC5K7zAfn2d8kYHBzLP8VO9EQTZ0KRRkg3vIT3-9Ovazsul4ldYDCROrMDzLjuv11ggvcgw/s400/185523_427690057283213_687499841_n+%25282%2529.jpg" width="269" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkIiOIeIyL0MU1WYphSyZ2cXH2z8o_BI-aAKoxkjp255Xm4mILjVxm9d0_jnLdrTJw34qlGF_6W4VXHVAULS569w8lx1jj2YBBKqnxuuhHiZsHbqw3zNIx0TmllBZVtmFjmdpAnwp6Xkw/s1600/image038.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="381" data-original-width="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkIiOIeIyL0MU1WYphSyZ2cXH2z8o_BI-aAKoxkjp255Xm4mILjVxm9d0_jnLdrTJw34qlGF_6W4VXHVAULS569w8lx1jj2YBBKqnxuuhHiZsHbqw3zNIx0TmllBZVtmFjmdpAnwp6Xkw/s1600/image038.jpg" /></a></div>
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most of Newton Mendonça's photos available publicly were taken a few weeks before his death.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ZeIW2-zlJ3XLcHRc8r2DgVM12AYYm8JKY6QyX0uQsuTs4a4YENGy0Pi9vusNFmrnbVy6agaBxM0z4tFPeAcUj8YRTbzT-t2dLe4oY5uTo0_OQbwpwhI3wQUrP62bcxbhYfJDgZwlzTc/s1600/newton_e_familia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="325" data-original-width="443" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ZeIW2-zlJ3XLcHRc8r2DgVM12AYYm8JKY6QyX0uQsuTs4a4YENGy0Pi9vusNFmrnbVy6agaBxM0z4tFPeAcUj8YRTbzT-t2dLe4oY5uTo0_OQbwpwhI3wQUrP62bcxbhYfJDgZwlzTc/s400/newton_e_familia.jpg" width="400" /></a></div>
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Cirene holds Fernando & Newton holds Renato - 1960. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgikusnnjFguZbvQVQZyc20i7HbmGqUSFW_XICpz6DUK_ozkZHiwOgkNIdr34nBPgTwodCQLUad95dhalrhmBJDrZbjo5FYRNHsJQwGz852b0_P-NVzze-E0mLgQkb4Vr_7pBXCXobmK0w/s1600/c0163399_2281591.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="520" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgikusnnjFguZbvQVQZyc20i7HbmGqUSFW_XICpz6DUK_ozkZHiwOgkNIdr34nBPgTwodCQLUad95dhalrhmBJDrZbjo5FYRNHsJQwGz852b0_P-NVzze-E0mLgQkb4Vr_7pBXCXobmK0w/s320/c0163399_2281591.jpg" width="264" /></a></div>
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an earlier photo of Mendonça's.</div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com1tag:blogger.com,1999:blog-1006453439584379749.post-79140052659503002532017-10-02T03:36:00.004-07:002021-06-16T08:08:27.668-07:00Noite Ilustrada & racism in Brazilian society<div dir="ltr" style="text-align: left;" trbidi="on">
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<span face=""arial" , "helvetica" , sans-serif" style="font-family: arial;">Noite Ilustrada (Illustrated Night) was singer Mario Filho's pseudonym. As various Black entertainers before him, he was given a racist-tinged name relating to his dark skin. </span></div>
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<span face=""arial" , "helvetica" , sans-serif" style="font-family: arial;">Brazilian society has been a racist society since the 17th century when the Portuguese promoted the African slave traffic that dominated Western society for centuries. </span></div>
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<span face=""arial" , "helvetica" , sans-serif" style="font-family: arial;">Well, we're still racist with different shades & forms...</span></div>
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<span face=""arial" , "helvetica" , sans-serif" style="font-family: arial;">This 1962 Radiolandia articles says: A singer who needs to change his name! </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0Nz0113lw-IRWGl_hcV6hGg3WFHGckB2-se4rAaDaPpE0dsFMGYQB0vkSUdcOGdzKQpX0QzpzCuQHYoD1uWx26yVHYjditoByBSIMENFhciEzykpuGR8Fx31SDm1UT5RIdB7VuWqSPs/s1600/I0019060-Noite%2523367.JAN.1st.1962.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1566" data-original-width="1154" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0Nz0113lw-IRWGl_hcV6hGg3WFHGckB2-se4rAaDaPpE0dsFMGYQB0vkSUdcOGdzKQpX0QzpzCuQHYoD1uWx26yVHYjditoByBSIMENFhciEzykpuGR8Fx31SDm1UT5RIdB7VuWqSPs/s640/I0019060-Noite%2523367.JAN.1st.1962.JPG" width="471" /></a></div>
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Radiolandia #367, <b><span style="color: orange;">1st January 1962</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaJCzmGGAnifc-ez0TKvd18t-M-TUWYS8dD4WUDMccE9Ai_b4OBsMp3KFF3rG9O_8XtWlbSGujUgWgUMCPrZ5m6Co2APWvJsH6toRsV_NIFQBx472ciETJJq8Jxzm9IUNWLoPbW8dNTxs/s1600/noite+P.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1011" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaJCzmGGAnifc-ez0TKvd18t-M-TUWYS8dD4WUDMccE9Ai_b4OBsMp3KFF3rG9O_8XtWlbSGujUgWgUMCPrZ5m6Co2APWvJsH6toRsV_NIFQBx472ciETJJq8Jxzm9IUNWLoPbW8dNTxs/s320/noite+P.JPG" width="316" /></a></div>
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Noite Ilustrada's 1961 album released by Mocambo.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaEPIW5jCvLfjEZpLIZaZqY_BPbRTPjDMH7tq_p2dQGaH0b3eM0aePj6f2ecpimGBKGgOW-AzJssoHkJ4soKV8MO-kXaDmGUNGrbdCt0AKaA3xEGmYRrO02WWJOhIijFTHKShSmJx-rA4/s1600/noite-ilustrada-e28094-cara-de-boboca-b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaEPIW5jCvLfjEZpLIZaZqY_BPbRTPjDMH7tq_p2dQGaH0b3eM0aePj6f2ecpimGBKGgOW-AzJssoHkJ4soKV8MO-kXaDmGUNGrbdCt0AKaA3xEGmYRrO02WWJOhIijFTHKShSmJx-rA4/s320/noite-ilustrada-e28094-cara-de-boboca-b.jpg" width="320" /></a></div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-71578030811434733822017-09-20T15:44:00.004-07:002020-05-24T03:38:07.963-07:00GASOLINA, a young Black singer in the 1950s...<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="color: orange;">Antonio Monte de Souza</span></b> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">used to work at a gasoline station in Porto Alegre-RS. After knocking off work he would change into a nice suit and go off to Radio Gaúcha to sing at gong shows. People noticed that his clothes reeked of <b><span style="color: orange;">gasoline</span></b> and that's how he got his nickname.</span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">In <b><span style="color: orange;">1953</span></b>, Antonio up and left Porto Alegre to try his luck in Rio de Janeiro. He went straight to <b>Radio Nacional </b>and asked MC <b>Cesar de Alencar</b> for a chance to sing. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Nelson Gonçalves</b> took a shine to Antonio and brought him to Sao Paulo where he signed with Radio Record for 7 years.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW0-DYreTOq6pnxmztY02gD71WyB_pCOuT4Ui3mA-FTWkB1bypU9QKynzJ-FuGSKeVTG5RLdwH5mSR7l9Fm2B_qCuahj4eMvHWRJDbTcJwsKeMrf09WVGTk4F6jHx46JnfUfLkuaO0cy0/s1600/Radio.Aug.2a.63.Gaz..JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1184" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW0-DYreTOq6pnxmztY02gD71WyB_pCOuT4Ui3mA-FTWkB1bypU9QKynzJ-FuGSKeVTG5RLdwH5mSR7l9Fm2B_qCuahj4eMvHWRJDbTcJwsKeMrf09WVGTk4F6jHx46JnfUfLkuaO0cy0/s640/Radio.Aug.2a.63.Gaz..JPG" width="473" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNd9_gL2U47NmkJI0s9nH2it0a8btkzEYkenWHPOgjzu3ICsc-54IDyaIDbR3tkDJEg11qbX88oKVxi_MyQBSDGpqaI4Qqwh6sVqAKiZAMLS0fAxKlHux_-zY5W4JeuZFEU6VhkpYTwJ4/s1600/Radio.Aug.63.1a.qu.Gazolina.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1176" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNd9_gL2U47NmkJI0s9nH2it0a8btkzEYkenWHPOgjzu3ICsc-54IDyaIDbR3tkDJEg11qbX88oKVxi_MyQBSDGpqaI4Qqwh6sVqAKiZAMLS0fAxKlHux_-zY5W4JeuZFEU6VhkpYTwJ4/s640/Radio.Aug.63.1a.qu.Gazolina.JPG" width="470" /></a></div>
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'Radiolandia' <b><span style="color: orange;">15 August 1963</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqljfj8fZgZu6BVKhBkXAjYwqYuWcUR8vX3v9JHhyjZHqIIPC1hEotu8PSNbf1yyPZpJgUpE3jqXaLuzj49-Vwpn3lxoqPjEAvyBcz6gIsynSgNInIaAapFNY0PF4fuufx-aazZEPlU1Y/s1600/78-rpm-zerado-gasolina-samba-polydor-conversa-telefone-D_NQ_NP_14080-MLB147697054_5297-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="312" data-original-width="332" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqljfj8fZgZu6BVKhBkXAjYwqYuWcUR8vX3v9JHhyjZHqIIPC1hEotu8PSNbf1yyPZpJgUpE3jqXaLuzj49-Vwpn3lxoqPjEAvyBcz6gIsynSgNInIaAapFNY0PF4fuufx-aazZEPlU1Y/s200/78-rpm-zerado-gasolina-samba-polydor-conversa-telefone-D_NQ_NP_14080-MLB147697054_5297-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikSM9bE5qfoQj5v0sKnwozqVINFdjD-GiRSbuIt26eoclS_e4r3CAGiY4ow-u5C44vB7xNfq6jrlc9rKNMhfGWwSGisqvxfJivXQ_h_FHUveVb09cvB-vJ0gGL4xomDwgSTMw5DCpFyZs/s1600/78-rpm-zerado-gasolina-samba-polydor-conversa-telefone-D_NQ_NP_14654-MLB147697054_2372-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="374" data-original-width="412" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikSM9bE5qfoQj5v0sKnwozqVINFdjD-GiRSbuIt26eoclS_e4r3CAGiY4ow-u5C44vB7xNfq6jrlc9rKNMhfGWwSGisqvxfJivXQ_h_FHUveVb09cvB-vJ0gGL4xomDwgSTMw5DCpFyZs/s200/78-rpm-zerado-gasolina-samba-polydor-conversa-telefone-D_NQ_NP_14654-MLB147697054_2372-F.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3JP8BILeZoRjpsIe6wfe0X2CQ9KxThQ32owqYLkwzjJeB2SwRBQrVQHvxjS2P3ybxsN2DAt0I_FE4nufT6Ttw2Lq8w-W_vxy02B1uo_tRjoC1MWA7q1O9wHrXjiqzzNQl8xgSrbxfljM/s1600/gasolina-1968-madrugada-palhaco-de-mentirinha-compacto-ep25-D_NQ_NP_831121-MLB20704037894_052016-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="452" data-original-width="451" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3JP8BILeZoRjpsIe6wfe0X2CQ9KxThQ32owqYLkwzjJeB2SwRBQrVQHvxjS2P3ybxsN2DAt0I_FE4nufT6Ttw2Lq8w-W_vxy02B1uo_tRjoC1MWA7q1O9wHrXjiqzzNQl8xgSrbxfljM/s200/gasolina-1968-madrugada-palhaco-de-mentirinha-compacto-ep25-D_NQ_NP_831121-MLB20704037894_052016-F.jpg" width="199" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsN0FyHtcafy3v3Kzq0mshHffHuVZ9DUY_5pQnECr3Funh9jkN4mL-EGL2dJn2Em3_TEIpMclK7HTzGewCLgqkfatJgVGh3pUFbpF08ZI_E1sfuedGX3hMudAbkZlKB53exKlJ-I4L6OQ/s1600/gasolina-1968-madrugada-palhaco-de-mentirinha-compacto-ep25-D_NQ_NP_603121-MLB20704036360_052016-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="446" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsN0FyHtcafy3v3Kzq0mshHffHuVZ9DUY_5pQnECr3Funh9jkN4mL-EGL2dJn2Em3_TEIpMclK7HTzGewCLgqkfatJgVGh3pUFbpF08ZI_E1sfuedGX3hMudAbkZlKB53exKlJ-I4L6OQ/s200/gasolina-1968-madrugada-palhaco-de-mentirinha-compacto-ep25-D_NQ_NP_603121-MLB20704036360_052016-F.jpg" width="199" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtjzEZ2FyuUSRUshy5Q1JB3S2Qj23TJSbLGqoNYB2NXywSOWtkZzhk71MGNTSvZMeF4M-aalDHy7kPxTIQFqExqAGJ_6uvWwuJmx_5uB_kzOfhx90dV-JyERnkDpSc_taucYkBX_lctgA/s1600/gazolina-compacto-7-a-roupa-do-rei-pout-pourri-noel-rosa-D_NQ_NP_14788-MLB20090232075_052014-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="693" data-original-width="695" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtjzEZ2FyuUSRUshy5Q1JB3S2Qj23TJSbLGqoNYB2NXywSOWtkZzhk71MGNTSvZMeF4M-aalDHy7kPxTIQFqExqAGJ_6uvWwuJmx_5uB_kzOfhx90dV-JyERnkDpSc_taucYkBX_lctgA/s200/gazolina-compacto-7-a-roupa-do-rei-pout-pourri-noel-rosa-D_NQ_NP_14788-MLB20090232075_052014-F.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJPYHyc3JMsfwU8YzBl2DRrNzUjjvfSLJ2UDjNpc9k_H5lqHiMR-Be1zYIe03WU-_AjNg4_7OkQkzoRjAqyt-qrs-VNtVXwEeB6B_g7RPrqEv_t8LAt9DcuQGK1Gl10Tnul0JuMIbyDoA/s1600/gazolina-compacto-7-a-roupa-do-rei-pout-pourri-noel-rosa-D_NQ_NP_14752-MLB20090232089_052014-F.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="711" data-original-width="784" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJPYHyc3JMsfwU8YzBl2DRrNzUjjvfSLJ2UDjNpc9k_H5lqHiMR-Be1zYIe03WU-_AjNg4_7OkQkzoRjAqyt-qrs-VNtVXwEeB6B_g7RPrqEv_t8LAt9DcuQGK1Gl10Tnul0JuMIbyDoA/s200/gazolina-compacto-7-a-roupa-do-rei-pout-pourri-noel-rosa-D_NQ_NP_14752-MLB20090232089_052014-F.jpg" width="200" /></a></div>
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'Caminho diferente' (Zé Keti) / 'Vou parar de falar' (Geraldo Serafim-Erasmo Silva) Odeon (1958)<br />
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<b>17.792</b> - Continental 1960 - <b>Escureceu</b> (Talismã-Edmundo Andrade) / <b>Castigou legal</b> (Nancy Wanderley-Newton Ramalho)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheUhWDjRNd0Nb9NWRRI0dR0jr_dGmd3Abm_YyckXJ_p-wq4O2oBH0HTwEuxW4wgOwkVMPMwLWLYLCaW-DSt-FvY1XW6PRRHAj9jm0PeXjE3jMVCCQk9jofdcWt56OvfEIz_sd4gDEVv7Y/s1600/I0017219-Gasolina%2523338.Oct.1960.15th.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="725" data-original-width="748" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheUhWDjRNd0Nb9NWRRI0dR0jr_dGmd3Abm_YyckXJ_p-wq4O2oBH0HTwEuxW4wgOwkVMPMwLWLYLCaW-DSt-FvY1XW6PRRHAj9jm0PeXjE3jMVCCQk9jofdcWt56OvfEIz_sd4gDEVv7Y/s400/I0017219-Gasolina%2523338.Oct.1960.15th.JPG" width="400" /></a></div>
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Radiolandia #338, <b><span style="color: orange;">15 October 1960</span></b>.</div>
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Brazilian press usually <b><span style="color: orange;">treated Black people with contempt</span></b> and <b><span style="color: orange;">derision</span></b>. This little article on Radiolandia says Gasolina was really thankful to <b>Paulinho Machado de Carvalho</b> the strong-man at Radio & TV Record for having literally <b>saved him from starvation</b> when he signed him up as a singer. </div>
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The magazine goes a little farther on the sterotyping saying Gazolina said: 'I am the poor man's Sammy Davis, Jr. But I assure you I won't be marrying a blonde woman'. Gazolina meant May Britt the Swedish blonde who married the Black US entertainer.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0WU9D-YMx2GUfFD2iHkLPS27OvHWtPUBm2FVSOqBqF9l7T5zqAGU6ZfrVi-OGQg828miumtpry5tzGCCZfkmS2_AmJyKYXlvD5e6LwKW6RE89XjgIM-MTDBo1lgQnuytsp4ju51vPJ4/s1600/I0003653-20Alt%253D001842Lar%253D001244LargOri%253D004882AltOri%253D007229+%25283%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="172" data-original-width="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0WU9D-YMx2GUfFD2iHkLPS27OvHWtPUBm2FVSOqBqF9l7T5zqAGU6ZfrVi-OGQg828miumtpry5tzGCCZfkmS2_AmJyKYXlvD5e6LwKW6RE89XjgIM-MTDBo1lgQnuytsp4ju51vPJ4/s1600/I0003653-20Alt%253D001842Lar%253D001244LargOri%253D004882AltOri%253D007229+%25283%2529.JPG" /></a></div>
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<b><span style="color: orange;">8 April 1960</span></b> - At Rio's <b>Plaza Boite</b>, <b><span style="color: orange;">Gasolina</span></b> stars with <b>Claudia Moreno</b> in the revue '<b><span style="color: orange;">Bossas da Velha</span></b> <b><span style="color: orange;">Cap</span></b>' two weeks before Brasilia would be inaugurated...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhVbfP2_6cJKy5zPsHaW4NgSe89hCDH5k7hZ1O62VlWtgmhiyt7OZhYK2fKpivgRGqKzgpyPzc0HkYXtQs0ba569ZHBiAlq-W9D_Ned3aJ23FbKwwqywEh9PZyCjjjw61IE_Jz9azvZo/s1600/I0017703-7Alt%253DRadiolandia%2523345.1961.Gasolina.bb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="446" data-original-width="498" height="357" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhVbfP2_6cJKy5zPsHaW4NgSe89hCDH5k7hZ1O62VlWtgmhiyt7OZhYK2fKpivgRGqKzgpyPzc0HkYXtQs0ba569ZHBiAlq-W9D_Ned3aJ23FbKwwqywEh9PZyCjjjw61IE_Jz9azvZo/s400/I0017703-7Alt%253DRadiolandia%2523345.1961.Gasolina.bb.jpg" width="400" /></a></div>
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Radiolandia #345; Gasolina & <b><span style="color: orange;">Angela Maria</span></b> in <b><span style="color: orange;">1961</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXWRFfYafV9MspCNYHj6eNiOXW_DYln9gi2sqdB4IIOa7rq7QyY9HpZtaws3aL-d_bR-8r9Zt2hgIyj6yWZAYcFgSS28tmndlC_9s1Wpn5K82vdGNuYpe0ujL1-iKfF-JCfxhrNEIRmk/s1600/I0017703-7Alt%253DRadiolandia%2523345.1961.Gasolina.ff.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="54" data-original-width="464" height="37" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXWRFfYafV9MspCNYHj6eNiOXW_DYln9gi2sqdB4IIOa7rq7QyY9HpZtaws3aL-d_bR-8r9Zt2hgIyj6yWZAYcFgSS28tmndlC_9s1Wpn5K82vdGNuYpe0ujL1-iKfF-JCfxhrNEIRmk/s320/I0017703-7Alt%253DRadiolandia%2523345.1961.Gasolina.ff.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-woi3IFUGCiV1y6c3B61GhaKsDNoYjHEBYXWxpK081SfAj3CHUOUMHkfLTeM9KkcgC6K1yDB4q4gr-2KT0R9wF0wGNEI7mJE1WPjC5CnTdPaeWs1cfhCJzXCPi56ByLFRtlXyEcZDGuQ/s1600/I0018620-%2523359.Gasolina.Paulo.Molin.1961.bb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="559" data-original-width="742" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-woi3IFUGCiV1y6c3B61GhaKsDNoYjHEBYXWxpK081SfAj3CHUOUMHkfLTeM9KkcgC6K1yDB4q4gr-2KT0R9wF0wGNEI7mJE1WPjC5CnTdPaeWs1cfhCJzXCPi56ByLFRtlXyEcZDGuQ/s400/I0018620-%2523359.Gasolina.Paulo.Molin.1961.bb.jpg" width="400" /></a></div>
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Radiolandia #359; <b><span style="color: orange;">Paulo Molin</span></b> & Gasolina in <b><span style="color: orange;">1961</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRS1MNTOWnQNCC4_dehiC3mInZDLeuK_bFesSx6Pg-hFXlmn1M2TgGAN4mvtARa2wmYVWBy5IgD2BLr7B5GL-9W7ddI7wJ2L6-AYz8PlWJ-YBZFpkUKLqo7h87eofYBSN0WJvd7Tfp4kc/s1600/I0018620-%2523359.Gasolina.Paulo.Molin.1961.ff.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="55" data-original-width="554" height="38" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRS1MNTOWnQNCC4_dehiC3mInZDLeuK_bFesSx6Pg-hFXlmn1M2TgGAN4mvtARa2wmYVWBy5IgD2BLr7B5GL-9W7ddI7wJ2L6-AYz8PlWJ-YBZFpkUKLqo7h87eofYBSN0WJvd7Tfp4kc/s400/I0018620-%2523359.Gasolina.Paulo.Molin.1961.ff.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghDLtvJicb6ejigO333uiS3Lw5RoklVxEMJZ8nvvuEZRBqkHYfH-Sf43R5TD6otIaMI3dpbrgM9ek6YX0HPcXcPj3fOrzgK9p63do7R4LTUZszL26RDPtexDCRIm8PMHARX7g7Aq4YPck/s1600/Gasolina.Intervalo.28.21st.July.1963.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="604" data-original-width="504" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghDLtvJicb6ejigO333uiS3Lw5RoklVxEMJZ8nvvuEZRBqkHYfH-Sf43R5TD6otIaMI3dpbrgM9ek6YX0HPcXcPj3fOrzgK9p63do7R4LTUZszL26RDPtexDCRIm8PMHARX7g7Aq4YPck/s400/Gasolina.Intervalo.28.21st.July.1963.PNG" width="333" /></a></div>
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<b>Intervalo</b> posted this Gasolina photo as late as <b><span style="color: orange;">21st July 1963</span></b>, when he took part in a charity show organized by Rio de Janeiro Archbishop <b>Dom Helder Câmara</b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0tNIBrYYDiQtMJhshEj_x4LZvuZBwIIkxuCLGa70nDjVdpeKLpK4PDNAgeRBnMOGp9Dn81L_VI5j8iE5Dhpg1hxCdCsKa38u1tO05lwv-uj9DRNxPeYTFrLdmqgFZa5zWIkshqDrp5yw/s1600/gasolinha.1957+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="740" data-original-width="488" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0tNIBrYYDiQtMJhshEj_x4LZvuZBwIIkxuCLGa70nDjVdpeKLpK4PDNAgeRBnMOGp9Dn81L_VI5j8iE5Dhpg1hxCdCsKa38u1tO05lwv-uj9DRNxPeYTFrLdmqgFZa5zWIkshqDrp5yw/s400/gasolinha.1957+%25282%2529.PNG" width="262" /></a></div>
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this is the first ever Gasolina photograph at 'Revista do Radio' (<b><span style="color: orange;">1957</span></b>).</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOb3eYVsFb0AN3GZROMoFKfmiU_BPNHhyphenhyphen5GIBjz169JvB8-MhOROBDkAaIPKknaGDvAutXc8gRRe7wcAGsnBjbmK1Dbh2qf0ydxpPsl8zMCc2PeCR3OqnsXP3rMTkEbBLPitZ60QuDMos/s1600/Gasolina..PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="591" data-original-width="940" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOb3eYVsFb0AN3GZROMoFKfmiU_BPNHhyphenhyphen5GIBjz169JvB8-MhOROBDkAaIPKknaGDvAutXc8gRRe7wcAGsnBjbmK1Dbh2qf0ydxpPsl8zMCc2PeCR3OqnsXP3rMTkEbBLPitZ60QuDMos/s640/Gasolina..PNG" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53tjc7gqnIaBLGNwNmfk6h5XGIyE1G0D4U5EMdQ-wYl06U4Y5dkHpzZO2JZuYLhXS5IPA_ZuIX3IG15_PUlWElFu4AlPCbVeOpCVT_SsKrNa2NTDNaprwr1KZnyrFyWlBwleB9TSmRq0/s1600/gasolina.413+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="751" data-original-width="455" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53tjc7gqnIaBLGNwNmfk6h5XGIyE1G0D4U5EMdQ-wYl06U4Y5dkHpzZO2JZuYLhXS5IPA_ZuIX3IG15_PUlWElFu4AlPCbVeOpCVT_SsKrNa2NTDNaprwr1KZnyrFyWlBwleB9TSmRq0/s1600/gasolina.413+%25282%2529.PNG" /></a></div>
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'<b>Revista do Radio</b>' no. 413 shows Gasolina, the 'new kid in town' in <b><span style="color: orange;">1957</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TaCoJAG_4k23qTIW87tjwET4p523hMhj2ECmwO-O1S49xm-y9eYz3sdYPsa9zPAkfuJHFEFPpgB0HxYc98kuO6z7S8WoI23of9Uo3kwUC094U68Fe-_J09HLcdrqwsGmEwyX9_cUBiQ/s1600/gasolina.lueli+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="770" data-original-width="496" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TaCoJAG_4k23qTIW87tjwET4p523hMhj2ECmwO-O1S49xm-y9eYz3sdYPsa9zPAkfuJHFEFPpgB0HxYc98kuO6z7S8WoI23of9Uo3kwUC094U68Fe-_J09HLcdrqwsGmEwyX9_cUBiQ/s640/gasolina.lueli+%25282%2529.PNG" width="409" /></a></div>
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<b><span style="color: orange;">Luely Figueiró</span></b> & <b>Gasolina</b> - 'Revista do Radio' n. <b><span style="color: orange;">469</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC1dLaOp-Dl1JLvMGrD3YY0ZqAGHQV8pDJqiyyb6hwHLYUUFkPDDy1AkVvipUnAHN1WWtdaybCOF4aYUJ_8W0zo7IdRiN9m_wP_Qp3K1Gqy04ODl1J3FXH3BwKojHpRzXn1Gs13QxMilo/s1600/gasolina.470.gaucho.1958+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="354" data-original-width="638" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC1dLaOp-Dl1JLvMGrD3YY0ZqAGHQV8pDJqiyyb6hwHLYUUFkPDDy1AkVvipUnAHN1WWtdaybCOF4aYUJ_8W0zo7IdRiN9m_wP_Qp3K1Gqy04ODl1J3FXH3BwKojHpRzXn1Gs13QxMilo/s400/gasolina.470.gaucho.1958+%25282%2529.PNG" width="400" /></a></div>
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'<b>Revista do Radio</b>' n.<b><span style="color: orange;">470</span></b> (1958) shows Gasolina and the '<b>Gaucho connection</b>' (performers originally from <b>Rio Grande do Sul</b> (the Southern-most state in Brazil) who migrated to Rio de Janeiro, then Brazil's capital. They were roughly: Nelson Gonçalves, Luely Figueiró, Julio Rosemberg, Amilton Fernandes, Alberto & Paulo Ruschel.</div>
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more about the 'Gaucho connection' on '<b>Revista do Radio</b>' n.<b><span style="color: orange;">470</span></b>.</div>
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Gasolina, N.I. lady, Paulo Augusto (?), Amilton Fernandes, Julio Rosemberg, Wilson Roberto and ?</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4STlzuH8lFoJZkmnKDjRhylI976Yo96eI2tCAzCsdTd3UBGDJrHoWb_EbWLCF9jrAp2WPlsC43G90BVvXE8yCUgApw9LU8UvOtbVin5mQGWCQdnihNvBVf1ttQe3CS3DBT_NRCzuTlTE/s1600/gasolina.johnny.ray.488+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="501" data-original-width="440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4STlzuH8lFoJZkmnKDjRhylI976Yo96eI2tCAzCsdTd3UBGDJrHoWb_EbWLCF9jrAp2WPlsC43G90BVvXE8yCUgApw9LU8UvOtbVin5mQGWCQdnihNvBVf1ttQe3CS3DBT_NRCzuTlTE/s320/gasolina.johnny.ray.488+%25282%2529.PNG" width="280" /></a></div>
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<b><span style="color: orange;">Johnny Ray</span></b>, the Prince of Wails confabulates with <b>Gasolina</b>. 'Revista do Radio' n. <b><span style="color: orange;">488</span></b>.</div>
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'Revista do Radio' n.<b><span style="color: orange;">512</span></b> brings Gasolina's few biographical data; his DOB is actually <b><span style="color: orange;">23 January 1937</span></b>; </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0wzcHOV_PQSL9uPYQd_wntpaI7FprSX68Gtra-5RtDh84rBurMQa8jxHzvgBvd_2KwF_d6ST1-j9KSyWLLZ7MsUibgwaQ746QkxBzaZcDDzpURC1orcL-Z2vbc0QgdAWRsYCEbhmEBes/s1600/Gasolina.record+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="952" height="469" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0wzcHOV_PQSL9uPYQd_wntpaI7FprSX68Gtra-5RtDh84rBurMQa8jxHzvgBvd_2KwF_d6ST1-j9KSyWLLZ7MsUibgwaQ746QkxBzaZcDDzpURC1orcL-Z2vbc0QgdAWRsYCEbhmEBes/s640/Gasolina.record+%25282%2529.PNG" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw4WJQacXiY9a522krEFgGhUNQQOn9VbPAzwpVmB8T9fOC3gQDeMqs-Qe2rFY-HzlnXxJK7IC937F5EYMNfVY3V35pstKQtyvWqH0-v3eYHZRwZp18HcGPIdWS8diyksVMHUHiHpMqbio/s1600/Gasolina.611.1961.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="655" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw4WJQacXiY9a522krEFgGhUNQQOn9VbPAzwpVmB8T9fOC3gQDeMqs-Qe2rFY-HzlnXxJK7IC937F5EYMNfVY3V35pstKQtyvWqH0-v3eYHZRwZp18HcGPIdWS8diyksVMHUHiHpMqbio/s640/Gasolina.611.1961.PNG" width="531" /></a></div>
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'Revista do Radio' n. <b><span style="color: orange;">611</span></b> - 1961.</div>
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Gasolina in <b><span style="color: orange;">Buenos Aires</span></b> in the winter of <b><span style="color: orange;">1961</span></b>, with <b>Lona Waren</b> serving him a chimarron; on the right photo Gasolina wear a tuxedo by the side of Spanish bomshell <b>Rosa Morena</b> - 'Revista do Radio' n. <b><span style="color: orange;">633</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6pJL2yPnyA5NnYLOuYLKGGKnfoP_Jk3YG6V_PCahenoqlBgKfnsteFDcHd4M5sWy0SO7HexYxNIiaef5QR4fThdNWI_eF3sRkZPNaBcVwsKtJQ4SybJwMLfsmS_lm6Me0VsBVWM3lnCY/s1600/gasolina.633.bs.as.+%25282%2529.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="717" data-original-width="592" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6pJL2yPnyA5NnYLOuYLKGGKnfoP_Jk3YG6V_PCahenoqlBgKfnsteFDcHd4M5sWy0SO7HexYxNIiaef5QR4fThdNWI_eF3sRkZPNaBcVwsKtJQ4SybJwMLfsmS_lm6Me0VsBVWM3lnCY/s640/gasolina.633.bs.as.+%25282%2529.PNG" width="528" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvSbakM0kepR-TeNlFU3LMseZV3m6hO0PT8VHZqSEyzU9oZWKP-PKLaz95kWDERSGLoAG7RtnnuNc1MxYq3lW344BBvLqf71W_uBYTtbHq9hNHGTZMYsFEAH90F18RFz7Tp6g8YNeoP0o/s1600/gasolina.633.1961.bs.as+%25282%2529_LI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="765" data-original-width="632" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvSbakM0kepR-TeNlFU3LMseZV3m6hO0PT8VHZqSEyzU9oZWKP-PKLaz95kWDERSGLoAG7RtnnuNc1MxYq3lW344BBvLqf71W_uBYTtbHq9hNHGTZMYsFEAH90F18RFz7Tp6g8YNeoP0o/s640/gasolina.633.1961.bs.as+%25282%2529_LI.jpg" width="528" /></a></div>
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Gasolina devours an Argentine empanada... </div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-38258997472020509012017-08-06T14:36:00.002-07:002021-06-16T07:59:18.265-07:00Renata Fronzi & Cesar Ladeira travel the world 1951<div dir="ltr" style="text-align: left;" trbidi="on">
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'Jornal das Moças' journalist Suzy visits Renata Fronzi at her apartment in Copacabana - who talks about her trip to the USA & Europe she and husband Cesar Ladeira took in the last two months of 1951, before she has another baby. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicweidvmf7Sy9p8Sd9Qo1ukgUokf_Zh7BxQOdP25AE7FMaeGS0499r4ghEsu58Or0GpoONK0hqK2vA02-K0Aj-ezMIzIvDdv0tqNWq99y7shz3ICntx4e-xxn6CcJqF68ZkmOZl5nAeaI/s1600/Fronzi.Mo%25C3%25A7as.a.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1087" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicweidvmf7Sy9p8Sd9Qo1ukgUokf_Zh7BxQOdP25AE7FMaeGS0499r4ghEsu58Or0GpoONK0hqK2vA02-K0Aj-ezMIzIvDdv0tqNWq99y7shz3ICntx4e-xxn6CcJqF68ZkmOZl5nAeaI/s640/Fronzi.Mo%25C3%25A7as.a.jpg" width="434" /></span></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial; text-align: center;">'Jornal das Moças' interview Renata Fronzi who shows photos she took during her worldwide travel. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZQork8ylJ7CK7iGZMXHXBTxFtes_H-nuS9XvdvFpWIlo0ns2swksiQ-w-z5kFr6_GEqNtYJIqZN5hkaWlR8HTzQWzFLKjB5zTToWGdEkLD-B4O7y0KKL_4UnzFqscmxse4je9mkun6Xg/s1600/Fronzi.Mo%25C3%25A7as.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1121" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZQork8ylJ7CK7iGZMXHXBTxFtes_H-nuS9XvdvFpWIlo0ns2swksiQ-w-z5kFr6_GEqNtYJIqZN5hkaWlR8HTzQWzFLKjB5zTToWGdEkLD-B4O7y0KKL_4UnzFqscmxse4je9mkun6Xg/s640/Fronzi.Mo%25C3%25A7as.bmp" width="448" /></span></a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial; text-align: center;">'Jornal das Moças', </span><b style="font-family: arial; text-align: center;"><span style="color: orange;">3rd January 1952</span></b><span style="font-family: arial; text-align: center;">; the couple visited </span><b style="font-family: arial; text-align: center;">Xochimilco</b><span style="font-family: arial; text-align: center;"> in Mexico, Los Angeles, California, New York. Then they flew to London and Paris. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9McD4U7SbEnpXA7T03GczyUZHbun7kCWo69gy26F5tPgWfBWK073F-UEScrU8_xQK1rzxCBQcLWKON6L6vSZ-OuQNgqXlS9xiDLT4X_Wvly3CVT7aRb_Bf5XHjQ6jNoMUULD22PadD5s/s1600/Fronzi.Baths.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="421" data-original-width="390" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9McD4U7SbEnpXA7T03GczyUZHbun7kCWo69gy26F5tPgWfBWK073F-UEScrU8_xQK1rzxCBQcLWKON6L6vSZ-OuQNgqXlS9xiDLT4X_Wvly3CVT7aRb_Bf5XHjQ6jNoMUULD22PadD5s/s400/Fronzi.Baths.bmp" width="370" /></span></a></div>
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Renata Fronzi on Broadway. '<b>David & Bathsheba</b>' premiered on 10 August 1951, starring Gregory Peck & Susan Hayward. By the looks of Fronzi's clothes this would be <b><span style="color: orange;">November 1951</span></b>.</span></div>
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Renata went to see <b><span style="color: orange;">Ethel Merman</span></b> & <b>Paul Lukas</b> in <b>Irving Berlin</b>'s '<b><span style="color: orange;">Call me Madam</span></b>' at the Imperial Theater on West 45th Street. Fronzi enjoyed it and claimed 'musical comedy is here to stay... musical revue is dead in the US'. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwP4k66QyhPnVUmiRDviIBjxW69nuePv_AZ_EjdYEH8F6REvzeWs3Ufl9cVlZ1dt416KRM36U9e9-FT-_ehIpAiZ5XPX_j0kdroZYCaLZyga9ulbj2E6O0LhqiY16E8CW7M8vGRgLc9Jc/s1600/Fronzi.Miranda.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="671" data-original-width="561" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwP4k66QyhPnVUmiRDviIBjxW69nuePv_AZ_EjdYEH8F6REvzeWs3Ufl9cVlZ1dt416KRM36U9e9-FT-_ehIpAiZ5XPX_j0kdroZYCaLZyga9ulbj2E6O0LhqiY16E8CW7M8vGRgLc9Jc/s400/Fronzi.Miranda.jpg" width="334" /></span></a></div>
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Renata raves about meeting <b><span style="color: orange;">Carmen Miranda</span></b> at her house in Hollywood. Cesar Ladeira was the man who concocted the sobriquet '<b><span style="color: orange;">Pequena Notável</span></b>' when he & Miss Miranda worked at <b>Radio Mayrink Veiga</b> in the 1930s but Fronzi herself had never had the pleasure to meet the great artist. She was impressed and said Carmen was an agreeable person and the household she shared with Dave Sebastian was a happy place.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDfytvh33B67lU9wYIXpB09U7uOCm5gFDkoNefAJjSk43YV96374bdw5-jqDdJ56wg3BurtsPbWgSVf-FhpQKjNW4C-Y0e_bNTTN6rcvWgcBXQxp8AlAzR_EdkzA3s4dRBwCoeTFMzYq4/s1600/Fronzi.Miranda.painting.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="773" data-original-width="543" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDfytvh33B67lU9wYIXpB09U7uOCm5gFDkoNefAJjSk43YV96374bdw5-jqDdJ56wg3BurtsPbWgSVf-FhpQKjNW4C-Y0e_bNTTN6rcvWgcBXQxp8AlAzR_EdkzA3s4dRBwCoeTFMzYq4/s400/Fronzi.Miranda.painting.jpg" width="280" /></span></a></div>
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Carmen shows Suzy, a '<b><span style="color: orange;">Jornal das Moças</span></b>' journalist a large painting of herself. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZCVxE3E8tQAdlAxOLE7mHj0GC2JcZQQQczqP6aO2niIhEbYU2WegHU6qdRdRhpSuU3pe7frbRiLmlns1rbXryeF0xr0c9sM2o4eeVD6SYcA-cRCahZ6PmS3F3UF-FMla4R8HYrJgxhzk/s1600/Fronzi.Lamas.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="510" data-original-width="568" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZCVxE3E8tQAdlAxOLE7mHj0GC2JcZQQQczqP6aO2niIhEbYU2WegHU6qdRdRhpSuU3pe7frbRiLmlns1rbXryeF0xr0c9sM2o4eeVD6SYcA-cRCahZ6PmS3F3UF-FMla4R8HYrJgxhzk/s400/Fronzi.Lamas.bmp" width="400" /></span></a></div>
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<span style="font-family: arial;"><b>Fronzi</b>, heart-throb <b><span style="color: orange;">Fernando Lamas</span></b> & <b>Cesar Ladeira</b> in <b><span style="color: orange;">Buenos Aires</span></b>. </span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsuBXiYL_F6j5IbJVxTYSYjnP5LLFvGOrkz8uBx0NSacXhKQSRBD2tmfkSe_pYoMcie6huOpenwQ86t01ZmRlEdwFsAfbzeZnyqLSMgpqF6qEt00I88aZ7G8W4Y2eLOvseuwvNnV3N3Jc/s1600/Fronzi.Portugal.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="534" data-original-width="421" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsuBXiYL_F6j5IbJVxTYSYjnP5LLFvGOrkz8uBx0NSacXhKQSRBD2tmfkSe_pYoMcie6huOpenwQ86t01ZmRlEdwFsAfbzeZnyqLSMgpqF6qEt00I88aZ7G8W4Y2eLOvseuwvNnV3N3Jc/s400/Fronzi.Portugal.PNG" width="315" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijiTvZYRK6EV-8_e5TsYkvNhM_hWmTBC3i7fazkdHdXxoKAj_Ll6tTWBY7oJgWXdsUDHDVjxo_W3S2kvZ1OBgzXjL8H74Rz3WwbuIgMka1FXeAzx7-3T5aWeWPNLBm6T5f5Zjt0A5qf-w/s1600/Fronzi.Roma+%25282%2529.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="361" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijiTvZYRK6EV-8_e5TsYkvNhM_hWmTBC3i7fazkdHdXxoKAj_Ll6tTWBY7oJgWXdsUDHDVjxo_W3S2kvZ1OBgzXjL8H74Rz3WwbuIgMka1FXeAzx7-3T5aWeWPNLBm6T5f5Zjt0A5qf-w/s400/Fronzi.Roma+%25282%2529.PNG" width="271" /></a></span></div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-27182699751199153862017-05-26T13:26:00.002-07:002020-08-22T02:01:26.572-07:00Aylce Chaves, song-writer & journalist<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="color: orange; font-size: large;">Aylce Chaves preferiu o samba</span></b></div>
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'Revista da Semana', <b>6 Abril 1940</b>, por Francisco Galvão.</div>
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Assistia certa razão a Noël Rosa ao afirmar que o cartaz do artista do radio vem do compositor. Ary Barroso tem feito muita gente. Ataulpho Alves também.</div>
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Apenas queremos revelar uma das compositoras mais queridas do Rio, cujos sambas e marchas deliciaram os homens agitados da Broadway na voz bonita de Carmen Miranda. <b><span style="color: orange;">Aylce Chaves</span></b> na idade em que as garotas namoram e falam de artistas-de-cinema prefere fazer musica popular, fazendo dupla com seu irmão <b><span style="color: orange;">Acyr</span></b>. </div>
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O repórter desce na <b><span style="color: orange;">Tijuca</span></b>. A rua José Hygino, elegante e discreta, esconde entre gardênias a casa da artista. Vamos descobri-la na sua vida interior, ao lado de seu inseparável violão, preparando uma marchinha. </div>
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Simples, dona de uma graça ingênua e doce, abre-se em confidências sobre o seu interesse pelo radio. </div>
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- Terminava o meu curso no <b>Colégio D. Pedro II</b>, quando fiz o primeiro samba. Lembro-me que se chamava 'Chegou'. Cantei para as colegas; gostaram. Gostaram em verdade, ou apenas estimulariam uma principiante? A dúvida esteve comigo durante muito tempo. Fui das mais sinceras 'fãs' de <b><span style="color: orange;">Luiz Barbosa</span></b>. E esse fato, talvez, concorresse muito para meu estímulo. Desejava melhorar o que fazia, conseguir alguma coisa bela, para que ele a interpretasse. </div>
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- Não sou profissional. Vivo de outras coisas. Tenho de que viver. Assim sendo, prefiro passar sem tomar parte na corrida. Tenho algumas marchas carnavalescas, mas acho mais natural que o campo fique mais vazio para quem vive da música da terra. Escrevo por fatalismo; destino talvez. Há muita gente que faz o mesmo. Não acha?</div>
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Aylce atende um telefonema de <b><span style="color: orange;">Neyde Martins</span></b>. Volta com um sorriso brejeiro nos lábios.</div>
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- Que mais gosta do que tem feito?</div>
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- Gosto muito de '<b><span style="color: orange;">Batucada do meu coração</span></b>' e da rumba '<b><span style="color: orange;">Yoyô já quer</span></b>', do repertório de <b><span style="color: orange;">Carmen Miranda</span></b>. Aprecio também '<b>Escravo da lua</b>', criação de <b>Manuel Reis</b>. <b>Neyde Martins</b> interpretou um samba '<b>Tempo feliz que passou</b>'. <b>Linda Baptista</b> canta uma marcha das que mais quero '<b>Boas Festas</b>'. </div>
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- Quais são os seus artistas favoritos?</div>
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- <b>Carmen Miranda</b>, <b>Linda Baptista</b> e, do naipe masculino, <b>Carlos Galhardo</b> a quem dei 'A cor dos teus olhos'. A sua voz é um encantamento. </div>
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- Como escreve?</div>
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- Quando a inspiração quer. Muitas vezes num ônibus, na rua, no cinema, a melodia chega. Entra sem pedir licença, sem bater palmas, como se fora velha conhecida. Fica nos meus ouvidos; permanece horas a fio no meu pensamento. Ao chegar em casa, tento escrevê-la. E o samba nasce. O samba, a música mais linda do mundo. </div>
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- Carioca teria de querer bem ao samba. </div>
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- Paulista que sou. Creia que adoro. Fico revoltada quando percebo a campanha impiedosa que fazem contra ele. Os falhados gostam de combatê-lo. Mas ele vai vencendo. <b><span style="color: orange;">Nova York</span></b> começou a sentir melhor o Brasil quando notou o encantamento melódico de Carmen Miranda. <b><span style="color: orange;">Buenos Aires</span></b> estreitou mais as suas relações de estima, depois que o samba começou a fazer parte integrante de seus programas radiofônicos. E a festa mais bonita do mundo, o Carnaval do Rio, o que seria sem a música que vem dos morros, que flui da terra, que desce para a cidade enfeitiçando a gente nos cordões ou nas batalhas de confetti. Gosto tanto do samba que deixei de estudar medicina por sua causa. </div>
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Meu pai, que descansa, hoje, dos seus labores do exército, queria. Eu também desejava ser colega de Alberto Ribeiro na ciência de Hypocrates. Mas depois comecei a achar o curso dos mais ásperos. Teria de estudar anatomia e conviver com esqueletos. Compor seria mais interessante. Comecei a escrever e até agora não senti a menor vaidade. Escrevo sambas e marchas como poderia, perfeitamente ser oficial administrativo de um ministério qualquer ou especialista de oftalmologia. Foi melhor; assim deixei de concorrer na vida pública com os homens. </div>
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Aylce Chaves at 'Revista da Semana'.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW6hC-_nbt3JmEE7hL3c9F6P_fFQm-iN4I7HnN4IKj8X6a6570ps_QmFA7yYjnrzR0pUaczYVc9xgx4eYPVk0WNVRm5O3EiLHQjvgUaWwYHgg5ifPFrL1zQPv-0duJdrjKMFd32BgktjM/s1600/1940-04-06_RevistaDaSemana-1.b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW6hC-_nbt3JmEE7hL3c9F6P_fFQm-iN4I7HnN4IKj8X6a6570ps_QmFA7yYjnrzR0pUaczYVc9xgx4eYPVk0WNVRm5O3EiLHQjvgUaWwYHgg5ifPFrL1zQPv-0duJdrjKMFd32BgktjM/s1600/1940-04-06_RevistaDaSemana-1.b.jpg" /></a></div>
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Aylce Chaves e Francisco Galvão, chronista da '<b><span style="color: orange;">Revista da Semana</span></b>'.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJNBKtuUIU2IbtucUGOjwD3x701jReRyT6rjnI8FI4vjBoUoKW8fhcGy2f7_Qcsy38niMq0lFx4NcnotDj-ilZfMcforfcvajV64wFmWy0mQlftXKcaSwbNnoWQ1I_y2UT6SRChXARaYg/s1600/1952-01-27_Di%25C3%25A1rioDaNoite-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="506" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJNBKtuUIU2IbtucUGOjwD3x701jReRyT6rjnI8FI4vjBoUoKW8fhcGy2f7_Qcsy38niMq0lFx4NcnotDj-ilZfMcforfcvajV64wFmWy0mQlftXKcaSwbNnoWQ1I_y2UT6SRChXARaYg/s400/1952-01-27_Di%25C3%25A1rioDaNoite-1.jpg" width="375" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Aylce Chaves no '<b>Diário da Noite</b>' de <b><span style="color: orange;">27 Janeiro 1952</span></b>.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Há certos nomes que se prestam a confusões. '</span><span style="color: orange; font-family: "arial" , "helvetica" , sans-serif;"><b>Aylce</b></span><span style="font-family: "arial" , "helvetica" , sans-serif;">', embora sonoro, também poderia pertencer a um barbado. Mas alguém nos informou de pronto que o 'barbado' é uma loura bonita, jovem e 100% feminina. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Aylce que já escreveu versos e melodias que ultrapassam a casa dos quinhentos, um dia foi flexada por Cupido. Não foi correspondida e entregou-se ao desânimo. O travesso menino fez com que a garota deixasse de compor. Os dias se foram passando e a reação se foi firmando no íntimo da lourinha. Pensou, refletiu e voltou triunfalmente com '<b><span style="color: orange;">Fracassei</span></b>', gravado por <b><span style="color: orange;">Heleninha Costa</span></b> e que tanto sucesso tem obtido. A melodia popular é de autoria de Aylce Chaves em parceria com <b><span style="color: orange;">Peterpan</span></b>. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Autêntica menina-prodigio, sua 1a. composição foi lançada quando contava com 10 anos de idade! Foi <b><span style="color: orange;">Alzirinha Camargo</span></b> quem a lançou. Todos estamos lembrados daquele samba gostoso que se intitula: '<b><span style="color: orange;">Não te dou perdão</span></b>'. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">A lourinha foi crescendo e com ela todos seus sucessos musicais. Em poucos anos conseguiu gravar nada menos do que 20 composições. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Aylce Chaves também aderiu aos festejos de Momo. '<b><span style="color: orange;">Nome manchado</span></b>' é um samba carnavalesco que <b><span style="color: orange;">Zilah Fonseca</span></b> gravou. '<b><span style="color: orange;">Segue</span></b>' foi gravado por <b><i>Ângela Maria</i></b>, '<b><span style="color: orange;">Que bom</span></b> <b><span style="color: orange;">será</span></b>' por <b><i>Dolores Duran</i></b> e '<b><span style="color: orange;">Não quero lembrar</span></b>' por <b><i>Zezé Gonzaga</i></b>, nomes que o publico ouvinte aplaude sempre. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Em 7 anos de radio, Aylce conseguiu abiscoitar cerca de 80 mil cruzeiros. É preciso que se diga que <b>Sátiro de Melo</b>, um dos maiorais em questão de partituras sempre acompanhou essa garota-revelação. Sátiro é 'macaco-velho' e sabe o que faz. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">Vai de vento em pôpa a vitória da loura de Itapetininga-SP. É o exemplo de força de vontade. É espelho em que se devem mirar todos que não tiveram oportunidade radiofônica. Parabéns, Aylce Chaves, já que você é o símbolo de perseverança. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">texto de Alcy Leal para o Diário da Noite.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">dois instantâneos da compositora Aylce Chaves.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "times new roman";"><b><span style="color: orange;">Aylce Chaves</span></b> mostra todo seu charme na 'night' do Rio. 'Diário da Noite', <b><span style="color: orange;">24 Janeiro 1952</span></b>. </span></span></div>
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Aylce Chaves often wrote for '<b>Carioca</b>'; this one was written in early <b><span style="color: orange;">1952</span></b>, is about Angela Maria who recorded '<b><span style="color: orange;">Segue</span></b>' written by Aylce and Paulo Marques. </div>
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Angela Maria começou a cantar
ainda criança em festas escolares e familiares. Um dia resolveu enfrentar o
microfone e foi ao ‘<b><span style="color: orange;">Pescando estrelas</span></b>’, programa de <b>Arnaldo Amaral</b>, tirou o
primeiro lugar e logo começou a cantar numa emissora carioca. Logo veio
proposta de night-clubs até o dia que <b>Jayme Moreira Filho</b>, locutor da <b><span style="color: orange;">Radio
Mayrink Veiga</span></b>, em uma de suas noitadas a ouviu, entusiasmou-se e levou-a à
<b><span style="color: orange;">PRA-9</span></b> (que era seu grande sonho).</div>
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Ainda cantando em boites, foi
ouvida extasiado por <b>Erasmo Silva</b>, divulgador de discos, que a levou a um teste
na <b><span style="color: orange;">RCA Victor</span></b>, tendo sido aprovada por <b>Vittorio Latari</b>, que a contratou e supervisionou
seu primeiro 78 rpm com 2 sambas: ‘<b>Sou feliz</b>’ (Augusto Mesquita-Ary Monteiro) e ‘<b>Quando
alguém vai embora</b>’ (Cyro Monteiro-Dias da Cruz).<br />
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O disco não fez sucesso, mas o
2º lançamento subiu ao 1º posto da Parada de Sucesso e introduziu a nova
cantora ao Brasil: ‘<b><span style="color: orange;">Não tenho você</span></b>’ (Paulo Marques-Ary Monteiro) e o bolero ‘<b>Sabes
mentir</b>’, de <b>Othon Russo</b>, compositor novo de muito talento. <o:p></o:p><br />
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Para o <b><span style="color: orange;">Carnaval 1952</span></b>, Angela
gravou 2 discos: os sambas ‘<b>Meu destino é sofrer</b>’ (Antonio Bichara-Luiz Soberano) e ‘<b>Renúnciei</b>’ (Luiz de França-Cicero Nunes); mais a marcha ‘<b>Balança mas não cai</b>’ (Chocolate-Lourival Faissal) e o samba ‘<b>Segue</b>’ (Paulo Marques-<b><span style="color: orange;">Aylce Chaves</span></b>), que já
desponta como sucesso.<br />
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Aylce Chaves writes about her friend <b><span style="color: orange;">Linda Rodrigues</span></b> for '<b>Carioca</b>' in <b><span style="color: orange;">1952</span></b>. </div>
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<b>Aylce Chaves</b> escreve artigo na 'Gazeta de Notícias' de <b>14 Setembro 1956</b>, homenageando o <b><span style="color: orange;">Marechal</span></b> <b><span style="color: orange;">Teixeira Lott</span></b> que abortou uma tentativa de golpe militar em <b><span style="color: orange;">11 Novembro 1955</span></b>, onde forças anti-democráticas tentavam <b>impedir a posse</b> de <b>Juscelino Kubitschek</b>, presidente eleito pelo voto popular em <b>2 Outubro 1955</b>. Aylce tornou-se jornalista identificada com o <b><span style="color: orange;">PTB</span></b>, partido politico que se tornou o maior do Brasil até ser desbandado pelo Golpe Militar de 1964.<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com4tag:blogger.com,1999:blog-1006453439584379749.post-30140227916042192842017-05-25T12:31:00.009-07:002022-11-10T01:40:30.311-08:00Orlando Silva in 1939 and beyond... <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi599yt-gNPW29beO7p5pt2s0rAjJhwjXF6JVkkSU14xd-tz078ju57WyBh1haN9P91oHlcYMGokvp_B-YjB_cMXqdaE8QEG_xfqyOgdeFaPQ-XvwY95Fx3n6CLXMEHSI0w2Y3iPfu5-SM/s1600/18557177_10154553678966592_8107425708825893342_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="896" data-original-width="666" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi599yt-gNPW29beO7p5pt2s0rAjJhwjXF6JVkkSU14xd-tz078ju57WyBh1haN9P91oHlcYMGokvp_B-YjB_cMXqdaE8QEG_xfqyOgdeFaPQ-XvwY95Fx3n6CLXMEHSI0w2Y3iPfu5-SM/s640/18557177_10154553678966592_8107425708825893342_n.jpg" width="475" /></a></div>
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14 December 1939. Orlando Silva * 3rd October 1915 + 7 August 1978. </span></div>
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A lyrics magazine called 'O Cantor Romantico'; Almirante in the back-cover. </span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT-D0WLVvfkQsSBUWAPudKd6vIrDeGQUDp6gRWeKxBieD44dfz4h3aa4PD04j8Mtb81GkBhJl_3kwx_UxqkZEt_tsRV8BUL5ymC2RJr9eHFeh-t3YS6BXleViHMlw6zezM-ZjD_duJW4s/s1600/18581636_10154553679746592_6517956599277040927_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="603" data-original-width="348" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT-D0WLVvfkQsSBUWAPudKd6vIrDeGQUDp6gRWeKxBieD44dfz4h3aa4PD04j8Mtb81GkBhJl_3kwx_UxqkZEt_tsRV8BUL5ymC2RJr9eHFeh-t3YS6BXleViHMlw6zezM-ZjD_duJW4s/s400/18581636_10154553679746592_6517956599277040927_n.jpg" width="230" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW7Oy5rgqPpfsbOlO5S6cstCCLLpOhYKmm4_AqsQI4qJAWHeKhtrZSYd78txUG5iW70_uXyXFOfn4I4JdUxMVU74nfbPd1iNRM8UicQEPbUZkJwudZEOeuN4Afg7m9apcBCU5tkesr6WE/s1600/18622335_10154553679056592_8553830572558302811_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="582" data-original-width="356" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW7Oy5rgqPpfsbOlO5S6cstCCLLpOhYKmm4_AqsQI4qJAWHeKhtrZSYd78txUG5iW70_uXyXFOfn4I4JdUxMVU74nfbPd1iNRM8UicQEPbUZkJwudZEOeuN4Afg7m9apcBCU5tkesr6WE/s400/18622335_10154553679056592_8553830572558302811_n.jpg" width="244" /></a></span></div>
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'Um jarro d'agua' written by Assis Valente; 'Por vos... yo me rompo todo' written by Francisco Canaro.</span></div>
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<span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG12xdfhyDHOFMY-vkl891TaAbz3KERE1UYcKTOvo_RnAhMn84felNh95viG9DLImz8Ld9r9L_dJGS7GusJRruwqvaCDCsIhwtJrbF2J3v5_po1NGkQfviA6CM-lnHPAot_zKC5hLdTxA/s1600/18622561_10154553679256592_3920182864176105450_n.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="588" data-original-width="331" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG12xdfhyDHOFMY-vkl891TaAbz3KERE1UYcKTOvo_RnAhMn84felNh95viG9DLImz8Ld9r9L_dJGS7GusJRruwqvaCDCsIhwtJrbF2J3v5_po1NGkQfviA6CM-lnHPAot_zKC5hLdTxA/s400/18622561_10154553679256592_3920182864176105450_n.a.jpg" width="225" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPvXFRT4UaabeeBXRCoNCT7xUk8uP-QwkLv29c8kdZSUSIQOGcfSaohd53IbnT5SVzDz32Cf7LSZA9jtvEz7R_ourRbWgUZzMU4rz7Lv0IiFyxxeu_VBWXv0U6aZYM-x1800zHOkoKck8/s1600/18556272_10154553679996592_1484125073246577532_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="775" data-original-width="539" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPvXFRT4UaabeeBXRCoNCT7xUk8uP-QwkLv29c8kdZSUSIQOGcfSaohd53IbnT5SVzDz32Cf7LSZA9jtvEz7R_ourRbWgUZzMU4rz7Lv0IiFyxxeu_VBWXv0U6aZYM-x1800zHOkoKck8/s400/18556272_10154553679996592_1484125073246577532_n.jpg" width="278" /></a></span></div>
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Alberto Dominguez's masterpiece: 'Perfidia'.</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFb07t1fH7iIN7z2YfexXmJT8YMm6HL9ujOhe9yUm_lxTSSs8VE6tRyOh--0iX0J7ZBWHmi2wmnm_jlhoZsl36A5GP-SGR0M69_UOHlhjApzGeM0oPiARgDNIl00YPeFtdt1u61hhigSlRHD1JbaCgJxTG7QrbXkS1KaMm6Jlj7zY9yH54n5aJwEjZ/s1278/paulista.orlando.silva.1958.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1278" data-original-width="726" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFb07t1fH7iIN7z2YfexXmJT8YMm6HL9ujOhe9yUm_lxTSSs8VE6tRyOh--0iX0J7ZBWHmi2wmnm_jlhoZsl36A5GP-SGR0M69_UOHlhjApzGeM0oPiARgDNIl00YPeFtdt1u61hhigSlRHD1JbaCgJxTG7QrbXkS1KaMm6Jlj7zY9yH54n5aJwEjZ/w364-h640/paulista.orlando.silva.1958.jpg" width="364" /></a></div><div style="text-align: justify;"><span style="font-family: arial;"><b><span style="color: #ffa400;">5 October 1958</span></b>, <b>A Gazeta Esportiva</b> - Orlando Silva had just turned <b>43 years old</b> but was still a force to be reckoned with. </span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYDnjjSDcN5hQ7chLpBKtyJ8KTNRE6wTNa3h3xGiephg6ZGisgbV2dzzZlNfJQFQgt7hCfn6ZOz5rv_qVyelKNKXwzExZDk0T1IBfLoAfxA9Ghvh0IVcPisAzgzI5Ddzt_4a_HJVWmRQE/s1810/130519959_10157719717356592_3329544062194822677_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1810" data-original-width="1738" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYDnjjSDcN5hQ7chLpBKtyJ8KTNRE6wTNa3h3xGiephg6ZGisgbV2dzzZlNfJQFQgt7hCfn6ZOz5rv_qVyelKNKXwzExZDk0T1IBfLoAfxA9Ghvh0IVcPisAzgzI5Ddzt_4a_HJVWmRQE/w384-h400/130519959_10157719717356592_3329544062194822677_o.jpg" width="384" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;">Orlando Silva 30 years later in <b><span style="color: #ffa400;">1969</span></b>. </span></div></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-54780016677963562682017-05-06T13:12:00.000-07:002020-09-06T07:20:44.870-07:00Mary Gonçalves becomes Queen of Radio 1952<div class="separator" style="clear: both; text-align: justify;">
Against all odds, the unthinkable became reality. Mary Gonçalves, an almost unknown singer who was under contract with <b>Radio Club do Brasil</b> just a few months before was elected 1952 Queen of Radio beating powerhouses like <b>Carmelia Alves</b>, <b>Adelaide Chiozzo</b> and <b>Olivinha Carvalho</b>. Mary was crowned by Dalva de Oliveira and she looked like a kid just out of high school. Look at the pictures and you'll see a girl too happy to hide her joy; she barely contained her happiness. On the other hand it looked like Mary Gonçalves had been cut out for that role. She was a queen in her own right and she was a sovereign bound to please her subjects with her regal deportment. </div>
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Brazilian royalty... <b><span style="color: orange;">Mary Gonçalves</span></b> is elected <b><span style="color: orange;">Queen of Radio 1952</span></b>... seen here with her Knight-in-armour <b>Bill Farr</b>... 'Carioca' <b>5 July 1952</b>. </div>
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<b><span style="color: orange;">Mary Gonçalves</span></b> is crowned <b>1952</b> <b>Queen of Radio</b> by <b><span style="color: orange;">Dalva de Oliveira</span></b>, the<b> Queen of Queens</b> at Teatro João Caetano - 'A Noite' - <b><span style="color: orange;">20 February 1952</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIo1Y1lu1PLUt88v-L2nBYCVEWJHesXeEcwCvWEoG9Bu71JA7YysYBU7Wqcy1JmJyo9InbuW_AulFA-_OTkF0BeZMfTAE4reaY4OKhmKFQrKczNTECBZRP0eeJ4kbGF63wV2Mvu43PLJg/s1600/Mary.20.Feb.1952.b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIo1Y1lu1PLUt88v-L2nBYCVEWJHesXeEcwCvWEoG9Bu71JA7YysYBU7Wqcy1JmJyo9InbuW_AulFA-_OTkF0BeZMfTAE4reaY4OKhmKFQrKczNTECBZRP0eeJ4kbGF63wV2Mvu43PLJg/s400/Mary.20.Feb.1952.b.jpg" width="278" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSNJticHLA4-oLn-6jBgNyaeE01LoLx_hLndMhvmTCHIbGxMQ9fnRVJRa8WwNDSdsa1gKKRbi7wReeZmIXQACwbSBjuR4trGm2SDFPNTtqjLDU0KHQvkREontgtJCdD-8d1JMME4Z7pes/s1600/Mary.21.Feb.1952.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSNJticHLA4-oLn-6jBgNyaeE01LoLx_hLndMhvmTCHIbGxMQ9fnRVJRa8WwNDSdsa1gKKRbi7wReeZmIXQACwbSBjuR4trGm2SDFPNTtqjLDU0KHQvkREontgtJCdD-8d1JMME4Z7pes/s400/Mary.21.Feb.1952.jpg" width="244" /></a></div>
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'A Noite' 20 February 1952; <b><span style="color: orange;">Mary</span></b> <b>& <span style="color: orange;">Rei Momo I</span> & Only </b>- 21st February 1952.</div>
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Mary Gonçalves lives her Cinderella dream full on... </div>
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Mary couldn't control her happiness... she was in a state of grace... </div>
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Mary, Queen of Radio 1952. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4ybdFF3uguQHyBYDsag0i4QRi-p5cEXYSYUEKeNQCVSrDqFM53oJGFXpqer_3l1Ib58gyCKbDKy98-8dmlbBvCZ6EY1wkZ_Z4oEPcH0TlAVm5ACGc-KFlj1Rlo18cIl-l0jtbdHC51dM/s1600/I0052794-6Alt%253D001162Lar%253D000827LargOri%253D004412AltOri%253D006195.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4ybdFF3uguQHyBYDsag0i4QRi-p5cEXYSYUEKeNQCVSrDqFM53oJGFXpqer_3l1Ib58gyCKbDKy98-8dmlbBvCZ6EY1wkZ_Z4oEPcH0TlAVm5ACGc-KFlj1Rlo18cIl-l0jtbdHC51dM/s640/I0052794-6Alt%253D001162Lar%253D000827LargOri%253D004412AltOri%253D006195.JPG" width="443" /></a></div>
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after being crowned Queen of Radio, Mary knew how to do her regal duties kissing children and being nice to the population at large... </div>
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Mary Gonçalves on top of the world... Queen of Radio and Rio de Janeiro... Queen of Brazil.</div>
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see, I can play the piano...</div>
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this is my own Jaguar... </div>
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'Carioca' #863 - 19 April 1952 - <b><span style="color: orange;">Queen Mary</span></b> <b>reigns supreme!</b> </div>
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<br />Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-43384008100759027432017-04-30T03:25:00.005-07:002020-09-21T03:41:30.640-07:00Mary Gonçalves in transition 1951-1952<div dir="ltr" style="text-align: left;" trbidi="on">
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Actress-singer <b>Mary Gonçalves</b> had been around since the mid 1940s. She was born in Santos-SP and made her movie career mostly out of Sao Paulo which boasted a sizeable movie industry.<br />
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Circa <b><span style="color: orange;">1950</span></b>, Mary knew her career was going nowhere so she thought she'd take drastic measures to rekindle it. Mary moved to Rio de Janeiro and entered a competition promoted by <b><span style="color: orange;">Pel-Mex</span></b> (Peliculas Mexicanas) in association with Rio de Janeiro daily '<b><span style="color: orange;">A Noite</span></b>' to choose a '<b><span style="color: orange;">new star</span></b>' who would star in a movie in a co-production called 'Encontro no Rio' (Encuentro en Rio).<br />
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<b>Jaime A. Menace</b>, a <b>Pel Mex</b> executive was in Rio to launch the competion in November 1950 and journalist <b>Ney Machado</b> supervised the screening of hundreds of
candidates until they came down to 30 finalists with only 15 making it to the final night
– <b><span style="color: orange;">23<sup>rd</sup> January 1951</span></b>.<br />
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The young hopefuls recited or acted some well-known theatrical part on the stage in front of a jury made up of actor <b>Rodolfo Mayer</b>, playwright <b>Pedro Bloch</b> and 8 other show
people. At 1:00 AM they announced the final
result: <b>Lice Miranda</b>, a professional ballet dancer from Teatro Municipal in Sao Paulo won the competition; the
runner up was <b>Gilda Nery</b>. <b><span style="color: orange;">Mary Gonçalves</span></b> got the 3<sup>rd</sup> position. <b>Araçari de Oliveira</b> who would achieve
stardom in the Brazilian movies in the late 1950s was among the 15 finalists.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNgQbfu_5Mfu2kHNYBBFWNtO7F36Mq7VDAlFimXhGykhIO4c7AA4dVgeDiKPgsWuqw-UynoIgnRomijmDPMP7W6DQW4jybsNkCi1oLZFNEUMQ9MjGaQbQgsCI-Uxuu1DR3ITRQ5KZmqTo/s1600/Mary.26.November.1950.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNgQbfu_5Mfu2kHNYBBFWNtO7F36Mq7VDAlFimXhGykhIO4c7AA4dVgeDiKPgsWuqw-UynoIgnRomijmDPMP7W6DQW4jybsNkCi1oLZFNEUMQ9MjGaQbQgsCI-Uxuu1DR3ITRQ5KZmqTo/s640/Mary.26.November.1950.jpg" width="640" /></a></div>
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Mary Gonçalves (wearing a dark dress), Jaime A.Menace & Norma Thamar at a cinema in Rio - <b><span style="color: orange;">26 November 1950</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvaQvPM06g9xMggCBc5AOqJTXa2UeCuTYDydvmED6pdeDIWXpFPeX4MNJpQUCDiN0duA8t3OA1KS8-qkbQ51Yn5yUiT13EFWlOBYTiB3XjhfAn3K6MYtowxit56oRenwGxQanHp3Cqz8/s1600/Mary.contest.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvaQvPM06g9xMggCBc5AOqJTXa2UeCuTYDydvmED6pdeDIWXpFPeX4MNJpQUCDiN0duA8t3OA1KS8-qkbQ51Yn5yUiT13EFWlOBYTiB3XjhfAn3K6MYtowxit56oRenwGxQanHp3Cqz8/s640/Mary.contest.1951.jpg" width="266" /></a></div>
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<b>Lice Miranda</b> wins the 'new star'-competition but <b>Mary Gonçalves</b> takes the real prize: to become really popular in less than 12 months; 'A Noite' - <b><span style="color: orange;">23rd January 1951</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4jiz3V1W-5PIvQQb8mzjoFqBGDxEY_yXTx0klGfj-WnGapt3wMjMxWvOlCe83JodXJTqXBk_2g73Zs5s07yw_a79KRxNXZkVu_rg6plvs8WkyHmy32fJ5-xzBdqQXTZJ66ZOaPgjkL-A/s1600/I0048879-6Alt%253D001158Lar%253D000853LargOri%253D004548AltOri%253D006178.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4jiz3V1W-5PIvQQb8mzjoFqBGDxEY_yXTx0klGfj-WnGapt3wMjMxWvOlCe83JodXJTqXBk_2g73Zs5s07yw_a79KRxNXZkVu_rg6plvs8WkyHmy32fJ5-xzBdqQXTZJ66ZOaPgjkL-A/s400/I0048879-6Alt%253D001158Lar%253D000853LargOri%253D004548AltOri%253D006178.JPG" width="289" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVbI43TE776rxXh3zAexlmjO7DiPf_Vmuwh-SaEIwVoeC2bXYPStfC7rKGb4gku5cfqvsf-9f8SEqtCeQXuhUeZtPbMay0WTkG13koZxEFL83qkRz9cU9I_3sKfmjOLaPRdU4P41YrPks/s1600/I0048880-6Alt%253D001158Lar%253D000853LargOri%253D004548AltOri%253D006178.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVbI43TE776rxXh3zAexlmjO7DiPf_Vmuwh-SaEIwVoeC2bXYPStfC7rKGb4gku5cfqvsf-9f8SEqtCeQXuhUeZtPbMay0WTkG13koZxEFL83qkRz9cU9I_3sKfmjOLaPRdU4P41YrPks/s400/I0048880-6Alt%253D001158Lar%253D000853LargOri%253D004548AltOri%253D006178.JPG" width="288" /></a></div>
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'Carioca' tells all about the competition to find a 'New Star' promoted by Pel Mex & 'A Noite'. <b><span style="color: orange;">Lice Miranda</span></b> won but did not take it, as Brazilians famously say: '<b>Venceu mas não levou!</b>' Even the bigger photo on the left is of <b><span style="color: orange;">Gilda Nery</span></b>, the runner up. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_Vcql-UMxpdCzOxWHgepv6GP6NUfNyHv4zrjvbVjq1Rvp1X2oU7ZneYicKwPrxwhYOX553WtkvveOn-XwzeAE3KwpQOBBQFas1teoQ1whFU23vnCOeO50PqxKiRdmEOltmTutMXj-E-w/s1600/I0049572-6Alt%253D001159Lar%253D000839LargOri%253D004474AltOri%253D006180.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_Vcql-UMxpdCzOxWHgepv6GP6NUfNyHv4zrjvbVjq1Rvp1X2oU7ZneYicKwPrxwhYOX553WtkvveOn-XwzeAE3KwpQOBBQFas1teoQ1whFU23vnCOeO50PqxKiRdmEOltmTutMXj-E-w/s400/I0049572-6Alt%253D001159Lar%253D000839LargOri%253D004474AltOri%253D006180.JPG" width="281" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0TAoxrggrL3s7UByVLdjzRXfhWt2WaxP0_zSqlyWi9rWNYOz3kEwLe3elAg9JL25sbdftPkmDzn-Ay5_IPb5ZF07XDz_ftZdLYmLU5YlwpTT7QS9HpOG88Q-N9bzpseYlEYOCGLknBK4/s1600/I0049573-6Alt%253D001159Lar%253D000839LargOri%253D004474AltOri%253D006180.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0TAoxrggrL3s7UByVLdjzRXfhWt2WaxP0_zSqlyWi9rWNYOz3kEwLe3elAg9JL25sbdftPkmDzn-Ay5_IPb5ZF07XDz_ftZdLYmLU5YlwpTT7QS9HpOG88Q-N9bzpseYlEYOCGLknBK4/s400/I0049573-6Alt%253D001159Lar%253D000839LargOri%253D004474AltOri%253D006180.JPG" width="291" /></a></div>
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Mary talks to '<b><span style="color: orange;">Carioca</span></b>' and tells her immediate plans. She wasn't signed to <b><span style="color: orange;">Radio Clube do Brasil</span></b> yet.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoUxifH72ysiEmhqcP7J17oWrs5eaiHOfgb85qwNJuFpVulz8Por3o2l7VFvgt9Qd_ysncI8wppH9Z9suSfx6bLjlue78WDN0lUrexcyAQgXHP42Hs-v76AB4em6pLpUK42Vb70FgKtIg/s1600/Bill.Farr.1950.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoUxifH72ysiEmhqcP7J17oWrs5eaiHOfgb85qwNJuFpVulz8Por3o2l7VFvgt9Qd_ysncI8wppH9Z9suSfx6bLjlue78WDN0lUrexcyAQgXHP42Hs-v76AB4em6pLpUK42Vb70FgKtIg/s320/Bill.Farr.1950.jpg" width="237" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs5___oFGAPzT7FT6N-aR7y8tMDqsjwehYhKy7V4ZeGU4xXdaEEql7521iv1pEmeoL912KrTylr4zs2_UUuQWI1yZ4vzpoLqqNUzlobfxnoHTirTm_zdi16hkSJNN8RSe_NqWx7_5circ/s1600/Mary.Jose.Alencar.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs5___oFGAPzT7FT6N-aR7y8tMDqsjwehYhKy7V4ZeGU4xXdaEEql7521iv1pEmeoL912KrTylr4zs2_UUuQWI1yZ4vzpoLqqNUzlobfxnoHTirTm_zdi16hkSJNN8RSe_NqWx7_5circ/s320/Mary.Jose.Alencar.jpg" width="164" /></a></div>
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while Mary started her singing career in Rio, Bill Farr kept on singing in English...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUUw5bGMeR09ZVAtoNIgu29-IcUpHlcybOkRAbjWyEVi45nO50XvgLtHZWTKSRkrgOhSPGzokhadGMzIq9aZWCsHnMcc2x2KzvUuwonXiZF6189yOHMEg_J8OTd487t5G8pFnpx21iGnI/s1600/I0049648-6Alt%253D001153Lar%253D000857LargOri%253D004570AltOri%253D006151.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUUw5bGMeR09ZVAtoNIgu29-IcUpHlcybOkRAbjWyEVi45nO50XvgLtHZWTKSRkrgOhSPGzokhadGMzIq9aZWCsHnMcc2x2KzvUuwonXiZF6189yOHMEg_J8OTd487t5G8pFnpx21iGnI/s400/I0049648-6Alt%253D001153Lar%253D000857LargOri%253D004570AltOri%253D006151.JPG" width="296" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD5XYEOAS2vpTyBEpRIvX4TikcLnp5pCG2BzI6yzCIW6bBeJhsWUgUi5xGK_XAR2XjLJJfGZWJk9ko10uQp3O-plkWbae1S_A9vmGlXwu5t2epOWLsNuBNSv-2RAo8qV-3LBxyZe3WS5w/s1600/I0049769-6Alt%253D001196Lar%253D000851LargOri%253D004537AltOri%253D006380.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD5XYEOAS2vpTyBEpRIvX4TikcLnp5pCG2BzI6yzCIW6bBeJhsWUgUi5xGK_XAR2XjLJJfGZWJk9ko10uQp3O-plkWbae1S_A9vmGlXwu5t2epOWLsNuBNSv-2RAo8qV-3LBxyZe3WS5w/s400/I0049769-6Alt%253D001196Lar%253D000851LargOri%253D004537AltOri%253D006380.JPG" width="283" /></a></div>
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'<b><span style="color: orange;">Carioca</span></b>' talks to <b>Mary Gonçalves</b>: <b><span style="color: orange;">Claribalte Passos</span></b> writes an extensive <b>biographical article</b> about her and <b>J. Ribeiro</b> takes a few photos. </div>
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<b><span style="color: orange;">Nice Figueirêdo Rocha</span></b> is Mary Gonçalves' real name. She was born on <b><span style="color: orange;">25 October 1927</span></b>, in <b>Santos-SP</b>. She's extremely romantic, loves to go the movies everyday, but mind you, she only enjoys going to the movies by herself. Mary likes Brazilian slow-samba (samba-canção) and fox-blues. <b>Doris Day</b> is her favourite international singer. <b>Frédéric Chopin</b> is her most loved composer, followed by <b>George Gershwin</b>. </div>
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We visited Miss Gonçalves at her flat in <b>Copacabana</b> one afternoon and we had a chat. She said: 'I started singing professionally in 1942. I was only 15 years old when I first sang at <b><span style="color: orange;">Radio Tupi</span></b> in São Paulo. Soon after I was invited by the <b>Copacabana Palace</b> to a recital of classical ballet, for I had practice ballet for 4 years at São Paulo's Theatro Muncipal. Still in Rio I took a screen test and was signed to appear in '<b><span style="color: orange;">Não adianta chorar' </span></b>with <b>Oscarito</b>, followed by '<b><span style="color: orange;">Vidas</span></b> <b><span style="color: orange;">solitárias</span></b>' with <b>Mario Brasini</b>, '<b><span style="color: orange;">Fantasma por acaso</span></b>' with <b>Oscarito</b> again and '<b><span style="color: orange;">Asas do Brasil</span></b>' with <b>Paulo Porto</b>'. </div>
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Mary Gonçalves visited the <b>U.S.A.</b> in <b><span style="color: orange;">1947</span></b> and went back in <b><span style="color: orange;">1950</span></b>. Mary says: 'I should point out I am proficient in four languages so I decided to visit Hollywood, the Babel of internacional cinema, in order to keep abreast of the latest trends in U.S. pop music which is really popular in Brazil. I met young actor <b>John Derek</b>, <b>Joan Fontaine</b>, the great <b>Eddie Cantor</b>'. </div>
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'While in New York I had the chance to be a special guest at a TV musical programme beamed by <b>Columbia Broadcasting System</b> in which I had the honour to be introduced to <b>Doris Day </b>herself. On my way back to Brazil, I had a stint in <b>Buenos Aires</b> and <b>Montevideo</b> singing at Carrasco and Park Hotel with the orchestra of Simon Boutman. </div>
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'Back in Brazil I decided to fix myself in Rio de Janeiro and delve into the <b>musical-theatre</b> which is a genre I love. I sing and dance in the musical-revue '<b><span style="color: orange;">Boca de sirí</span></b>' at <b>Teatrinho Jardel</b> with <b><span style="color: orange;">Colé</span></b>' and '<b><span style="color: orange;">Cafe Concerto no. 5</span></b>' at the <b>Acapulco</b> night-club.</div>
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'I was signed by <b><span style="color: orange;">Sinter</span></b> for 2 years and recorded my first single: '<b><span style="color: orange;">Penso em você</span></b>' backed with '<b><span style="color: orange;">Só eu sei</span></b>' both songs written by <b><span style="color: orange;">Fernando Lobo</span></b> & <b><span style="color: orange;">Paulo Soledade </span></b>with orchestrations done by <b>Lyrio Panicalli</b>. Within a few days I will enter the Sinter studios again to record two slow-sambas written by <b><span style="color: orange;">Pernambuco</span></b> & <b><span style="color: orange;">Marino Pinto</span></b>: '<b>P'ra mim tudo é chuva</b>' backed with '<b>Chega mais</b>'. </div>
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Mary has also been signed by <b><span style="color: orange;">Radio Clube do Brasil</span></b>. She has played <b>Lidia</b> at <b><span style="color: orange;">Ivany Ribeiro</span></b>'s latest radio-drama hit '<b><span style="color: orange;">A hipócrita</span></b>'. Mary also appears at <b>Adolfo Cruz</b>'s '<b>Cine reportagem</b>' interviewing stars from the silver screen. She also sings live at <b>Aerton Perlingeiro</b>'s '<b>Fim de semana</b>' making her one of the busiest members of Radio Clube. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYrNhOlVXehLMp4OhsAdE4TFYPxjzxxPBgr7vub69ACNId9it_UcUjJnSjiVtT3yEJFotd-51ao5TjJ536RlwbR0FcNBAmEnHAKIJa-3s_s0EjBxkrfKWBb6llQWtX66A7SzheSLQw5A4/s1600/Mary.bio.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYrNhOlVXehLMp4OhsAdE4TFYPxjzxxPBgr7vub69ACNId9it_UcUjJnSjiVtT3yEJFotd-51ao5TjJ536RlwbR0FcNBAmEnHAKIJa-3s_s0EjBxkrfKWBb6llQWtX66A7SzheSLQw5A4/s320/Mary.bio.jpg" width="92" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPOBgeLqoami1l2Ar5eo6IPscoES7a3JwFQFPqIYHkTSViuHso1kz1ANWhph6vmOH3fDyfTB8uhLADJmvtf7GMhWmtNO6jj4i9EJ3K7RHdr2pUzvlsbIOoGOZRnzfYkY1PIQjOnjqe8g/s1600/Mary.bio.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPOBgeLqoami1l2Ar5eo6IPscoES7a3JwFQFPqIYHkTSViuHso1kz1ANWhph6vmOH3fDyfTB8uhLADJmvtf7GMhWmtNO6jj4i9EJ3K7RHdr2pUzvlsbIOoGOZRnzfYkY1PIQjOnjqe8g/s320/Mary.bio.a.jpg" width="158" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpWbIgvirPlEyOVMw8Gl625mi80iYSIfIEFqy59c9MGhFrJ_XzRP_G77TuRqulEGSB8GySFGtbWk5xnbrVShe93Vm6WftQs3fu8WObGhsSZGBAVP0WufBJ4bk3oYvGKguGqcjcjITFfsQ/s1600/Mary.Hollywood.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="470" data-original-width="244" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpWbIgvirPlEyOVMw8Gl625mi80iYSIfIEFqy59c9MGhFrJ_XzRP_G77TuRqulEGSB8GySFGtbWk5xnbrVShe93Vm6WftQs3fu8WObGhsSZGBAVP0WufBJ4bk3oYvGKguGqcjcjITFfsQ/s320/Mary.Hollywood.a.jpg" width="166" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTwG7jmoraJ64qxLyc4AnnrxsSaQTWWe_ZIqGrFAvlDuho8g0QVurceW5bcSd4nn4BZIsxdLN2aqoC0vYzUUALxNp8oJeS8OaP2xx8vRdImxzaub76i9O_FkRSmhViplTjaEtpI5v7Aec/s1600/Mary.6.April.1951.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTwG7jmoraJ64qxLyc4AnnrxsSaQTWWe_ZIqGrFAvlDuho8g0QVurceW5bcSd4nn4BZIsxdLN2aqoC0vYzUUALxNp8oJeS8OaP2xx8vRdImxzaub76i9O_FkRSmhViplTjaEtpI5v7Aec/s200/Mary.6.April.1951.a.jpg" width="200" /></a></div>
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'A Noite' - <b><span style="color: orange;">6 April 1951</span></b> - '<b>Cafe Concerto no.4</b>' had <b>Dora Lopes</b> and Mara Rubia in the cast.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkhOkLS8fgcUTyzvgdHhcCn0y-MnHzqHYd7l9l5o0ksL9EwpDFRiO4hl8kM83PYAtJYEfLb8bfvsEgWuX48t4ILYQ4y6Hzn5vroFhoMI2HdK4rc6KgeT3ao-SDgtpvwvC3JKHIBUNj3Yo/s1600/Mary.6.April.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkhOkLS8fgcUTyzvgdHhcCn0y-MnHzqHYd7l9l5o0ksL9EwpDFRiO4hl8kM83PYAtJYEfLb8bfvsEgWuX48t4ILYQ4y6Hzn5vroFhoMI2HdK4rc6KgeT3ao-SDgtpvwvC3JKHIBUNj3Yo/s1600/Mary.6.April.1951.jpg" /></a></div>
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Mary is signed by <b>Cesar Ladeira</b> to appear as a show-girl at '<b>Café Concerto n.5</b>' - 'A Noite' - <b><span style="color: orange;">6 April 1951</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0oH3Xv33sazm_a0T1RLaWmEi6JfGPDa57aWB7eWSV6jvWdUc7NKL1_k4pp6sVg73y3v_RnIYWN3BI9gJAi54pvDGOWa3dDgclGoqqW7XPiblXn6GxV_oPD9n32Pfxt3XIZbVeP0m96wk/s1600/Mary.19.Apr.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0oH3Xv33sazm_a0T1RLaWmEi6JfGPDa57aWB7eWSV6jvWdUc7NKL1_k4pp6sVg73y3v_RnIYWN3BI9gJAi54pvDGOWa3dDgclGoqqW7XPiblXn6GxV_oPD9n32Pfxt3XIZbVeP0m96wk/s200/Mary.19.Apr.1951.jpg" width="200" /></a></div>
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'A Noite' - <b><span style="color: orange;">24 April 1951</span></b> . </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXr3TdVCyNVbW4VxgWk_4QoIdmYocfL2HEBblWt0GvzNaX-ljJ3zmM6AH5pDTKajoRL9TTOzuRQjN6n5Lh_S_8_yaPnXKCz7Vr6i_o6WmNFbQcMYvlUHcQfB-ZeucHe5KYnQ8wXTvCUQs/s1600/Mary.19.April.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXr3TdVCyNVbW4VxgWk_4QoIdmYocfL2HEBblWt0GvzNaX-ljJ3zmM6AH5pDTKajoRL9TTOzuRQjN6n5Lh_S_8_yaPnXKCz7Vr6i_o6WmNFbQcMYvlUHcQfB-ZeucHe5KYnQ8wXTvCUQs/s320/Mary.19.April.1951.jpg" width="320" /></a></div>
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'A Noite' - <b>24 April 1951</b>. </div>
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<b>Mary Gonçalves</b> may not have won the 'new star' Pel Mex-A Noite-competition but soon after that she landed a part at '<b><span style="color: orange;">Cafe concerno no. 5</span></b>', a musical revue produced by <b><span style="color: orange;">Cesar Ladeira</span></b> a popular radio-man whose wife <b><span style="color: orange;">Renata Fronzi</span></b>, a former show girl was coming back from retirement after having had two kids. The show was directed by <b>Geysa Boscoli</b>, a competent stage man having Walter D'Avila and Wellington Botelho in the cast too. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieayMwmikm2UCtGfS_WvfxsjYcsqn6SQdLz7ry6O5hFJB9Wf97cfOoABIySSg-JgqYoOaU0Ewcys9HERu_CQNtkuMzHn3C-TOLQAIQ7UB1la1HdmWKvfbb7PstIsnvOUojFdHx-ENfPOU/s1600/Mary.26.May.1951.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieayMwmikm2UCtGfS_WvfxsjYcsqn6SQdLz7ry6O5hFJB9Wf97cfOoABIySSg-JgqYoOaU0Ewcys9HERu_CQNtkuMzHn3C-TOLQAIQ7UB1la1HdmWKvfbb7PstIsnvOUojFdHx-ENfPOU/s320/Mary.26.May.1951.a.jpg" width="320" /></a></div>
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'A Noite' - <b><span style="color: orange;">26 May 1951</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaDDbMx3DIlCe_71BjUgQ5fre-RriFdXt5rmOWksHDA2s-zhSXLqv2gDqHCSxma-7HnbjXd2k8W13xCTW79Ufe5jELNQSQXzFbwB9mxVo855AqSM3u1n5x-kM-Pm8iHuh90XeikS35CpM/s1600/Mary.26.May.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaDDbMx3DIlCe_71BjUgQ5fre-RriFdXt5rmOWksHDA2s-zhSXLqv2gDqHCSxma-7HnbjXd2k8W13xCTW79Ufe5jELNQSQXzFbwB9mxVo855AqSM3u1n5x-kM-Pm8iHuh90XeikS35CpM/s320/Mary.26.May.1951.jpg" width="320" /></a></div>
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'A Noite' - <b><span style="color: orange;">26 May 1951</span></b>. Mary could not be stopped. She worked at two places in Copacabana at the same time. Miss Gonçalves was a show-girl (vedette) at the revue '<b><span style="color: orange;">Boca de Sirí</span></b>' at Teatro Jardel and then later she went to the Acapulco to be a crooner in '<b><span style="color: orange;">Cafe Concerto no.5</span></b>'.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4_smovyp3C_LNsZcv6MBGuHBCTbH6G8udLZ8gnI0QDMNsACYOw94piLFjtH2SCbFT3mYrojY5lQ22Mw2ytg5DDHiZAB6YeOdkOpp-ZgKmkGvz1uHmyc7h2YOkzhQlVJ8HjOWcuJClw9I/s1802/118953791_3208890819166636_5718015064515990313_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1802" data-original-width="674" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4_smovyp3C_LNsZcv6MBGuHBCTbH6G8udLZ8gnI0QDMNsACYOw94piLFjtH2SCbFT3mYrojY5lQ22Mw2ytg5DDHiZAB6YeOdkOpp-ZgKmkGvz1uHmyc7h2YOkzhQlVJ8HjOWcuJClw9I/w239-h640/118953791_3208890819166636_5718015064515990313_o.jpg" width="239" /></a></div><div class="separator" style="clear: both; text-align: center;">Mary in her new guise as a <b><span style="color: #ffa400;">show-girl</span></b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJkxlFzkBF3Hw78d7bPPrNe1iB53ofYMbhSsiPB-MfNbVv-HTYVCMxHHV88KC0PJgDL1Y_pbqKZ0M9AHgxpLGVEhq_sxwEd-9hmADGjsmFg3GHEc21RBdihlYMdptKlVUDfpqrSTY9ZLQ/s1600/Mary.Gon%25C3%25A7alves.+%25282%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1069" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJkxlFzkBF3Hw78d7bPPrNe1iB53ofYMbhSsiPB-MfNbVv-HTYVCMxHHV88KC0PJgDL1Y_pbqKZ0M9AHgxpLGVEhq_sxwEd-9hmADGjsmFg3GHEc21RBdihlYMdptKlVUDfpqrSTY9ZLQ/s640/Mary.Gon%25C3%25A7alves.+%25282%2529.jpg" width="427" /></a></div><div class="separator" style="clear: both; text-align: center;">'<b>Revista do Radio</b>' n.<b>101</b> - 1951.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbXTagaZfUYScivkRzH3nU3zcQSFtHzOdXgFnZqyM0PqFdp2xySBPegAWXdN-DX5v6wkniNOZm_iObZXhuSKiyKPz8A01C05fOY8K4OTbK0j2ji3WgQCFcTk1WNX7dFjGu_dNFOeV4bb4/s1600/Mary.28.May.1951.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="105" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbXTagaZfUYScivkRzH3nU3zcQSFtHzOdXgFnZqyM0PqFdp2xySBPegAWXdN-DX5v6wkniNOZm_iObZXhuSKiyKPz8A01C05fOY8K4OTbK0j2ji3WgQCFcTk1WNX7dFjGu_dNFOeV4bb4/s320/Mary.28.May.1951.a.jpg" width="320" /></a></div>
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'A Noite' -<b><span style="color: orange;"> 28 May 1951</span></b>.</div>
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<b>Mary couldn't get enough!</b> Mary Gonçalves stars in '<b><span style="color: orange;">Carrousel</span></b>' and '<b><span style="color: orange;">Bacanal</span></b>', the new musical revue written by <b><span style="color: orange;">Silveira Sampaio</span></b>, produced and directed by <b><span style="color: orange;">Carlos Machado</span></b>, the so-called Brazilian Ziegfeld. <b><span style="color: orange;">23 Oct 1951</span></b>. 'A Noite'.</div>
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Miss Gonçalves has been invited by <b><span style="color: orange;">David Conde</span></b> to star in his new company revue that will premiere at the <b><span style="color: orange;">Alvorada </span></b>on <b>29 October 1951</b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifn9N7MdRZYYP3zeESZsb7_6QODpcUaeTq5gkWa0No5WNUwpiKcx4JeJUqd6pVg48v7v6FUrCZgbmw3atrin3aSb5UALCCtB3Ex69oKH1NaMOEejpAIi1u07h6bx3KQjrFYXkIqsP2y30/s1600/I0051421-6Alt%253D001136Lar%253D000837LargOri%253D004465AltOri%253D006061.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1113" data-original-width="796" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifn9N7MdRZYYP3zeESZsb7_6QODpcUaeTq5gkWa0No5WNUwpiKcx4JeJUqd6pVg48v7v6FUrCZgbmw3atrin3aSb5UALCCtB3Ex69oKH1NaMOEejpAIi1u07h6bx3KQjrFYXkIqsP2y30/s640/I0051421-6Alt%253D001136Lar%253D000837LargOri%253D004465AltOri%253D006061.JPG" width="457" /></a></div>
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Mary knew she had to have the maximum exposure possible to become a 'star'; she couldn't miss a photo oportunity with <b><span style="color: orange;">Odette Amaral</span></b> (and Lidia Bastiani) for a '<b>Carioca</b>' article. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVWYT1UASDO5hR3OVdHKrNzUC9xpLqt2uIz7-lZo0hwIVZiviCKq1IKqa649e09p6Hv9MTX1ENFYgbqHncFEGXsee_9F7z1BMwWEMSyH7Pu0dgrj3JXEEAjprwlhZocuq8wAGWp8yX6Q/s1600/Mary.20.Dez.1951.carioca.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVWYT1UASDO5hR3OVdHKrNzUC9xpLqt2uIz7-lZo0hwIVZiviCKq1IKqa649e09p6Hv9MTX1ENFYgbqHncFEGXsee_9F7z1BMwWEMSyH7Pu0dgrj3JXEEAjprwlhZocuq8wAGWp8yX6Q/s400/Mary.20.Dez.1951.carioca.jpg" width="400" /></a></div>
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'<b>A Noite</b>' - <b><span style="color: orange;">20 December 1951</span></b>. By Christmas time <b><span style="color: orange;">Mary Gonçalves</span></b>' name was not only mentioned at '<b>A Noite</b>' but at weekly magazine '<b>Carioca</b>' that on its Xmas issue brought pictures of Rio de Janeiro's radio royalties like: <b>Nelson Gonçalves</b>, Carlos Galhardo, <b>Mario Reis</b>, Linda Baptista, <b>Ruy Rey,</b> Sylvio Caldas, <b>Gilberto Alves</b>, Dalva de Oliveira, <b>Jorge Goulart</b>, Black-Out, <b>Gilberto Milfont</b>, Emilinha Borba, <b>Isaura Garcia</b>, Ademilde Fonseca, <b>Virginia Lane</b>, Odette Amaral, <b>Aracy de Almeida</b>, Carmélia Alves, <b>Ester de Abreu</b>, Dircinha Baptista, <b>Olivinha Carvalho</b>, Marlene plus <b>Marion</b> and Bidu Reis, <b>Princess Margaret </b>visiting Paris, show-girl <b>Nelia Paula</b> and much more...</div>
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At the beginning of the <b><span style="color: orange;">Queen of Radio</span></b> competition on <b><span style="color: orange;">22 December 1951</span></b> there were 5 competing ladies: <b>Radio Nacional</b>'s <b><span style="color: orange;">Olivinha Carvalho</span></b> & <b><span style="color: orange;">Carmelia Alves</span></b>; <b>Radio Tupi</b>'s <b><span style="color: orange;">Doris Monteiro</span></b>; <b>Radio Clube do Brasil</b>'s <b><span style="color: orange;">Mary Gonçalves</span></b> and <b>Mayrink Veiga</b>'s <b><span style="color: orange;">Zilah Fonseca</span></b>. </div>
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'<b>A Noite</b>' also learned that as of next week other <b>stars</b> would join the competition: <b>Radio Clube do Brasil</b>'s <b><span style="color: orange;">Marilena Alves</span></b>; <b>Radio Mauá</b>'s <b><span style="color: orange;">Linda Rodrigues</span></b> plus <b>representatives</b> of Minas Gerais radio stations like Belo Horizonte's Radio Inconfidência and Juiz de Fora's Radio Industrial. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIZkXwXj3xAtbYJb5vftT7ujy341yuhVOD1M8OlCYv7t_FGG1wDBkVaYGhHH34EXHo8x-2fOWayxb_Ts-8ImYQNU7Oo7-9121wLs2n1NaMWhIUUuIbTrHtO4zaQUOgcIf9l8W3Zdw4Gho/s1600/Rainha.24.Dez.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIZkXwXj3xAtbYJb5vftT7ujy341yuhVOD1M8OlCYv7t_FGG1wDBkVaYGhHH34EXHo8x-2fOWayxb_Ts-8ImYQNU7Oo7-9121wLs2n1NaMWhIUUuIbTrHtO4zaQUOgcIf9l8W3Zdw4Gho/s400/Rainha.24.Dez.1951.jpg" width="400" /></a></div>
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'<b>A Noite</b>' <b><span style="color: orange;">24 December 1951</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtdgJsIC4JbY0LEs2bl1_tu-pOyzalT1OGN6uhqL2addSFaKiMw9memi1n17j1ULUIndWEbUke18tZKw1R4Z7B7odxYAXPbiHheTAwgXd4apnXwwu8ywbZlTDatHmYEP2M77kRbfJV-Oo/s1600/Rainha.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="69" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtdgJsIC4JbY0LEs2bl1_tu-pOyzalT1OGN6uhqL2addSFaKiMw9memi1n17j1ULUIndWEbUke18tZKw1R4Z7B7odxYAXPbiHheTAwgXd4apnXwwu8ywbZlTDatHmYEP2M77kRbfJV-Oo/s400/Rainha.a.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiREX3Vu0PSnSxLUHgPFPyYCHSOt5PK-f3adGcwKEYaI4KbBZzu7f6izaODk_5fxSHg8kVlba8toEapzpgzIXAH213yKCvd4wIEvBOlrrH9NYiij7I-uSuQ-G2l9pZAI6ASfLECSYoYkKU/s1600/Rainha.27.Dez.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiREX3Vu0PSnSxLUHgPFPyYCHSOt5PK-f3adGcwKEYaI4KbBZzu7f6izaODk_5fxSHg8kVlba8toEapzpgzIXAH213yKCvd4wIEvBOlrrH9NYiij7I-uSuQ-G2l9pZAI6ASfLECSYoYkKU/s320/Rainha.27.Dez.1951.jpg" width="320" /></a></div>
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'A Noite' - <b><span style="color: orange;">27 December 1951</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirgwxcleGXmIIz-GGiQdLbuumabg_8erEF-20yIplZ-ra2OxwsyiEMi7VPXZaNMgnq4v6LXikKMttqi2j2B6qjQA0-5utla8iZimAcKURGXgASVMroD2dH4AujIRjPrLwKX_Cu6U-5810/s1600/Mary.8.Feb.1952.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="80" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirgwxcleGXmIIz-GGiQdLbuumabg_8erEF-20yIplZ-ra2OxwsyiEMi7VPXZaNMgnq4v6LXikKMttqi2j2B6qjQA0-5utla8iZimAcKURGXgASVMroD2dH4AujIRjPrLwKX_Cu6U-5810/s400/Mary.8.Feb.1952.a.jpg" width="400" /></a></div>
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Suprise at the last-but-one ballot counting for Queen of Radio - 'A Noite' - <b><span style="color: orange;">8 February 1952</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbHuOtr3FSbFLjYqX6PvcG3CcEU9T1kLznGvQHXJnCdz4u9oUfPAWYljW9IUiSRucA9VexNB8SCTuJ0cEY5rErpw8PTNs0xx8T-NS4MF87uwfCZzjQMJnI71LTKkc8_KnuWG_j16lOpo/s1600/Mary.8.Feb.1952.Bill.Farr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="318" data-original-width="369" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbHuOtr3FSbFLjYqX6PvcG3CcEU9T1kLznGvQHXJnCdz4u9oUfPAWYljW9IUiSRucA9VexNB8SCTuJ0cEY5rErpw8PTNs0xx8T-NS4MF87uwfCZzjQMJnI71LTKkc8_KnuWG_j16lOpo/s200/Mary.8.Feb.1952.Bill.Farr.jpg" width="200" /></a></div>
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<b><span style="color: orange;">Bill Farr</span></b> helps <b><span style="color: orange;">Mary</span></b> count ballots on <b><span style="color: orange;">7 February 1952</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmrTLtamSQ-vBAZxTR33s0lbSrG3nkCsjonl9lnBC3dBv_CcAXLpCDFUHfmQM1uRhEPnM9323ERvEzFRZP_DrYYUvsfoQSSEcnH5EGVrmVbWZzDzA4Wz25EqdBFIOjVkC7oesxzOJ4aqw/s1600/Mary.8.Feb.1952.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="473" data-original-width="400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmrTLtamSQ-vBAZxTR33s0lbSrG3nkCsjonl9lnBC3dBv_CcAXLpCDFUHfmQM1uRhEPnM9323ERvEzFRZP_DrYYUvsfoQSSEcnH5EGVrmVbWZzDzA4Wz25EqdBFIOjVkC7oesxzOJ4aqw/s400/Mary.8.Feb.1952.a.jpg" width="338" /></a></div>
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Suddenly, on <b><span style="color: orange;">7th February 1952</span></b>, Mary Gonçalves shot up to <b><span style="color: orange;">4th place</span></b> on the last-but-one ballot-counting. Those following the 'battle of votes' knew something was 'cooking' but no one was sure what was in store. </div>
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On the last-but-one <b><span style="color: orange;">ballot counting</span></b> for <b>1952 Queen of Radio</b> done on <b><span style="color: orange;">7th February 1952</span></b> these were the results:</div>
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1. <b><span style="color: orange;">Carmelia Alves</span></b> (Nacional) - <b>140,868</b> votes</div>
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2. <b>Adelaide Chiozzo</b> (Nacional) - <b>131,572</b></div>
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3. <b>Olivinha Carvalho</b> (Nacional) - 119,248</div>
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4. <b>Mary Gonçalves</b> (Clube do Brasil) - 98,392</div>
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5. <b>Aracy Costa</b> (Tupi) - 94,538</div>
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6. Doris Monteiro (Tupi) - 43,944</div>
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7. Zilah Fonseca (Mayrink Veiga) - 26.432</div>
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8. Iná Coelho (Industrial de Juiz de Fora) - 7.755</div>
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9. Marilena Alves (Clube do Brasil) - 3.530</div>
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10. Ilza Silveira (Farropilha) - 2,227</div>
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11. Teresinha Ribeiro (Industrial Juiz de Fora) - 1,755</div>
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12. Hebe Camargo (Tupi de São Paulo - 1,600</div>
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13. Cacilda Lanuza (Jornal do Comercio de Recife) - 815 votes. </div>
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<b><span style="color: orange;">Adelaide Chiozzo</span></b> had been the most voted so far, but as she refused to present her latest ballots she went down one notch to the Number 2 position. <b><span style="color: orange;">Carmelia Alves</span></b> went up to Number One but she obviously smelled a dead rat there. Carmelia knew Miss Chiozzo had a trump up her sleeves.</div>
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In the mean time, the <b>biggest surprise</b> - apart from 'hiding of ballots' by Adelaide Chiozzo and Olivinha Carvalho - was <b><span style="color: orange;">Mary Gonçalves</span></b>, who presented <b><span style="color: orange;">72,861 votes</span></b> out of the blue and made heads turn. Miss Gonçalves was sponsored by night-club impresario <b>Carlos</b> <b>Machado</b> who owned '<b>Monte Carlo</b>' a top-club where she performed at revue '<b>Zona Sul'</b>.</div>
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Then, on <b><span style="color: orange;">16 February 1952</span></b>, all hell broke loose when <b><span style="color: orange;">MARY GONÇALVES</span></b> won the Competition</div>
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The final counting of ballots for 1952 Queen of Radio was held at the <b>Brazilian Radio Association </b>(<b>Associação Brasileira de Radio</b>) at the 8th floor on Rua Acre, 47 - downtown Rio de Janeiro. </div>
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It started at 5:00 PM on 16 February 1952 and lasted until 5:00 AM on 17 February 1952 when Manoel Barcellos, the A.B.R. President proclaimed the name of the new Queen and her princesses. More than 2 million ballots were counted and here are the final results:</div>
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1. <b><span style="color: orange;">Mary Gonçalves</span></b> - <b><span style="color: orange;">744,825</span></b> votes</div>
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2. <b>Adelaide Chiozzo</b> - <b>706,639</b></div>
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3. Carmelia Alves - 189,049 </div>
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4. Olivinha Carvalho - 135,343</div>
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5. Aracy Costa - 98,211</div>
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6. Doris Monteiro - 60,450</div>
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7. Zilah Fonseca - 47,104</div>
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8. Ilza Silveira - 14,200</div>
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9. Marilena Alves - 11,815</div>
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10. Iná Coelho - 9,610</div>
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11. Teresinha Ribeiro - 2,851</div>
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12. Cacilda Lanuza - 2,775</div>
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13. Hebe Camargo - 2,000</div>
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Up until the last ballot counting everyone thought <b><span style="color: orange;">Adelaide Chiozzo</span></b> would win the competition. She was backed by upper-middle-class <b>Bangu Sports Club</b> and <b>Renato Murce</b>, a Radio Nacional 'strong man' who was married to <b>Eliana Macedo</b>, Miss Chiozzo's best friend. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs3KyNju6SNVWXpv4pjCk8olu9AqxBHmDPzBBHhdDWjPN4fH8NcPsCo67PibpW4Cu_7NRE3H7o-5kUmO8ZL5SmOjwKz8XszLSgqJQoSxkVZJNnYI9IWgHnqnzqp1SYg_NlaMr1GPmgQkM/s1600/Mary.18.Feb.1952.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs3KyNju6SNVWXpv4pjCk8olu9AqxBHmDPzBBHhdDWjPN4fH8NcPsCo67PibpW4Cu_7NRE3H7o-5kUmO8ZL5SmOjwKz8XszLSgqJQoSxkVZJNnYI9IWgHnqnzqp1SYg_NlaMr1GPmgQkM/s400/Mary.18.Feb.1952.jpg" width="113" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnToUqlKWsNCEym6xKkj-pFIMWeNY4SgZi4MCUoTblA92lnLJbi5q9r_Dc97vlFV5VFUwcpHaj6Cu-04ZalgXG8_r6UH2_X3owNovKBW5L4IR8HUp9UAGR3_MLXERo2_ZAQsnzqMWsqx4/s1600/Mary.20.Feb.1952.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnToUqlKWsNCEym6xKkj-pFIMWeNY4SgZi4MCUoTblA92lnLJbi5q9r_Dc97vlFV5VFUwcpHaj6Cu-04ZalgXG8_r6UH2_X3owNovKBW5L4IR8HUp9UAGR3_MLXERo2_ZAQsnzqMWsqx4/s400/Mary.20.Feb.1952.a.jpg" width="203" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLP8ppr7DSXz-VajJypwUtJ-mx-ShoIcXg8AI1syklGM8zQzBIlgn_buHxEbj1I_myjChbajtVkh-pAvWhbix6GUMO1vEdJSY1eMPJ_E4C7pQQn4kuc2HB2OayLyDLlQ50peNUnX_Ryys/s1600/Mary.Queen.a.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="482" data-original-width="243" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLP8ppr7DSXz-VajJypwUtJ-mx-ShoIcXg8AI1syklGM8zQzBIlgn_buHxEbj1I_myjChbajtVkh-pAvWhbix6GUMO1vEdJSY1eMPJ_E4C7pQQn4kuc2HB2OayLyDLlQ50peNUnX_Ryys/s400/Mary.Queen.a.jpg" width="200" /></a></div>
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'A Noite' <b><span style="color: orange;">18 February 1952</span></b>; 'A Noite' <b><span style="color: orange;">20 February 1952</span></b>; weekly 'Carioca' tells all the details of the last minute of the ballot-counting when <b><span style="color: orange;">Queen Mary</span></b> was finally acknowledged as <b><span style="color: orange;">Radio Sovereign</span></b>!</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtGqwJq6fd4wHmlz6wqXy1V5N1L5n8P515oWHlyM0MmeqTTaDnU_E8jVbDiPtxdqaUwXlHFuVx2g4N08CasSUHs9ydCkRIsVuHWyMUOdNgW3LVVVl7GR7SYvK7IhMnxF7OhkSZoK6zjCA/s1600/Mary.20.Feb.1952.c.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtGqwJq6fd4wHmlz6wqXy1V5N1L5n8P515oWHlyM0MmeqTTaDnU_E8jVbDiPtxdqaUwXlHFuVx2g4N08CasSUHs9ydCkRIsVuHWyMUOdNgW3LVVVl7GR7SYvK7IhMnxF7OhkSZoK6zjCA/s400/Mary.20.Feb.1952.c.jpg" width="400" /></a></div>
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'<b>A Noite</b>' tells only <b><span style="color: orange;">half the truth</span></b> about how Mary Gonçalves ended up <b>winning the race</b> and become <b>Queen of Radio 1952</b>; <b><span style="color: orange;">20 February 1952</span></b>.</div>
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<div class="MsoNormal">
Nunca houve tanto barulho após as eleições da <b>Rainha do Radio</b> e <b>Rainha das Atrizes</b> como em 1952.<br />
<br />
Nunca se fez uma <b><span style="color: orange;">campanha tão inteligente</span></b> quanto a que foi
<b><span style="color: orange;">tramada</span></b> pelos <b><span style="color: orange;">cabos eleitorais</span></b> de <b>Mary Gonçalves</b>. <b>Vinte dias </b>antes da ultima <b>apuração</b>, <b><span style="color: orange;">Carlos
Machado</span></b> resolveu que a estrela de sua boite e cantora exclusiva da Radio Clube
do Brasil <b>seria</b> a <b>Rainha do Radio</b>. Teria conseguido financiamento importante. É
o que se afirma.<br />
<br /></div>
<div class="MsoNormal">
Depois que Machado reuniu esse dinheiro, começou a <b><span style="color: orange;">despistar</span></b>
na <b><span style="color: orange;">compra de votos</span></b>. Diversas pessoas iam à A.B.R - Associação Brasileira de Radio, <b>comprar talões</b>. Para quem? Ninguém
sabia. Deixavam escapar os nomes de Olivinha, Adelaide, Carmelia e outras. Com
isso, <b>Mary Gonçalves </b>ficou esquecida das suas rivais. Na hora da apuração
arrebentou a bomba! Mary tinha mais de <b><span style="color: orange;">750.000</span></b> votos. <o:p></o:p><br />
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</div>
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Não é verdade que Carmelia Alves tenha aberto mão de 100.000
votos para Mary Gonçalves, no <b><span style="color: orange;">intuito de prejudicar</span></b> <b>Adelaide Chiozzo</b>. Podemos informar que apenas 4.000 votos destinados a Carmelia, foram cedidos a Mary.
Ela não poderia perder a parada com tão grande apoio financeiro e com um
<b><span style="color: orange;">trabalho eleitoral</span></b> tão perfeito. Foi justamente a <b><span style="color: orange;">surpresa</span></b> de sua <b><span style="color: orange;">vitória</span></b> que
desnorteou algumas de suas contendoras.<br />
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<b>Rainha das Atrizes</b><o:p></o:p></div>
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Momentos antes da apuração final, tinha-se como certa a
vitória de <b><span style="color: orange;">Nelia Paula</span></b>. A vedette do <b>Teatrinho Jardel</b> e do <b>Acapulco</b> fizera os
maiores esforços para vencer o pleito. Sacrificios dos maiores foi ter gasto o
dinheiro que recebera para <b><span style="color: orange;">comprar seu apartamento</span></b>, cerca de <b>150.000</b> cruzeiros.
Trocou a <b>casa própria</b> pela <b>corça</b> e essa lhe fugiu das mãos nos últimos instantes.</div>
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<br /></div>
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Dizia-se nos meios teatrais que, à ultima hora, <b><span style="color: orange;">Solange França</span></b> passara para
<b><span style="color: orange;">Virginia Lane</span></b> grande quantidade de votos não-carimbados. Ficou sendo praxe a
compra de votos em cima da apuração, sendo que a própria <b>Nelia</b> usara esse
recurso. Daí as surpresas na apuração final. </div>
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<div class="MsoNormal">
Houve momentos dramáticos no final do pleito, inclusive um
<b><span style="color: orange;">espetacular desmaio</span></b> de <b>Neusa</b>, cabo eleitoral de Nelia.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HFMQuGkj0Do4jKuMmrrHoRVtCjoim1q08jwHaexOAOY8mViiB9vYwTRHCSQODMDJ6_z4AI0wKg_mtOVHNEEFhwfBLo_tPNsrcCbGXB5hPR449U9VOGD154qpCKpeXVcinqr2D1fZ0TY/s1600/Mary.Queen.b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="949" data-original-width="496" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HFMQuGkj0Do4jKuMmrrHoRVtCjoim1q08jwHaexOAOY8mViiB9vYwTRHCSQODMDJ6_z4AI0wKg_mtOVHNEEFhwfBLo_tPNsrcCbGXB5hPR449U9VOGD154qpCKpeXVcinqr2D1fZ0TY/s640/Mary.Queen.b.jpg" width="334" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZyP5coeKiuO_lyA850ZI_tcqk80M4uPeBVxJnlxvQwnNqFsHPFu59Ge_09bgq_bs0nC78QJFjrQVzKLhahEL0fM-k0CmvVEiyV43avUm-k1hE467g7F6ugUm959CBJ1_6nAGLNZv7A3o/s1600/Mary.Queen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="899" data-original-width="248" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZyP5coeKiuO_lyA850ZI_tcqk80M4uPeBVxJnlxvQwnNqFsHPFu59Ge_09bgq_bs0nC78QJFjrQVzKLhahEL0fM-k0CmvVEiyV43avUm-k1hE467g7F6ugUm959CBJ1_6nAGLNZv7A3o/s640/Mary.Queen.jpg" width="176" /></a></div>
'<b><span style="color: orange;">Carioca</span></b>' tried to minimize the brouhaha created by the election of Mary Gonçalves as 1952 Queen of Radio. The magazine says the Carmelia Alves was much more popular but Mary was not exactly bad. Mary had a pleasant voice, grace, personal charming and beauty and she won the competition because she had more votes than the others. In other words, 'Carioca' was almost apologetic about Mary's victory but they were magnanimous toward her. </div>
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Mary Gonçalves was actually such a diplomatic person that she seemed cut out for the task. As soon as Mary won the title of Queen of Radio, she started acting as a Queen, as the next page will attest to. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcU2M6J8yly_w9cFh5LYs4vJjULANOXWizZD9hCOlZ2b4xUto8_VoK4F0BzxaIrIgBbdbut7VDN9HBkZUstgtCSPc5z82pJ3Li4jONtIfLURsgmgs1i8HS_hbyYfKu_tjYezHtXehJQoM/s1600/Mary.Chiozzo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="460" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcU2M6J8yly_w9cFh5LYs4vJjULANOXWizZD9hCOlZ2b4xUto8_VoK4F0BzxaIrIgBbdbut7VDN9HBkZUstgtCSPc5z82pJ3Li4jONtIfLURsgmgs1i8HS_hbyYfKu_tjYezHtXehJQoM/s400/Mary.Chiozzo.jpg" width="325" /></a></div>
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<b><span style="color: orange;">Adelaide Chiozzo</span></b>'s dream of becoming <b><span style="color: orange;">Queen of Radio</span></b> vanished in smoke when <b><span style="color: orange;">Mary Gonçalves </span></b>took the crown right out of her hand... in the nick of time.</div>
</div>
</div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-54281908577932553182017-04-10T10:48:00.000-07:002017-06-01T05:11:22.258-07:00Portraits of Ademilde Fonseca, Nora Ney etc.<div style="text-align: justify;">
Most of the portraits in this page were taken from <b><span style="color: orange;">Osmar Frazão</span></b>'s FB album. We'd like to thank Frazão for his generosity when we know perfectly well that most people would stick ugly 'water-marks' on top of them beautiful photos. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeGC2E73K8VSQiCC38E5Pta2QlHpdX1L3od1ZF8mIdyx5xlVLgt_J6pRoSJGMPqKNO72HPWIygziAiWWSRS1IuTou8q54xctpBQCE3ftgPi6oOEnHaA_KaoxoP8daZ8ddRbFBCg325o8o/s1600/Ademilde.Fonseca.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeGC2E73K8VSQiCC38E5Pta2QlHpdX1L3od1ZF8mIdyx5xlVLgt_J6pRoSJGMPqKNO72HPWIygziAiWWSRS1IuTou8q54xctpBQCE3ftgPi6oOEnHaA_KaoxoP8daZ8ddRbFBCg325o8o/s400/Ademilde.Fonseca.jpg" width="281" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wJcx_DAOiC1sLmOiHyU_l91pZChUjahTO6EKrmex2dXCP2Bx_tPVXBKcMnrJDAMpao-HbnmGHh9Z_ufuBMxm24KD4gCQIjqrW6mcy9Sx1cDOW64Puu0sq4PKNRnd6A5qfgpgdrT4tPU/s1600/Angela.Maria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wJcx_DAOiC1sLmOiHyU_l91pZChUjahTO6EKrmex2dXCP2Bx_tPVXBKcMnrJDAMpao-HbnmGHh9Z_ufuBMxm24KD4gCQIjqrW6mcy9Sx1cDOW64Puu0sq4PKNRnd6A5qfgpgdrT4tPU/s400/Angela.Maria.jpg" width="168" /></a></div>
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a radiant Ademilde Fonseca... a svelte Angela Maria.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9T8iIISiHR1sKR5m80SwWMoHxfwaABSauNdLXxEke4-B8YKjh0pZDwpO8sn_oHLWJc1ZjoB7Ed1i-r89ju1CizzV2wjeSkac7-M9eUFvOs7JqZkDvtGs4fR82cP-wItsQp4YiesZtqFA/s1600/Blota.Jr..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9T8iIISiHR1sKR5m80SwWMoHxfwaABSauNdLXxEke4-B8YKjh0pZDwpO8sn_oHLWJc1ZjoB7Ed1i-r89ju1CizzV2wjeSkac7-M9eUFvOs7JqZkDvtGs4fR82cP-wItsQp4YiesZtqFA/s400/Blota.Jr..jpg" width="249" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA1t2CltaZG2ZNYfGGcoFmwKJF71XyVBfiVp4oaIamwb43MkHOxohAC2deaoO4YH0okvF1ynBLIM7KYQtwaqeLybnwL0135rbcwkk3bjVafVtAGGeHk3I35ATW5QtUety9NpQh0mZ5Q7g/s1600/Dircinha.Baptista.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA1t2CltaZG2ZNYfGGcoFmwKJF71XyVBfiVp4oaIamwb43MkHOxohAC2deaoO4YH0okvF1ynBLIM7KYQtwaqeLybnwL0135rbcwkk3bjVafVtAGGeHk3I35ATW5QtUety9NpQh0mZ5Q7g/s400/Dircinha.Baptista.jpg" width="240" /></a></div>
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a hard-working Blota Junior; a stunningly beautiful Dircinha Baptista. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEionfIcjMYxJOLV4Q6lXtZXxZfSxWhOvYdBtZgEo5v1HCKafXHNiL3b9MDLuvG3NKLMl1uFRKSsVUptZ5I3dnLjGFWfgkPYAHMaRIUBAWuwoz3ICdSxMDcU1mIfnyVjuRWfwuf90sSANLc/s1600/Jo%25C3%25A3o.Dias.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEionfIcjMYxJOLV4Q6lXtZXxZfSxWhOvYdBtZgEo5v1HCKafXHNiL3b9MDLuvG3NKLMl1uFRKSsVUptZ5I3dnLjGFWfgkPYAHMaRIUBAWuwoz3ICdSxMDcU1mIfnyVjuRWfwuf90sSANLc/s400/Jo%25C3%25A3o.Dias.jpg" width="223" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitzAlMa4l9U3uS1KDvWAapVPPa_GJVl1KoNA9Z2_qmf_3EKe4cj4Xml0goqYa_8mTy19_3K68nguXc1oSj_KF17QEQrHyWuu8fKoN1ZV3DWY4urmVjJjmUqB6uPjJiyWihFrrTPsHxyBg/s1600/Nora.Ney.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitzAlMa4l9U3uS1KDvWAapVPPa_GJVl1KoNA9Z2_qmf_3EKe4cj4Xml0goqYa_8mTy19_3K68nguXc1oSj_KF17QEQrHyWuu8fKoN1ZV3DWY4urmVjJjmUqB6uPjJiyWihFrrTPsHxyBg/s400/Nora.Ney.jpg" width="254" /></a></div>
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a spunky João Dias and an inquiring Nora Ney.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZlATfvGbBPYkxDbQmSQG4E5Bm5tVYJXnLHdOtbuN0H8XkAzUb-iqRym94m5vw4YCqBIVZP0N6MWJsfr49ezSdExi13CU5ggwlNupMBt5ve8jnMd-iaIhLzU073j13pjYvPMEMrmrMUg/s1600/Candido.Botelho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZlATfvGbBPYkxDbQmSQG4E5Bm5tVYJXnLHdOtbuN0H8XkAzUb-iqRym94m5vw4YCqBIVZP0N6MWJsfr49ezSdExi13CU5ggwlNupMBt5ve8jnMd-iaIhLzU073j13pjYvPMEMrmrMUg/s400/Candido.Botelho.jpg" width="233" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpJJPatqUd0105FzUujctsXHN1U32ORv0aZba1zh82Q7miF4G9t_rY-vrolLgVqRS6wG6mJCD-oolSiaNT0DH5qVsnz15WuNLdMp5LIxaPe0aBy_gSh30JGKpotv2j68WUvic4R2BGU1I/s1600/Orlando.Correa.1953.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpJJPatqUd0105FzUujctsXHN1U32ORv0aZba1zh82Q7miF4G9t_rY-vrolLgVqRS6wG6mJCD-oolSiaNT0DH5qVsnz15WuNLdMp5LIxaPe0aBy_gSh30JGKpotv2j68WUvic4R2BGU1I/s400/Orlando.Correa.1953.jpg" width="278" /></a></div>
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Candido Botelho photographed in Hollywood; Orlando Correa in 1953.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsTfrlkCC2HTvvn0NBPExtBOUu9tyhkxR-fNf_2HNsUUt55ZG76-WI9vOuFyKtYTdKGNS1yKoVzPeCJ8Zj-2hcMId5UAh43dIZ3iCeQrtImMqvfA9dCtBzq3s04g0teuM2SbceIXH_w0k/s1600/Orlando.Correia.Hednar.Martins.Radio.Tupi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="383" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsTfrlkCC2HTvvn0NBPExtBOUu9tyhkxR-fNf_2HNsUUt55ZG76-WI9vOuFyKtYTdKGNS1yKoVzPeCJ8Zj-2hcMId5UAh43dIZ3iCeQrtImMqvfA9dCtBzq3s04g0teuM2SbceIXH_w0k/s400/Orlando.Correia.Hednar.Martins.Radio.Tupi.jpg" width="400" /></a></div>
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Orlando Correia sings at Radio Tupi accompanied by Hedmar Martins & 2 young ladies.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4b7tutoPK_GycJK4H7UVY_8QZexmFEo26V0pV8fBGNaA1tWOpo2jYeLUk3tbuAjoRps3jIKdNM6l3e9kOWbmr5rvX7H-mNXGiKZnRo1Oeg6JLgSkFGsH2upkmIHklWtXR0Ms7eDUoD68/s1600/Roberto.Paiva.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4b7tutoPK_GycJK4H7UVY_8QZexmFEo26V0pV8fBGNaA1tWOpo2jYeLUk3tbuAjoRps3jIKdNM6l3e9kOWbmr5rvX7H-mNXGiKZnRo1Oeg6JLgSkFGsH2upkmIHklWtXR0Ms7eDUoD68/s400/Roberto.Paiva.jpg" width="237" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQzmySBnDMYCjbTfJp36NdiHpvHb57xpdCmtvcBEGzBqettXY9Zga6w1kIdxFCPTsvnRwDu59NYTh4duXGNtxO4bekyXAT6b4dlvuYyp66TmQTYhgFoGnqgCeRWqzicMq9Njgh-lotfog/s1600/Rinaldo..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQzmySBnDMYCjbTfJp36NdiHpvHb57xpdCmtvcBEGzBqettXY9Zga6w1kIdxFCPTsvnRwDu59NYTh4duXGNtxO4bekyXAT6b4dlvuYyp66TmQTYhgFoGnqgCeRWqzicMq9Njgh-lotfog/s1600/Rinaldo..jpg" /></a></div>
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Roberto Paiva; Rinaldo Calheiros. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv2dfSMMtslZMAEC5PAxYWSWgRhtuAxQ5Udh4d0_0ngBL4e4Gu5ZddPGOLntm3zCFy730-Fa1bEitkB6EhZQSy6IpOrcW59rP8FLYx5eyU3wv1kzRRWZ4T9svgEB7dDNEo1afquoD8eBc/s1600/Ivon.Cury.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv2dfSMMtslZMAEC5PAxYWSWgRhtuAxQ5Udh4d0_0ngBL4e4Gu5ZddPGOLntm3zCFy730-Fa1bEitkB6EhZQSy6IpOrcW59rP8FLYx5eyU3wv1kzRRWZ4T9svgEB7dDNEo1afquoD8eBc/s400/Ivon.Cury.jpg" width="296" /></a></div>
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a wistful Ivon Cury.</div>
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a dreamy Cauby Peixoto. </div>
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Ruy Rey in 1948; Stellinha Egg in 1943. </div>
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4 Azes & 1 Coringa; Marília Baptista & Henrique Baptista.</div>
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Mario Zan; maestro <b><span style="color: orange;">Gaó </span></b>whose real name was Odmar Amaral Gurgel.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqYzovIeEViwMIrUe1NDwhKh22ogVq0PkWoxVAer-jtkCydvj0bIxDaOuyS1nNG9lhsCTO2EOIerg2nCyFaa-cHJKH9FdA9AGdR3g4tpmUh36eOPCjWcSPZQsLrfJmf2oWmEgUmGa4zgY/s1600/10371399_10202761765146115_2152695358880664759_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqYzovIeEViwMIrUe1NDwhKh22ogVq0PkWoxVAer-jtkCydvj0bIxDaOuyS1nNG9lhsCTO2EOIerg2nCyFaa-cHJKH9FdA9AGdR3g4tpmUh36eOPCjWcSPZQsLrfJmf2oWmEgUmGa4zgY/s400/10371399_10202761765146115_2152695358880664759_n.jpg" width="244" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCN-1nPVgmymlMG-WKaiMrpX9vljCGOG7eS7ElnfVPAgKlSXtOPTF9Kah9_xrBSP3hKZx5kztxixJU_rZ8kq92qMGc2mLJke418vtvt9CinEhEUjCQHyMf_IrQF-SQH1Y__4O5MKZwcfE/s1600/1660512_10202674056913464_6289577461049421382_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCN-1nPVgmymlMG-WKaiMrpX9vljCGOG7eS7ElnfVPAgKlSXtOPTF9Kah9_xrBSP3hKZx5kztxixJU_rZ8kq92qMGc2mLJke418vtvt9CinEhEUjCQHyMf_IrQF-SQH1Y__4O5MKZwcfE/s400/1660512_10202674056913464_6289577461049421382_n.jpg" width="259" /></a></div>
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song-writer <b><span style="color: orange;">Peterpan</span></b> aka <b>Jose Fernandes de Paula</b> was married to <b>Nena Robledo</b>, Emilinha Borba's sister; <b><span style="color: orange;">René Bittencourt</span></b> wrote 'Estrela Dalva', 'Senhor da floresta', 'Nono mandamento' etc. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigIBuBHlcCJ7DKEV4Cig1Zd-1QZsinCWbxl5eQnPeoej9JeMrPpTzqpZR6KjusVifjvtrtCkWzkOno359nhZcFDTiFpOrnLz5lrLKNme9rPHRyn9yXm9PCtV0BP1g-3Nu9-0J9rUmnQqY/s1600/936695_10202747750355754_2642869528269755870_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigIBuBHlcCJ7DKEV4Cig1Zd-1QZsinCWbxl5eQnPeoej9JeMrPpTzqpZR6KjusVifjvtrtCkWzkOno359nhZcFDTiFpOrnLz5lrLKNme9rPHRyn9yXm9PCtV0BP1g-3Nu9-0J9rUmnQqY/s400/936695_10202747750355754_2642869528269755870_n.jpg" width="255" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNqwgZY3dK1hstjwVTJMKSdaNK_ix0-QjxmafzprzjisfCqAKZ-b56ZIOYrvgGP55XsU7RDOID2sD6FNtBqHW7Jscoh8HYAf5ve4pR-SdYb3WtcPbJP3BzH2eX4BFZsWSKjG-GALyYAQ/s1600/4375445eeecf5f97e281f0e9ab920bb8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNqwgZY3dK1hstjwVTJMKSdaNK_ix0-QjxmafzprzjisfCqAKZ-b56ZIOYrvgGP55XsU7RDOID2sD6FNtBqHW7Jscoh8HYAf5ve4pR-SdYb3WtcPbJP3BzH2eX4BFZsWSKjG-GALyYAQ/s1600/4375445eeecf5f97e281f0e9ab920bb8.jpg" /></a></div>
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João da Bahiana; Paulo Portela. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNyOdISxvRbfe15Bvpf82Q_Zp9H7yu-tPoxlHKhJ439arDCYwXOiKus6W3eO_X0tacb6jRQ9FufA4je_ffcLm3w0rfN-oaJlbBoaiwzDv0LsQN3z0lGIgPjjMBiLp7R5YpaSda5Idvy3s/s1600/Suarez.grav.Brunswick.miss.ipanema.1929.wed.MGM.husb.inS.A..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNyOdISxvRbfe15Bvpf82Q_Zp9H7yu-tPoxlHKhJ439arDCYwXOiKus6W3eO_X0tacb6jRQ9FufA4je_ffcLm3w0rfN-oaJlbBoaiwzDv0LsQN3z0lGIgPjjMBiLp7R5YpaSda5Idvy3s/s400/Suarez.grav.Brunswick.miss.ipanema.1929.wed.MGM.husb.inS.A..jpg" width="234" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv8IoOLhi9W4z1pyQRPC9vyaRZ_V2ELMRy_uRHt665VcD847x2hlCxwHYN5YdAimFvu6jqLMOx3u7xIJEhaIg9tuWnOWgMrdBaMyitrlD2nT-1XnaSekpSJ4yB2iIU0GTYTOlaATkpxeU/s1600/1454619_10202747742875567_2894083574537497782_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv8IoOLhi9W4z1pyQRPC9vyaRZ_V2ELMRy_uRHt665VcD847x2hlCxwHYN5YdAimFvu6jqLMOx3u7xIJEhaIg9tuWnOWgMrdBaMyitrlD2nT-1XnaSekpSJ4yB2iIU0GTYTOlaATkpxeU/s400/1454619_10202747742875567_2894083574537497782_n.jpg" width="297" /></a></div>
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Laura Suarez was Miss Ipanema 1929; she recorded for Brunswick; married a US record executive who worked for MGM in South America; Heber Boscoli on the right.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pxO3z2zfCWLCBSnChe_JGwkWhhkNhP_hxeZ58ZChP_flNUTnIgCxRb7mQ-qA6NzTcsLQAZ9o2M3GfFPAyRkhCopsJ2T1KL9bd9M8RBdIusaxWAkH4wQKkyeSV8aI-MuvgM4zBkpiWCw/s1600/10612772_10202674063953640_8558005069407403250_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pxO3z2zfCWLCBSnChe_JGwkWhhkNhP_hxeZ58ZChP_flNUTnIgCxRb7mQ-qA6NzTcsLQAZ9o2M3GfFPAyRkhCopsJ2T1KL9bd9M8RBdIusaxWAkH4wQKkyeSV8aI-MuvgM4zBkpiWCw/s400/10612772_10202674063953640_8558005069407403250_n.jpg" width="284" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Xj9pwB2W9rmGAno2obOaQa9XvU-PlTCcH5NWtXWnc9yzcT_aXQnYPTit4gLhF-X4tlFU2rnfoAUAgHTwA6xFfbc8iZ5Ssnho_Hn-684GOCxfcpLQK_ath5yKRD94-sBjpxdBPmOf01E/s1600/10606335_10202674059993541_6362735974883272596_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Xj9pwB2W9rmGAno2obOaQa9XvU-PlTCcH5NWtXWnc9yzcT_aXQnYPTit4gLhF-X4tlFU2rnfoAUAgHTwA6xFfbc8iZ5Ssnho_Hn-684GOCxfcpLQK_ath5yKRD94-sBjpxdBPmOf01E/s400/10606335_10202674059993541_6362735974883272596_n.jpg" width="288" /></a></div>
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Morgana, a Fada Loira talks on 2 phones simultaneously; see the calendar on the wall; it shows August 1959; on the right Carmelia Alves, the Queen of Baiao.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuK1VNcsp-qvVvBGIgaKne3Wt5CsdYrPwfzYodltsACvd-BqSBDMDLb44ZC5gJSA5Rdqo14M25GRXCDOe0tZKFjtkfV_3eL68sQjcIojCWfYIO3aMUrxhdUxE2YErSbCIugl8qrYyLUXM/s1600/10516873_10202742280939022_7179384096426910761_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuK1VNcsp-qvVvBGIgaKne3Wt5CsdYrPwfzYodltsACvd-BqSBDMDLb44ZC5gJSA5Rdqo14M25GRXCDOe0tZKFjtkfV_3eL68sQjcIojCWfYIO3aMUrxhdUxE2YErSbCIugl8qrYyLUXM/s400/10516873_10202742280939022_7179384096426910761_n.jpg" width="291" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglHt7VX2H-y2K3lTvocQ8UVsQl4AdWaAzlY5Mmft2hCCNgc306KeTmelQ8UOsXXN7IJ4Y-SB4cYSbGn7HUIryoWx-DfRW37ctIirAeUz0BsX_e8W45ooN_lG1Iwlujl2rkuTp0_eWP4ao/s1600/DjalmaFerreira_full.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglHt7VX2H-y2K3lTvocQ8UVsQl4AdWaAzlY5Mmft2hCCNgc306KeTmelQ8UOsXXN7IJ4Y-SB4cYSbGn7HUIryoWx-DfRW37ctIirAeUz0BsX_e8W45ooN_lG1Iwlujl2rkuTp0_eWP4ao/s400/DjalmaFerreira_full.jpg" width="265" /></a></div>
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ravishing Dalva de Andrade; Djalma Ferreira without his Rhythm Millionaires...</div>
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Jair Alves with Nipper & some young friends; Luiz Gonzaga aka Lua.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZK-A05BFSRdUjbIia7FRn09wuE85jETIIcPbYtPsxLUaaCZ0mguMHPy0Q0E26u7mff9zuHjQ6d2bfujmTBvq-AO_QDuJUD2YEm09E4XO0T85HwOwosZ4Op4lnXwYPA_xHvXmq3tjCi1I/s1600/Rubens.Leite.imitava.vozes.cantoras.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="899" data-original-width="634" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZK-A05BFSRdUjbIia7FRn09wuE85jETIIcPbYtPsxLUaaCZ0mguMHPy0Q0E26u7mff9zuHjQ6d2bfujmTBvq-AO_QDuJUD2YEm09E4XO0T85HwOwosZ4Op4lnXwYPA_xHvXmq3tjCi1I/s400/Rubens.Leite.imitava.vozes.cantoras.jpg" width="282" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhidrz-R1QD8wUK0Ns9K0_jPC2vtqNoxuaIs6fbik-3xrCOUX2yJiBWz3fcPRm1_ouSJEc1mpdMoI1qJpwGGsx_u7su8DkYEhgxVbrTNEvQq_WU6faPU4kzyM9Q6w5y6kN2O0AxhZxUpKc/s1600/Jos%25C3%25A9.Duba.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="848" data-original-width="569" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhidrz-R1QD8wUK0Ns9K0_jPC2vtqNoxuaIs6fbik-3xrCOUX2yJiBWz3fcPRm1_ouSJEc1mpdMoI1qJpwGGsx_u7su8DkYEhgxVbrTNEvQq_WU6faPU4kzyM9Q6w5y6kN2O0AxhZxUpKc/s400/Jos%25C3%25A9.Duba.jpg" width="268" /></a></div>
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Rubens Leite used to imitate popular female-singers: Jose Duba, radio speaker.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj35Meut7u5vkmfW6wja0C4Kg3XKwitqL6H_UcS897nQN6lOT-ruLyQY2UyUKUrYkyBmD-4coE0UQugnZU9-qI6NhcEMJ0dXqh0wg2Z79x5UiF5hUU640Gu5EeAAxbWr2RU1GDU3eT_70A/s1600/10505335_10202747737635436_3222183168992742952_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj35Meut7u5vkmfW6wja0C4Kg3XKwitqL6H_UcS897nQN6lOT-ruLyQY2UyUKUrYkyBmD-4coE0UQugnZU9-qI6NhcEMJ0dXqh0wg2Z79x5UiF5hUU640Gu5EeAAxbWr2RU1GDU3eT_70A/s640/10505335_10202747737635436_3222183168992742952_n.jpg" width="473" /></a></div>
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Pato Preto as a Black cowboy & Elizeth Cardoso. </div>
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Joel & Gaucho.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxp159kJeHSq3OYlCUqn9xDJAWlqkMzuSwByddYuGGMrynhUOeQudPJidLijJeDfNyuJsUAlWjrOYl8GCNh_SOmDlKPdkCsgRhOlASfnhuIzvhevRCBh2XudfGsFg8jwJQZZWsRbZeGYM/s1600/10592847_10202784026542636_380347783504700377_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxp159kJeHSq3OYlCUqn9xDJAWlqkMzuSwByddYuGGMrynhUOeQudPJidLijJeDfNyuJsUAlWjrOYl8GCNh_SOmDlKPdkCsgRhOlASfnhuIzvhevRCBh2XudfGsFg8jwJQZZWsRbZeGYM/s400/10592847_10202784026542636_380347783504700377_n.jpg" width="271" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ2COWaabx3KkGTnMkpcA0Qf7Fzm0OTMxNei9-A_Iw6zpJvNeuMPM1m8prHVImm9gmxRnvJgUvO1pzrSOnnCTpdAUHE-I9ZYm3AfYo6KekM5g0k9B6Q-uvdap2xUdUP5Wi3zbbU6P7G1s/s1600/Cariocas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ2COWaabx3KkGTnMkpcA0Qf7Fzm0OTMxNei9-A_Iw6zpJvNeuMPM1m8prHVImm9gmxRnvJgUvO1pzrSOnnCTpdAUHE-I9ZYm3AfYo6KekM5g0k9B6Q-uvdap2xUdUP5Wi3zbbU6P7G1s/s400/Cariocas.jpg" width="292" /></a></div>
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a young <b><span style="color: orange;">Orlando Silva</span></b>; <b>Os Cariocas</b> soon after Ismael Neto's death.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkMklaBdSC6X6EyAt-moJMCJBGwfdfBNN_dncFvBTSEsHSLozG9xWSmJE42TsSHlIxRxOFsEX1a6aVXM4C3zqrX4E-OfxZ3KnSQZrtGWJ93geivtpZGpqAY-x8Iv-iwLHIswyW8NO8Hw/s1600/Trigemeos.Vocalistas.2.brothers.1.cousin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="549" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkMklaBdSC6X6EyAt-moJMCJBGwfdfBNN_dncFvBTSEsHSLozG9xWSmJE42TsSHlIxRxOFsEX1a6aVXM4C3zqrX4E-OfxZ3KnSQZrtGWJ93geivtpZGpqAY-x8Iv-iwLHIswyW8NO8Hw/s640/Trigemeos.Vocalistas.2.brothers.1.cousin.jpg" width="640" /></a></div>
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Trigêmeos Vocalistas were not twins but 2 brothers and a cousin. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U_0NSjojwbdT7ojpXG70dbPYnbsPlqfjXsbXwtRPA5kBxEp_OWPBxaWveM7a0tIh9A-0cztEJXFRsBG-u2ftD4Sxwn1R-b__zU04goBlcqSiJCc7ihiz-YUr0eStheNdntFlkDWR92E/s1600/Anjos.do.Inferno.Leo.Villar.rightest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U_0NSjojwbdT7ojpXG70dbPYnbsPlqfjXsbXwtRPA5kBxEp_OWPBxaWveM7a0tIh9A-0cztEJXFRsBG-u2ftD4Sxwn1R-b__zU04goBlcqSiJCc7ihiz-YUr0eStheNdntFlkDWR92E/s640/Anjos.do.Inferno.Leo.Villar.rightest.jpg" width="640" /></a></div>
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Anjos do Inferno were not angels nor hailed from hell... Leo Villar in the right in 1942.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXXZB4S949gnVQlNgCGNIRoQikhuBEzqPSk8IWa5crN07CTRNssYBuQHzdzReiuSKT334fTodsgKJnsiMNiwhD1f0k2p2iOX6gOWx2hQPUggWt_6ueWn7Fl5_SQXjnqfr0uhbZqaq8nsI/s1600/Emilinha..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXXZB4S949gnVQlNgCGNIRoQikhuBEzqPSk8IWa5crN07CTRNssYBuQHzdzReiuSKT334fTodsgKJnsiMNiwhD1f0k2p2iOX6gOWx2hQPUggWt_6ueWn7Fl5_SQXjnqfr0uhbZqaq8nsI/s640/Emilinha..jpg" width="558" /></a></div>
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Emilinha Borba at Radio Nacional. </div>
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Thanks to <b><span style="color: orange;">Osmar Frazão</span></b>. All these wonderful photos were taken from Frazão's Facebook page. Frazão never complained that people 'steal' his pictures away and had denied to stamp those ridiculous '<b><span style="color: orange;">water-mark</span></b>' on top of such lovely images like some people are used to doing. </div>
Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-86513882188860956742017-04-08T14:07:00.001-07:002020-10-25T01:31:32.762-07:00Ismael Netto & Heleninha Costa, love story <div class="separator" style="clear: both; text-align: justify;">
<span style="font-family: arial;"><b>Ismael Netto</b> had been working at Radio Nacional with his group <b>Os Cariocas</b> for a year when <b>Heleninha Costa</b> was about to debut on '<b>Canção romântica</b>', in December 1946. Os Cariocas were to accompany the new singer but they didn't have much time to rehearse. </span></div>
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Heleninha was anxious about her presentation and finding the arrangement difficult asked Ismael for more details about its progress. Ismael, who was a hard-working musician wasn't very forthcoming and Heleninha was left to fend for herself. </span></div>
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She went on to sing her number and fumbled badly. Heleninha felt Ismael was a heartless man and never talked to him again.</span></div>
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As time went on, Heleninha & Ismael often had to inter-act and gradually the wall between them came down. Actually, as soon as Ismael realized how cold and uncaring he had been with Heleninha he tried to mend his ways. Soon they were sharing the same venues and working together on songs. </span></div>
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As Heleninha's mother could not accompany her daughter in every gig, Ismael ended up being her chaperon, as Brazilian ladies in the 40s and 50s were not supposed to go places by themselves without their 'dueñas'. </span></div>
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Heleninha and Ismael became sweethearts but hid that fact from everyone, especially their families. But as love conquers all they became engaged in December 1950, and got married on 4 December 1951. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQHXTxBSQ-H4tEoXERaGITv3Qj3bOG8YNaPXfoeu8U6vY5ZfYx0Fxa4QuPq2RTQEKp64cfe9SjnQVXpCRbH5ItoMPHOkhle-M3StYCpp9CF1DDz1giAlNrOPTzU4Q4ZtxqkjDAUN94uvY/s1600/Ismael.Heleninha.ring.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQHXTxBSQ-H4tEoXERaGITv3Qj3bOG8YNaPXfoeu8U6vY5ZfYx0Fxa4QuPq2RTQEKp64cfe9SjnQVXpCRbH5ItoMPHOkhle-M3StYCpp9CF1DDz1giAlNrOPTzU4Q4ZtxqkjDAUN94uvY/s400/Ismael.Heleninha.ring.jpg" width="393" /></span></a></div>
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Heleninha Costa & Ismael Neto get engaged in December 1950.</span></div>
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<span style="font-family: arial;"><b>Ismael de Araujo Silva Netto</b> * <b><span style="color: orange;">7 December 1925</span></b> in Belém-PA + <b>31st January 1956</b>, in Rio.</span></div>
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<span style="font-family: arial;"><b>Helena Costa Graziolli</b> * <b><span style="color: orange;">18 January 1924</span></b> + <b>11 April 2005</b>, in Rio de Janeiro.</span></div>
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Em <b>1946</b>, foi anunciado
que a <b>Radio Nacional</b> contratara mais uma cantora, que deveria estrear no
programa ‘<b>Canção romântica’</b>. Seu nome era <b>Heleninha Costa</b>, que até então atuava na Radio Mayrink Veiga, PRA-9. Todos estavam ansiosos por conhecê-la e no dia da estreia só havia uma
pessoa que não estava lá muito satisfeito com a nova estrela; Ismael Netto,
chefe do conjunto vocal <b>Os Cariocas</b>.</span></div>
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Heleninha deveria
cantar acompanhada por seu conjunto. Uma das músicas escolhidas para o
lançamento da nova estrela fora ‘<b>Bote... bote...</b>’ de <b>Dorival Caymmi</b>. Sendo um
arranjo difícil e estando a cantora nervosa e mesmo não conhecendo bem o estilo
d’ Os Cariocas, erraram diversas vezes durante o correr dos ensaios.<br />
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Heleninha sentiu que Ismael tivera pouca paciência com ela, pois quando pediu-lhe mais detalhes sobre o arranjo, ele, de ‘cara amarrada’, disse: ‘Você entra aqui, modula depois, neste sol, aqui há uma pausa de dois tempos... Entendeu?'<br />
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‘Entendi, sim, obrigada!’, respondeu Heleninha, bem compreendendo o mau-humor do colega. No entanto, pensou: ‘Ele deveria saber que é o arranjador e conhece bem a música. Meu Deus, como é que eu vou cantar isso?’<br />
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Iniciado o programa, o locutor anunciou a estreia da noite. Heleninha aproximou-se do
microfone e o resultado, como era de prever, foi desastroso. Heleninha errou e diversas pessoas notaram. Ismael murmurou um ‘diabo!’ entredentes. Ela, daquela data em diante, não mais dirigiu uma palavra ao arranjador que lhe fizera cometer tal gaffe logo na sua estreia. </span></div>
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Ismael ficou com pena da jovem cantora e lamentou a sua falta de atenção.
O arrependimento, porém, foi tardio. Durante
longo tempo os dois se mantiveram brigados. <o:p></o:p><br />
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Os meses passavam.
Devido a designações da estação, muitas vezes Heleninha tomava parte no mesmo programa
com Ismael, e como era de se esperar, os dois voltaram às boas. Ismael pediu
desculpas e a estrela aceitou.<br />
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Tornaram-se bons
amigos. A raiva que se dispensavam mutuamente se transformou em amizade. Quando ele tinha um show sempre a convidava para tomar
parte, e quando ela era convidada para um espetáculo sempre envidava o melhor
de seu esforço para que Ismael também fosse chamado.<br />
<br />
Essa amizade já se
estendia por 3 anos. Aproximando-se o verão, os dois, frequentemente eram
convidados para shows carnavalescos. A genitora de Heleninha , devido a alguns
compromissos, de um momento para outro viu-se impossibilitada de acompanhar a
filha aos seus espetáculos.<br />
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Heleninha pediu a
Ismael que a acompanhasse. Este, de bom grado, atendeu-a e depois dos shows
saíram juntos. Surgiu o namoro que ambos ocultavam de suas famílias. E por fim,
o arrependido Ismael pediu em casamento a sensível Heleninha. Estão noivos e
felizes.<br />
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Tendo que voltar de
shows altas horas da noite, Ismael se prontificou a deixá-la no caminho de
casa... ele mora em Lins de Vasconcelos e ela no Flamengo. <o:p></o:p></span></div>
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Assim nasceu o amor.
Vieram os passeios, as trocas de confidências e os planos. Ismael tornou-se uma
espécie de empresário de Heleninha e é hoje quem resolve a maioria de seus
negócios. No futuro, segundo nos declarou, ele pretende abandonar o radio,
depois que alguns anos tiverem passado e tenham nascidos alguns pimpolhos para
alegrar seu lar.</span></div>
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<span style="font-family: arial; text-align: justify;">Revista do Radio, <b>9 January 1951</b>; article written by <b>Antonio Rocha</b>.</span></div>
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Ismael se compenetrou de seus deveres de noivo: ‘Anteriormente não tinha razão para viver. Era desinteressado em tudo. Não levava nada a sério. Mas hoje, <b>Paulo Marques</b> tem que ter outro companheiro para as farras, porque delas só resta a lembrança...’<o:p></o:p><br />
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<span style="font-family: arial;"><b>Heleninha</b> confirma, dizendo que <b>Ismael</b> também representa o seu maior estímulo. E olha para ele, perguntando suavemente: ‘<b>Posso dizer, bem?</b>’ Ismael reluta, mas acaba assentindo e Heleninha nos diz: ‘Há poucos dias comentava com o Ismael que o nosso amor deve ser diferente, pois com o passar dos dias parece tornar-se mais intenso, ao invés de arrefecer, como acontece com tantas pessoas...’</span></div>
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<span style="font-family: arial;"><b>Ismael</b> sorri, acende um cigarro e retruca, quando lhe perguntamos quais são os planos para o futuro: ‘Esperamos empreender uma viagem de estudos à Europa. Espero tornar-me compositor clássico e sei que para isso é necessário muito estudo e perseverança.'<o:p></o:p></span></div>
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‘Você sabe’, diz repentinamente Heleninha, ‘o Ismael é um dos raros homens que eu conheço que gosta de vestidos apertados e decotados. Antes eu usava vestidos simples, mas notei que ele preferia deste tipo que uso agora. Por isso...’<o:p></o:p></span></div>
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Sorriram todos. Em seguida perguntamos sobre os preparativos para o casamento. ‘Já compramos um apartamento no <b>Leme</b>. E não resta a menor duvida que este é o maior problema para os noivos de hoje.’<o:p></o:p></span></div>
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Os ponteiros pareciam pular. Heleninha tinha que sair para gravar ‘<b>Cartas de amor</b>’, uma versão de Lourival Faissal do famoso fox ‘<b>Love letters</b>’, de Victor Young e letra de Edward Heyman. ‘Nunca tivemos necessidade de nos corresponder, pois para onde quer que eu vá sempre o Ismael me acompanha, por isso essa gravação de ‘Cartas de amor’ é oferecida a ele’, diz Heleninha.</span></div>
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Ismael diz que o casamento será em Dezembro de 1951 e que passarão a lua-de-mel em Buenos Aires ou São Paulo... tudo depende da Radio Nacional. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMRH1AY81cPJ1WuD9jdzKdd4FuXgahMle16M28F6Mg46c8G8vir_5xsRBeCHZmEcAPo6K_FENpVf_IcMWlfyI56Pm0QElj3tkaQiLhqm2mnnCOYQlA5z5RTvz91Vx40mrDPcpHE_30CNw/s1600/Heleninha.4.Dez.1951.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMRH1AY81cPJ1WuD9jdzKdd4FuXgahMle16M28F6Mg46c8G8vir_5xsRBeCHZmEcAPo6K_FENpVf_IcMWlfyI56Pm0QElj3tkaQiLhqm2mnnCOYQlA5z5RTvz91Vx40mrDPcpHE_30CNw/s320/Heleninha.4.Dez.1951.jpg" width="320" /></span></a></div>
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Heleninha Costa & Ismael Netto got married on <b><span style="color: orange;">4 December 1951</span></b>, at the Catholic Church of <b>Nossa Senhora da Gloria</b> (Our Lady of Glory) at <b><span style="color: orange;">Largo do Machado</span></b>, in <b>Laranjeiras</b>. Even though Ismael was a member of the <b>Baptist Church</b>, a Calvinist sect, he agreed with a Catholic wedding to please Heleninha. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikNd_YsHu1NvMlPYOgnjHFQUcUhbqXZz1sGUxDpkAtpjfvAKHiRIyGQyew6O3qPCrwPwWMKow6dscvdaNVJM9coZRQa6Xt7v461gEEhPgbqVorJLBlKNlSDC4K5iRk1ZANEATC5p-Yt60/s1600/Heleninha.Jornal.Mo%25C3%25A7as.a.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1036" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikNd_YsHu1NvMlPYOgnjHFQUcUhbqXZz1sGUxDpkAtpjfvAKHiRIyGQyew6O3qPCrwPwWMKow6dscvdaNVJM9coZRQa6Xt7v461gEEhPgbqVorJLBlKNlSDC4K5iRk1ZANEATC5p-Yt60/s640/Heleninha.Jornal.Mo%25C3%25A7as.a.jpg" width="414" /></span></a></div>
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'Jornal das Moças', 3 January 1952: the wedding of the year: Heleninha Costa & Ismael Neto.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihAqOhGwgDGiKJQXj1kqrKFhLE9jwc88UQNLbvIDgs-Wiwb-M4doMiP9YsQ8cuEA3ZCuevwnUEXOmpOqF0vW0dw2v-hYoRHZ8Q18NHTQ44bU4l-Gyk8Vgw0weh3El3tJ_DZdiZmz0I6ec/s1600/Heleninha%2527s.wedding.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="1600" data-original-width="1059" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihAqOhGwgDGiKJQXj1kqrKFhLE9jwc88UQNLbvIDgs-Wiwb-M4doMiP9YsQ8cuEA3ZCuevwnUEXOmpOqF0vW0dw2v-hYoRHZ8Q18NHTQ44bU4l-Gyk8Vgw0weh3El3tJ_DZdiZmz0I6ec/w423-h640/Heleninha%2527s.wedding.bmp" width="423" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh52PAoh25YzaubSzBvG46dG8-mgrlSgxTiJmHg7MTF0UcNa1izd4zyxzzkGasGxJPI50uN074sJ-OgMsnqs75qI5yPCZ2N9dA_3xb_n12TBo0EkdvuIqfhuYhGWCo9JEmrzCI84cDkN_M/s1600/Heleninha%2527s.wedding.c.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="970" data-original-width="618" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh52PAoh25YzaubSzBvG46dG8-mgrlSgxTiJmHg7MTF0UcNa1izd4zyxzzkGasGxJPI50uN074sJ-OgMsnqs75qI5yPCZ2N9dA_3xb_n12TBo0EkdvuIqfhuYhGWCo9JEmrzCI84cDkN_M/s640/Heleninha%2527s.wedding.c.bmp" width="406" /></span></a></div>
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Heleninha's father Eduardo de Andrade Costa leads her the aisle...</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3WyVdXqX-bWaS38YvPvyPXl-XTcbITcRDDhK6VBpsNhME0GCP4YuTRhimLl6Kxnn3B26ZRp75RogTaUyGyRWkO5oskyYJ37TdFDHC4jnI_vRPociT_95n7JEwWMn0oX9H_pBb4_g3P8E/s1600/Heleninha.Ismael.Dick.Farney.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="562" data-original-width="1169" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3WyVdXqX-bWaS38YvPvyPXl-XTcbITcRDDhK6VBpsNhME0GCP4YuTRhimLl6Kxnn3B26ZRp75RogTaUyGyRWkO5oskyYJ37TdFDHC4jnI_vRPociT_95n7JEwWMn0oX9H_pBb4_g3P8E/s640/Heleninha.Ismael.Dick.Farney.jpg" width="640" /></span></a></div>
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best man <b><span style="color: orange;">Dick Farney</span></b>, <b>Ismael, & Heleninha</b>, radio-actress <b>Ismenia dos Santos</b> & <b>Victor Costa</b>, director of Radio Nacional at the Catholic Church at Largo do Machado, Laranjeiras. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqDeBhyphenhyphenQXVP3ZQ0VydIqW_elmfYgxWSuGzRCM3U1NVD7KRxJKlkfnX-D3r0TfJF4miGVBdhHFmhNYGWBWLWAvTdfejdwvZbDC6It_ux4DltJwdnXKpLoEdnhIcRA2LLngbF9Jo0gR_bA/s1600/Heleninha.Ismael.Catholic.Church.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="526" data-original-width="775" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqDeBhyphenhyphenQXVP3ZQ0VydIqW_elmfYgxWSuGzRCM3U1NVD7KRxJKlkfnX-D3r0TfJF4miGVBdhHFmhNYGWBWLWAvTdfejdwvZbDC6It_ux4DltJwdnXKpLoEdnhIcRA2LLngbF9Jo0gR_bA/s640/Heleninha.Ismael.Catholic.Church.jpg" width="640" /></span></a></div>
<div class="separator" style="clear: both; text-align: justify;"><span style="font-family: arial;">best man <b>Dick Farney</b> watches while a Catholic priest blesses the bride & groom. Even though <b>Ismael</b> belonged to a Calvinist church denomination he submitted to <b>Heleninha</b>'s wishes to marry according to the Catholic Church rites. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha6sK1tlNubJ50JcGNTzkmMf1YvtYtmEV_RrThPvykDK8fRxzx_-st7WkP2gNvLodNVjh6nvSUPnPUagbUGxZVrXwu4pedO1d_eT0899AKrkeOa68dkej4LINXw6QCOy_n-j18cPhM_4Q/s1600/Heleninha%2527s.wedding.b.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="941" data-original-width="613" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha6sK1tlNubJ50JcGNTzkmMf1YvtYtmEV_RrThPvykDK8fRxzx_-st7WkP2gNvLodNVjh6nvSUPnPUagbUGxZVrXwu4pedO1d_eT0899AKrkeOa68dkej4LINXw6QCOy_n-j18cPhM_4Q/s640/Heleninha%2527s.wedding.b.bmp" width="416" /></span></a></div>
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Heleninha signs up while Ismael & her father look on. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiofE2FG-VCrlo21HbFspIZQJby130axGoW8gxx52PM2UjkYEYkXLb9bgMrIfOCDu7Ap5wj9UCoIe0e174AkmQYUW8bzcPvkr6I7mNLZloEji3oK9_0iKpFNPHwYLROCMjjBhS6OMwGtKU/s1600/Heleninha%2527s.wedding.a.bmp" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" data-original-height="557" data-original-width="617" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiofE2FG-VCrlo21HbFspIZQJby130axGoW8gxx52PM2UjkYEYkXLb9bgMrIfOCDu7Ap5wj9UCoIe0e174AkmQYUW8bzcPvkr6I7mNLZloEji3oK9_0iKpFNPHwYLROCMjjBhS6OMwGtKU/s400/Heleninha%2527s.wedding.a.bmp" width="400" /></span></a></div>
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Heleninha & Ismael cut the wedding cake; Dick Farney smiles...</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga55Pk_Y2ulxT4Npbc038vfLF69Lq6lb3CmatC_B4PaPbqzXLyAn5OD9Pi3KM5oFrdLp2a0-8MUUqJimM8APHjj-nUGT7SVwPVl8jltPTDG2-8eDxNoLqHtXsV6fY3ZTYuuUdDd-dkyJA/s1600/Ismael.Heleninha.cegonha.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga55Pk_Y2ulxT4Npbc038vfLF69Lq6lb3CmatC_B4PaPbqzXLyAn5OD9Pi3KM5oFrdLp2a0-8MUUqJimM8APHjj-nUGT7SVwPVl8jltPTDG2-8eDxNoLqHtXsV6fY3ZTYuuUdDd-dkyJA/s640/Ismael.Heleninha.cegonha.jpg" width="446" /></span></a></div>
<span style="font-family: arial;"><div style="text-align: justify;">Revista do Radio shows a photo-article about the happy couple in their love nest at Leme. The magazine depicts Ismael as thinking about the arrival of a <b>baby brought in by the stork</b> herself. These were cute pieces Revista do Radio published to delight their mostly female readership.</div></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMPVOKRtqRvCfmubGvO8f7wYKjLQ-i_AffbLN13pI_jVkxWlpIhMB0NqxGamJbwgvDzJqRBj-Lm_JSOZB8mFiL6SlISCahlctBCb8Yr9LJhb9UjGd17tqONzUOOZnUAstDt1IzDnnupC0/s1600/Ismael.Heleninha.shower.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMPVOKRtqRvCfmubGvO8f7wYKjLQ-i_AffbLN13pI_jVkxWlpIhMB0NqxGamJbwgvDzJqRBj-Lm_JSOZB8mFiL6SlISCahlctBCb8Yr9LJhb9UjGd17tqONzUOOZnUAstDt1IzDnnupC0/s640/Ismael.Heleninha.shower.jpg" width="640" /></span></a></div>
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Ismael having a shower while helpful Heleninha fetches him his towel.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgACuvZqcIExK_GbJkMGxCqSLDoRdwM-xDqfzsLgjRamYLDPeNoUKh5kSQnFZ6fCxi031Cw6gmxSIjx7F-P9EGbTHJYvzYVpfL22BB4CzggZQwPSJWy36cv2tsMRw9VMVVr58BaG0N0Pl8/s1600/Ismael.Heleninha.Copacabana.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgACuvZqcIExK_GbJkMGxCqSLDoRdwM-xDqfzsLgjRamYLDPeNoUKh5kSQnFZ6fCxi031Cw6gmxSIjx7F-P9EGbTHJYvzYVpfL22BB4CzggZQwPSJWy36cv2tsMRw9VMVVr58BaG0N0Pl8/s640/Ismael.Heleninha.Copacabana.jpg" width="640" /></span></a></div>
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strolling down <b><span style="color: orange;">Avenida Atlantica</span></b>, Copacabana. They live in a flat in Leme. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUrn-t92n8FZAMocXqdb8ptgBQ2NocEN8K0-45_8uvllyg24YFK5lcXekPyJPC-n3VvbJVGPXee22xwfD2FKkO9uJurg_uP53lD5l1eyURDAsR-wIkQDO061KIFou6aUzWKHp7eFhwV8U/s1600/Ismael.Heleninha.clothes.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUrn-t92n8FZAMocXqdb8ptgBQ2NocEN8K0-45_8uvllyg24YFK5lcXekPyJPC-n3VvbJVGPXee22xwfD2FKkO9uJurg_uP53lD5l1eyURDAsR-wIkQDO061KIFou6aUzWKHp7eFhwV8U/s640/Ismael.Heleninha.clothes.jpg" width="640" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzSBYcVZDb-yUCUXkCMFipq1PNppSABXhkB92SDvwfhkv0-to_7spMQU_HPtba2Tw9MRxH09e4PtqdFbfyIn1_Go_ASq9w4BvUY4z6uEWjFZ9zR28oC9UXzK3aHPTkS7FrBf_CN7oLNkc/s1600/Ismael.Heleninha.baloons.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: arial;"><img border="0" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzSBYcVZDb-yUCUXkCMFipq1PNppSABXhkB92SDvwfhkv0-to_7spMQU_HPtba2Tw9MRxH09e4PtqdFbfyIn1_Go_ASq9w4BvUY4z6uEWjFZ9zR28oC9UXzK3aHPTkS7FrBf_CN7oLNkc/s640/Ismael.Heleninha.baloons.jpg" width="640" /></span></a></div>
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Heleninha relaxes while Ismael cares about her.</span></div>
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Heleninha & Ismael kissing time.</span></div>
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<b><span style="font-family: arial; font-size: large;"><span style="color: orange;">Ismael Neto</span> (30) <span style="color: orange;">dies suddenly on 31st January 1956</span></span></b></div>
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To everyone's surprise and consternation the news of the demise of <b>Ismael de Araujo Silva Netto</b>, hit the Brazilian show business world with disbelief and sadness on Tuesday morning. Ismael had just turned 30 years old only on 7 December 1955.</span></div>
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Not much was known about his health except that Ismael felt ill on the Monday, 30 January 1956, and his family rushed him to Hospital Dr. Gerson de Paula Lima, on Rua Conselheiro Josino, 34, near the Brazilian Senate in Rio de Janeiro, where he stayed overnight. Before noon on Tuesday, the Hospital declared that Ismael Netto had died of <b>liver failure</b>. A liver crisis had set in but no further details were forwarded to the press. </span></div>
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Apparently Ismael's health was good. He never missed a day's work at Radio Nacional or failed to show up at gigs he had with Os Cariocas at night clubs or at his wife's Heleninha Costa musical dates. Judging by photos taken in recent past one might say Ismael was perhaps a little over his right weight.</span></div>
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Revista do Radio - as usual - took a photo of Ismael's body laid in state. It may be considered tasteless nowadays, but it was common practice in Brazil in the 1950s.</span></div>
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<b><span style="font-family: arial;">Ismael de Araujo Silva Netto</span></b></div>
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* 7 December 1925, in Belém-PA</span></div>
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+ <b>31st January 1956</b>, in Rio.</span></div>
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the unthinkable happened: <b>Ismael Neto</b> died suddenly on <b>31st January 1956.</b></span></div>
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Ao findar-se a manhã de terça-feira, dia <b>31 de janeiro de 1956</b>, num quarto do <b>Hospital Dr. Gerson de Paula Lima</b>, na rua Conselheiro Josino, 34, na Esplanada do Senado, falecia <b>Ismael
Neto</b>, chefe do conjunto <b>Os Cariocas</b> e compositor de ‘<b>Valsa de uma cidade</b>’ e ‘<b>Canção
da volta</b>’ entre várias.<br />
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Figura das mais populares nos meios artísticos, Ismael
era <b>casado</b> com a cantora <b>Heleninha Costa</b>, desde <b>4 de dezembro de 1951</b>, depois
de um noivado que os fãs acompanharam com enternecimento.<br />
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Vivendo felizes,
conforme divulgavam as reportagens fotográficas que a <b>Revista do Radio</b>, por
diversas vezes publicou com o casal. <b>Heleninha</b> e <b>Ismael</b> entendiam-se
carinhosamente, vivendo uma longa lua-de-mel que só a morte fez terminar. <o:p></o:p><br />
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Nada parecia indica
nele qualquer enfermidade mais séria. Robusto, sempre alegre e cordial, Ismael
Neto jamais deixara de comparecer aos ensaios e programas na <b>PRE-8</b>. Ele e
Heleninha sabiam receber os amigos e comparecer às festas do radio. <o:p></o:p></span></div>
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Atacado,
repentinamente, de um mal do fígado, foi ele recolhido, na segunda-feira, véspera de seu
desenlace, àquele hospital, falecendo horas depois, quando ainda nem se sabia
de sua enfermidade. A notícia consternou todo o radio e o público, ainda não
refeito da tristeza causada pela morte de <b>Augusto Calheiros</b> há menos de 3 semanas, em 11 de Janeiro de 1956.<br />
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O enterro foi no <b>Cemitério São João Baptista</b>, tendo a cerimônia de despedida sido oficiada por um pastor da <b>Igreja Baptista</b>, religião que professa a família. </span></div>
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<span style="font-family: arial;"><b>Heleninha Costa</b>, inconsolável é confortada por <b>Bob Nelson</b> e outros colegas do radio. </span></div>
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'Correio da Manhã' <b><span style="color: orange;">2 February 1956</span></b> - brings the shocking news of the Ismael Netto's death.</span></div>Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0tag:blogger.com,1999:blog-1006453439584379749.post-8341952673207371292017-04-08T04:15:00.001-07:002017-07-24T17:55:49.577-07:00Os Cariocas 1951<div class="separator" style="clear: both; text-align: center;">
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<b>Os Cariocas</b> were signed by <b>Radio Nacional</b> in <b><span style="color: orange;">December 1945</span></b>, as soon as they recorded their first 'demo' for the national broadcaster. </div>
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<b>Revista do Radio</b> printed this article on its issue no. 94 - <b><span style="color: orange;">26 June 1951</span></b> - in which they have a little talk with <b>Ismael Neto</b>, who was working at the offices of Radio Nacional. </div>
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Ismael tells how Os Cariocas came to be. How he dreamed of forming a vocal group like Bando da Lua and Anjos do Inferno since he were a child. How his father Severino had always been against his plans but ended up helping him. His father asked his friend Radamés Gnatalli, the musical director of Radio Nacional to give the boys a chance and that was it!</div>
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Os Cariocas are <b>Ismael Neto</b>, his younger brother <b>Severino Filho</b>, <b>Emanuel Barbosa Furtado</b> aka <b><span style="color: orange;">Badeco</span></b>, <b>Jorge Quartarone</b> aka <b><span style="color: orange;">Quartera</span></b> and <b>Waldyr Prado Viani</b>. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNOAwpPZH-nhRi6JvZMVZp6YQcy4y-ZpCBgerHl3uvbUzk2Tr16AiHhzvZ8hFpgVBBGcNohDkAEL7l_RLPGm5tvO4_IHh3CyXVFRTNww0fkHmWLviRJMrH0jfk3CLYe0lmANVr0oTzDJA/s1600/Cariocas.b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNOAwpPZH-nhRi6JvZMVZp6YQcy4y-ZpCBgerHl3uvbUzk2Tr16AiHhzvZ8hFpgVBBGcNohDkAEL7l_RLPGm5tvO4_IHh3CyXVFRTNww0fkHmWLviRJMrH0jfk3CLYe0lmANVr0oTzDJA/s1600/Cariocas.b.jpg" /></a></div>
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Os Cariocas in the early 1950s: Waldyr, Badeco, Quartera, Ismael & Severino.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit8NCh_KV-jWMT01tVoOVV9-_SqlCLtwye9_eK4QPvkEucGm8ZzkTIyXhtT1xRePHyWYUpdv8rCwwhgFByj0EGphITHvnKyoEQQMp8orhg4i9miZB3LZ0-tNzmASRTQD0c5v1QZ2JX7eM/s1600/RR.Cariocas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit8NCh_KV-jWMT01tVoOVV9-_SqlCLtwye9_eK4QPvkEucGm8ZzkTIyXhtT1xRePHyWYUpdv8rCwwhgFByj0EGphITHvnKyoEQQMp8orhg4i9miZB3LZ0-tNzmASRTQD0c5v1QZ2JX7eM/s640/RR.Cariocas.jpg" width="417" /></a></div>
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Localizamos <b><span style="color: orange;">Ismael
Neto</span></b> na sala de ensaios da <b>Radio Nacional</b>, ao lado de <b>Nestor de Hollanda</b>, onde trabalhava
num samba com o título de ‘<b>Seu nome não é Maria</b>’, que será gravado por <b>Dick
Farney</b>. Procuramos Ismael para
falar sobre <b><span style="color: orange;">Os Cariocas</span></b>, de quem é o chefe e fundador. </div>
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Desde a infância que eu
sonhava com um conjunto musical. Organizava reuniões na beira das calçadas e
com uma flauta de bambu dirigia pitorescos shows. Eu gostava também de pintura
e desenho, mas musica vinha primeiro. Quando apareceram mais 4 rapazotes com a
mesma ideia, nasceu o conjunto. Cantávamos as músicas do <b>Bando da Lua</b> e dos
<b>Anjos do Inferno</b>. A coisa ia bem e, embora nossos pais se opusessem tenazmente àquele divertimento que nos roubava
horas de estudo, um dia nos apresentamos no programa '<b>Papel Carbono</b>' da Radio Clube. </div>
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<b><span style="color: orange;">Badeco</span></b>, que já é quase um arquiteto, faz questão de frisar: 'Não esqueça de dizer que somos da Tijuca'. O conjunto nasceu na rua Hadock Lobo, 217. <b><span style="color: orange;">Jorge</span></b>, o <b><span style="color: orange;">Quartera</span></b>, que possui um fino senso de humor, sugere a afixação de uma placa
histórica no prédio onde o conjunto nasceu.</div>
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Na segunda vez que nos apresentamos no <b>Papel Carbono</b>, conseguimos o primeiro lugar, o que encheu de orgulho ao meu bondoso pai, que era do contra, mas tornou-se à favor. Ele era muito amigo do maestro <b>Radamés Gnatalli</b> e pediu-lhe que nos facilitasse a gravação de um disco.<br />
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Radamés prontificou-se
a atender e combinamos o dia da gravação, que seria feita aqui nos estúdios da
<b>Radio Nacional</b>. Chegado o dia, cantamos. Estávamos certos que apenas
gravaríamos um disco para o meu velho pai e executamos a música com toda naturalidade.
Acontece, porém, que, naquele tempo, na Radio Nacional, a gravação de um disco
constituía um teste, o que ignorávamos. Estou certo que se soubéssemos o que
fazíamos , teríamos ficado nervosos e talvez hoje não estivéssemos aqui. <o:p></o:p></div>
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<b>Haroldo Barbosa</b> ouviu
a gravação e no outro dia fomos contratados. Isso foi em <b><span style="color: orange;">Dezembro 1945</span></b> e até
agora, aqui estamos. Já gravamos inúmeras músicas e nossos últimos discos são ‘<b>Tim-tim
por tim-tim</b>’, de <b>Haroldo Barbosa </b>e <b>Geraldo Jacques</b>, <o:p></o:p>e ‘<b>Caminho errado</b>’, de
<b>Paulo Marques</b> e desse seu criado.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXDYPTPT-u9wJnOyyKl7bJcFM71Pr9ckFuoQthz6ltVJfJdf8oZJQBa3Mj7z4DyivmF_GzwUz4B-GR2K0W6xgKlfZ7KuS5x3Ia49_InXaqAgKTBe6w5XNbZ8Vj66qPWrvQbXRCba_DZ70/s1600/Cariocas.1952.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="506" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXDYPTPT-u9wJnOyyKl7bJcFM71Pr9ckFuoQthz6ltVJfJdf8oZJQBa3Mj7z4DyivmF_GzwUz4B-GR2K0W6xgKlfZ7KuS5x3Ia49_InXaqAgKTBe6w5XNbZ8Vj66qPWrvQbXRCba_DZ70/s1600/Cariocas.1952.jpg" /></a></div>
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Os Cariocas in 1952. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSAZDAMaJ0ziWgOLJZF_2C3WVX2WDYWqhvepGxvuTU0AW-Jqc4o7r0BD-NZjpLfdj5WTpcHZXsIckwx6aPK_ZZOMKE6vZANBnhPmrz5wQHVya2dDGj2KLh4AeNe0eW_KVfF9Qa01NphM/s1600/I0052808-6Alt%253D001162Lar%253D000827LargOri%253D004412AltOri%253D006195.a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1078" data-original-width="783" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSAZDAMaJ0ziWgOLJZF_2C3WVX2WDYWqhvepGxvuTU0AW-Jqc4o7r0BD-NZjpLfdj5WTpcHZXsIckwx6aPK_ZZOMKE6vZANBnhPmrz5wQHVya2dDGj2KLh4AeNe0eW_KVfF9Qa01NphM/s640/I0052808-6Alt%253D001162Lar%253D000827LargOri%253D004412AltOri%253D006195.a.jpg" width="464" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ren2T7xWB_TaPC_-verQ6dwNnEYvEsHGCiprQVsCOjtIGVTjnnHHVwXv_XQjbv7NQWaKizECgpFBs7NUNu7ip_hQiQ34bFDDpzFU9HsJlIH7zHtkElSk57KnweR75_tQag-_qx1VoYw/s1600/Ismael.19.Feb.1956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ren2T7xWB_TaPC_-verQ6dwNnEYvEsHGCiprQVsCOjtIGVTjnnHHVwXv_XQjbv7NQWaKizECgpFBs7NUNu7ip_hQiQ34bFDDpzFU9HsJlIH7zHtkElSk57KnweR75_tQag-_qx1VoYw/s1600/Ismael.19.Feb.1956.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitW4Kksy7bw3um_nmo56ZI5hnwgV2lLhw7aw8h9mpKnJA4ub3MXua2PpE1tBuj0D-xfito5YTQngA5EbhkyCqmYoc19LTL7199Ao3uGQMm09iwKv5JB4WFDnpusJkb6HHIIlA7k5dXVDA/s1600/Cariocas.18.March.1956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitW4Kksy7bw3um_nmo56ZI5hnwgV2lLhw7aw8h9mpKnJA4ub3MXua2PpE1tBuj0D-xfito5YTQngA5EbhkyCqmYoc19LTL7199Ao3uGQMm09iwKv5JB4WFDnpusJkb6HHIIlA7k5dXVDA/s1600/Cariocas.18.March.1956.jpg" /></a></div>
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'Correio da Manhã' <b><span style="color: orange;">19 February 1956</span></b>; Os Cariocas perfom in Sao Paulo <b><span style="color: orange;">18 March 1956</span></b>.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvbghGM1yArlBwbUeVNa_wfTllDxc8DYH1shzygzxnOxJ9eOhEja_zSl8UVJOTTqhi5NJifr5VoJvTYuvcTGhuvXQ3WTcF6nt_awbIluDVXVOj2OGpdhRigOe7SxIHGJFYcnVm7YhOojU/s1600/Cariocas.15.March.1956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvbghGM1yArlBwbUeVNa_wfTllDxc8DYH1shzygzxnOxJ9eOhEja_zSl8UVJOTTqhi5NJifr5VoJvTYuvcTGhuvXQ3WTcF6nt_awbIluDVXVOj2OGpdhRigOe7SxIHGJFYcnVm7YhOojU/s400/Cariocas.15.March.1956.jpg" width="329" /></a></div>
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'Correio da Manhã' <b><span style="color: orange;">15 March 1956</span></b>; Hortência Jessé debuts with Os Cariocas, 2 months after Ismael's death.</div>
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Os Cariocas soon after Ismael Neto's demise in 1956.</div>
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When Ismael Neto died on 31st January 1956, his sister Hortência Silva took his place with Os Cariocas.</div>
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three members of Os Cariocas on the foreground; Antonio Carlos Jobim, João Gilberto & Vinicius de Moraes further back at Au Bon Gourmet in 1963. </div>
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Severino Filho, Quartera, Badeco & Luiz Roberto in 1966.</div>
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1966.</div>
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1964.</div>
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Carlus Maximushttp://www.blogger.com/profile/04093064323809274992noreply@blogger.com0